Review: VAMPIRELLA vs. FLUFFY THE VAMPIRE KILLER One Shot

Vampirella, created by Forrest J. Ackerman and Trina Robbins, back in 1969 for Warren Publishing,  has a nice place in pop culture history as a vampire pin-up in an amazing sling nearly-naked suit. It is definitely iconic and definitely sexy fun. What I’ve always maintained is that, while you can have all the sexy fun you want in comics, don’t try to pretend it is anything more than exploitation if your actual story hangs by a thread and you are, in fact, only selling T&A. If you want to sell T&A, then have the balls to be honest about it.

In the case of Vampirella, this puts Dynamite Entertainment in an interesting position, since they’ve taken over the rights to the character in 2010. Dynamite’s reboot began with a story by Eric Trautmann, an Xbox games writer. Vampi is covered up in some rugged, very unrevealing gear, helps out a homeless guy, and is very earnest and boring. I say this sort of tongue-in-cheek. I appreciate that Dynamite continues to explore possibilities for the sexy vampire. And that brings us to this one-shot story written by Mark Rahner, known for mixing political commentary with zombies in his series, “Rotten,” and illustrated by Cezar Razek, a Dynamite favorite (“Hack/Slash,” “Red Sonja”).

So, what do you get when you mix a terribly self-conscious sex symbol with a writer who revels in exposing the right wing agenda? Well, interestingly enough, you get Vampi right back into that bombshell bikini, no apologies. That is fine and Cezar Razek can draw the hell out of that assignment. I would just remind Mr. Rahner that the right wing, while repressed, enjoys cheesecake just as much, if not more so than liberals (since the right is supposed to be so repressed. Ha ha.) But that fact is not lost on this writer. As is his want, he takes things as far as he can go: the great menace in this issue is a bunch of demonic Pilgrims out to subdue lust by bludgeoning any fornicators in its sights, particularly teenaged fornicators! Down with the teenaged fornicators!

Hey, that could be the title to a forthcoming one-shot: “Vampirella and the Teenaged Fornicators!” I could write that one for you, Dynamite. Seriously, I can see Vampirella taking on more satire and just chucking away a lot, if not all, of the earnest crime fighter crap that just doesn’t go anywhere. Well, I’m sorry, but there is a lot of truth to what I’m saying. Yes, writing, good writing, matters. In Mr. Rahner’s case, he does something different, and interesting, here.

As far as this being a biting satire on Buffy The Vampier Slayer, I could take it or leave it. Overall, it comes across a bit too heavy-handed for my taste. If you really want to take on Joss Whedon, then you have to go about it more like a friendly rival and not just mock like poking fun at his use of pop culture references. These are references made by his characters within a larger context. If you really want to poke fun, it would involve more of the look and feel of the characters as in their tendency to be emo. Anyway, I don’t have much more to say on this other than this one-shot offers something different and it is worth considering as new paths are charted for the scantily-clad vampire.

This was a special Halloween release so you can already find it on the shelves or seek it out online. Visit Dynamite Entertainment.

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Filed under Buffy The Vampire Slayer, Comics Reviews, Dynamite Entertainment, Horror, Vampirella

SHORT RUN: Seattle Indie Comics and the Start of a New Seattle Tradition

Curators Eroyn Franklin and Kelly Froh, pictured above, did it again with the second annual Short Run Small Press Fest. Held at The Vera Project in Seattle Center, Small Run was an awesome gathering of artists and writers: comics, zines art books, animation, independent talent from the Northwest that you just know is good. What follows is a sampling of what Short Run was like this year.

As a cartoonist, I definitely felt at home with this crowd. The Vera Project is a cozy venue for this event providing an intimate yet ample space, the size of a higher end club or restaurant. At times, it got a bit crowded but nothing to worry about, especially if you’ve gone to any convention-type setting. Here, you’re talking a laid back vibe that will see you through very nicely.

For me, Short Run already is quintessential Seattle, bringing together the unique creative spirit of this area. It is on track to becoming a new Seattle tradition.

Randy Wood, pictured above, was one of a number of stellar talent at Short Run this year. Here he is showing off one of his collected books of his “Kitties!” comic strip.

Here is a copy of “The Intruder,” a free newspaper full of local comics talent.

Stefan Gruber was here this year, along with other animators. This is a flipbook of his entitled, “Tiger Wave,” based on a dream. Check out Mr. Gruber and Seattle Experimental Animation Team.

Breanne Boland has a new comic out, “Drawing Bitchface,” a guide on how to make the most of putting on a proper, “bitchface.”

Aron Nels Steinke had his new collection out, “Big Plans,” published by Bridge City Comics. “Mr. Fox” is one of his self-published gems.

The Vera Project is a fascinating place with much to offer like its silkscreen classes and use of its silkscreen studio! Here is Eric Carnell, who helps to keep things moving along at The Vera Project’s silkscreen studio.

Cartoonist Nicole Georges provides much needed advice.

A great time had by all. See you next year at Short Run.

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Filed under Art books, Comics, Comix, Eroyn Franklin, Indie, Kelly Froh, Seattle, Short Run Small Press Fest, Zines

ELECTION 2012: ROMNEY DISTRESS CALL

Here is a portrait of a very troubled candidate. We, at Comics Grinder, ask all Americans to consider this election a true game changer. Whatever differences you may have with Barack Obama, you know we’ve got an intelligent, stable president. Romney is seen, outside of the US, and quite a lot inside the US, as “Mitt the Twit.” We really don’t want to go down that road. President Romney? Really? We need to keep calm and stay the course and, for all of you who don’t think Mitt stands a chance, think again! Vote for the Prez!

There are plenty of endorsements of Pres. Obama. One very significant one comes from New York City’s Mayor Bloomberg and shows that business can work with the president. Here is one that makes the case to allow the president to complete his job from The Baltimore Sun. A most intelligent analysis from The Economist lays out how the president does know what he’s doing while Mr. Romney does not.

From what we have heard from the media, this is supposed to be a close election. Let us hope it is not too close. Pres. Obama’s promise of change remains incomplete. He will need every bit of help he can get to push the Tea Party-addled Republicans into cooperating. So, every vote counts to send a message that Americans want an even-handed approach with Pres. Obama re-elected.

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Filed under Editorial Cartoons, Election 2012, Political Cartoons, politics

DISNEY AND LUCASFILM: HOW THE DEAL WENT DOWN

This image released by ABC shows Disney President and CEO Robert Iger, left, and filmmaker George Lucas of LucasFilm Ltd, at a contract signing in Burbank, Calif., Tuesday, Oct. 30, 2012. The Walt Disney Co. announced Tuesday that it was buying Lucasfilm Ltd. for $4.05 billion. (AP Photo/Disney, Rick Rowell) We, at Comics Grinder, hope this clears up any confusion.

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Filed under Disney, Lucasfilm, Star Wars

Meaghan O’Keefe’s Dark Art: INDENTITY THIEF

Tis the season to celebrate horror and here is an artist you’ll want to consider: Meaghan O’Keefe. In a special Halloween imPrint interview, Michael Dooley checks in with the comics and FX artist on gore garters, sequential paintings, and the virtues of taste over skill. You can read it here.

And you can check out her new graphic novel, “Identity Thief,” published by Fanboy Comics here. It’s about a couple who move into an apartment that already has supernatural tenants.

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Filed under Art, Comics, Design, Imprint, Michael Dooley, Print Magazine

Review: DARK COUNTRY graphic novel by Thomas Ott, Tab Murphy and Thomas Jane

There is “Dark Country,” the 2009 movie. And now there is “Dark Country,” the graphic novel. The fascinating thing here is that the graphic novel, while linked to the movie, has a life very much its own. It’s really cool when that happens because that’s really what should always happen. This leaves me in an slightly awkward position of having seen the movie and read the new graphic novel. Should I compare them? I will only say a little bit about the movie. First off, you definitely get entertainment value from it. This is a perfect teen flick, a  great drive-thru movie (if there are still any such things) and a just plain fun horror movie. But, I have to say, for my taste, it suffers from a lack of focus. I don’t totally buy into it being noir. There are moments when either humorous dialogue or poor choices in background music are too jarring. There are times when it seems to veer off into experimental theater. So, the movie unfortunately is not as tightly paced as it should be. However, it’s fun and the graphic novel does totally add up. It really is a whole other animal.

What first attracted me to the graphic novel is the cover art and this quickly led to the art within. Thomas Ott has a very gritty style, as you may know, very well-suited for noir and horror. In fact, Thomas Jane, the director and star of the original “Dark Country,” was very inspired by Ott’s work when he directed the movie and was already contemplating a graphic novel version illustrated by Ott. So, yeah, the movie and the graphic novel are quite inextricably linked. It makes me want to say only kind words about the movie. But, look at it this way, “Dark Country” was Mr. Jane’s first movie and he has a whole career ahead of him. It is within reason to expect some things falling a little short. In the case of Mr. Ott, this guy is so prolific and has been around for so many years that he’s at a master’s level in his craft. Where the movie has its share of peaks and valleys, Ott’s work keeps moving and building never missing a beat.

The story itself, I should tell you, is a prime example of solid pulp fiction. You have it stripped down to the essentials: a man; a woman; sex; suspicious circumstances. The two of them hop into a car and drive away from Vegas in the middle of the night. There’s the man. There’s the woman. There’s what they most share in common: sex. We observe them together and another thing that they seem to share a lot: an overwhelming feeling of exhilaration mixed with despair. And then something very sinister and tragic happens. The original short story by Tab Murphy, the movie and the graphic novel veer off, here and there, with some minor variations on what happens next.

What’s great about this book is that, not only do you get the work of the masterful Mr. Ott, you basically get what amounts to a little film school in a book. Included is the original short story by Tab Murphy, a legendary screenwriter for Disney and DC Comics, plus you get some insightful essays and behind-the-scenes observations, and storyboards, from the movie. All in all, a wonderful package and it leaves you cheering on all the talent involved. This is a great buy when the Halloween mood strikes you or, let’s face it, any time you’d like a good scare.

“Dark Country” is published by Raw Studios.

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Filed under Comics Reviews, graphic novels, Horror

Mark Z. Danielewski at Town Hall, Seattle

It was a treat to see Mark Z. Danielewski directing a performance of his marvelous work, “The Fifty Year Sword” here in Seattle at Town Hall this last Sunday, October 28. Much to celebrate as “The Fifty Year Sword” has just become available as an ebook and, get this, as an ibook. And, yes, that’s me with the author himself as he was kind enough to pose for pics during his book signing.

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Filed under Books, Literature, Mark Z. Danielewski

DISNEY BUYS OUT LUCASFILM: Did George Lucas Sell Out?

It was announced today that Disney has bought Lucasfilm. Is this a marriage made in heaven? Will it last? Even though George Lucas has been paid a king’s ransom, you’d think that his dearest wish is that Yoda and the gang will be in good company with Mickey and his crew. Did George Lucas sell out? Read the full story, from Forbes, here. Is Disney the rightful heir to the Star Wars franchise? We shall see. The first test will be how they handle, “Star Wars: Episode 7,” due out in 2015. You can read more about that, from MTV, here.

This will take time for some fans to process while many are probably ready to cry foul. It is worth showcasing this recent comment, by Jamion, attached to the coverage by Forbes:

Lucas… Lucas Lucas. Disney is only going to steal the Star Wars name and molest it for money. If you wanted Star Wars to survive beyond you, you should have created a Star Wars Committee to act as an independent governing body for all things Star Wars related. An organization whose sole purpose for being is the maintenance of Star Wars lore and canon. This organization could have been used to fund the arts, to create a place for independent writers and filmmakers to come and learn the art of film making. As well a the creation of an official Star Wars museum that tells the whole Expanded Universe lore of the saga. This could have been used a dedicated fiscal organization to promotion of Star Wars products without being forced to have them degraded with other stories like Mickey, Song of the South, etc. This is bad move, not only are throwing away the integrity of your creation your are alienating your fan base, the people who spend their money on your creation. This is a bad, almost anyone can tell you this a bad move. You don’t throw the people who give you money to the wolves, you don’t screw over your customer base. It’s bad business, it’s bad ethics, it’s bad common sense.

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Filed under Disney, Entertainment, Lucasfilm, pop culture, Star Wars

David Letterman’s Hurricane Sandy Show is a Work of Art

Well, God bless David Letterman and “Late Show” for going on without an audience as Hurricane Sandy came to town. An unplugged Letterman quipped that if only the sound effects guy had been able to make it to work then they could have had a laugh track and no one would have known the difference. That said, the show did have a refreshingly different feel to it, a more hand-made feel. The graphics guy couldn’t make it to work so an intern had to hold up all the titles that would have been computerized. The featured interview with Denzel Washington felt more authentic with just Denzel and Dave chatting. For those with long memories, it was a more old school feel like Tom Snyder’s “Tomorrow Show.” And the bits with Biff Henderson seemed more heartfelt at a more mellow pace. Dave let Biff ramble on for awhile and he ended having the time to say something meaningful about his recollections of hurricanes. And then there’s Jimmy Fallon and “Late Night” that was also sans audience. A very good bit was when Seth Myers quipped, “This is like if Charlie Rose had a band and everyone was a little bit high.”

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Filed under David Letterman, Television

ART: DIA DE LOS MUERTOS

In keeping with the season, here is a work I did inspired by Dia de los Muertos. The original is ink on paper, 32×40.

If you happen to be in L.A., Day of the Dead is on November 1 -2 this year and you may want to check out the party at the Hollywood Forever Cemetery. This one will be especially interesting if you believe in the Mayan calendar’s prediction of the end of the world in 2012.

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Filed under Art, Day of the Dead, Dia de los Muertos