Monthly Archives: October 2012

24 HOUR COMICS DAY: A Night At The Sorrento

A fine day and night’s work. Here is my comic for 24 Hour Comics Day, 2012.

A new day begins and new challenges and opportunities. I loved being here at the Sorrento Hotel and I look forward to coming back. I feel there is still more to learn and enjoy about this beautiful hotel. I’m just feeling very inspired. I’m an artist. I’m a writer. And, putting both of those passions together, I’m a cartoonist. Now I embark on developing “A Night At The Sorrento” further.

I will tell you now that “A Night At The Sorrento and Other Stories” will be a Kickstarter campaign. Stay tuned. I hope I can count on your support when the campaign launches.

24 Hour Comics Day is all about making the most of your time. So, go out there and make the most of your day.

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Filed under comic books, Comics, graphic novels, Henry Chamberlain, Kickstarter, Seattle, Sorrento Hotel

24 HOUR COMICS DAY: PAST THE WITCHING HOUR

We’re past the witching hour. It’s now a quarter past three in the morn’! Here’s more Sorrento observations. There probably are ghosts among us here at the Sorrento. I was told of one interesting story. A delivery man was talking to one of the staff up until that person walked through a wall. The delivery man never came back. Well, it’s a good tale, what can I say. On a lighter side, I like the mats with the days of the week on them.

I like the french press. I like all the little details. And I’m getting work done too! To all you readers out there, this is what a 24 Hour Comics Day is all about.

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Filed under Art, Comics, Comics Dungeon, Seattle, Sorrento Hotel

24 HOUR COMICS DAY: Further Down the Rabbit Hole

The trick to a successful 24 Hour Comics Day is to be a truly bad mofo. You’re into staying awake and drawing like crazy.

There is no easy way about it. You can’t cram for this. You can’t try to do this ahead of time. You just do it.

So, if you’re in a venue with a variety of possibilities, you stake your spot and go from there. I chose to spend a good bit of time at the Sorrento’s Hunt Club.

I also made sure to visit to legendary “haunted” fourth floor. There’s something about room #408. Let me know if you find out. Something happened in there, at least in urban legend.

And, of course, your feet get restless. You get itchy feet and need to wander about a bit. The soles of your feet are crying for stimulation, right?  I chose to try the nearby watering hole, The Hideout. Here are a few photos of the men’s room artwork. Pretty cool, huh? Well, definitely above average. Must be the local artist element at work.

Okay, back to work.

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Filed under Art, comic books, Comics, Comics Dungeon, Henry Chamberlain, Seattle, Sorrento Hotel

24 HOUR COMICS DAY: First Impressions

The Sorrento Hotel is a wonderful experience from the moment you walk in the door and you’re greeted at the front desk. I think the staff are very courteous and friendly and I find the Sorrento to be so full of character. I love my room. It has a nice view that provides me a catbird’s seat to new arrivals and the activity down below. There’s plenty of room to settle into and a big fancy desk to get to work on.

I’ll have to get some dinner soon. And I’ll settle into the Fireside Room later on and listen to some jazz. I have a good layout already under way with plenty of room for changes and additions, just the way it should be for a 24 Hour Comics Day. And thanks always to Comics Dungeon for their sponsorship. And expect an awesome book to come from all this. You can see some of my previous work here. A page from “The Dog Who Would Be King” was auctioned off this year at the annual Artist Trust Benefit Art Auction.

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Filed under Art, Artist Trust, comic books, Comics, Comics Dungeon, Henry Chamberlain, Seattle, Sorrento Hotel

24 HOUR COMICS DAY 2012: Charming Damsel

I’m figuring out potential characters and I believe we will have a charming damsel, circa 1909. It’s getting very close to my visit to the Sorrento Hotel.

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24 HOUR COMICS DAY 2012: Gentleman Dandy

One very important element of preparing for a project in the comics medium is character development. And so here is one character I believe will be playing a role in my 24HCD piece.

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Filed under Comics, Henry Chamberlain, Seattle, Sorrento Hotel

Review: THE ART OF MOLLY CRABAPPLE, VOLUME 1: WEEK IN HELL

It is quite fitting to take a look at one of Molly Crabapple’s recent ventures as I am about to embark on my own foray. I have to say, Molly is one of my favorite cartoonists. I admire her style and her spirit. I don’t know what she’d advise for my solo 24 Hour Comics Day at the Sorrento Hotel this weekend but I have this book of her creative adventure in a hotel: “The Art of Molly Crabapple, Volume 1: Week in Hell.” Now, was it really a week in hell? Let’s take a look.

This work above has a number of the “girlthings” motif that Molly employed throughout her project. The number “745” indicates the number of supporters she got for her successful Kickstarter campaign.

This work above is of Molly’s friend, Stoya, and comments on all the amateur photographers who crowd her space. They are depicted as lizards, which they probably enjoy!

And this work gives us Marie Antoinette’s head being split open to reveal all the bad Piggy Bank interests. Revolution has struck! Molly has certainly done her part with her illustrations reporting on the Occupy movement. She even allowed her own loft to be converted into a laptop charging station for reporters covering the police brutality down the block.

This is a beautiful book! Molly, as always, is an inspiration. The forward by Warren Ellis is very instructive. We get a peek into the creative process from his words. The idea behind “Week in Hell” was to see what Molly could accomplish as an artist if she was locked up, sort of speak, in a room and had to face her demons, had to see what she could create that was new and not simply repeat herself. Well, this artist has succeeded.

“The Art of Molly Crabapple, Volume 1: Week in Hell” is published by IDW. It is a 48-page full color trade paperback and is listed at $9.99. Visit our friends at IDW Publishing.

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Filed under Art, Comics, Molly Crabapple, Performance Art

THE SORRENTO HOTEL AND ITS FIRST YEAR: 1909

It is my honor to be a guest at the Sorrento Hotel for my participation in the annual 24 Hour Comics Day this weekend, October 20 -21, sponsored by Comics Dungeon. Here are some facts about what was going on when the Sorrento Hotel first opened, courtesy of the University of Washington. The biggest event in Seattle in 1909 was its first World’s Fair, the Alaska Yukon Pacific Exposition.

Seattle and The World in 1909

1909

  • Seattle’s population in 1910: 237,194.
  • Life expectancy is 48 for men and 52 for women.
  • By 1910 many Seattle homes and factories have electricity. However, electric home appliances won’t become available until 1911.
  • In 1909 women can’t vote. Washington women got the vote in 1883 but lost it in a State Supreme Court decision in 1890. In 1910 they were again given the vote, 10 years before the US Constitution was amended.
  • In 1906, there were 763 cars in Seattle. Speeds are limited to 4 mph downhill and 8 mph uphill. Vehicles are first licensed in 1909 although license plates won’t appear until 1915. Shell will bring the first gas station to Seattle in 1912.
  • The Sorrento Hotel, on Madison in Seattle, opens in 1909 – the first guest was President William Howard Taft.
  • L.C. Smith, who amassed his fortune from his Smith typewriters, starts plans in 1909 to build the 21-story Smith Tower to hold 600 offices on Second and Yesler in downtown Seattle.
Average US annual salary: $750Hourly wages: 29-45¢Milk: 32¢ gal. Eggs: 29¢ doz.Sugar: 6¢ lb.

Whiskey: $3.50 gal.

Average U.S. House: $2,650

The Nation & the World

  • Ernest Shackleton’s expedition finds the magnetic South Pole
  • Robert Perry and Matthew Henson reach the North Pole
  • National Association for Advancement of Colored People (NAACP) is founded
  • First Federal legislation prohibiting narcotics (opium) passes
  • Federal Bureau of Investigation (FBI) is established
  • 16th Amendment passes to introduce Federal income tax
  • Karl Landsteiner isolates the poliomyleitis virus
  • John D. Rockefeller gives $530 million for worldwide medical research
  • Nobel Prize for Physics is awarded to Guglielmo Marconi and Carl Ferdinand Braun for the wireless telegraphy (radio)
  • Henry Ford introduces his “universal” car, the Model T in 1909, priced at $850 and “available in any color as long as it was black”
  • Wall Street Dow Jones Industrial Average closes Dec. 31: 99.05
  • Shine On, Harvest Moon by Ada Jones and Billy Murray hits #1 in US
  • Ty Cobb steals home in World Series game
  • Wright Brothers test and deliver the first military plane to US Army, it seats 2, max speed 40 mph
  • Panama Canal’s first concrete is poured
  • Japanese forces begin a 36 year occupation of Korea
  • Construction of Navy base at Hawaii’s Pearl Harbor begins
  • Serbia mobilizes against Austria-Hungary
  • Italian school teacher/physician Maria Montessori, 39, publishes Motodo della pedagogia scientifica

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Filed under Comics, Comics Dungeon, History, Seattle, Sorrento Hotel

GOODBYE, NEWSWEEK; HELLO, NWDB

Newsweek will cease print publication at the end of this year.

There’s no two ways about it, it is sad news to say goodbye to the iconic and venerable print magazine, Newsweek. I’m sorry but it is saying GOODBYE. It is not simply saying hello to new opportunities on the internet. It is a simple fact: Newsweek, the magazine as it has been known for 80 years, is gone. It is also a fact that we are all moving on. Why would you want to continue to have an expensive print version of your product when you want to invest in digital? Two years ago, The Daily Beast bought out Newsweek and, with the help of Newsweek content, The Daily Beast has soared. When you think of Newsweek now, it’s “Newsweek and the Daily Beast” or “NWDB” for short. And that’s the reality of things. The main reason to stop print is the high cost of print and distribution. That is what the comic book industry is definitely grappling with. The new digital version of Newsweek will be known as Newsweek Global, one world-wide digital version that you can only read through paid subscription with some content available on The Daily Beast website for free. That, like it or not, is a model for the future.

I recall, even as a kid in the ’70s, that Newsweek had more of a kick than Time. The headlines were usually more direct and the color was more saturated. The writing was bolder. The layouts were more robust. It had everything you could want in a weekly news magazine plus it had just the right amount of “eye candy,” a term that I believe originated in the ’70s in response to what was seen by some critics as the coming scourge of infotainment ushered in my this brand new candy-coated television program, “20/20.” But Newsweek wasn’t eye candy! It had style and it knew how to use text and image in more compelling ways than its competitor, Time. You could say that Newsweek was already, to a certain degree, hip to the look and feel of the internet before there was an internet.

That said, it really is too bad to say goodbye to the print version. I found it handy to tuck an issue under my arm and then read it on the bus. I also have an e-reader but I prefer to keep that for reading books, not magazines. The fact about e-readers: If you want to experience reading that is easy on your eyes, then you want the black and white e-ink type reader. If you want color, then you’re reading it off a bright screen which is not terribly eye-friendly. Here in Seattle, in 2012, there is a healthy number of tablet and e-ink readers on the daily commute. Among readers, there is also a similar number of people reading actual books and magazines. I’m not sure that we, the reading public, have reached the “tipping point” of reading everything on a gadget but, perhaps, advertisers have calculated it is time to make a greater investment in digital.

At some point, perhaps in another five to ten years, tablets will be as commonplace as cell phones. But will the internet become more accessible to everyone? No, probably not. All you have to do is go to any public library and see how heavily used the public computers are. People who use public computers can only use them for limited amounts of time, hardly enough to let themselves get caught up in too many articles from what the traditional Newsweek of yesteryear used to offer. That type of accessibility will be lost. What you get for free is The Daily Beast site and, for less fortunate readers who even bother to look on a public computer, that amounts to a few bites of info, gossip and world-class content along with your chance to enter the boxing ring with the animation of a bikini clad babe, or some such advertisement, that will pop up and share your reading space. So much for eye candy. But these readers are not really NWDB readers and hardly Newsweek Global readers. Anyhow, more serious readers, even impoverished ones, can always find a way to get what they need.

You can check out what NWDB Editor-in-Chief, Tina Brown, and NWDB CEO, Baba Shetty had to say about the Newsweek shakeup here. The conclusion that NWDB has reached is that the company can not lose itself in the “romance of print” and it must “embrace the all-digital future.” The last print issue of Newsweek will be for the week of December 31, 2012.

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Filed under Entertainment, news, Newsweek, pop culture, Print, Publications

Review: MONSTROSIS: THE RUSSIAN GIANT MONSTER CONSPIRACY

The pages to “Monstrosis,” a tribute to Jack Kirby and other greats of the space-age comics era are, pardon the pun, something to Marvel over. Marvel comics led the way in creating monsters and great acts of superheroics in a certain way. It was the Marvel way: clenched jaws, squared off shoulders, angular muscles, clipped speech. Author/Illustrator Chris Wisnia fully embraces it. This comic book has recently been collected into a graphic novel format and, be it parody or tribute, it wastes no time in getting the reader deep into this classic mindset. While one comic book of this goofy goodness might provide a good jolt. Be warned, this whole collection could send you into pop culture shock.

If you are a true fan of this stuff, you will eat it up and plead for more. If you’re sort of new to this or enjoy a gag on a specific subject the first or second time around but not over and over again, then this may not be for you. Rest assured, there are plenty of readers who will have no problem at all with the content here. The good news, the very good  news, is that, if you’re into this sort of stuff, this is done pretty well. The problem is that, as a full narrative, the adventures of Doris Danger, ace photojournalist, will come up a bit short. As it stands, this collection has potential. It may even have a future as an animated series if it’s refined some more story-wise. As for the art, it is often quite brilliant. Mr. Wisnia might consider showing pages from the book in a gallery setting.

“Monstrosis: The Russian Giant Monster Conspiracy” is a 176-page hardcover, listed at $24.95, published by SLG Publishing and available October 19, 2012. Visit SLG Publishing.

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