Monthly Archives: March 2015

Review: HIT: 1957 #1 (of 4)

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Las Vegas. It’s a dead end for some and paradise for others. Maybe it’s a little of both for Bonnie Brae. It’s 1957. A lot of water under the bridge since things heated up a couple of years ago. The plan had been to go incognito, start a new life in San Clemente as Marie. But, no, Marie was not going to be left alone so easy. If you were a fan of Hit: 1955, or if you’re new to the party and looking for some good noir comics, this new Hit series is for you.

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You’ve got the team of writer Bryce Carlson and artist Vanesa R. Del Rey back to deliver more. Each page is teaming with intrigue graced by Del Rey’s fluid line and Carlson’s gritty narrative. Los Angeles is one big corrupt mess. We find our anti-hero Detective Harvey Slater pushing back on Domino and his Syndicate. He can’t catch a break from the boys in Internal Affairs. And Bonnie Brae is missing. But that is only the beginning. We have ourselves here a deep and dark tale unfolding. Much transpires. A new killer on the loose. And, of course, you didn’t expect Bonnie to just sit still all this time, did you?

Good crime fiction needs to establish a rhythm quickly and then maintain it. Set up your hooks and beats. Cue the atmosphere. Lower the shades. Carlson loses no time creating a pattern and evoking a certain kind of melancholy. You need doomed characters who don’t know they’re doomed. Carlson rolls out our ongoing theme: “Things change. But people don’t.” Del Rey works wonders with her brush: scribbles here form a shadow, overlapping lines there build up to loose crosshatching signifying lust, despair, and a cavalier stare back at death.

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“HIT: 1957 #1” is available as of March 25. For more details, visit our friends at Boom! Studios right here.

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Filed under Boom! Studios, Comics, Comics Reviews, Crime Fiction, Los Angeles, Noir, Vanesa R. Del Rey

Review: JEM & THE HOLOGRAMS #1

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Okay, let’s get this figured out: “Jem and the Holograms” was an animated show that ran from 1985-1988. Now, was it a show and then it became a line of dolls? No, it was a line of dolls and then it became a show. You know, Hasbro. Same deal like Transformers. The Jem dolls were similar to Barbies (looks like the same mold was used) but with a glam rock vibe.

Yeah, talkin’ about Transformers, Jem is set to be very much a similar deal. The major motion picture comes out October 23, 2015. And, leading up to that, is this six-issue comic book published by IDW Publishing. Let’s take a closer look.

In the front seat writing the limited series is Kelly Thompson. I’ve read her pieces in Comic Book Resources over the years and I appreciate what she does. She sees herself as a voice for women. She does a good job although she has a weakness to overstate herself. She does this, I think, deliberately. You can see this as something of a style choice. Women in comics is her beat. She is certainly an unbashedly enthusiastic fan, the type that speaks of characters as if they were real people and the most awesome ever.

That type of enthusiasm has its place. Even in the relatively limited depths of this project, that enthusiasm can be misplaced. Getting too wrapped up in your characters being these living and breathing entities and, on top of that, being awestruck by them, leads to tepid writing. Your characters never ever do much of anything so as not to risk making them look bad. This is the wrong kind of character-driven storytelling. It takes away from a more challenging story. It does a disservice to young women readers who get a story with everything floating along the same mellow register.

You know that feeling of satisfaction you get when you go see a movie you weren’t expecting much from and then leave the theater impressed? That’s because compelling things were going on. It was good solid writing. What I’m getting so far from this first issue is very soft conflict and very soft focus. Was that part of the charm of the original Jem posse? I don’t think so. Exactly like the Transformers, Jem was and is an empty vessel. It’s not these totally amazing women, as Kelly Thompson endlessly refers to them in her afterword, a masterpiece of hyperbole. But, like I say, that’s how she rolls.

So, what exactly transpires within the pages of this first issue? Our lead singer Jerrica has got the worst case of stage fright in history. She’s a portrait of shivering inaction. Kimber tries to coax her back into the studio while Shana and Aja helplessly look on. There’s some bickering. Later on, we find the solution and it will not involve Jerrica taking responsibility for her actions. Will that change over the course of the story? Maybe so. In all fairness, maybe so. Overall, this issue just plodded along too much. There was room to bring in more elements.

But I don’t want to dismiss this comic. No, because I can understand that the original animated show did leave some comforting mark on a lot of childhoods. It stirs emotions. And, it is what it is. Who knows, maybe the major motion picture of Jem will be one of those movies that leaves me oddly impressed. I’m just thinking about how it can all be better. That said, one thing we cannot overlook is the other major force of creativity on this book, artist Sophie Campbell. Simply for having the sensitivity to have different body types for these characters deserves recognition. These are all distinct characters.

You know, I wish Kelly Thompson, and the whole creative team on this book, the best. And, if we should meet at some convention, I’m sure we’ll have a good conversation. I’m serious when I bring up these writing issues. The mellow pace to the story and then the gushing over the characters in the afterword just left me concerned. The best piece of advice I can offer, not that anyone is asking, is to know that characters like these have got a lot of potential to go far. Forget how awesome they may seem. Just let them go and then don’t be afraid to push them, have them fall, and then push them again. They won’t break. Maybe then you, as the writer, will have the characters, and the story, do something truly amazing.

JEM & THE HOLOGRAMS #1 is available as of March 25. For more details, visit our friends at IDW Publishing right here.

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Filed under animation, Comic Book Resources, Comics, Hasbro, Jem and the Holograms, Kelly Thompson, Sophie Campbell, Television

Kickstarter: Janelle Asselin Fires Back With FRESH ROMANCE

Fresh Romance Issue 1 Cover by Kevin Wada

Fresh Romance Issue 1 Cover by Kevin Wada

It was one year ago that comics professional Janelle Asselin was in the middle of a raging storm regarding the comics industry’s ongoing problem with the distortion of women. Catch up and/or refresh your memory on that right here. So, to find Ms. Asselin undertaking a whole new way of addressing this issue is quite inspiring. Sometimes, you just gotta go out and show them all how it’s done, right? Enter FRESH ROMANCE.

FRESH ROMANCE is a new generation’s answer to romance comics. This is part of a new imprint, Rosy Press, brought to you by Janelle Asselin, Senior Editor of ComicsAlliance.com and former DC Comics editor. If funded through the now-live Kickstarter campaign, Asselin’s new imprint Rosy Press will debut FRESH ROMANCE in May 2015. This Kickstarter campaign ends April 22. Visit it right here.

The first issue of this monthly digital comic magazine features sundry stories ranging from a clandestine, queer high school love affair to an impeccably researched and illustrated Regency-era romance. In addition to three forward-looking romances, each issue of FRESH ROMANCE delivers a relationship advice column by a quartet of divorced writers, behind-the-scenes art coverage, and a fashion report.

Full press release follows:

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Filed under Comics, ComicsAlliance, DC Comics, Feminism, Fresh Romance, Janelle Asselin, Kickstarter, Romance, Romance Comics, Rosy Press, Women

Book Review: ‘Mindswap’ by Robert Sheckley

Mindswap-Robert-Sheckley

In “Mindswap,” Robert Sheckley plays with his favorite theme of man versus bureaucracy. Whether you are human, or some other form of intelligent life, there will always be obstacles to clog up your path to happiness. In the future, a popular form of recreation is to switch bodies with aliens from other planets. Sounds like a simple and fun thing to do, right? Well, maybe not. It’s a very funny premise that remains fresh and quirky since the novel’s first release in 1966.

Sheckley’s humor is not only unique in science fiction but it is unique, period. It is baroque, erudite, and absurd. At times, it rises to the level of poetry. Like a slam dance, you have assorted titles, rules, and terms fly in the air to demonstrate a world gone mad.

Mel Brooks used to love to claim that, when naming a funny character, the letter K was the funniest. Sheckley proves that wrong as his funny characters end up with the funniest names, K or otherwise. Consider Tom Carmody from “Dimensions of Miracles.” And consider this novel’s main character, Marvin Flynn. It’s both funny and memorable. And the name is stretched to its very limits as it is used in various wordplay throughout our story.

The very notion of reality is opened up for all it’s worth when you’ve got your main character literally leaving behind all he knows, including his own body. What could possibly be worth it? Nothing. But Marvin Flynn needs to see for himself.

The big joke here is that Marvin Flynn ends up engaging in a poor man’s alternative to a vacation to a truly exotic locale. He simply can’t afford to fly over and visit Mars. However, for a reasonable fee, he can temporarily swap his body with that of a Martian who seeks similar thrills on Earth. You know, it’s sort of like apartment swapping but on a metaphysical scale. What could possibly go wrong?

You know those vacations from hell? When everything goes wrong? Imagine you lose your luggage and need to make do. Now, imagine you lose your body. Puts things into perspective, doesn’t it? So, sit back and enjoy Flynn’s troubles. He does go on an adventure but it’s not what the travel agency had promised. If he’s lucky, he may learn to take better care of the things that matter most, like his very own mortal coil.

“Mindswap” is available through Amazon and you can find it here.

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Filed under Book Reviews, Robert Sheckley, Sci-Fi, science fiction

Review: NINJAK #1

Cover art by Lewis Larosa

Cover art by Lewis Larosa

It is a pleasure to see Matt Kindt’s mind at work. He’s always had a thing for intrigue and circuitous plots. His latest work on Ninjak is right in step with that. I love how this comic opens up with a dramatic fighting scene that turns out to be something from a movie that our main character was viewing when he was a kid. It’s one of those added touches you can expect from Matt Kindt (RAI, Mind MGMT). And you’ve got great follow through from artist Clay Mann (X-Men: Legacy, Gambit) in the first of two parallel stories running in our first issue.

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The idea is to show you Colin King from two perspectives: as a raw recruit; and, some years later, as a seasoned MI-6 master assassin. Kindt has a way with getting you deep into the story in unexpected ways. We next see Colin fight the sexy and deadly Roku. She’s been genetically enhanced. Her hair alone is a lethal weapon. It just takes three braided strands and her hair can “garrote or behead a man. It can cut through metal and it has incendiary capabilities.” Whoa, hang on there, how do you “garrote” a man? Yikes, that’s smarts. Quite quirky and memorable line. Kindt is definitely the guy to take Valiant’s Ninjak to new places.

Let’s linger just a bit more. Here’s the thing with a Kindt adventure, it just keeps building, twisting, and turning. That opening scene with the kid repeats itself in different ways to reveal a tumultuous and abused young life. But the kid keeps fighting.

We ultimately find Colin infiltrating the notorious Shadow Seven and then we make the jump to Colin as a raw recruit in North Korea, this time teaming up Kindt with artist Butch Guice (Captain America, Action Comics). The style is rougher and fits in well with that more gritty time in Colin’s life. This second ongoing story lacks some of the potency of the first but perhaps that balances things out. The thing I like most, so far, in this whole comic is the flipping back and forth between the 10 year-od Colin and the 30 year-old Colin in our first story. Overall, this is a well-executed first issue.

NINJAK #1 is available now. For more details, visit our friends at Valiant Entertainment right here.

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Filed under Comics, Comics Reviews, Matt Kindt, Valiant Entertainment

Yoshihiro Tatsumi, RIP

Yoshihiro-Tatsumi

“Sensei is dead.” When he clicked on the email, that is all that the esteemed comics authority Paul Gravett had to read to know what had happened. Some will say that the work of the master cartoonist Yoshihiro Tatsumi (1935-2015) has brought them to tears. That’s quite a tall order. But it is certainly plausible. The world of comics, as you may know, is more than one thing. One aspect of it can be so rarified to make the most glamorous and refined creatures on this planet pale in comparison. That’s what you get when certain people communicate with, “Sensei is dead.”

Just imagine getting a text with, “The king has died.” It’s a bit surreal. And, I’m sure, not what Tatsumi would have wanted. Yes, for authorities on comics, and regular everyday fans, Tatsumi knew his manga. He was a master of the more introspective gekiga. He was no king and yet he was a king. Take away the veneer of reserve from the most venerated authority on comics and you’ll find a child looking up in wonder. At least, I hope so. That would have come easy for Tatsumi. His comics are down to earth and irreverent. But, then again, he would likely have respected any goodwill gesture. “Sensei is dead.”

Gekiga-Yoshihiro-Tatsumi

“A Drifting Life” is the epic autobiography of the manga master. Arguably, it is Tatsumi’s work that has inspired graphic novels as we know them today. With “A Drifting Life,” you follow Tatsumi on his journey of self-discovery spanning 1945 to 1960 as he strives to attain the skills of his own manga idol, Osamu Tezuka (Astro Boy, Apollo’s Song, Ode to Kirihito, Buddha). The book is designed by one of today’s leading cartoonists, Adrian Tomine. You can find it at Amazon right here.

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Filed under Comics, Gekiga, Japan, Manga, Paul Gravett, Yoshihiro Tatsumi

DVD Review: THE ACKERMONSTER CHRONICLES!

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There’s an early moment in Jason V Brock’s documentary about Forrest J Ackerman (1916-2008) that sums it up well for science fiction’s journey to legitimacy. Dan O’Bannon, the writer/director for “Alien” and “Return of the Living Dead,” recounts an episode in his childhood. He is running off to school when his mother admonishes him to be sure he’s not carrying any science fiction with him! Oh boy, what a memory. It goes to show how people looked upon science fiction as something subversive. And they’re right. There is that quality and, of course, that’s something to embrace and celebrate. Back in the early days, as science fiction was coming into its own in pulp fiction and beyond, there came along an individual who would prove to be a perfect spokesperson for the genre, Forrest J Ackerman. “The Ackermonster Chronicles!” faithfully presents to you a vivid picture of a world, a people, an art form, and a person who led the way.

Nothing gets lost in shuffle here. One seemingly disjointed thing connects with another. The elegant and the unsavory lay down together. Science fiction had, some say still has, a bad rap for having too close an association with pop culture and hanging out with other genres like, God forbid, horror. But we’ve come such a long way. In fact, today, we really have a much better perspective. We, at least the more enlightened amongst us, can see so-called literary fiction as a genre, like any other, and not something so up on high. Yes, we value excellence. The problem used to be that any other genre was spat upon and kicked to the curb by the elite literary chieftains. Not so much today as we find countless combinations and recombinations among all genres. And, anyway, great work will ultimately transcend any label you attach to it. The thing is, you need to be open to anything and the work of people like Forrest J Ackerman have helped make that possible.

So, who was Forrest J Ackerman and what did he accomplish? Ackerman provided a way for the general public, especially a younger generation, to tap into a vital art form that had been getting short shrift elsewhere. We’re talking about a huge world, a whole universe, of creativity. Ackerman did the heavy lifting to create a more level playing field. He collected, he documented, he distributed, he promoted, he displayed, he shared. As the founder of the magazine, “Famous Monsters of Filmland,” he opened the flood gates to all manner of fandom and scholarship devoted to a huge facet of culture. This involved monsters, aliens from space, bloody horror, and science fiction. It was a determinedly do-it-yourself gung-ho approach as well as a tempered and highly sophisticated endeavor. He was the literary agent for numerous big name talents including Ray Bradbury, A. E. van Vogt, and Charles Beaumont. The Ackerman archives compromise 200 complete collections of magazines, 50,000 books, and countless one-of-a-kind items. For over 30 years, his home served as a museum open to the public for free. He coined the term, “sci-fi.” He co-created, with Trina Robbins, the legendary character, Vampirella. To sum it up, he was a one-man gateway.

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What Jason V Brock does with this documentary is let all the significant players on the scene simply talk and let you in. This is essential viewing for students of pop culture, science fiction, and art-making in general. This film will prove most useful to any aspiring writer, especially those down a primrose path to a university Creative Writing program. Wipe away any elitist inclinations you may have. Things are not as they might seem. Those things that go bump in the night may prove to save your life.

You can get your copy of “The Ackermonster Chronicles” by visiting our friends at JaSunni Productions right here. And, as of this writing, I have more to share with you about the multi-talented Jason V Brock. We’ll get to that in the weeks ahead. For now, if you happen to be in the Los Angeles area this particular weekend (Sunday, March 22), then go check out the Los Angeles Vintage Paperback Show. You’ll find Jason V Brock there along with a number of other highly talented individuals. Visit the show’s website right here.

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Filed under Documentaries, Famous Monsters, Forrest J Ackerman, Horror, Jason V. Brock, JaSunni Productions, Sci-Fi, science fiction

Review: WE CAN NEVER GO HOME #1

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There’s the often quoted title to the Thomas Wolfe novel, “You Can’t Go Home Again.” Without ever reading any further, you can come up with your own ideas on not being able to go home again. For Wolfe, that meant that home would never be the same. In the new comic, “We Can Never Go Home,” published by Black Mask Studios, there’s that extra tinge in the title that elicits images of bridges that have been burned to a crisp. Well, thank God for evocative titles. And this comic lives up to it. With plenty of blood and fireworks, we follow Madison and Duncan on the first leg of their road to self-discovery in this first issue.

The toughest nut to crack with an unknown comics title is, well, the fact it is an unknown. That brings to mind Donald Rumsfeld. He said something about there being known unknowns and unknown knowns. If the man read comics, instead of waging war, just imagine what a better place this would be. Anyway, my point is that a totally unknown comics title is the last one asked to the prom. It’s tough. You don’t want to hype the hell out of it either as that can backfire. Nothing can be left to chance. So, that title alone, “We Can Never Go Home,” steps up to the plate.

Why is going home not an option? What could have happened that’s so terrible that going home would be the last thing you’d do?

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These two teens have a whole lot of trouble to deal with. You can tell, right away, in their sad and confused eyes. It would have been a struggle but Madison might have managed to get by. But not Duncan. Both have what you’d call super abilities (think X-Men) that they have yet to master. And both were never meant to socialize with each other except for a chain of events that locked their destiny. Duncan, a so-called nerd, happened to spy on Madison and her brute of a boyfriend, Ben. Since that frantic meeting between the three of them, Madison split up with Ben. And Ben split Duncan’s nose. Ah, teen romance.

Writers Matthew Rosenberg and Patrick Kindlon provide a credible mashup of teenage romance and superhero adventure plus a good mix of crime fiction. The artwork by Josh Hood provides a nice clean and precise line. He does a great job playing off static poses evoking teen angst and cool.

Both Madison and Duncan are deeply hurt and so wrong for each other. But fate keeps pushing them closer together. Madison can call Duncan an idiot all she wants but, when it comes down to it, she needs him. Duncan is such a mess that he seems beyond redemption and yet he keeps fighting. You’ve got a whole new Bonnie and Clyde thing going on here and it’s got my attention. Not bad for such an unknown title.

But, really, this is not an altogether unknown unknowable unknown. Go visit Trip City and you’ll find Matthew Rosenberg and Patrick Kindlon’s webcomic, MENU, the story of a boy and a dog wandering the wastelands of a future America as they try to keep each other alive in a world running out of food. And check out Josh Hood and his artwork including JLA: Scary Monsters and Venom.

YOU CAN’T GO HOME #1 is published by Black Mask and available as of March 25. For more details, visit our friends at Black Mask Studios right here.

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Filed under Black Mask Studios, Comics, Comics Reviews

Webcomic Review: DAWN OF THE UNREAD

Dawn-0f-the-Unread-James-Walker

DAWN OF THE UNREAD is a graphic novel webcomic exploring Nottingham’s literary history created by James Walker. Now, this is quite an impressive project in its specificity and its execution. The underlying mission here is to spark the imagination of new readers and have them rediscover the world of fiction and, most importantly, their local library! To that end, this webcomic is interactive and contains very compelling content. A new installment is published on the 8th of each month. Let’s take a closer look at some of the previous chapters.

Above: Artist Francis Lowe discusses his collaboration with Adrian Reynolds for their “Little Boxes” chapter, published on 8 June 2014.

In “Little Boxes,” you are treated to a variety of interesting facts about Batman lore with a Nottingham connection. Did you know, for instance, that Wollaton Hall was Wayne Manor in one of the Batman films? Well, the focus here is the nearby village of Gotham. And, yes, total Batman connection beginning with Washington Irving bestowing that nickname on Manhattan. We end up making a detour to H.P. Lovecraft. This is a very cleanly drawn comic with just the right touch of whimsy.

"Little Boxes,"  by Adrian Reynolds and Francis Lowe

“Little Boxes” by Adrian Reynolds and Francis Lowe

Read it here.

Above: Cartoonist Steve Larder, with Alan Gibbons, discusses bringing Geoffrey Trease back to life in “Books and Bowstrings,” published on 8 January 2015.

With “Books and Bowstrings,” you get it all. Steve Larder, author of “Rum Lad,” provides a punk aesthetic with his quirky artwork. With the help of some literary ghosts, byway of Sherwood Forest, the local libraries are on their way to regaining the old spirit.

"Books and Bowstrings" by Alan Gibbons and Steve Larder

“Books and Bowstrings” by Alan Gibbons and Steve Larder

Read it here.

Above: Illustrator Amanda Elanor Tribble discusses her collaboration with Aly Stoneman for their chapter, “Ms. Hood,” published on 8 December 2014.

“Ms. Hood,” takes up a contemporary Robin Hood theme to great effect. The artwork is bold and engaging. The story manages to fit in a lot of food for thought.

"Ms. Hood" by Aly Stoneman and Amanda Elanor Tribble

“Ms. Hood” by Aly Stoneman and Amanda Elanor Tribble

Read it here.

“Dawn of the Unread” is an interactive graphic novel for PC, Mac, iPad, tablet and mobile. Be sure to visit right here.

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Filed under Books, Comics, Education, Libraries, Literacy, Webcomics

Review: INVISIBLE REPUBLIC #1

Invisible-Republic-Image-Comics

It is 2843, in Avalon in the Gliese System. The Malory regime has come to an end and nobody cares to celebrate. There are always journalists who wish to report on the scene and they’re not welcome here. So begins an intriguing new comic, “Invisible Republic,” published by Image Comics.

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Like the fall of Saigon, it’s a mad scramble for those who want to, and can, get off the remote moon of Avalon. For those less unfortunate, a life full of more struggle prevails. Enter Croger Babb, a literary journalist among the press. He’s the novelist that the other newsies look up to. They’ve given up on pursuing this story while Croger is only getting started. He just picked up an abandoned manuscript off the street by one Maia Reveron that is a gold mine for the right reader.

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The story and art to this comic is something to behold. Great creative team: written by Gabriel Hardman and Corinna Bechko; art by Hardman; colors by Jordan Boyd; design by Dylan Todd. If you’re seeking out something refreshingly quirky, this is it. A world comes together quite efficiently here. In the span of just a few panels, you’re off and running.

And it’s when Croger finally gets to sit down with his new tome that the story really takes off as we follow Maia, and her cousin, Arthur, on their journey on Avalon some forty years prior. It’s a remarkably well-paced story and lets you take in details as it builds up to crackling action. The artwork certainly drives the narrative as much as the text with vigor. It feels like each facial expression and each backdrop pulls you in. And then our story takes another turn as the character of Arthur comes into sharp focus.

The creative team of Bechko and Hardman have also created “Heathentown,” a horror story set in the Florida Everglades. And you’ll want to look up Gabriel Hardman’s “Kinksi,” a wild romp of a dognapping tale.

“Invisible Republic #1” is available as of March 18. For more details, visit our friends at Image Comics right here.

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Filed under Comics, Comics Reviews, Image Comics