Tag Archives: Illustration

Interview: J.T. YOST

Comics by J.T. Yost

Comics by J.T. Yost

J.T. Yost is a very talented cartoonist who recently put together a unique comics anthology about food and eating, “Digestate.” He is a down-to-earth guy concerned with just making good work. Yost is a fine example of the patient artist exploring the process of making art. In his series, “Losers Weepers,” he takes found bits of notes and letters and combines them into a comics narrative. In our interview, J.T. confides that it’s just not as easy now to find written bits of things. However, his series continues at least for one more chapter. You can read a review here. “Digestate” grew out of a similar natural process. J.T. says that the idea for the anthology began with the fact that he’s vegan and he began to realize there are a lot of other vegan cartoonists, “a subculture within a subculture.”

Something Big by Victor Kerlow

Something Big by Victor Kerlow

Blammo #7 by Noah Van Sciver

Blammo #7 by Noah Van Sciver

J.T. runs his own micro-publishing house and distributor, Birdcage Bottom Books, which you can visit here. You can find, “Digestate,” other works by J.T. Yost, as well as other exciting comics talent like Victor Kerlow, a regular contributor to “The New Yorker,” and Noah Van Sciver, the author of the highly acclaimed debut graphic novel, “The Hypo.” And you can check out J.T. Yost’s professional site here.

In this interview, we talk about the comics anthology, “Digestate,” which you can read a review of here. And we talk a bit about Alex Robinson’s contribution dealing with his eating disorder. You can read the recent Comics Grinder interview with Alex here. J.T. talks about the Kickstarter campaign for “Digestate,” his feelings about living in NYC, and comics in general.

CI VEDIAMO by Hazel Newlevant

CI VEDIAMO by Hazel Newlevant

Towards the end of our interview, we talked about the future of comics which inevitably led to the great print verus digital debate. J.T. spoke to his love of hand-made mini-comics that make their unique case for print. He then mentioned a favorite cartoonist, Hazel Newlevant, who can be found at Birdcage Bottom Books. Her work incorporates overlays and die cuts which can only be achieved through print. Her mini-comic, "Ci Vediamo," is printed on vellum which allows for images to be created when one page is layed over another. Viva print!

You can listen to the Comics Grinder podcast interview with J.T. Yost here:

Comics Grinder JT Yost Interview 3

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Filed under Anthologies, Comics, DIY, graphic novels, Interviews, J.T. Yost, Micropublishing, Minicomics

Kickstarter: A Night At The Sorrento

A night at Sorrento Hotel Henry Chamberlain 2013
Comics Grinder and Henry Chamberlain just want to provide a heads up about an upcoming Kickstarter campaign. The project is a book entitled, “A Night At The Sorrento and Other Stories.” It’s comics and illustrations and the above art is part of that project.

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Filed under Art, Comics, Henry Chamberlain, Illustration

Review: THE HIVE by Charles Burns

1 Charles Burns The Hive 2012

If you are interested in seeing comics taken to their outer limits, the world of Charles Burns is the place for you. “The Hive” is the current installment in Mr. Burn’s work. He’s an artist, at the top of his game, not to be taken for granted. If there was a Mount Rushmore dedicated to comics, there he’d be, alongside Chris Ware, Daniel Clowes and Art Spiegelman, who all happen to be published by Pantheon. Once you put the awe aside, the story and art of “The Hive” sweep you away. This is a story within a story, life imitating art and vice versa, the innocuous mixed in with the surreal. In some respects, it is an even more enigmatic work than the previous, “X’ed Out.”

2 The Hive Charles Burns 2012

There is one key additional layer added since “X’ed Out.” We now see that Doug is looking back at his youth. So, we have yet another version of Doug, this time, in early middle-age. He hasn’t taken care of himself and looks tired and pudgy. He treats the woman he’s now involved with to endless analysis of what went wrong with Sarah, the love of his life. Those days of youthful angst are over and have been replaced with a deeper anxiety only possible once you’ve lived long enough to have your dreams crushed. There’s no more Sarah. She’s not coming back. Try to deal with that, Doug.

3 The Hive Burns Pantheon 2012

As in “X’ed Out,” we have Doug, the cocky provocateur performance artist compared to his doppelganger in a world stranger and more surreal than anything his art could imply. In “The Hive,” we add to that same young Doug, his older despondent self full of regret, full of his own well-earned horrific nightmares. Doug, you once surly youth, searching for pain, you have arrived.

Meanwhile, we follow Doug’s cartoon version as he toils away at a menial job in The Hive, a place run by lizards that appears to be breeding humans. Ultimately, Doug’s own personal misery pales in comparison to whatever is going on in that evil alternate world. The conclusion to this trilogy is entitled, “Sugar Skull,” and will surely be something to look forward to. Given that “X’ed Out” was published in 2010 and “The Hive” was published in 2012, we can expect “Sugar Skull” to come out in 2014.

“The Hive” is published by Pantheon. Visit them to find where to get your copy and learn more about this leading publisher of graphic novels.

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Filed under Charles Burns, Comics, Comics Reviews, Graphic Novel Reviews, graphic novels, Horror, Pantheon

ART: The Snow Queen

The Snow Queen

With winter fast approaching, here is a recent painting I did, “The Snow Queen.”

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Filed under Art, Henry Chamberlain, Painting

BUILDING STORIES Review

For those unfamiliar with the literary magazine “McSweeney’s” and its elaborate packaging of its issues into boxes containing various precocious printed items, “Building Stories,” the new collected work of cartoonist, Chris Ware, will really bowl you over. But the audience for this is precisely those readers who are already intimately familiar with Dave Eggers, Ira Glass, Chuck Klosterman and so on. How do you relate with an audience as jaded and self-aware as you are? You keep calm, and know you will dazzle them. Ware delivers solid stories here for the most discriminating connoisseur. “Building Stories,” after all, is a celebration of Chris Ware, of work that has, indeed, appeared in such elite and wonderful publications as “McSweeney’s.” You can consider this collection of the best of a decade’s worth of work as a “McSweeney’s” on steroids.

A lion roars. A dog barks. A bear growls. But a human, all too often…whines. At least that’s what we get in the world of Chris Ware. There are no obvious acts of heroism, nor flights of fancy, nor moments of sheer unqualified joy to be found among his characters. Perhaps such scenes exist but restrained and subtle. And that is part of the point of why Chris Ware does what he does. The world is not a “happy” place and he will show you why. He does not go for the acknowledged hero but focuses on all those lives lived in quiet desperation. He doesn’t want to go with quantity over quality either. No, he favors a select group of well-read and upwardly mobile lives that are lived quietly in desperation and desperately quiet. If Chris Ware has any heroes, they are the likes of Dorothy Parker, Edward Hopper and, of course, Dylan Thomas.

We get such a delicious selection of despondent characters that, whenever there is a glimmer of hope, it seems rather jarring, too out of place. There’s the youngish couple slipping into middle-age who resent each other. There’s the woman who must come to grips with a life wasted in the care of an indifferent mother. There’s that same mother who has spent her whole life in the care of a boarding house. There’s the actual boarding house that is as neurotic as any Ware creation! And then there is the woman with an amputated leg who perseveres through this melancholic landscape and even finds a fairly good soul mate. No one in this world is giddy with silly happiness, not even a simple little bumblebee. For him, Ware has saddled him with a monumental existential crisis!

The packaging of pamphlets, books and magazines is quite beautiful and, dare I say, a joy to read. The only quibble, and this won’t be new for regular Ware readers, is that the type, at times, is so darn small. It feels downright antisocial to do that! Even with the best of eyes, there are some segments that require a magnifying glass! It is what it is. But, ultimately, it’s a good enough trade off for some spectacular artwork, as in his architectural renderings. Built upon one intricate brushstroke after another, the houses, their interiors and exteriors, are built, like Chris Ware’s characters and stories, with great care, with empathy, and with compassion.

“Building Stories” is, just as the box describes, “14 distinctively discrete books, booklets, magazines, newspapers and pamphlets.” It is a decade’s worth of work as seen in the pages of “The New Yorker,” “The New York Times,” and “McSweeney’s Quarterly Concern,” as they call themselves in the most elevated of company. This amazing collection is listed at $50 US. Visit the Random House Pantheon site for more details here.

If you happen to be in Toronto tonight, do stop by and see Chris Ware, Charles Burns and Adrian Tomine, all together to support their recent publications and to support the printed word! Details follow:

TONIGHT!

CHARLES BURNS – ADRIAN TOMINE – CHRIS WARE
Debut their new graphic novels in Toronto
“THE HIVE” – “NEW YORK DRAWINGS” – “BUILDING STORIES”
at a special event in honour of The Beguiling’s 25th anniversaryFeaturing iconic Canadian graphic novelist Seth as guest moderator.
Monday, November 12th, 2012, @ 8:30pm
The Bloor Hot Docs Cinema, 506 Bloor Street West
Admission $10 or free with advance purchase of debuting book at The Beguiling
A BEGUILING 25TH ANNIVERSARY EVENT

 

TORONTOPrepare to welcome three of the most respected graphic novel creators in the world, as Charles Burns (Black Hole), Adrian Tomine (Optic Nerve), and Chris Ware (Acme Novelty Library) visit Toronto TONIGHT to debut their new books. These three contemporaries and friends will each show an all-new audio/visual presentation based on their new works. Then, iconic Canadian graphic novelist Seth will lead all three creators in a rousing discussion of their work and history, including audience participation. This is the centerpiece autumn event to celebrate the 25th Anniversary of venerable Toronto comics and alternative culture shop The Beguiling, at the nearby newly renovated Bloor Hot Docs Cinema (506 Bloor St. W.) in the heart of the Annex neighborhood.

Sure to be the talk of the literary world this fall and winter, these three new releases blur the lines between ‘traditional’ graphic novels, illustration, and the publishing avant-garde!

  • Charles Burns’ stunning follow-up to 2010’s bestselling X’ed Out is The Hive. It takes readers further into the recesses of the diseased world of X’ed Out, shattering the boundaries between comics and the people who read them.
  • Adrian Tomine’s New York Drawings collects over a decade of the comics, illustrations, and covers produced by the artist for publishing institution The New Yorker, alongside a number of other rare and uncollected pieces in a lavish oversized hard cover.
  • Chris Ware’s Jimmy Corrigan: The Smartest Kid on Earth has been hailed as a modern literary masterpiece, and Building Stories is Ware’s first and much-anticipated graphic novel length follow-up. Ware experiments further with form and medium: the story is a literal box. Beautifully presented as variously formatted and sized comics, graphic novels, newspapers and pamphlets, the ensemble creates a fascinating and compelling portrait of a seemingly ordinary young woman, and the building where she lives.

All three of these compelling arguments for the necessary survival of the printed word will be on sale at The Beguiling and at the event.

Admission to the 25th anniversary event is $10, but admissions tickets are free (while supplies last) with every advance purchase of any of the above new books at The Beguiling. Tickets MAY still be available at The Beguiling!

Chris Ware, Adrian Tomine, and Charles Burns’ Toronto book event is the centerpiece of a half-dozen events occurring this fall, celebrating the 25th Anniversary of venerable comic book and alternative culture store The Beguiling. Events with local, Canadian, and international graphic novelists will continue throughout the fall, adding vibrancy and texture to the city’s literary events calendar. Visit www.beguiling.com for more information on upcoming events.

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Filed under Art, Art books, Chris Ware, Comics, Comics Reviews, graphic novels, Pantheon, Random House

SHORT RUN: Seattle Indie Comics and the Start of a New Seattle Tradition

Curators Eroyn Franklin and Kelly Froh, pictured above, did it again with the second annual Short Run Small Press Fest. Held at The Vera Project in Seattle Center, Small Run was an awesome gathering of artists and writers: comics, zines art books, animation, independent talent from the Northwest that you just know is good. What follows is a sampling of what Short Run was like this year.

As a cartoonist, I definitely felt at home with this crowd. The Vera Project is a cozy venue for this event providing an intimate yet ample space, the size of a higher end club or restaurant. At times, it got a bit crowded but nothing to worry about, especially if you’ve gone to any convention-type setting. Here, you’re talking a laid back vibe that will see you through very nicely.

For me, Short Run already is quintessential Seattle, bringing together the unique creative spirit of this area. It is on track to becoming a new Seattle tradition.

Randy Wood, pictured above, was one of a number of stellar talent at Short Run this year. Here he is showing off one of his collected books of his “Kitties!” comic strip.

Here is a copy of “The Intruder,” a free newspaper full of local comics talent.

Stefan Gruber was here this year, along with other animators. This is a flipbook of his entitled, “Tiger Wave,” based on a dream. Check out Mr. Gruber and Seattle Experimental Animation Team.

Breanne Boland has a new comic out, “Drawing Bitchface,” a guide on how to make the most of putting on a proper, “bitchface.”

Aron Nels Steinke had his new collection out, “Big Plans,” published by Bridge City Comics. “Mr. Fox” is one of his self-published gems.

The Vera Project is a fascinating place with much to offer like its silkscreen classes and use of its silkscreen studio! Here is Eric Carnell, who helps to keep things moving along at The Vera Project’s silkscreen studio.

Cartoonist Nicole Georges provides much needed advice.

A great time had by all. See you next year at Short Run.

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Filed under Art books, Comics, Comix, Eroyn Franklin, Indie, Kelly Froh, Seattle, Short Run Small Press Fest, Zines

ART: DIA DE LOS MUERTOS

In keeping with the season, here is a work I did inspired by Dia de los Muertos. The original is ink on paper, 32×40.

If you happen to be in L.A., Day of the Dead is on November 1 -2 this year and you may want to check out the party at the Hollywood Forever Cemetery. This one will be especially interesting if you believe in the Mayan calendar’s prediction of the end of the world in 2012.

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Filed under Art, Day of the Dead, Dia de los Muertos

Review: THE ART OF MOLLY CRABAPPLE, VOLUME 1: WEEK IN HELL

It is quite fitting to take a look at one of Molly Crabapple’s recent ventures as I am about to embark on my own foray. I have to say, Molly is one of my favorite cartoonists. I admire her style and her spirit. I don’t know what she’d advise for my solo 24 Hour Comics Day at the Sorrento Hotel this weekend but I have this book of her creative adventure in a hotel: “The Art of Molly Crabapple, Volume 1: Week in Hell.” Now, was it really a week in hell? Let’s take a look.

This work above has a number of the “girlthings” motif that Molly employed throughout her project. The number “745” indicates the number of supporters she got for her successful Kickstarter campaign.

This work above is of Molly’s friend, Stoya, and comments on all the amateur photographers who crowd her space. They are depicted as lizards, which they probably enjoy!

And this work gives us Marie Antoinette’s head being split open to reveal all the bad Piggy Bank interests. Revolution has struck! Molly has certainly done her part with her illustrations reporting on the Occupy movement. She even allowed her own loft to be converted into a laptop charging station for reporters covering the police brutality down the block.

This is a beautiful book! Molly, as always, is an inspiration. The forward by Warren Ellis is very instructive. We get a peek into the creative process from his words. The idea behind “Week in Hell” was to see what Molly could accomplish as an artist if she was locked up, sort of speak, in a room and had to face her demons, had to see what she could create that was new and not simply repeat herself. Well, this artist has succeeded.

“The Art of Molly Crabapple, Volume 1: Week in Hell” is published by IDW. It is a 48-page full color trade paperback and is listed at $9.99. Visit our friends at IDW Publishing.

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Filed under Art, Comics, Molly Crabapple, Performance Art

COMIC-CON 2012: deviantART PANEL

Our friends at deviantARt put together a very informative and inspiring panel for artists.

Some choice words of advice and highlights follow from a press release:

On Saturday, July 14, deviantART – the largest social network for artists, with 22+ million members – hosted the panel, How to Supercharge Your deviantART Profile Like the Masters.  Moderated by CEO Angelo Sotira, deviantART was honored to host the following superstars (all of whom are deviantART members):

  • ·         Adam Warren (“The Dirty Pair,” “Empowered”)
  • ·         Mark Brooks (Marvel Comics)
  • ·         Jim Zubkavich (Project Manager of Creative Services, Udon Entertainment)
  • ·         Dave Elliott (“Heavy Metal Magazine”)
  • ·         Wenqing Yan ( “Knite,” “1000 W0RDS”)
  • ·         Kevin Eastman (Co-creator of Teenage Mutant Ninja Turtles)
  • ·         Chris Sanders (Creator of “Lilo & Stitch”)

Each participant was asked to summarize the best piece of advice they wanted to impress on the audience. Below are direct quotes from the panel.

All wise words! Thanks to the good folks at deviantARt!

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Filed under Art, Comic-Con 2012, Comics, deviantART, Illustration

ART: Picnic at Gas Works Park

Here is something I’ve been working on this weekend. I really like the way it came out. I had a pretty good idea of where I was headed but there’s always things that happen while you paint. This is a happy scene of a couple of kids having a picnic with a variety of animals at Seattle’s Gas Works Park.

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Filed under Art, Henry Chamberlain, Illustration, Painting, Seattle