Tag Archives: Crime Fiction

Review: LITTLE TULIP by Jerome Charyn and François Boucq

LITTLE TULIP by Jerome Charyn and François Boucq

LITTLE TULIP, a graphic novel recently reissued by Dover Publications, by Jerome Charyn and François Boucq, is definitely not something that is cooked up overnight. No, on the contrary, like anything worthwhile, this is a work that is carefully constructed with meticulous precision. It only looks effortless, and it is the sort of comics that I prefer.

Paul, the master, teaches Azami, the apprentice.

This graphic novel immerses the reader in Soviet prison tattoo culture. Within the Russian underground community, these unique tattoos formed a service record of a criminal’s transgressions. Skulls denoted a criminal authority. A cat represented a thief. And, in the case of our story, a tulip represented a young person joining the ranks of a gang. Today, these same tattoos have become fashion statements because of their mystery and fierce beauty. They were, then and now, a way to step beyond the ordinary. For our main character, Paul, they were also a way to step beyond the horrors of the gulag.

Page from LITTLE TULIP: New York City, 1970

Our present setting is New York City, 1970. There is a serial killer on the loose. Paul runs his own tattoo shop and is also a police sketch artist. His work with the police is more than just a gig but a calling, a way to seek justice. Not only does Paul have that uncanny ability to render a likeness based upon a witness’s verbal description, he also has a sixth sense about criminals. He will often act as a medium for hard to crack cases. There may be honor among thieves but, for Paul, there are crimes that compel no mercy.

Paul came from an American family that chose to live in Moscow for a while. The timing could not have been worse since this was the 1950s during the reign of Stalin and the secret police. One misunderstanding too many and the whole family gets shipped off to Siberia where they are immediately separated into a gulag. But, just as all hope may be lost, Paul, now Pavel, has inherited from his father an artistic sensibility that will help him endure the worst.

Page from LITTLE TULIP: Train Trip to Siberia

This is a story as much about one man’s journey among hardened criminals as it is a story about how life and art commingle, how art can save one’s soul. This is a multi-layered masterpiece of a script by renowned writer Jerome Charyn; and a breathtaking, bold, and completely enthralling work of art by renowned artist François Boucq. The structure of this graphic novel is just impeccable: a story told at a easy and natural pace with room enough for metaphysical musings.

More more details on LITTLE TULIP, and how to purchase, visit Dover Publications right here.

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Filed under Comics, Crime, Crime Fiction, Dover Publications, François Boucq, Graphic Novel Reviews, graphic novels, Jerome Charyn, New York City, Russia, Tattoos

Review: DEAD INSIDE #1

DEAD INSIDE #1

DEAD INSIDE #1

DEAD INSIDE is a new crime noir comic book series, written by John Arcudi; art by Toni Fejzula; colors by Andre May; published by Dark Horse Comics. The main character is Linda, a deputy who has recently been promoted to detective. Linda is a hard case all to her own: does not play well with others, whether professionally or personally. Between the talents of Arcudi and Feizula, they have created a tough character, all sad and lonely, you know, dead inside. Funny thing about death, it comes in many colors. The first thing to really bring Linda to life in years is all about death: a really twisted murder-suicide committed by a most unlikely character.

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Detective Linda Caruso can’t let go of the fact that the murderer, so small and slight in stature, would have been able to bring down a bear of a man. This was supposedly an easy enough crime to solve as it took place inside a prison, a minimum security prison at that. This is the first case for Linda at the Jail Crimes Division of the Sheriff’s Office in Mariposa County. Nothing unusual is supposed to happen there. Except Linda now finds herself confronting a crime that becomes more bizarre the more she investigates.

Page from DEAD INSIDE #1

Page from DEAD INSIDE #1

This is a series that will have special appeal for fans of crime and prison television, such as Law & Order, NCIS, Orange Is the New Black, American Crime Story, or Making a Murderer. This is a new series from Rumble writer John Arcudi and Veil artist Toni Fejzula. DEAD INSIDE all adds up to a great study in character and a compelling murder mystery full of gritty style. This resonates with the reader. An intriguing case. And an intriguing detective. Who could ask for more?

Page from DEAD INSIDE #1

Page from DEAD INSIDE #1

DEAD INSIDE #1 is available as of December 21st. For more details, and how to purchase, visit Dark Horse Comics right here.

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Filed under Comics, Comics Reviews, Crime, Crime Fiction, Dark Horse Comics, John Arcudi, Noir

Review: HIT: 1957 #1 (of 4)

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Las Vegas. It’s a dead end for some and paradise for others. Maybe it’s a little of both for Bonnie Brae. It’s 1957. A lot of water under the bridge since things heated up a couple of years ago. The plan had been to go incognito, start a new life in San Clemente as Marie. But, no, Marie was not going to be left alone so easy. If you were a fan of Hit: 1955, or if you’re new to the party and looking for some good noir comics, this new Hit series is for you.

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You’ve got the team of writer Bryce Carlson and artist Vanesa R. Del Rey back to deliver more. Each page is teaming with intrigue graced by Del Rey’s fluid line and Carlson’s gritty narrative. Los Angeles is one big corrupt mess. We find our anti-hero Detective Harvey Slater pushing back on Domino and his Syndicate. He can’t catch a break from the boys in Internal Affairs. And Bonnie Brae is missing. But that is only the beginning. We have ourselves here a deep and dark tale unfolding. Much transpires. A new killer on the loose. And, of course, you didn’t expect Bonnie to just sit still all this time, did you?

Good crime fiction needs to establish a rhythm quickly and then maintain it. Set up your hooks and beats. Cue the atmosphere. Lower the shades. Carlson loses no time creating a pattern and evoking a certain kind of melancholy. You need doomed characters who don’t know they’re doomed. Carlson rolls out our ongoing theme: “Things change. But people don’t.” Del Rey works wonders with her brush: scribbles here form a shadow, overlapping lines there build up to loose crosshatching signifying lust, despair, and a cavalier stare back at death.

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“HIT: 1957 #1” is available as of March 25. For more details, visit our friends at Boom! Studios right here.

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Filed under Boom! Studios, Comics, Comics Reviews, Crime Fiction, Los Angeles, Noir, Vanesa R. Del Rey

Review: WE CAN NEVER GO HOME #1

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There’s the often quoted title to the Thomas Wolfe novel, “You Can’t Go Home Again.” Without ever reading any further, you can come up with your own ideas on not being able to go home again. For Wolfe, that meant that home would never be the same. In the new comic, “We Can Never Go Home,” published by Black Mask Studios, there’s that extra tinge in the title that elicits images of bridges that have been burned to a crisp. Well, thank God for evocative titles. And this comic lives up to it. With plenty of blood and fireworks, we follow Madison and Duncan on the first leg of their road to self-discovery in this first issue.

The toughest nut to crack with an unknown comics title is, well, the fact it is an unknown. That brings to mind Donald Rumsfeld. He said something about there being known unknowns and unknown knowns. If the man read comics, instead of waging war, just imagine what a better place this would be. Anyway, my point is that a totally unknown comics title is the last one asked to the prom. It’s tough. You don’t want to hype the hell out of it either as that can backfire. Nothing can be left to chance. So, that title alone, “We Can Never Go Home,” steps up to the plate.

Why is going home not an option? What could have happened that’s so terrible that going home would be the last thing you’d do?

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These two teens have a whole lot of trouble to deal with. You can tell, right away, in their sad and confused eyes. It would have been a struggle but Madison might have managed to get by. But not Duncan. Both have what you’d call super abilities (think X-Men) that they have yet to master. And both were never meant to socialize with each other except for a chain of events that locked their destiny. Duncan, a so-called nerd, happened to spy on Madison and her brute of a boyfriend, Ben. Since that frantic meeting between the three of them, Madison split up with Ben. And Ben split Duncan’s nose. Ah, teen romance.

Writers Matthew Rosenberg and Patrick Kindlon provide a credible mashup of teenage romance and superhero adventure plus a good mix of crime fiction. The artwork by Josh Hood provides a nice clean and precise line. He does a great job playing off static poses evoking teen angst and cool.

Both Madison and Duncan are deeply hurt and so wrong for each other. But fate keeps pushing them closer together. Madison can call Duncan an idiot all she wants but, when it comes down to it, she needs him. Duncan is such a mess that he seems beyond redemption and yet he keeps fighting. You’ve got a whole new Bonnie and Clyde thing going on here and it’s got my attention. Not bad for such an unknown title.

But, really, this is not an altogether unknown unknowable unknown. Go visit Trip City and you’ll find Matthew Rosenberg and Patrick Kindlon’s webcomic, MENU, the story of a boy and a dog wandering the wastelands of a future America as they try to keep each other alive in a world running out of food. And check out Josh Hood and his artwork including JLA: Scary Monsters and Venom.

YOU CAN’T GO HOME #1 is published by Black Mask and available as of March 25. For more details, visit our friends at Black Mask Studios right here.

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Review: FATHER’S DAY #1 (of 4)

Fathers-Day-Mike-Richardson-Dark-Horse-Comics

Mike Richardson has hit a home run with “Father’s Day,” which shows no signs of losing momentum with its first issue. As the founder, president, and publisher at Dark Horse Comics, Mr. Richardson also finds time to write and has contributed a variety of work (The Secret, Cut, Atomic Legion). With “Father’s Day,” there’s a palpable sense of purpose to this story of conflict between a daughter and her long estranged father, twenty years of estrangement to be exact. And there’s more to this quirky crime thriller, plenty more.

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Filed under Comics, Comics Reviews, Dark Horse Comics, Gabriel Guzmán, Mike Richardson

Review: THE FADE OUT #1

The-Fade-Out-Ed-Brubaker

“The Fade Out” is the new noir series from Ed Brubaker and Sean Phillips. It opens up with a recollection of the “phantom planes” over Los Angeles, the Japanese bombers imagined but never actually in the air, following Pearl Harbor. Hearing them up above became a nervous habit hard to break. And so the world of Charlie Parish, a schemer and a screenwriter in Hollywood, seems to be just one big bad habit.

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Filed under Comics, Comics Reviews, Crime, Crime Fiction, Ed Brubaker, Hollywood, Image Comics, Noir, Sean Phillips

Review: BURN THE ORPHANAGE: REIGN OF TERROR #3

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You drink the wise blood
You’re gonna hear about it
You’ll be taken down brick by brick by brick
Burn the orphanage
You’re gonna pay for it
They will purify block by block by block

From “Demons” by Sleigh Bells

“Burn the Orphanage” is a bold and sexy beast of a comic. Created by Daniel Freedman (Undying Love) and Sina Grace (Not My Bag), it gives you lovable dead-enders on their way to hell. Now, that’s entertainment.

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Filed under Comics, Comics Reviews, Crime Fiction, Daniel Freedman, Image Comics, Noir, Sina Grace

Review: Frank Miller’s BIG DAMN SIN CITY

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“Frank Miller’s Big Damn Sin City” is just what the doctor ordered, if he has a decidedly dark side. “Take one volume of Sin City and repeat until you have completed the omnibus.” Big Damn Sin City collects Frank Miller and Lynn Varley‘s seven stories: The Hard Goodbye, A Dame to Kill For, The Big Fat Kill, The Yello Bastard, Family Values, Booze, Broads, & Bullets, and Hell and Back. That totals 1,344 pages. All in time for the much anticipated Sin City sequel, “Sin City: A Dame to Kill For,” set for August 22, 2014.

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Filed under Comics, Crime Fiction, Dark Horse Comics, Frank Miller, Graphic Novel Reviews, graphic novels, Noir, Sex, Sin City

Review: SHERWOOD, TX #1 (of 5)

Sherwood-TX-Bluewater-Comics

“SHERWOOD, TX,” is a comic high on quirk and action, part of an intriguing line up of hard boiled and gritty titles from 12 Gauge Comics. The premise gets right to the point early on: Imagine if we had contemporary versions of Robin Hood and his merry men and they were a biker gang at war with Prince John (now John Prince) and his biker gang. The Nobles are going to have hell to pay for what they have done to Rob Hood and the Jesters! And the crooked sheriff of the City of Nottingham isn’t going to slip away either!

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Filed under Comics, Comics Reviews, Westerns

Review: VELVET #1, published by Image Comics

Velvet-Brubaker-Image-Comics

“Velvet,” published by Image Comics, is your next spy thriller addiction. It is written by one of the best crime fiction writers that comics has ever known, Ed Brubaker. And he is teamed up with one of the best artists he’s ever worked with, Steve Epting. This new series blasts away from the start. We have the dark and moody color palette that Brubaker favors, provided by colorist Elizabeth Breitweiser. We have the nondescript lettering, as if out of typewriter or teletype machine, provided by letterer Chris Eliopoulos. Yes, this comic is like a good martini, shaken, not stirred.

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Filed under Comics, Comics Reviews, Crime, Crime Fiction, Ed Brubaker, Image Comics, mystery, Pulp Fiction, Spy Thrillers