Monthly Archives: July 2018

Book Review: ALPHA: ABIDJAN TO PARIS by Bessora and Barroux

Our hero: Alpha, an Everyman for Today’s Immigrant.

The plight of the immigrant has never been easy and, currently, their fate could not be more dangerous. Many, fighting to leave threatening circumstances, stand no chance of finding the freedom they seek. This brings me to another unique work in comics that defies our expectations of the more traditional graphic novel format. The artwork here is not exactly in panels and there are no word balloons for the characters to speak from. Alpha: Abidjan to Paris is published by Bellevue Literary Press and written by Bessora, illustrated by Barroux, and translated from the French by Sarah Abizzone. Alpha, our main character, while symbolic of all immigrants struggling against the odds, readily engages the reader with his own set of specifics. In this way, the creative team truly gives a face to a problem demanding our attention.

Page excerpt from ALPHA

It was never an easy dream to fulfill but our hero, Alpha, finds he has no choice. Like so many others before him, Alpha is compelled to flee his homeland in search of a better life. In his particular case, he is leaving his home in Côte d’Ivoire to reunite with his wife and son who fled ahead of him and are supposed to be living in Paris with his sister-in-law. Alpha joins a vast number of Africans from varied regions united in plans to outwit ever-tighter border security, and find the right port of exit along the northern coast.

There are a number of detours that Alpha must take on his journey. Each side trip suggests the end of the road. But Alpha is quite persistent and his hopes never dampen even when he ends up in the role of the much despised human smuggler. At least, he fully appreciates that he is part of an necessary evil. That said, whenever he confronts a dilemma in his work, he can’t help but side with the migrant. He simply lacks that killer instinct to make that maximum or, in some cases, only profit. Many of his clients have been accepted on credit that he is unlikely to ever collect on.

ALPHA: ABIDJAN TO PARIS by Bessora and Barroux

Thanks to Barroux’s highly emotive artwork, the reader is quickly hooked in to what reads as a series of diary entries. The frenetic quality of the art is matched by the conversational tone in Bessora’s writing. Adding another layer is Sarah Ardizzone’s translation from the French which further unites the sensibilities of illustrator and writer. All in all, the results, with their raw sense of urgency, are quite captivating. Alpha has gone on to become an international award–winning graphic novel supported by Amnesty International and Le Korsa, a nonprofit organization devoted to improving human lives in Senegal.

A migrant once stood a much better chance of crossing a border to safer ground but not now. Once, a migrant could have a reasonable chance at mercy but not now. The fate of the immigrant is in crisis across the globe, including in the United States of America. Books like Alpha help to educate the public and help to build toward a safer and more merciful world.

Alpha: Abidjan to Paris is a 128-page, full color, hardcover now available. For more details, and how to purchase, visit Bellevue Literary Press.

3 Comments

Filed under Amnesty International, Bellevue Literary Press, Comics, Graphic Novel Reviews, graphic novels, Human Rights, Human trafficking, Immigration

Book Review: THE DEAD EYE AND THE DEEP BLUE SEA by Vannak Anan Prum

THE DEAD EYE AND THE DEEP BLUE SEA by Vannak Anan Prum

There are more slaves today, well over 40 million, than at any time in human history. A new book, a graphic memoir, by Vannak Anan Prum provides a most vivid and compelling testimony, through luscious watercolors and the author’s honest oral account, transcribed and composed to meld with Prum’s artwork. The Dead Eye and the Deep Blue Sea is a 256-page hardcover, in full color, published by Seven Stories Press.

First and foremost, this is a unique and remarkable book that readers will quickly find themselves immersed in. Human trafficking is not an obvious subject matter for the casual reader but Mr. Prum handles the subject with great dignity, never delivering a false note, and even maintaining a sense of hope throughout.

Teamwork equals survival.

This is not a conventional graphic novel/memoir. But, in the process of reading it, I found myself open to seeing this book as functioning as comics–even if it forgoes many of the building blocks of the comics medium. Was Prum ever really intending to create a work in comics, per se? I think Prum is working on a pure level, one that takes the tools required to get a job done. So, given his background and his harrowing experience, I’m sure that he wasn’t mulling over whether he might end up creating a book that would be deemed one of the hippest graphic novels of the year by the A.V. Club, The Comics Journal, etc. No, this man was in dire straits, as serious as a heart attack, and he was most interested in documenting his experience. Surely, he was thinking of working as an artist in some general sense but, even more so, Prum required his work to align with the accuracy of a top notch courtroom sketch artist. Get the facts out, first. Then take care of the artistry and poetry.

Death on a slave owner’s whim.

Even after the experience and with time for contemplation, Prum is driven to document, much in the artist tradition of, say, Albert Bierstadt, Winslow Homer, or Charles Fritz. And, I believe, the initial collection of Prum watercolors gave way, somewhere in the process (through the translating and transcribing of his oral testimony) to having this all adhere more to a graphic novel/memoir framework. And, as you progress from page to page, alternating between artwork and text, you can’t help but totally empathize with Prum, from his stumbling into danger to his dogged perseverance. So, yes, ultimately it does feel and read like a work of comics.

Prum begins his journey as a newlywed with a child on the way living in a tiny poverty-stricken village in Cambodia. Without any prospects, no education, no employment opportunities to speak of, Prum is one very desperate and vulnerable young man. Like so many others like him in similar situations, Prum is lured into a too-good-to-be-true offer of a good job with good money. It is just a matter of one footstep into a truck, and overwhelming desperation, that leads Prum and a band of other victims onto a fishing vessel–followed by years of toil and torture, at the mercy of his overseers.

“I want everyone to know about this. Through my pictures, I want to warn all cross-border migrant workers to be careful. Even if they do not keep my own story in mind, they will at least have an idea of what life is like for people trafficked onto boats for forced labor.” Vannak Anan Prum is an artist who was held captive as a slave for four years on a Thai fishing boat before being sold into slavery on a Malaysian plantation for another year. He has since escaped and now lives with his family in Cambodia. Read his story here: http://tiny.cc/deadeye Vannak’s store is run by a handful of English speaking friends. 100% of the royalties earned from this store go directly to Vannak. Feel free to email us if you have any questions or would like to commission a work directly from Vannak.

–from Vannak Anan Prum’s Twitter

It is to the credit of Prum’s own natural artistic and poetic inclinations that his story never turns maudlin. It is also to Prum’s credit that, despite the grim circumstances, his narrative never grows too dark, as if the reader can rely upon Prum to find a way, to rise above, while also not suggesting he was some sort of hero. What Prum turned out to be is an authentic artist/journalist. While I’ve stressed that Prum’s main goal is accuracy, there is no denying that he also managed to remain faithful to artistry. He has a keen sense for pacing, composition, and for color. Life is back to the normal for him now, back with his wife and little daughter. While he continues to heal from his past, Prum can take solace that his voice has been heard and that his contributions are greatly appreciated. No doubt, this book will have readers wondering about where their last seafood meal came from.

A tattoo artist emerges.

As I say, this is a tough subject to deal with, but it is essential that we educate ourselves on human trafficking and this book is invaluable in that process. Personally, I am very inspired by Prum’s story, made up of so many nuanced moments. I wondered, as I read, how he would make a life for himself after having been forced into slavery. What will freedom look like for him? I think this book will make a difference, not only to educate others but, hopefully, to help Prum and his family rise up to where they belong. I can see him developing further as a fine artist. And, as the book demonstrates, I can also see him doing quite well as a renowned tattoo artist. I look forward to whatever he does next.

Prum’s artwork saves his family.

The Dead Eye and the Deep Blue Sea is a 256-page hardcover, in full color, published by Seven Stories Press. To learn more about Vannak Anan Prum, and purchase his art, visit him here.

Leave a comment

Filed under Comics, Graphic Novel Reviews, graphic novels, Human trafficking, Seven Stories Press, Vannak Anan Prum

TRUMPWORLD: Sure, Give Bill Browder to Putin!

White House Press Secretary Sarah Huckabee Sanders said the president will consider allowing Russian investigators to question U.S.-born investor Bill Browder, former U.S. ambassador to Russia Michael McFaul and others. | Chip Somodevilla/Getty Images

Anyone in the Trump White House should know that handing over to Putin whistleblower Bill Browder, a very hard thorn in the side of Putin, would be a death sentence for Mr. Browder. And yet White House Press Secretary Sarah Huckabee Sanders said today that the president will consider allowing Russian investigators to question U.S.-born investor Bill Browder, along with former U.S. ambassador to Russia Michael McFaul and others.

Bill Browder and the Magnitsky Act are essential knowledge during this global crisis and opens a wide window onto how corrupt and murderous the Putin regime is. It is unforgivable for anyone in authority in the so-called Trump administration to have no clue about this. Thankfully, there are real adults out there. Later in the day, State Department spokesperson Heather Nauert called the concept “absolutely absurd.”

In a nutshell, Mr. Browder was the first and only American hedge fund investor in Russia, right at the time of the fall of the Soviet Union. He got to see, firsthand, the rise of the oligarchs, and Putin. It was one of Browder’s trusted aides, Sergei Magnitsky, who got too close to Putin’s crosshairs and was murdered by Putin’s henchmen. Ultimately, this led to the passage in Congress of the Magnitsky Act, which keeps Russian criminals, like the killers of Sergei Magnitsky, out of the U.S. The takeaway here is that Vladimir Putin is a very, very dangerous person.

It was an honor for me to review Mr. Browder’s book, Red Notice: A True Story of High Finance, Murder, and One Man’s Fight for Justice. If you want quite a compelling read, I highly recommend this very valuable book. But, by all means, any information you can get is of great value including the recent video clip above with Mr. Browder speaking on Putin in relation to Trump.

2 Comments

Filed under Donald Trump, Putin, Russia, Sarah Huckabee Sanders, Trump, Vladimir Putin

Comics Review: THE WINNER by Karl Stevens

A most engaging muse.

Karl Stevens is quite an impressive artist. Now, he does let himself get tripped up over labels. Stevens confides this with the reader, along with a bunch of other juicy and fun things, in his new autobiographical graphic novel, The Winner, published by Retrofit/Big Planet. Just who is Karl Stevens to think you, the reader, are going to care one way or another as to how he sees himself as an artist and/or cartoonist? Well, he’ll readily admit that he’s confronting the artist’s lot in life of fighting off overwhelming indifference but that’s just the thing. Mr. Stevens is engaging in the fine old tradition of presenting a portrait of the artist and having the reader take of it what they will. In this case, there is much to take and much to celebrate.

THE WINNER by Karl Stevens

I, for one, celebrate the work of Karl Stevens–and I’m sure you will too! I’ve had the pleasure of reviewing his work in the past. I really enjoyed, Failure. This new book carries on that same level of excellent auto-bio along with a foray into other themes. I see here an evolving sense of humor mixing sharp self-deprecation with the wildly absurd. It’s as if Stevens is still too close to the real world gripes that he needs to play with different genres in order to cut loose. Stevens inserts a few segments of sci-fi, fantasy, and even horror, into his auto-bio narrative. These segments are experimental compared to his far more measured and earnest social commentary. Taken as a whole, the reader seems to get to know Stevens through all these various samples of the artist’s life, working process, and work resulting from sources other than direct observation.

THE WINNER by Karl Stevens

Stevens plays up his anti-social and elitist tendencies for the reader. Whether or not the Stevens on the page is the same as the Stevens in private is one of those games that can make you crazy. It doesn’t help that Stevens has such a deliciously realistic style that lures the reader in. The writing is crisp, the dialogue is sharp and natural. So, sure, you can easily lose yourself in these wonderful scenes of Steven ranting about the mindless masses while his wife, Alex, nudges him into a reality check. I suspect that there’s more truth to these scenes than fiction and that’s totally okay, better than okay! Stevens knows how to kid. For someone who can so consistently conjure up such exquisite work, the man has earned himself the right to complain as much as he wants about the dire state of affairs and us less than noble humans.

Getting back to the genre-hopping going on here, I think Stevens is still figuring out what he wants from this. Right now, I see an artist/writer of high caliber flexing his muscles and testing things out. That said, his work can be quite visually appealing. And his humor is wry, dry, and often silly. As it stands right now, I think Stevens is heading in a very interesting direction. I am curious to see how Stevens continues to intertwine his real world with the supernatural.

THE WINNER by Karl Stevens

The Winner is a 104-page full cover trade paperback, now available. For more information and how to purchase, visit Retrofit/Big Planet right here.

2 Comments

Filed under Big Planet Comics, Comics, Graphic Novel Reviews, graphic novels, Karl Stevens, Retrofit Comics, Retrofit/Big Planet

Comics Review: THE FURNACE by Prentis Rollins

THE FURNACE by Prentis Rollins

It is an honor and a pleasure to share with you, The Furnace, the new book by Prentis Rollins, a veteran in the comics industry (Marvel and DC), published by Tor Books. I will jump in with a quick way to hook into this book and say outright that this work does indeed compare favorably with the best of the original Twilight Zone. That’s a tall order but this is an exceptionally unique work. I don’t take such comparisons lightly and I have no problem striking down false claims that occur quite often. So, yes, this is the real deal with its finely modulated pace and attention to detail. It delivers that ethereal sensation that leaves you in a deliciously questioning mood. And, with its sophisticated flair, it will have strong appeal to adult readers while still appropriate for any age.

Much like an excellent episode of The Twilight Zone, every detail is accounted for right down to the title, The Furnace. What sort of furnace could this be? Well, as in any existential tale such as this, there’s a good deal of nihilism. This furnace first comes into view as a parent tries to explain to a child a highly complex (and compromised) adult endeavor. The explanation takes on grand metaphysical proportions while also clearly playing the role of an augury of sinister things to come. Just what is this parent trying to tell this child? A machine that keeps cookies locked away?


Witness the worry in the mesmerizing patterns in the sky.

We take so much for granted when it comes to comics. I digest quite a lot of comics, coming from a myriad of genres, publishers, and niches. A work like this is the Holy Grail of comics, to try to put it as plainly as possible. With a work like this, you are experiencing comics, both in art and in writing, at an extraordinary level. I’m sorry but work at this level is not for hobbyists. And I strongly believe that work at this level needs to be acknowledged as often as possible. It’s not only that Mr. Rollins can draw at an exquisite level. That alone will get you only so far. And the same can be said for nicely-paced prose. What stands out is a level of dedication and professionalism that results in astonishingly honest work. You view an episode of Twilight Zone running on all four cylinders and you see exactly what I mean. No one who just happens to love comics is going to crank this out overnight. No, sir. It doesn’t work that way. Here is someone who wrote and drew and colored a significant and highly-polished graphic novel all by himself. It happens–but not quite as often as you might think. And not nearly as good as this book!

What I really enjoy about The Furnace is that Mr. Rollins seems to not give a fig about all the time and effort required to tell his tale. He just does it–and he makes it look so easy. As a cartoonist who both writes and draws, I can tell you that this is quite labor-intensive stuff, especially if you do it all by hand, the old-fashioned way. Based upon the endnotes, where Mr. Rollins shares his process, he did indeed do it all by hand. And here’s the irony. While it is devilishly hard work, if you stop and think about it too much, it can be a very satisfactory activity. You reach a point, towards the end of such a project, when your skills are at a well-oiled level, that you simply don’t want to stop. You actually want to do more and so, if you’re fortunate, you simply jump on to the next project.

“I’m having a ball!”

Each character in this book is quite palpable, a true living and breathing entity. The key bone of contention is between two ambitious young men who find themselves at the precipice of a watershed moment with staggering consequences. Marc holds the key to what comes next and also has the power to stop it, if he were so inclined. Walton, while very capable in his own right, is stuck with being in Marc’s shadow. Walton is the guy that a genius goes to for some assistance, not for collaboration. Our story is told in various pieces looking back from the perspective of a middle-aged, and bitter, Walton. He tells this tale to himself and, oddly enough, in a sanitized form, to Clara, his six-year-old daughter. To add to the tension, Clara’s face and demeanor often resemble a much older girl or woman. It doesn’t help that Clara keeps pushing the envelope for her age. For example, she insists upon calling her father by his first name. Walton’s wife sees no problem with this as she declares, matter-of-factly, that Clara simply doesn’t see Walton as her father.

You reach a point in a work when you either ease up a bit or you dive deeper. Mr. Rollins takes each dive and goes deeper. Thankfully, he is a writer who relishes in well-placed, finely-articulated dialogue and action. And, as happens deep in the process of making a work of comics such as this, the level of writing somehow blends and interlaces with the artwork. Your characters might be pensive or caught in the throes of a crisis and, akin to the background in a painting, character and environment meld together. The skies take on an eerie neurotic energy which is accomplished with crosshatching and patterning above and beyond what would satisfy a typical panel or page. And, thus, a remarkable moment is experienced…followed by another and another.

The best rendered ears in the business!

I sort of want to skirt around the issue of the actual plot because I don’t want to give too much away. In some respects, this is as much a character-driven narrative as anything else. It has a lot to do with the great distance we can create between our fellow humans, a recurring theme on The Twilight Zone. And the storytelling has a lot to do with evoking a certain state of mind, an ongoing concern, for sure, on The Twilight Zone. The Rollins touch is there in every way possible, right down to arguably the best rendered ears in the business! Yep, that little sample above of a finely-rendered Rollins ear speaks volumes. I honestly believe that the complexity and beauty of this work ranks up there with such landmark work as Watchmen, albeit on a smaller scale.

A utopian scene

It was indeed a pleasure for me to review another work by Prentis Rollins a while back. This was his magnificent guide to drawing comics, How to Draw Sci-Fi Utopias and Dystopias: Create the Futuristic Humans, Aliens, Robots, Vehicles, and Cities of Your Dreams and Nightmares, published by Monacelli Studio. In fact, the image above is a working drawing related to The Furnace. This particular image did not make it into the book but I thought it might make a nice treat to include here. Obviously, this book is a visual delight–and, without a doubt, a literary delight.

The Furnace is a 208-page full color trade paperback, available as of July 10, 2018. For more details, visit Tor Books right here. And be sure to visit Prentis Rollins at his website right here.

File this book under “Awesome Titles Near Level with Watchmen by Alan Moore and Dave Gibbons.”

Rating: 10/10

1 Comment

Filed under Comics, Graphic Novel Reviews, graphic novels, Sci-Fi, science fiction, The Twilight Zone, Tor Books