Category Archives: movies

Star Wars Episode VII Trailer 2015

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Are you ready for a trailer to the next Star Wars movie? So are so many other people. Hmm, you would think that this year’s San Diego Comic-Con would be an excellent venue to unveil an official trailer. For now, that most coveted trailer remains but a fan’s hope.

And speaking of fans, I happen to like these two Star Wars fan tributes. Take your pick: serious or funny. The first one right below is serious and taps into the thrill of it all.

This other one is not so serious, it’s not even trying to be anything but funny. No, it’s not even trying to be a fan trailer but it’s good, it’s damn good.

I don’t know about you but I’d definitely stand in line to watch this Star Wars comedy.

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Review: HOWARD CANTOUR.COM

Jim Gaffigan as Howard Cantour

Jim Gaffigan as Howard Cantour

Portia Doubleday as Dakota Zearing

Portia Doubleday as Dakota Zearing

You know, I’m really surprised that Shia LeBeouf’s exercise in plagiarism has not been shut down and still exists as a legitimate film with its own official IMDb. So it goes, right? Well, for now. We’ll see how that turns out for Mr. LaBuff. Really, I enjoyed the Shia’s performance in 2012’s “The Company You Keep,” co-starring Robert Redford. It had a nice Hallmark Hall of Fame quality to it. Something Lindsay Lohan might have done before everything got fuzzy and weird.

Considering Shia’s new upcoming project as a sex addict, who knows, maybe things will start to get even fuzzier and weirder for him. But we don’t really want that for him. In fact, once this blows over, after wounds have healed, after some soul-searching, all could turn out quite well, no? And, if so, I’d be proud to shake Mr. LaBoof’s hand. For now, the craziness continues as you can read in this piece in The Independent from this Monday here.

So, basically, you’ve got a short film that lifts its story directly from a short work in comics by Daniel Clowes, entitled, “Justin M. Damiano.”

Hey, knock your socks off and view Shia’s little masterpiece at the YouTube right down here, just waiting for you. It might get deleted, so check it out, if you want:

Truth be told, sure, sure, sure, it’s an okay little piece but you gotta ask the original, yes “original” creator, permission, Shia, just gotta. Live and learn.

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DO YOU LIKE MY BASEMENT? out on DVD, Netflix, and iTunes

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If you’re looking for some sophisticated horror, check out Director Roger Sewhcomar’s DO YOU LIKE MY BASEMENT? Whether you’re a horror movie purist or a casual viewer, this is a thrill ride that is sure to please. You can think of this as tapping into the spirit of suspense in such classics as PSYCHO but with a contemporary edge.

Meet Stanley Farmer, a man who only wishes to make a truly authentic horror movie. Played with devilish glee by Charlie Floyd, Farmer is a handsome, dapper fellow with a taste for blood. Part comedy of errors, part little shop of horrors, you’ll find yourself quite entertained. This is also sly social satire. Our social media brings us all together in such interesting ways.

You can read my full review here. And you can listen to my interview with the director, Roger Sewhcomar, here.

You can find it as Netflix, iTunes, and available as a DVD, at such outlets as Best Buy, as of January 21, 2014.

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Kevin Smith’s TUSK is on track for 2014

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We have heard that Kevin Smith was going to retire from directing movies. But maybe he can still keep his hand in. His latest film, TUSK, taps into his distinctive offbeat humor. Starring Justin Long, who got to spar a bit with Smith in DIE HARD 4.0, this new film allows Smith to try out some new things in the horror genre. It’s all systems go as A24 and Demarest Films have teamed up on distribution of Kevin Smith’s TUSK.

TUSK was inspired by the real-life story of an internet message board user who advertised for a roommate willing to dress as, and act like, a walrus.

“It’s about a guy who turns another guy into a f**king human walrus,” Entertainment Weekly quotes Smith as saying.

TUSK, which stars Justin Long, Michael Parks, Genesis Rodriguez, and Haley Joel Osment, was born out of one of Kevin Smith’s immensely popular SModcasts. Currently in production, the modern-day monster movie was also written by Smith. Sam Englebardt, David Greathouse, and Shannon McIntosh are producing.

Said A24, “We had the privilege of visiting Kevin on the TUSK set and seeing some of his early footage. We can say with certainty that this movie will blow people’s minds. Truly one you’ll have to see to believe.”

“I’m as happy as the day Miramax bought Clerks back in ’94! We’re so lucky A24 fell in love with our walrus picture and jumped in the pool with us. I was a big fan of how they released The Bling Ring and Spring Breakers, so I was praying TUSK would take root there. If anyone knows how to bring this flick to the masses, it’s them!” says Smith.

Demarest’s Sam Englebardt added, “We’re thrilled that A24 has joined us in backing Kevin’s wild, deviant vision. Tusk will be a horror movie for the ages and we couldn’t imagine a better partner in bringing it to the world.

TUSK follows Wallace (Long) a journalist on a mission. He finds the story of a lifetime in Mr. Howe (Parks), a worldwide adventurer with amazing tales and a curious penchant for walruses.

Smith is as busy as ever with his SModcasts and supporting new filmmakers. In 2013, independent distributor Phase 4 and the Kevin Smith Movie Club released THE DIRTIES, a gutsy faux documentary about bullying, by Matthew Johnson.

You can listen to my interview with Matthew Johnson, the co-writer, director, and star of THE DIRTIES right here. It was a pleasure to get to chat with Matthew and I thank him for his generosity.

A24 plans for a wide release of TUSK in the third quarter of 2014.

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Movie Review: THE SECRET LIFE OF WALTER MITTY

the-secret-life-of-walter-mitty-ben-stiller-2013

There’s a very cool, even flawless, indie movie, inside of “The Secret Life of Walter Mitty.” This is a major motion picture, so the beautiful moments in this film must allow for the tentpole to go up and lure in the biggest audience. The CGI effects are great but they can get carried away as in one extended scene involving Walter Mitty and his boss duking it out, moving as if powered by jets, down midtown Manhattan. CGI is notorious for providing mixed results or downright duds in the humor department. There’s also a crowd pleaser daydream sequence involving a parody of “Benjamin Button” that, while funny, is jarring in its being out of place. But not to worry because, at its heart, this is a movie full of exquisite comedic timing, led by Ben Stiller as Walter Mitty, the ultimate daydreamer, and Kristen Wig as Cheryl Melhoff, his coworker and the object of his affection.

The secret to this movie’s success is in all its fine understated moments. There are many of them. And they’re very funny and touching. Those first opening shots of Walter at the subway platform on the phone with a rep from eHarmony are some of the best moments of comedy you’ll find anywhere. Audiences have already seen them in trailers and laugh each time they see them. And when they see them again in the movie, they laugh that hearty laugh from anticipating something they know to be good. By the time we reach the conflict between Walter and his boss, Ted Hendricks (played by Adam Scott), the plot has tightened up and has to ride out some unfunny edge. Mitty has been a longtime employee at Life Magazine. But the venerable magazine has reached its last print issue. The cover will be graced by a photo from its most legendary photographer, the mysterious Sean O’Connell (played by Sean Penn). That is if Mitty can find the missing negative.

At this point, once the chase is on to find the missing negative, the movie is entering its most dangerous territory, predictability. Based on James Thurber’s classic short story, the script by Steve Conrad (The Pursuit of Happyness) leans heavily in the feel good camp but there are ways to have your cake and eat it too. Cake, now that I mention it, plays an important role in this movie. It’s Walter’s mom, played by Shirley MacLaine, that makes the best pineapple upside-down cake in the world. It’s so good that it can charm Afghan warlords. If that sounds like a plot out of an old Flintstones cartoon, that would be a fair assessment. But as syrupy as this hero’s journey can get, the actors can ride out those rough spots. Stiller and Wig together carry this comedy in for a safe and funny landing.

As with any worthwhile comedy, The Secret Life of Walter Mitty has a meaningful core, once you pare away the big budget excess. Stiller is compelling as a man trying to find himself. On his journey of self-discovery, he must track down a larger-than-life enigma in order to find the answers he seeks. If Stiller and company had wanted to edit down their way to a more precise expression of what Walter Mitty meant to them, they could have done it. For a movie that takes a more substantial route with a somewhat similar plot, you’ll want to check out Steeve Coogan and Judi Dench in “Philomena.” But that’s comparing apples to oranges. Mr. Coogan made exactly the sort of movie he was after. And Mr. Stiller made exactly the sort of movie he was after.

The Secret Life of Walter Mitty goes into wide release on Christmas Day.

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Review: ‘Unhung Hero’ Answers the Question: Does Size Matter?

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Patrick Moote is a talented young man who thought he had a big problem. He thought his penis was too small. So, he goes on a journey of self-discovery and we get to go along with him in the documentary, “Unhung Hero,” which releases on DVD and iTunes on December 10, 2013. Does size matter? On a logical level, of course not. But director Brian Spitz and actor/comedian Patrick Moote are on a quest to explore the deep insecurities we all face in a crass and overstimulated world glutted with porn and unrealistic expectations.

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Star Wars: Episode VII to Open December 18, 2015

Star-Wars-Episode-VII-Opens-December-18-2015

Star Wars is now on track with its next episode:

The following information was just posted on StarWars.com:

Star Wars: Episode VII to Open December 18, 2015

With pre-production in full-swing, a confirmed release date of December 18, 2015, has been set for Lucasfilm’s highly anticipated Star Wars: Episode VII.
“We’re very excited to share the official 2015 release date for Star Wars: Episode VII, where it will not only anchor the popular holiday filmgoing season but also ensure our extraordinary filmmaking team has the time needed to deliver a sensational picture,” said Alan Horn, chairman of The Walt Disney Studios.
Star Wars: Episode VII will be directed by J. J. Abrams (Super 8, Mission: Impossible III, Star Trek)and is being scripted by Abrams and Lawrence Kasdan (Raiders of the Lost Ark, The Empire Strikes Back, Return of the Jedi). Lucasfilm president Kathleen Kennedy, J.J. Abrams, and Bryan Burk are producing, with Tommy Harper (Mission: Impossible – Ghost Protocol, Jack Ryan, Star Trek Into Darkness) and Jason McGatlin (Tintin, War of the Worlds) serving as executive producers. John Williams is returning to score Star Wars: Episode VII.
Shooting is scheduled to begin spring 2014 at Pinewood Studios.

StarWars.com. All Star Wars, all the time.

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WHERE HAVE ALL THE HEROES GONE? Gloria Swanson and a Talk About How We Got Here From There

Gloria Swanson photograph by Edward Steichen, 1924

Gloria Swanson photograph by Edward Steichen, 1924

“Where have all the heroes gone?” asked Sherman. He asked this plainly and earnestly, without even a hint of irony. He looked to be about 16-years-old and not remarkable at first glance, just a kid. He wore a cardigan sweater, had messy hair, a well-worn t-shirt, jeans, and Converse high tops. Maybe a geek but not a proud geek.

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Filed under Commentary, Creative Living, Culture, Essays, Facebook, Henry Chamberlain, Heroes, Hollywood, Internet, Media, movies, Silent Movies, Social Media, Superheroes, writing

Interview: Director Eduardo Rodriguez and ‘Fright Night 2: New Blood’

Jaime Murray and Will Payne in FRIGHT NIGHT 2: NEW BLOOD

Jaime Murray and Will Payne in FRIGHT NIGHT 2: NEW BLOOD

Eduardo Rodriguez is the director of the latest “Fright Night” movie and it’s really good. “Fright Night 2: New Blood” has style and a nice mix of horror and humor. I had the opportunity to talk with Rodriguez about his career, horror movies, and even what he’s currently reading. We also chatted about Jaime Murray, who plays the professor with an evil secret in “Fright Night 2: New Blood.” Was it just me, or was I onto something when I suggested that Jaime Murray would make an excellent Lisa in a remake of “Weird Science”? Rodriguez agrees with me, Murray would make a great Lisa. And, just so we’re clear, there will be a remake of this John Hughes classic.

Kelly LeBrock and Anthony Michael Hall in WEIRD SCIENCE

Kelly LeBrock and Anthony Michael Hall in WEIRD SCIENCE

Back to our subject, Eduardo Rodriguez has made some very cool movies with an intense vibe to them, like “Stash House,” “The Messengers,” and “El Gringo.” It is safe to say that he has a taste for action, horror, and the offbeat. It is a treat to get to listen to him relate his student days and then compare that to being a professional. And it’s fun to listen to a pro praise something current like, “The Conjuring.” Clearly, he comes across as someone who loves a good story. And it was nice to have him share with us what he’s currently reading, “Unwelcome Bodies,” by Jennifer Pelland.

UNWELCOME BODIES by Jennifer Pelland

UNWELCOME BODIES by Jennifer Pelland

Rodriguez has come a long way in his career. He advises those in film school to cherish their time in school since those days don’t come back. He sounds quite happy with where he is now. It does look like he has a great career ahead of him. I went back and discovered one of the movies that Rodriguez worked on, “The Messengers.” That has got to be a very scary movie. I have yet to see it and will need to get back to you on it. Here’s a trailer:

Here is a link to the full interview:

“Fright Night 2: New Blood” arrives on DVD and Blu-ray on October 1. You can read my review here.

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DVD Review: SPRING BREAKERS

spring-breakers-harmony-korine-2013

Miley Cyrus’s twerking at the VMA Awards gala event this last Sunday is a bit of pop culture that’s hard to digest but might be devoured by a movie like “Spring Breakers.” In this movie, we find Selena Gomez, playing the role of Faith, in a much more acceptable expression of youthful rebellion. It could be interesting to get director Harmony Korine’s take on Miley Cyrus. Most likely, he would not be passing any judgment. He would probably be fascinated by the spectacle and how it might work into a story. That is the sort of thinking behind “Spring Breakers,” which recently became available for home entertainment.

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