Comics Review: R.I.P.D.: CITY OF THE DAMNED #1

“R.I.P.D.: CITY OF THE DAMNED #1” is out and ready for your consideration. If you’re familiar with the 2006 graphic novel by Peter Lenkov, then you know about the Rest in Peace Department, where good cops meant for heaven end up for one last call to duty. That’s what is going on in this limited run plus a lot more. You like Jeff Bridges, right? Sure, you LOVE The Dude! Well, keep that happy thought in mind with this issue. If you’re totally hip to what’s going on, you may even already know about the movie based on Mr. Lenkov’s book….and it stars Jeff Bridges! Yeah, The Dude! Or maybe you should be thinking more along the lines of “True Grit.” Be that as it may, this comic strikes all the right notes.

For one thing, this comic makes me want to see the movie, which happens to come out on July 19, 2013. I’m not sure what was significant about that date to be chosen as a release date but that date sure is significant now. That’s when I get my first chance at seeing this movie! It’s not only that special eccentric quality about Bridges I’m looking forward to. This comic makes me believe it won’t be wasted.

Just read this first issue and tell me it’s not that whole bunch of crazy you were looking for but couldn’t quite put your finger on. This is a four-issue story by Jeremy Barlow graced by the art of Tony Parker. In this first part, we begin with crusty old Roy and, Nick, his handsome young sidekick. They’re inside some gleaming sinister structure and they’re fending off robots. Roy lets Nick know he is going to have to go it alone. Next thing you know, Roy is blasted back in time one hundred some years ago. It’s a desert landscape, looks like it might be out in the Old West – or maybe not. Two men in white stallions approach our hero. One is in a black garb like a monk. The other could be a Chinese warrior. Roy, his body riddled with bullet holes, is supposed to already be dead. But the monk thinks he looks thirsty and offers him some water. Before Roy can answer, he is whisked away into an outhouse that is a portal to a vast labyrinth of activity, the Rest In Peace Department.

Roy finds himself inside the inner sanctum of one of the prime operators of the department. He is informed that the delicate balance of life and death has been disrupted. There are more souls going out than coming back and Roy’s last whereabouts were right at the suspected hotspot of all the fuss. It doesn’t mean all that much to Roy, at least not right then. Maybe later it will. Maybe after he sees what’s at stake and after his first encounter with a mass of pitch black evil that comes riding out of the horizon. Hold the phone, maybe Roy is interested now. Yeah, this story will be a real kick, whether you knew about the Jeff Bridges movie or not. The artwork by Tony Parker is really sweet, a rather low-key offbeat style that is nicely complimented by the muted coloring of Michelle Madsen. I can’t wait for the movie or the next issue.

Learn more about it from our friends at Dark Horse Comics.

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ANGEL AND FAITH #16 Review

“Angel and Faith #16” starts the new four-part arc, “Death and Consequences.” There’s a scene early on that bodes well, in its lightheartedness, for this new story by Christos Gage: Angel has just lobbed a bomb at a big ugly demon when he yells out, “Fire in the whole!” Faith just looks at him, the two are at a safe distance and can afford a quick little quip between them. “I always thought that sounded dirty,” she says, “Seriously, if I worked demolitions, I’d be giggling like a twelve-year-old every time I said it.” Angel doesn’t miss a beat and replies, “If you worked demolitions, I’d be running for my life.” And, with that, Angel, like Indiana Jones, has managed to run off with another relic by the skin of his teeth, and Faith’s, by the way! Ah, one step closer to having all the mad ingredients needed to bring back to life a much beloved mentor, one Rupert Giles.

No one seems to bothering to ask if it’s worth it anymore. That was Faith’s job. All that appears to remain is one last part of the Giles soul to start some serious conjuring. But could it really be all that simple? No, no, not by a long shot. Hey, Faith finds herself imagining a whole conversation with Giles which leaves her less than motivated. Of course, there’s always drawbacks along the way and this story provides a whopper of a problem. And then there’s Faith’s nemesis, Nadira, and her Slayer posse, who don’t know when to stop holding Faith accountable for everything that has gone wrong in their lives. What animosity! Rebekah Issacs seems to enjoy drawing Nadira’s rage and her crew’s put-upon expressions. Poor Faith. But here’s the kicker: Nadira’s plans collide directly with Angel’s plans! Angel is not the only one with a beloved soul to resurrect.

Angel and Faith may be back in London and appear closer than ever to achieving Angel’s dream of bringing back Giles but there is hardly any guarantee that things will go Angel’s way. Nadira, in all her beautiful rage, makes a case that Angel is delusional but then can’t see how even more futile her dream is of bringing back to life a mere mortal. The anguish and determination coming from Nadira is quite palpable. It brings Faith a few notches back to her skepticism. But that’s not all. The twist at the end will surprise even the most jaded reader. It is a most satisfying twist and, just like the wry remarks between Angel and Faith at the start, bodes very well for us readers.

“Angel and Faith #16” releases November 28. Visit our friends at Dark Horse Comics.

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Movie Review: THE DAY

“THE DAY,” is a surprisingly good horror movie that makes the most of its bleak environment. Stripped down to the essentials, this post-Apoc B-movie-style film presents us with a group of ragtag survivors who are on the run. It’s only later that we find out what it is that they’re running from. The group is made up of just enough members to give us a Scooby gang. There are two women and three men. At first, you really can’t tell them much apart since none of the actors stand out. Two of the actors may as well be twins: two mellow young guys with beards. It’s not until we get some sense of conflict that one actor emerges from the pack. It’s a scene early on in the movie, after the group has found the usual horror movie abandoned farmhouse to camp out in.

The two women have been sent out to forage. While they’re out in the woods, one woman turns on the other. She complains to her companion that she had better learn to socialize, that she had better start speaking up, say anything, since they are all family now. The woman just stares back. And that is our rising star, Ashley Bell, who made her mark as the possessed Nell Sweetzer in “The Last Exorcism.” In an impressive cast of actors, it’s Ashley Bell by a mile. It’s on her shoulders that this whole movie pivots. Bell knows how to brood and to build up tension. Before you know it, when she finally speaks, you are hanging on her every word. That, my friends, is not what usually happens in something that’s just a B-movie.

Another point of distinction: Luke Passmore’s script. There are plenty of clever twists in this film to keep any horror and film buff content. It is also noteworthy in how we are lulled into believing in these characters. The dialogue is earthy and what you’d expect from a group of young people, especially a group in a crisis. Director Doug Aarniokoski has created a musky and creepy world with little, if no hope, for survival with the light only coming from what the characters may still do to make sense out of it all. Because, remember, this group was running away from something and that something is determined to find them.

Shot in black and white, with muted colors (along with some full color flashbacks), “The Day” has the look and feel of an old scary movie as well as the intelligence to know how to take things further. It does push limits. There are some scenes where the violence is raised to a fever pitch. In lesser hands, that could easily have become too much but this movie strikes a good balance. If you stick with it, brave through the blood and gore, you’ll see just what a gem it really is.

“The Day” enjoyed a successful world premiere at the 2011 Toronto International Film Festival and was released in theaters earlier this year.

“The Day,” from WWE Studios and Anchor Bay Films, is now available on Blu-ray and DVD.

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INTERVIEW: GEORGE CLAYTON JOHNSON and the REMAKE of LOGAN’S RUN

George Clayton Johnson makes his living by daydreaming, as he has put it. And those dreams have led him to some amazing places. You may know about him already or, perhaps, you’ve heard of his work. The story that he co-wrote with Jack Golden Russell was the basis for the 1960 and 2001 films, “Oceans Eleven.” He wrote the first aired episode of “Star Trek.” With William F. Nolan, he co-wrote the novel that was the basis for the cult classic film, “Logan’s Run.” Along with other remarkable television writing and countless science fiction stories, Mr. Johnson wrote some of the most poignant and beloved episodes of “The Twilight Zone,” including “Kick The Can,” which was remade in the movie version.

Mr. Johnson’s life is the stuff of legend. He was born in a barn, in 1929, Cheyenne, Wyoming, and not exactly set on a path for the success he has achieved. But with a strong force of will, George Clayton Johnson gave his life shape and purpose. Leaving behind a troubled upbringing, he set out at the age of fifteen to make his living as best he could. He started out as a shoeshine boy. Later, in the army, he mastered the job of draftsman and was involved with charting the intricate underground wiring systems related to the Panama Canal. By the late ’50s, he had set his mind on being a writer and this led to his story about an outrageous Las Vegas casino bank heist. This became his calling card and led to his joining a group of elite science fiction writers in Southern California. From there, he met Rod Serling who just happened to be preparing for a new show that would chart a new course for television, “The Twilight Zone.”

Where to begin with such a talent? One big point of interest: the remake of “Logan’s Run.”

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ART: KAWS: Some Edge at Macy’s Thanksgiving Day Parade

The Macy’s Thanksgiving Day Parade included a balloon even more ironic than SpongeBob SquarePants. This little gray guy, by the artist, KAWS, gives the holiday season some edge whether it needs it or not. Do we really need a smirk with our good cheer? No, but what the hell, we don’t need a lot of things. If you take a closer look at the KAWS character, his eyes are X’d out. We’ve come a long way since Snoopy. For those keeping score at home, perhaps the nontraditional KAWS balloon is one of the most honest items in the parade. Enjoy.  Here is the blurb all about it at our friends at Gothamist:

Graffiti artist KAWS has a balloon—Companion—as part of Macy’s Blue Sky Gallery that features balloons by famous artists (last year, Tim Burton had a ballon; the year before that, Takashi Murakami had balloons; previous years also include Keith Haring and Jeff Koons).

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ART: The Twilight Zone: A Penny For Your Thoughts

Here is my tribute to one of the great episodes from the landmark television series, “The Twilight Zone,” (first episode, October 2, 1959; final episode June 19, 1964). There is so much that can be said about this show. It was definitely a part of the zeitgeist and helped to set the tone of the counterculture movement as it made its way into the mainstream. “A Penny For Your Thoughts” is a classic TZ test of character as the walls come down covering up everyday civility for one man. Suddenly, Hector Poole can hear everyone’s thoughts and they’re often hostile and conniving.

One moment, he’s just a man buying a newspaper. But the quarter that Hector drops in the vendor’s box lands on its edge and triggers something supernatural. Hector has telepathic powers. Is this a curse or a gift?

This was George Clayton Johnson‘s first teleplay for the show. Before that, he had contributed two stories to TZ. Mr. Johnson was already flying on a rising star since his work on the story that was the basis for the Rat Pack classic, “Ocean’s Eleven,” (1960).

“A Penny For Your Thoughts” is from Season 2, Episode 52, originally airing on February 3, 1961.

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BUILDING STORIES Review

For those unfamiliar with the literary magazine “McSweeney’s” and its elaborate packaging of its issues into boxes containing various precocious printed items, “Building Stories,” the new collected work of cartoonist, Chris Ware, will really bowl you over. But the audience for this is precisely those readers who are already intimately familiar with Dave Eggers, Ira Glass, Chuck Klosterman and so on. How do you relate with an audience as jaded and self-aware as you are? You keep calm, and know you will dazzle them. Ware delivers solid stories here for the most discriminating connoisseur. “Building Stories,” after all, is a celebration of Chris Ware, of work that has, indeed, appeared in such elite and wonderful publications as “McSweeney’s.” You can consider this collection of the best of a decade’s worth of work as a “McSweeney’s” on steroids.

A lion roars. A dog barks. A bear growls. But a human, all too often…whines. At least that’s what we get in the world of Chris Ware. There are no obvious acts of heroism, nor flights of fancy, nor moments of sheer unqualified joy to be found among his characters. Perhaps such scenes exist but restrained and subtle. And that is part of the point of why Chris Ware does what he does. The world is not a “happy” place and he will show you why. He does not go for the acknowledged hero but focuses on all those lives lived in quiet desperation. He doesn’t want to go with quantity over quality either. No, he favors a select group of well-read and upwardly mobile lives that are lived quietly in desperation and desperately quiet. If Chris Ware has any heroes, they are the likes of Dorothy Parker, Edward Hopper and, of course, Dylan Thomas.

We get such a delicious selection of despondent characters that, whenever there is a glimmer of hope, it seems rather jarring, too out of place. There’s the youngish couple slipping into middle-age who resent each other. There’s the woman who must come to grips with a life wasted in the care of an indifferent mother. There’s that same mother who has spent her whole life in the care of a boarding house. There’s the actual boarding house that is as neurotic as any Ware creation! And then there is the woman with an amputated leg who perseveres through this melancholic landscape and even finds a fairly good soul mate. No one in this world is giddy with silly happiness, not even a simple little bumblebee. For him, Ware has saddled him with a monumental existential crisis!

The packaging of pamphlets, books and magazines is quite beautiful and, dare I say, a joy to read. The only quibble, and this won’t be new for regular Ware readers, is that the type, at times, is so darn small. It feels downright antisocial to do that! Even with the best of eyes, there are some segments that require a magnifying glass! It is what it is. But, ultimately, it’s a good enough trade off for some spectacular artwork, as in his architectural renderings. Built upon one intricate brushstroke after another, the houses, their interiors and exteriors, are built, like Chris Ware’s characters and stories, with great care, with empathy, and with compassion.

“Building Stories” is, just as the box describes, “14 distinctively discrete books, booklets, magazines, newspapers and pamphlets.” It is a decade’s worth of work as seen in the pages of “The New Yorker,” “The New York Times,” and “McSweeney’s Quarterly Concern,” as they call themselves in the most elevated of company. This amazing collection is listed at $50 US. Visit the Random House Pantheon site for more details here.

If you happen to be in Toronto tonight, do stop by and see Chris Ware, Charles Burns and Adrian Tomine, all together to support their recent publications and to support the printed word! Details follow:

TONIGHT!

CHARLES BURNS – ADRIAN TOMINE – CHRIS WARE
Debut their new graphic novels in Toronto
“THE HIVE” – “NEW YORK DRAWINGS” – “BUILDING STORIES”
at a special event in honour of The Beguiling’s 25th anniversaryFeaturing iconic Canadian graphic novelist Seth as guest moderator.
Monday, November 12th, 2012, @ 8:30pm
The Bloor Hot Docs Cinema, 506 Bloor Street West
Admission $10 or free with advance purchase of debuting book at The Beguiling
A BEGUILING 25TH ANNIVERSARY EVENT

 

TORONTOPrepare to welcome three of the most respected graphic novel creators in the world, as Charles Burns (Black Hole), Adrian Tomine (Optic Nerve), and Chris Ware (Acme Novelty Library) visit Toronto TONIGHT to debut their new books. These three contemporaries and friends will each show an all-new audio/visual presentation based on their new works. Then, iconic Canadian graphic novelist Seth will lead all three creators in a rousing discussion of their work and history, including audience participation. This is the centerpiece autumn event to celebrate the 25th Anniversary of venerable Toronto comics and alternative culture shop The Beguiling, at the nearby newly renovated Bloor Hot Docs Cinema (506 Bloor St. W.) in the heart of the Annex neighborhood.

Sure to be the talk of the literary world this fall and winter, these three new releases blur the lines between ‘traditional’ graphic novels, illustration, and the publishing avant-garde!

  • Charles Burns’ stunning follow-up to 2010’s bestselling X’ed Out is The Hive. It takes readers further into the recesses of the diseased world of X’ed Out, shattering the boundaries between comics and the people who read them.
  • Adrian Tomine’s New York Drawings collects over a decade of the comics, illustrations, and covers produced by the artist for publishing institution The New Yorker, alongside a number of other rare and uncollected pieces in a lavish oversized hard cover.
  • Chris Ware’s Jimmy Corrigan: The Smartest Kid on Earth has been hailed as a modern literary masterpiece, and Building Stories is Ware’s first and much-anticipated graphic novel length follow-up. Ware experiments further with form and medium: the story is a literal box. Beautifully presented as variously formatted and sized comics, graphic novels, newspapers and pamphlets, the ensemble creates a fascinating and compelling portrait of a seemingly ordinary young woman, and the building where she lives.

All three of these compelling arguments for the necessary survival of the printed word will be on sale at The Beguiling and at the event.

Admission to the 25th anniversary event is $10, but admissions tickets are free (while supplies last) with every advance purchase of any of the above new books at The Beguiling. Tickets MAY still be available at The Beguiling!

Chris Ware, Adrian Tomine, and Charles Burns’ Toronto book event is the centerpiece of a half-dozen events occurring this fall, celebrating the 25th Anniversary of venerable comic book and alternative culture store The Beguiling. Events with local, Canadian, and international graphic novelists will continue throughout the fall, adding vibrancy and texture to the city’s literary events calendar. Visit www.beguiling.com for more information on upcoming events.

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ART: CHOICE WORDS

Comics Grinder has an Etsy shop, just in time for the holidays. Check us out and feel free to make suggestions. Currently on display is “Choice Words,” a whimsical commentary on the human condition. Visit us at the Comics Grinder Etsy shop to see the whole picture.

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Review: TO HELL YOU RIDE #1

“To Hell You Ride,” will grab you with Tom Mandrake’s art and a story by two master storytellers, Lance Henriksen (Aliens) and Joseph Maddrey (Nightmares in Red). Judging by this opener mixing Native American myth with horror, this comic could be on par with the classic Vertigo title, “Scalped.” We observe Two Dogs evolving from a troubled young Native American who dismisses his hometown of Telluride as a bunch of mindless reincarnations of gold miners and whores to someone who must grapple with a cosmic connection he had not bargained for although to which he had invested countless hours searching for.

This is what happens when the enigmatic Two Dogs must emerge from his shell. For years, he had been coasting along as the stud without a purpose, even lowering himself to join the ranks of the miners he so despises. But he always knew there was more to his story, that it was likely connected to a multi-generational curse created by his ancestors and placed upon the white gold miners and their descendants. Had the gold miners, back in the 1880s been respectful, and not desecrated ancient burial grounds, this whole story may have gone down quite differently. But, no, the whites had shown nothing but contempt and so a curse that will see flesh melt away from bone has been in place up to the present day.

Had the whites only been hateful in the days of the gold rush, perhaps the curse would have lost some of its potency. But Two Dogs knows better. Also known as “Seven George,” Two Dogs can retell of how his own grandfather, “Five George,” was betrayed. And, even in the present, Two Dogs can still see and feel the animosity the locals have for him. Is it any wonder that, when suddenly the tide turns, something very unexpected, perhaps pre-destined, occurs, that Two Dogs must act? This is not your typical revenge plot but something grounded in a solid character and an intriguing backdrop. It looks very promising and something well worth keeping up with.

“To Hell You Ride” is out December 12. Learn more about it at Dark Horse Comics.

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SPIKE #4 Review

Part 4 (of 5) to “A Dark Place” cinches it for readers: this is, no doubt, a very well-constructed story. It inspired a bit of fan art on my part above. And what you see above is the heart of the matter: Morgan is determined to charm Spike and looks like she’s succeeding while Sebastian and Frisky scramble to do something about it! For all Buffy loyalists who wondered if Victor Gischler’s script made any sense, well, this script knows where it’s headed and makes a lot of sense. Whatever happens next, Morgan has earned her place as a Buffy character.

And Frisky and Sebastian have definitely earned their keep as they battle amongst themselves on the best way to protect their master. I will never tire of these giant insects! A sampling of a priceless exchange between the two of them: Sebastian is getting anxious and says, “Spike has become fond of the demon woman. If he discovers we plot against her, he will surely see it as mutiny.” Frisky tries to reason, “We do not plot. But we do prepare.” Call it what you will, but Frisky has been hard at work on a contingency plan and is ready to spring it into action sooner than later.

And so the story develops in this way: We have Sebastian and Frisky, one couple at each other throats; and we have Spike and Morgan, also at quite close proximity. Thanks to the art team of Paul Lee (pencils) and Andy Owens (inks) both couples get the special attention that they require as we go back and forth. And, speaking of back and forth, this issue gives us an even deeper conversation between Spike and Morgan. They are heading down a path and they’re reaching a fork in the road. We know what Morgan would like to see happen. She is virtually drawing Spike a map.

It’s getting dangerously close to putting two and two together. Frisky seems to be on the right track but Sebastian simply won’t listen, won’t go beyond having a contingency plan in place. Frisky tries again: “And we are simply to aid this woman in gaining access to a hellmouth? Can that be good?” Just as Sebastian rebukes that statement, in a flash, we see Spike and Morgan appear from a hatch door and interrupt them. Spike wants to know what all the commotion is about. Oh, nothing, just us insects.

Moment by moment, the plot thickens as Frisky becomes more and more convinced to take action while feelings get hotter and hotter between Spike and Morgan. Well, something must come to a head! And, when it does, everyone needs to take action, some kind of action, leading us to quite a conclusion in our next issue.

“Spike #4” is on sale November 21. Visit our friends at Dark Horse Comics.

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