Category Archives: Protest

Review: ‘The Minimum Security Chronicles: Resistance to Ecocide’

Minimum-Security-Chronicles-Stephanie-McMillan

“The Minimum Security Chronicles: Resistance to Ecocide” is full of whimsy and wisdom as it follows its characters on a journey to save the planet. It’s all up to a group of friends to figure out if they can smash the capitalist system or just give up and go shopping. What makes Stephanie McMillan’s comic strip such a page-turner is her ability to find the right mix of humor and intelligent discourse.

Stephanie McMillan’s sense of urgency and comedy is irresistible. She has placed a whole new generation with the burden of saving the planet but they’re pretty clueless. There’s Kranti and Bananabelle, who just barely know the struggles from the past. Kranti, an African-American, is quick to join a protest rally and yell, “By any means necessary!” And Bananabelle, intuitively, recognizes that won’t go over well with the “mainstream liberals.”

Then there’s Kranti’s brother, Nikko, and his lover, Javier. They are both at the mercy of the current economic tide. Nikko manages to just get by with his design work. Javier, has let things slip in pursuit of his art and relies on Nikko’s meager income. All four of these unlikely heroes will be stretched to their limits as they try to do the right thing.

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Guidance and advice comes from Victoria, a theorist guinea pig; and Bunnista, a trigger-happy rabbit. Each of them, in their own way, have some wisdom to share but they are still working on the ultimate answers. Victoria is uncompromising in her ideals. Bunnista is too eager to blow things up.

As the story unfolds, we find ourselves exploring the available options to make this a better world: everything from community gardening to murder is on the table. What is really compelling about this comic strip is just how far it is willing to go. If Kranti and Bananabelle didn’t appreciate what was meant when someone said, “By any means necessary,” they certainly do by the end of this tale.

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Seven-Stories-Press-Stephanie-McMillan

One of McMillan’s goals with this particular story is to raise awareness of how corporations are raping the environment, specifically with bio-engineering. She is seeking answers. And the one thing she keeps returning to is the unequivocal need to rid ourselves of global capitalism. But, at every turn, she shows us how futile that effort appears to be. The great contradiction is that we have no choice but to fight the system, a fight that may appear to be too big to win. All life on the planet hangs in the balance. The only sure thing is that we must persist, live to fight another day. It’s a cliffhanger to the story of life that we must all live with.

And just how do you end capitalism? Well, that is an ongoing discussion. This current comics collection makes that clear. The subject is too vital and complex to address in just one book. For instance, McMillan has a guide to the people’s struggle, “Capitalism Must Die,” that will soon come out. For now, “The Minimum Security Chronicles: Resistance to Ecocide” provides an educational and entertaining look at what happens when people must confront the system.

Visit Stephanie McMillan at her website here.

“The Minimum Security Chronicles: Resistance to Ecocide” is published by Seven Stories Press. This book is a 160-page trade paperback priced at $12.71 and is set for release on October 8, 2013. Be sure to visit our friends at Seven Stories Press here.

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Filed under Comics, Editorial Cartoons, Environment, Occupy movement, Political Cartoons, politics, Protest, Seven Stories Press, Stephanie McMillan

Review: ‘The Beginning of the American Fall: A Comics Journalist Inside the Occupy Wall Street Movement’

The-Beginning-of-the-American-Fall-Stephanie-McMillan

“The Beginning of the American Fall: A Comics Journalist Inside the Occupy Wall Street Movement” does a remarkable job of giving you a sense of the Occupy movement by placing it into proper context. Yes, there is a healthy and vigorous unrest across the globe but what to do about it? At some point, the spirit of protest from the 1960s began to seem like a relic. There was the yuppie backlash of the 1980s. And there was a strident cynicism from Generation X that found Baby Boomers, on the whole, to be self-indulgent navel gazers of the highest order, especially when it came to their politics and activism. They are a tough crowd, those Gen Xers but that harsh critical outlook led to a whole new Do-It-Yourself movement. And from that, arose another generation with strong opinions, Generation Y, or the the Millennials. With social media and gadgetry at their command, this new generation finds itself all the more connected while also all the more self-absorbed.

This bring us back to the recent past and the present. Are people most likely to steer their own lives within relative safety and comfort or do they take notice of the social unrest they see on the news from time to time? That is the question that the author of this book had to pose to herself while still in high school in the early 1980s. Stephanie McMillan picked up a book that would change her life. It was “Fate of the Earth,” by Jonathan Schell which lays out the prospect of nuclear war and how nations are willing to put the planet at risk for the sake of warmongering. This galvanized McMillan into a life of activism. Shortly after that book, she read the newspaper, the Revolutionary Worker. This planted the seed in her mind that the solution to social ills would ultimately come through revolution. Thirty years later, and with plenty of experience in what is possible through protest, McMillan was to finally see in her lifetime a people’s movement on a grand scale.

McMillan sets the stage for us by highlighting some of the key characteristics of 2011, the year that the Occupy movement took hold:

Occupy-Wall-Street-Year-2011

Occupy-movement-2011

2011 is so recent that it may as well be today and at least the next few years ahead. It’s not a pretty picture, is it? Corporate greed goes unchecked, will continue to go unchecked, and people and the planet suffer for it. When McMillan goes into details about the rise of the Occupy movement, there is a palpable sense of urgency. We are drawn into her concern that the movement she had favored, “Stop the Machine,” was soon to be overshadowed by the rowdy new kid on the block, Occupy. It’s clear these are two very different approaches. Stop is highly organized and has a leadership structure. Occupy is founded on anarchism and relies upon collective decision-making. Will they be able to work together? Or will they work against each other? In a wonderful series of exchanges, McMillan draws for us how a people’s movement finds its way. Her illustrations are funny, irreverent, and quite honest. While she’s a participant in this story, she doesn’t shy away from depicting the inconsistencies, bickering, and mistakes that occur along the way.

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McMillan’s main concern is on the eventual work ahead. Throughout this book, we are treated to a treasure trove of insights, facts, and ideas on some of the best options when attempting to do the most good with the energy of mounting social unrest. McMillan boils it down to an unquestionable need to rid ourselves of global capitalism. It is capitalism that is the problem. But just how do you rid yourself of capitalism? Aren’t we all, at heart, hapless consumers? As Pogo, the celebrated comic strip character once said, “We have seen the enemy and the enemy is us.”

It is as if a goal is being proposed that is unattainable. Are we seeking to change the world or just a part of it? The answers are not all there but at least we’re asking questions. The very act of questioning is part of the answer! We are not mindless drones. It’s a fundamental impulse to resist oppression. This book proves to be an essential guide in this great new age of change.

“The Beginning of the American Fall” is published by Seven Stories Press. It is a 141-page trade, priced at $12.71 US. Visit our friends at Seven Stories Press here.

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Filed under Comics, Graphic Novel Reviews, graphic novels, Occupy movement, Protest, Seven Stories Press, Stephanie McMillan

Interview: FAR OUT ISN’T FAR ENOUGH: THE TOMI UNGERER STORY: Brad Bernstein, director and writer; Rick Cikowski, lead editor and lead animator

"Doctor Strangelove"  Movie Poster. Artwork by Tomi Ungerer.

“Doctor Strangelove” Movie Poster. Artwork by Tomi Ungerer.

FAR OUT ISN’T FAR ENOUGH: THE TOMI UNGERER STORY is a masterfully created documentary that will hit you on many levels. It is eligible for an Academy Award nomination for Best Documentary and deserves that level of recognition for being so careful to detail with its subject, artist Tomi Ungerer.

I had the honor of speaking with both Brad Bernstein, the film’s director and writer, and Rick Cikowski, the film’s lead editor and lead animator. Both men expressed their love for Tomi Ungerer and provide insight into the making of this impressive documentary, distributed by First Run Features.

For me, I can appreciate what happened to Tomi Ungerer when I look at the iconic poster he created for “Doctor Strangelove.” That poster, much like his “Black Power, White Power” poster are forever part of one’s psyche. And yet, in America, Ungerer’s work in children’s books is not widely known today. That work is just as powerful and was just as well known in its day, as anything else he has created. Thanks to Phaidon, we have many of his great works being reprinted in the United States. But, for decades, it was as if he’d been wiped out of memory in America. How could that be? That is a big part of the fascinating story that unfolds in this documentary.

Tomi Ungerer is a great talent and, for a man who has had a lifelong battle with fear, he is a most courageous man. For someone who grew up under the horror of the Nazis, and went on to conquer the world of illustration in its heydey in New York City, that alone is remarkable. But going that far out, wasn’t far enough for Ungerer.

“Far Out Isn’t Far Enough” brings together a seamless narrative boiling down numerous hours of interviews with Tomi Ungerer, Jules Feiffer, the late great Maurice Sendak, as well as other notable figures like art director and critic Steven Heller. Throughout the film you are treated to very deftly purposed animation that strikes the right cord, whether humorous or somber.

As Brad Bernstein explains, the initial attraction to Tomi Ungerer was his spirited expressions like, “Far Out Isn’t Far Enough.” That really says it all. Ungerer is a man who speaks his mind and does it quite well. His life and work are a testament to a strong will and this documentary honors that spirit very well.

You can listen to the interview with Brad Bernstein and Rick Cikowski by clicking the link below:

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And, as the say, tell your friends and spread the word about this documentary. You can visit the official site here and also follow on Facebook and Twitter.

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Filed under Art, Art books, Children's Books, Design, Documentaries, Erotica, Illustration, movies, pop culture, Protest, Social Commentary, Tomi Ungerer

FREE COOPER UNION: STUDENTS TAKE OVER PRESIDENT’S OFFICE

Free Cooper Union Black Banners

Free Cooper Union Black Banners

The fight is on to keep Cooper Union tuition free as was the explicit understanding of its founder, Peter Cooper. Following in the time honored tradition of a student “take-over,” students at Cooper Union are fighting to maintain a historically tuition-free education at one of the leading institutions of higher learning in the country.

Student Take Over of Office of President of Cooper Union, May 8, 2013

Student Take Over of Office of President of Cooper Union, May 8, 2013

Founded in 1859, Cooper Union has three schools, Art, Architecture, and Engineering. Notable alumni of the Cooper Union School of Art incude Seymour Chwast, Milton Glaser, Eva Hesse, Alex Katz, and Hans Haacke.

Follow developments on the move to Free Cooper Union at Twitter and at the Village Voice.

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Filed under Art, Capitalism, Cooper Union, Education, New York City, news, Occupy movement, Protest