Tom Morello’s ORCHID #11 Review (And Series Recap)

orchid11

“Orchid” is a gritty post-Apoc tale full of action and wit. There’s a flavor of “Game of Thrones” and “Mad Max” with a strong cast of characters from the get-go. We begin with this juicy concept: “When the seas rose, genetic codes were smashed.” Lovely, isn’t it? We are way past civilization! This is Tom Morello’s answer to a science fiction class war epic and he’s the man to do it. Since his heydey with Rage Against The Machine and up to the present, Tom Morello is someone very involved with social justice. Check out his site devoted to the cause here. So, yeah, this 12-issue comic is definitely a natural for him to do. Each issue comes with a free music download which adds to your reading experience. At the moment, I’m listening to one of Tom’s podcasts. He is showcasing progressive music, starting off with Soundgarden. And, of course, Tom would agree, that is also very fitting for “Orchid.” Anyway, let’s see where we’ve been with this comic and why you will want to dive in yourself.

The main character, Orchid, a young woman forced into prostitution just to barely survive, is a powerful symbol for the disenfranchised world-wide. Across her chest she has a tattoo that says, “PROPERTY,” and on her right arm, another tattoo to remind her to, “KNOW YOUR ROLE.” She is what she is. She grew up hated, hungry, unloved, and she could be living in a post-Apoc world or somewhere on the planet right now. Look at Orchid as a strong symbolic character that avoids getting didactic, and you’ll get into what keeps this comic going. This is story of what happens when the world is ripped apart, the 99 percent are left to fend against genetically mutated creatures, and the wealthy 1 percent rule in cities high above. The wealthy do what they want with people like Orchid. It is Orchid’s destiny to lead a rebellion.

And there’s this mask. You’ll see it many times on the covers to “Orchid” and it holds a key to escape. If a worthy person wears it, they can harness the energy they need to fight the power. It used to belong to a rebel leader, General China, and, once he’s dead, the mask is a free agent. We’ll get back to that.

Buffy Scott Hepburn

Keeping this rig moving like it should, is the artwork of Scott Hepburn, a Dark Horse Comics veteran, who knows how to kick ass. It looks and feels like Mr. Hepburn has a lot of experience with women in his life. We are not getting shallow cheesecake from this guy. There’s girl power, serious girl power, at play.

Simon is a very important character. He is book smart in an illiterate world. You could say we’re already in a illiterate world and you’d be right. That’s one of the big hints in this story. Wake up, guys, we’re already on the brink! Gloabl warming. Corporate greed. Misguided consumerism. The cocktail has been mixed. So, again, Simon is important. Since he managed to squirrel himself away within reach of some of the last remaining things to read, he’s gotten to exercise his mind and is able to articulate his thoughts in a more sophisticated manner than what’s left of the average person. Any hint of refinement, of a precise turn of phrase, rubs the locals the wrong way. “You talk funny, mister!” is the usual response he gets to whatever he says. And he also happens to have picked up some cool robotic powers. He’s the perfect mentor, or is it sidekick? for Orchid. They are thrown together after Orchid’s mother is brutally murdered. It’s Orchid, her little brother, Yehzu, and Simon against the powers that be.

And then there’s Opal and we return to that mask. Opal is a wierdo old woman who might not look like much but, with just one hand, she can strike down a mutated grizzly bear. That is after she slips on the legendary mask. That’s because she has a direct link to the only other person to not only have survived wearing the mask but have also gained superhuman powers from it, the legendary General China. He and Opal had been mere bridge people, young sweethearts, when China’s fate was cast with the mask. After saving Orchid and the gang from that bear, now Opal’s fate is cast with the mask too.

Orchid Dark Horse 2012.jpg

The path to glory will be harsh as the cursed mask makes it way to Orchid. After many deaths, much blood spilled, it all comes down to Orchid, the whore turned saint. We see Orchid evlove into something far more than she would ever have imagined, ever have dared to dream. It is a story about sheer determination and power in numbers, the power of the people. That mask even turns Orchid into an orator. She uses language far more effectively to rally the crowds than Simon ever could! Now, it’s just a matter of one last bloody battle with the mad dictator, Tomo Wolfe.

“Orchid #11” comes out December 12 and the final issue will arrive January 16, 2013. Visit our friends at Dark Horse Comics.

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Filed under Comics Reviews, Dark Horse Comics, Horror, Tom Morello

BUFFY THE VAMPIRE SLAYER SEASON 9 #16 Review

Buffy Season 9_16_Alt

It has been some time since we’ve seen Buffy in her old digs in San Fran. You would have to go back to Issue 7. Since then, she has gone from mild-mannered barista by day/reluctant Slayer by night to being turned into a robot to upgrading to work in highend security. Along the way, Willow has left the scene in her quest for magic; Spike has walked away; and we were introduced to, Billy, a new Slayer with a lot to prove. With Issue 16, we begin a new arc, “Welcome To The Team,” which refers as much to Billy as it does to Buffy returning to working with Detective Dowling in the SFPD’s mad quest to rid itself of a zompire infestation the likes of which no one has ever seen. These zompires are industrial strength and there is no accounting for it.

Whew, that is the most concise recap I can give you. So, what else is happening on the Buffy flagship comic? It seems a concensus has formed in favor of giving Buffy some semblance of normalcy. She is back in her old apartment with her old roomies, Xander and Dawn. Buffy gets to experience stuff like accepting an invite to drink tea while watching a reality tv show she probably could do wihtout or having a friend of Dawn’s just innocently digging around Buffy’s clothes searching for something to wear for a night out clubbing. Really normal, random, dull, annoying bits of life but grounded and real which Buffy appreciates.

Neither man nor woman can live by bread alone. As you all know, our boy Spike has had his hands full as of late with a potential substitute for Buffy. And, as it goes for Buffy. Props to Andrew Chambliss for writing in this potential romance. It runs very smoothly, one of those situations where both parties are a little confused about whether or not they’re actually dating. Another one of those very real facts of life which may very well be lining up to mirror what happened to Spike in one way or another.

Then we have the zompire action. Georges Jeanty (pencils) and Dexter Vines (inks) are doing a great job with living and breathing interiors, exteriors, and zompires! These creatures have some unique traits to them looking quite fierce, almost reptilian. We really get it that these zompires are strong and, perhaps, one in particular. And, just as Buffy is getting a handle on her fight, something happens very unexpected.

I think Buffy fans are right on to wish for more and more Buffy stories. After what has been a bit of break, Buffy is back and fired up. The clash of being torn between the grounded and the supernatural is a lot of fun. I’d like to see even more location shots when possible and more extended slices of life like Buffy reading a book at City Lights, having lunch in Chinatown, or going to see a show at SFMOMA. What books or movies does Buffy like anyway? Maybe even have the zompires camp out at Fisherman’s Wharf for a bit and mix the mundane with the undead. Just a thought. I can’t wait to see what happens next.

“Buffy The Vampire Slayer #16” is out December 12 which is a big date that also sees a lot of other cool titles including “Orchid #11,” “Conan #11,” “The Strain #9,” “The Massive #7,” and many more. Expect more Dark Horse titles reviewed here at Comics Grinder.

Visit our friends at Dark Horse Comics.

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SINGLES: 20 Years Later and Still Not “The Best Movie Ever”

Singles 1992

It’s been 20 years since the high-spirited Paul Westerberg song, “Dyslexic Heart,” became a jingle for the movie, “Singles.”

If you really want to see the best movie ever made about the Seattle music scene that was Grunge, then you must see Doug Pray’s 1996 classic, “Hype!

Sure, we people who write about media can sometimes overdo calling something “the best ever.” I picked up a copy of “The Seattle Weekly” and, bam, their cover story is about the best movie about the Seattle music scene ever made. It’s a joke, in a way, since Mike Seely actually writes about the authenticity of 1989’s  “The Fabulous Baker Boys,” which is also a movie about music and set in Seattle. It’s a very contrived little piece of work by Seely full of chirpy movie commentary and loathing for himself and Seattle. But that is truly par for the course for “The Seattle Weekly,” a supposedly “alternative weekly” that behaves more like an out-of-touch company newsletter than anything else. This article, in its smug insularity, even manages to be homophobic. Is that really what Seattle is about? Uh, no, not the Seattle I believe in.

I will say this for “Singles,” it is good at what it does. It is supposed to be about a bunch of beautiful young people and it nails it. What’s so funny is that I remember, a year or so before “Singles” came out, while it was filming in Seattle, there was one record shop guy who went crazy thinking that a super cool movie was being made about records! Oh, how far from the truth that turned out to be. “Singles” has absolutely nothing to do with vinyl and everything to do with singles, as in being single, carefree and ready to spawn into the hit sitcom that was to become, “Friends.” Yes, there’s the “Singles” soundtrack and the movie is chock full of cameos with Eddie Vedder and the gang. But that is besides the point. And, if you’re looking for a major motion picture that does justice to the sort of mindset that was feverishly in play in Seattle some years back and still is today, as well as in any number of cities, then check out “High Fidelity.” That is the major motion picture that my record shop friend would definitely endorse.

Anyway, getting back to “Hype!” It’s there for you to enjoy on YouTube. Just like, in the future, “The Seattle Weekly” will be remembered as a chronicle of uptight Seattle, “Hype!” provides you with an inspiring look back at the DIY world of Grunge and beyond. Because, make no mistake, Grunge, that spirit of shedding away all constraints, lives on. You just have to see it to fully appreciate the vibe. For any Eddie Vedder haters out there, the big guy comes off very genuine in making the case that it really isn’t about the fame and money. Art Chantry, known for his landmark graphic design of grunge, shows off some vintage posters worth hundreds of dollars that he promptly destroys on his chopping block. A Sub Pop employee describes a call with “The New York Times” asking for the latest on the Seattle scene whereupon she makes up a bunch of current slang terms, stuff like “dish” for cute guy and “kickers” for boots, and, word for word, it gets printed. Does she care? No, because that’s what grunge is all about. It’s just good-natured pranking, not soulless snark.

What have we learned in the last 20 years? As “Hype!” makes perfectly clear, the best in rock is yet to come. We are not in any danger of losing new generations of disaffected youth. We will still have plenty of entertainment like “Singles” but we will also have new generations asking for a lot more. So, ask for more! Let’s start with this: the “Hype!” end credits song, “Dark Corner of the World,” by Young Fresh Fellows!

And, just for fun, let’s compare the track lists for the soundtrack to “Singles” and the soundtrack to “Hype!”

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Filed under movies, Music, pop culture, Seattle, Youth Culture

JUDD APATOW SHOW at GALLERY 1988

Judd Apatow Gallery 1988

Do you need to get your Judd Apatow fix in a really big way? Then you should try art inspired by the master of comedy! Yes, a whole show dedicated to Judd Apatow at Gallery 1988. If you’re in the LA area, stop by. Or go to the gallery site and keep hip and cool and take your pick. Here are a few more words coming to you directly from Gallery 1988:

Last night’s opening reception for our newest Judd Apatow inspired art show was a gigantic success, and we wanted to thank everyone who made up that insanely long line and stopped by, as well as all the artists who delivered such great work. We also wanted to send a special thank you to Judd Apatow, Seth Rogen and Martin Starr, who all swung by the show and let us embarrass them with dozens of pieces that adorned their face!

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Cathy Lee Crosby’s WONDER WOMAN, Second Season of Salkind’s SUPERBOY coming to DVD on December 11

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Before Linda Carter, there was Cathy Lee Crosby as Wonder Woman, if only for an ever so brief moment. Watch all the CLC/Wondy action this holiday season.

D500

And, while you’re at it, Warner Bros. has got you covered with the second season of the much acclaimed, “Superboy.” They both are on their way starting December 11.

More details follow:

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WILLOW #2 Review

Sometimes it takes a little time to settle into character. It seemed like Willow was coming off a tad too much action hero in the opener but, in this issue, we get a kinder and gentler Willow. We get our Willow! But, of course, we never lost her. We just needed more time to get a better look at where she’s been and where’s she’s going. Brian Ching’s artwork is spectacular. His style gives you the most energetic Willow we’ve seen so far. At first, that seemed too energetic but it appears that we’re seeing some softening of the edges from the first issue. Look for yourself and you’ll see. I mean, I was right to see a Laura Croft thing going gone. Ching has drawn “Tomb Raider” comics for Image so there you go. Anyway, you can see it as a refreshing change of pace and, for the rest of the issue’s look, hands down, Ching delivers on the “Wonderland” theme.

We start off this issue of Jeff Parker’s script with a larger-than-life, larger-than-football-stadium, creature, all teeth and multi-colored, ready to chomp down on Willow and her demon sidekick, Marrak. Since Willow is now in this new magical realm, her magic mojo is running smoothly. The girl can let fly with casting one spell after another. There’s always the danger that things could still go terribly wrong, but Willow manages to do what she needs to do in confronting this Hyberrax creature.

Willow seems to be on quite a lucky streak in this issue as she coasts through the magical, and quite beautiful, new realm she’s in. This issue is a showcase for Brian Ching’s pencils, Jason Gorder’s inks, as well as Dark Horse mainstay colorist, Michelle Madsen.

Jeff Parker’s script builds its way to something significant in this issue. It has to do with our problem about no magic back on planet Earth. As for the plot, it feels like a few pieces on the ole chessboard have been moved so we’ll have to wait and see how much further along we can get in forthcoming issues. The character development is coming along nicely. Willow feels like she’s rolling right along as she should, given her mighty quest for magic and all the pitfalls that lie ahead.

Willow #2 is out December 5. Visit our friends at Dark Horse Comics.

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PAUL KRASSNER AND THE ART OF THE OFFENSIVE CARTOON

Paul Krassner The Realist

Print Magazine’s Michael Dooley provides a profile on legendary iconoclast, Paul Krassner. If you are looking for the heart and soul of the counterculture in America, the roots of everything from “The Simpsons” to “The Daily Show with Jon Stewart,”  then look to Paul Krassner. As editor of “The Realist,” beginning in 1958, Krassner let loose all manner of refined, and unrefined, rebellion from the likes of such talents as Woody Allen, Norman Mailer, Art Spiegelman, Ken Kesey, Joseph Heller, Timothy Leary and S. Clay Wilson.

Dick Guindon The Realist Nov 1962

With a focus on the art of the offensive cartoon in this profile, you are bound to crack up over these vintage cartoons by Dick Guindon, Robert Gross, Sergio Aragones, B. Kliban, Dan O’Neil, Edward Sorel, and many more. You can read all about it here.

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Filed under Imprint, Michael Dooley, Paul Krassner, Political Cartoons, politics, pop culture, Print Magazine, The Realist

VANITY FAIR AND CADILLAC PRESENT: ART IN THE STREETS 2012: NEW YORK

McGee Hero NYC mural

For those of you in NYC: Vanity Fair and Cadillac unveiled “Art in the Streets 2012: New York,” a commission of original street art by Barry McGee.   Cadillac provided the artist with points of inspiration based on the core tenets of its ideology: uniquely American, bold creativity that surpasses expectation, and daring ingenuity that breaks all boundaries. The resulting mural, called Untitled 2012, installed in September on an exterior wall of the Mark Morris Dance Center in Brooklyn, New York, is showcased in a six-page custom advertising portfolio(photographed by Jason Schmidt) that appears in the December issue of Vanity Fair. In addition, Vanity Fair produced a short documentary-style behind-the-scenes video of the project that can be viewed beginning on November TK athttp://vf.com/artinthestreets.

Vanity Fair Cadillac McGee mural 2012
A cult figure who emerged from San Francisco’s Mission School art scene, Barry McGee first drew interest with his tagging and street art. He has since evolved into a globally recognized fine artist who possesses a uniquely ebullient aesthetic. McGee regularly experiments with a mixture of media and techniques to push the boundaries of what art is—and what it can be. A retrospective of his work is currently on exhibit at the U.C. Berkeley Art Museum and Pacific Film Archive, in California.

Last year, Vanity Fair and Cadillac partnered to create three public murals by Shepard Fairey, Retna, and Kenny Scharf on the West Hollywood Public Library, in Los Angeles. David LaChapelle captured the artists and their murals for an eight-page custom portfolio that appeared in the November 2011 issue of Vanity Fair. More on last year’s edition of “Art in the Streets” can be found on the 2011 program site:http://vanityfairagenda.com/artinthestreets

Vanity Fair and Cadillac are also sponsoring an “Art in the Streets” Instagram contest, which runs through December 6. Entrants can photograph inspiring street art and upload it to their Instagram feed with the hashtag #vfstreetart for a chance to win a trip to New York to see McGee’s mural.

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HOLIDAY GIFT IDEA #1: SMASHING PUMPKINS REISSUE MELLON COLLIE AND THE INFINITE SADNESS

Smashing Pumpkins Mellon Collie Reissue 2012

Okay, it’s December, Black Friday craziness behind us, and now we consider thoughtful gifts. How about the fully remastered classic from The Smashing Pumpkins, the career-defining 1995 double album, “Mellon Collie and the Infinite Sadness” as the number one gift this holiday season? Sure, we’ll get a lot of gifts but, oh, that gift of music. Do you remember where you were that summer when the song, “1979,” was the darling of alternative rock? Well, if you weren’t even born yet, that was the song you heard repeatedly on the radio, just like The Breeder’s “Cannonball” in 1993. The Smashing Pumpkins’ “1979” was more than just a song. It was a youth anthem. It was truly the background music, like the entire “Mellon Collie” album, of your life back then. And it deserves to be remastered for a whole generation and those of us who loved it the first time around. You can buy it here. There is the option of getting it as a CD or LP set.

Mellon Collie CD set

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EMI’s reissue of “Mellon Collie and the Infinite Sadness” begins as of today! Go buy it as gift, even if that gift is for yourself. And don’t stop there. This reissue is part of EMI’s extensive campaign to reissue all of The Smashing Pumpkins’ pre-“Oceania” discography that will continue through 2013 and encompass all of the band’s albums and B-sides from 1991 thru 2000.

Comics Grinder review is here.

Here are more details on today’s release:

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ART: The Snow Queen

The Snow Queen

With winter fast approaching, here is a recent painting I did, “The Snow Queen.”

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Filed under Art, Henry Chamberlain, Painting