One very important element of preparing for a project in the comics medium is character development. And so here is one character I believe will be playing a role in my 24HCD piece.
24 HOUR COMICS DAY 2012: Gentleman Dandy
Filed under Comics, Henry Chamberlain, Seattle, Sorrento Hotel
Review: THE ART OF MOLLY CRABAPPLE, VOLUME 1: WEEK IN HELL
It is quite fitting to take a look at one of Molly Crabapple’s recent ventures as I am about to embark on my own foray. I have to say, Molly is one of my favorite cartoonists. I admire her style and her spirit. I don’t know what she’d advise for my solo 24 Hour Comics Day at the Sorrento Hotel this weekend but I have this book of her creative adventure in a hotel: “The Art of Molly Crabapple, Volume 1: Week in Hell.” Now, was it really a week in hell? Let’s take a look.
This work above has a number of the “girlthings” motif that Molly employed throughout her project. The number “745” indicates the number of supporters she got for her successful Kickstarter campaign.
This work above is of Molly’s friend, Stoya, and comments on all the amateur photographers who crowd her space. They are depicted as lizards, which they probably enjoy!
And this work gives us Marie Antoinette’s head being split open to reveal all the bad Piggy Bank interests. Revolution has struck! Molly has certainly done her part with her illustrations reporting on the Occupy movement. She even allowed her own loft to be converted into a laptop charging station for reporters covering the police brutality down the block.
This is a beautiful book! Molly, as always, is an inspiration. The forward by Warren Ellis is very instructive. We get a peek into the creative process from his words. The idea behind “Week in Hell” was to see what Molly could accomplish as an artist if she was locked up, sort of speak, in a room and had to face her demons, had to see what she could create that was new and not simply repeat herself. Well, this artist has succeeded.
“The Art of Molly Crabapple, Volume 1: Week in Hell” is published by IDW. It is a 48-page full color trade paperback and is listed at $9.99. Visit our friends at IDW Publishing.
Filed under Art, Comics, Molly Crabapple, Performance Art
THE SORRENTO HOTEL AND ITS FIRST YEAR: 1909
It is my honor to be a guest at the Sorrento Hotel for my participation in the annual 24 Hour Comics Day this weekend, October 20 -21, sponsored by Comics Dungeon. Here are some facts about what was going on when the Sorrento Hotel first opened, courtesy of the University of Washington. The biggest event in Seattle in 1909 was its first World’s Fair, the Alaska Yukon Pacific Exposition.
Seattle and The World in 19091909
The Nation & the World
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Filed under Comics, Comics Dungeon, History, Seattle, Sorrento Hotel
GOODBYE, NEWSWEEK; HELLO, NWDB
Newsweek will cease print publication at the end of this year.
There’s no two ways about it, it is sad news to say goodbye to the iconic and venerable print magazine, Newsweek. I’m sorry but it is saying GOODBYE. It is not simply saying hello to new opportunities on the internet. It is a simple fact: Newsweek, the magazine as it has been known for 80 years, is gone. It is also a fact that we are all moving on. Why would you want to continue to have an expensive print version of your product when you want to invest in digital? Two years ago, The Daily Beast bought out Newsweek and, with the help of Newsweek content, The Daily Beast has soared. When you think of Newsweek now, it’s “Newsweek and the Daily Beast” or “NWDB” for short. And that’s the reality of things. The main reason to stop print is the high cost of print and distribution. That is what the comic book industry is definitely grappling with. The new digital version of Newsweek will be known as Newsweek Global, one world-wide digital version that you can only read through paid subscription with some content available on The Daily Beast website for free. That, like it or not, is a model for the future.
I recall, even as a kid in the ’70s, that Newsweek had more of a kick than Time. The headlines were usually more direct and the color was more saturated. The writing was bolder. The layouts were more robust. It had everything you could want in a weekly news magazine plus it had just the right amount of “eye candy,” a term that I believe originated in the ’70s in response to what was seen by some critics as the coming scourge of infotainment ushered in my this brand new candy-coated television program, “20/20.” But Newsweek wasn’t eye candy! It had style and it knew how to use text and image in more compelling ways than its competitor, Time. You could say that Newsweek was already, to a certain degree, hip to the look and feel of the internet before there was an internet.
That said, it really is too bad to say goodbye to the print version. I found it handy to tuck an issue under my arm and then read it on the bus. I also have an e-reader but I prefer to keep that for reading books, not magazines. The fact about e-readers: If you want to experience reading that is easy on your eyes, then you want the black and white e-ink type reader. If you want color, then you’re reading it off a bright screen which is not terribly eye-friendly. Here in Seattle, in 2012, there is a healthy number of tablet and e-ink readers on the daily commute. Among readers, there is also a similar number of people reading actual books and magazines. I’m not sure that we, the reading public, have reached the “tipping point” of reading everything on a gadget but, perhaps, advertisers have calculated it is time to make a greater investment in digital.
At some point, perhaps in another five to ten years, tablets will be as commonplace as cell phones. But will the internet become more accessible to everyone? No, probably not. All you have to do is go to any public library and see how heavily used the public computers are. People who use public computers can only use them for limited amounts of time, hardly enough to let themselves get caught up in too many articles from what the traditional Newsweek of yesteryear used to offer. That type of accessibility will be lost. What you get for free is The Daily Beast site and, for less fortunate readers who even bother to look on a public computer, that amounts to a few bites of info, gossip and world-class content along with your chance to enter the boxing ring with the animation of a bikini clad babe, or some such advertisement, that will pop up and share your reading space. So much for eye candy. But these readers are not really NWDB readers and hardly Newsweek Global readers. Anyhow, more serious readers, even impoverished ones, can always find a way to get what they need.
You can check out what NWDB Editor-in-Chief, Tina Brown, and NWDB CEO, Baba Shetty had to say about the Newsweek shakeup here. The conclusion that NWDB has reached is that the company can not lose itself in the “romance of print” and it must “embrace the all-digital future.” The last print issue of Newsweek will be for the week of December 31, 2012.
Filed under Entertainment, news, Newsweek, pop culture, Print, Publications
Review: MONSTROSIS: THE RUSSIAN GIANT MONSTER CONSPIRACY
The pages to “Monstrosis,” a tribute to Jack Kirby and other greats of the space-age comics era are, pardon the pun, something to Marvel over. Marvel comics led the way in creating monsters and great acts of superheroics in a certain way. It was the Marvel way: clenched jaws, squared off shoulders, angular muscles, clipped speech. Author/Illustrator Chris Wisnia fully embraces it. This comic book has recently been collected into a graphic novel format and, be it parody or tribute, it wastes no time in getting the reader deep into this classic mindset. While one comic book of this goofy goodness might provide a good jolt. Be warned, this whole collection could send you into pop culture shock.
If you are a true fan of this stuff, you will eat it up and plead for more. If you’re sort of new to this or enjoy a gag on a specific subject the first or second time around but not over and over again, then this may not be for you. Rest assured, there are plenty of readers who will have no problem at all with the content here. The good news, the very good news, is that, if you’re into this sort of stuff, this is done pretty well. The problem is that, as a full narrative, the adventures of Doris Danger, ace photojournalist, will come up a bit short. As it stands, this collection has potential. It may even have a future as an animated series if it’s refined some more story-wise. As for the art, it is often quite brilliant. Mr. Wisnia might consider showing pages from the book in a gallery setting.
“Monstrosis: The Russian Giant Monster Conspiracy” is a 176-page hardcover, listed at $24.95, published by SLG Publishing and available October 19, 2012. Visit SLG Publishing.
Filed under Comics, graphic novels
RANDOM DRAWING # 1
Here is a new feature for you. We begin with a simple observation: a cat about to devour a bird. Enjoy.
SPIKE # 3 Review
There can be little doubt after this third issue of “Spike” that Morgan and Spike have a lot of potential chemistry. The sequence of panels that have the two sitting down for a chat is teased out long enough to leave even the most ardent Buffy true believer uncertain of what will happen between these two. And that is no spolier, I’m sure. That is what we’re expecting to find and it is done well.
Part 3 of “A Dark Place” begins with a marvelous flashback that will leave you disoriented at first. In fact, it would be a crime to spoil that for you. We quickly enough find ourselves back where we left off: Pearl and Nash have crashed the scene in search of shards left over from the big blowup of the Seed. There are none to be had but that doesn’t stop anyone from a nasy fight. It’s during this scuffle that Spike and Morgan make their escape. And all of this leads us to the fine predicament that Spike is now in: Morgan is aboard his ship and she is calling the shots. This does not sit well with the ship’s crew of bugs one bit.
Sebastian, the bug left to worry the most over Spike, is beside himself in trying to warn Spike about Morgan. Has he fully considered this and that? Well, Spike must admit, no, he hasn’t considered this or that or anything, really. Victor Gischler’s script has given us a Spike we can believe in and viable rival to Buffy. There’s quite a delicious shower scene that shows us how close to the edge Gischler is willing to go, along with the help of the art team of Paul Lee and Andy Owens. Spike had been prompted by Sebastian to check in on Morgan just as she is stepping out of the shower stall. She snaps, “Go ahead and look.” Spike is surprised. Then she adds, “Through my clothes, I mean.” Well, she had to say that, all of that. Our boy Spike is playing with fire and only Sebastian can try to talk some sense into him.
The one thing, of course, than can instantly kill a date is if it’s clear either party is not showing interest. While not really a date, Spike and Morgan are both attentive to each other during their long talk over drinks. It leaves Spike a bit bemused and off guard. If he was really listening to what Morgan was saying, he might not be leaving himself so open. But who catches all the flaws on the first date? Well, maybe it’s not exactly a first date but maybe as close as Spike can get to these days. It’s close enough that he simply can’t see his loyal guardsman, Sebastian, as he’s flailing his little arms in the air in futile agony to warn his master.
“Spike #3” is avialable October 24. Visit our friends at Dark Horse Comics.
Filed under Buffy The Vampire Slayer, Comics Reviews, Dark Horse Comics, Spike
Review: A WRINKLE IN TIME: THE GRAPHIC NOVEL
“A Wrinkle in Time: The Graphic Novel,” is as full of delight and mystery as the original book. Hope Larson, known for wonderfully ethereal comics like “Salamander Dream,” “Gray Horses,” and “Chiggers,” has taken the beloved classic work by Madeleine L’engle and honored it by embracing it with a fresh approach. In the hands of Larson, the characters come to life in a timeless yet contemporary way. There is Meg, the brilliant but insecure teen; Charles Wallace her little brother, who acts as her mentor; and Calvin, the trustworthy beau to Meg. A story like this, meant for children but easily enjoyed by adults, requires a healthy leap of faith. We get that right away with Meg. She is presented to us as a lovely and vulnerable being by Larson. In no time at all, we want to know more.
If you’ve read the original book or if you’re new to it, this version of “A Wrinkle in Time,” will delight you. What makes this graphic novel work is the character development that Larson did ahead of working on the book. Throughout, the characters are vibrant without any false notes. We can jump right in and enjoy a style that is both energetic and comforting. Larson’s mastery of the comics medium allows her to be spare when she needs to be and provide complexity with well chosen marks. In a less seasoned hand, the characters could have fallen into the trap of being generic and lifeless. With Larson, the suspension of disbelief is left intact. The only quibble that I would have regards some of the interactions between the characters. At some points, there is a conflict that seems to be abruptly resolved. Maybe that speaks to the flexibility of children.
This is a story about how things seem and about how things really are. A big part of the plot revolves around a daughter’s hunger for her father. How will she find him when there is so much deception in the way? “Daddy abandoned you.” “Daddy is a failure.” “Daddy never cared about you.” Meg must navigate through all of this if she can ever progress. There are many challenges to confront along with her father hunger that reach all the way to her very existence. We are all particles in a delicately balanced field. What to make of that? If Meg can see the deception regarding her father for what it is, she can then move on to seeing the world as it really is. She must trust her senses. She must trust herself. Ultimately, Meg will need to rely on every last fiber of her humanity to get her where she needs to be.
“A Wrinkle in Time” stands today as a very unusual and outspoken work. Essentially, the outspoken stuff is all about putting things in perspective and finding the power of love to help you get there. It is the gentle and very honest philosophy found in this book that has gained it the status of being a banned book in certain schools and libraries. Is there really something controversial to be found here? Well, that depends on one’s level of enlightenment, I suppose. For many of us, it is simply a cherished book and this new graphic novel version is a most welcome adaptation.
“A Wrinkle in Time: The Graphic Novel” is published by Farrar Straus Giroux and Margaret Ferguson Books. Visit them here. It is a 392-page hardcover, priced at $19.99 US. Learn more about Madeleine L’Engle and her work here. And visit Hope Larson here.
If you’re in Austin, Texas, on Friday or Saturday, October 26 – 27, stop by and meet Hope Larson at the Austin Books & Comics booth at Wizard World Comic Con. Some press release stuff for you:
Hope Larson Signing
A Wrinkle In Time
@ Wizard World Austin Books Booth
Friday & Saturday 3 – 6pm
Friday and Saturday we will be joined by Hope Larson, who will have copies of her beautiful graphic novel adaptation of the classic novel A Wrinkle In Time. We’ll also have copies of her previous works Gray Horses, Chiggers, and Mercuryavailable for signing.
Signing times:
Friday the 26th 3 – 6pm
Saturday the 27th 3 – 6pm
Filed under Comics, graphic novels, Hope Larson
Comics Grinder Update
If you are new to Comics Grinder, expect a lot of new content on the way and more original artwork along with the regular reviews, news, interviews and essays. You are encouraged to stay awhile and look around. There are a number of surprises for new readers like this interview with writer Mark Z. Danielewski which was part of Comics Grinder’s extensive Comic-Con coverage. MZD will be here on Comics Grinder’s own turf, Seattle, on October 28 for a reading at Town Hall and that will be a treat to comment on. And, of course, just around the corner is a big event, the 24 Hour Comics Day that will see Henry Chamberlain hard at work on his solo 24 Hour Comics Day effort at the Sorrento Hotel, 900 Madison Street, this upcoming weekend, October 20 – 21. If you happen to be around the area, then consider stopping by and saying hello. You’re especially welcome if you have any good stories related to the Sorrento Hotel. And, if not, it’s all good.
Filed under Comics, graphic novels, Seattle
NYCC 2012: LEBRON: KING OF THE RINGS
For fans of Christos Gage’s writing in Buffy The Vampire Slayer, you may want to consider his contribution to a sporty comic put together by Marvel Comics and ESPN. You get to see what happens when a mad scientist decides to clone basketball superstar Lebron James! It’s hoot of a story about a guy who knows a lot about shooting hoops. Get an overview from Marvel at NYCC here.
Filed under Marvel Comics























