Monthly Archives: January 2013

DVD Review: FEMME FATALES: THE COMPLETE FIRST SEASON

Femme-Fatales-Complete First Season 2013

“Femme Fatales: The Complete First Season,” is available as of today. This is a show with a genuine connection to comics and fandom as it springs from the men’s magazine, “Femme Fatales,” that focused on film and television actresses in science fiction, fantasy, and horror. It was the sister publication of the science fiction magazine, “Cinefantastique.” Mark A. Altman, well versed in sci-fi, who helped run the publication, now is co-creator and executive producer of the HBO/Cinemax series. Steve Kriozere, a televison veteran (“NCIS,” “Castle”) is also co-creator and executive producer.

“Femme Fatales” is, no doubt, a sexy show. It’s on the right track in mixing erotica with noir. “The White Flower,” the fifth episode of the series but first in the collection, is a fine example of what the show is capable of. After pulling off a perfect bank heist, Jimmy, played by William Gregory Lee, gets cocky and hatches a plan to rob his boss, Mr. Ryan, played by Stepehn Macht. He employs two gorgoeous call girls to help him out. First, he needs to get rid of his dim-witted partner, O’Brien, played by Geoff Meed. He invites him to enjoy some time with one of the call girls, Cynthia, played by Cristin Michele. Jimmy finds himself alone with Barbara, played by Tina Casciani. Just then, the host of the show, Lilith, played by Tanit Phoenix, makes a cameo and presents Jimmy with a bouquet of white flowers. What happens next is out of some good pulp fiction.

Tina Casciani

Tina Casciani

There are scenes, of course, that leave less to the imagination. In order for this all to work well, to get that Tarantino kick, everything needs to excel: the production, the writing, and the acting. And it does work well. Keep in mind, Tarantino can elicit a ton of sexual energy simply by focusing on an arched heel or the wiggle of toes. On “Femme Fatales,” the girls bare much more. It puts them in a vulnerable spot. “The White Flower” handles that loss of mystery well once the negligee slips off. Cynthia, we soon find to be the more earthy of the two girls and exerts a certain vibe. Barbara is the reserved and mysterious one. She’s the one who knows how to put a man in his place before ever removing any clothing. It all builds up to some satisfying tension.

While “Femme Fatales” will never be mistaken for “The Twilight Zone,” it does have a shot at rising to the level of “Tales from the Crypt.”

“Femme Fatales” made a big impression last year at San Diego Comic-Con with appearances during the con and a panel discussion. You will find a SDCC panel discussion from 2011 included in this collection. You can view an in-depth and lively interview with one of the great talents on the show, writer and producer Steve Kriozere, here. It is with TTN-HD’s Katie Uhlmann, part of her series of interviews, “Katie Chats.”

Keep up with “Femme Fatales” at the Cinemax website here. And you can purchase “Femme Fatales: The Complete First Season” here.

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Filed under Comic-Con, Comic-Con 2012, Television

ANGEL AND FAITH #18 Review

AngelAndFaith18Jan30

“Angel and Faith #18” brings us back to the massive attack of zombies from the last issue. The fighting is stranger than usual. Just a bonk on the head and, anyone who gets knocked out, is in danger of being possessed by the arch-demon, Eyghon. Nadira and her slayer posse have really walked into this one. As Nadira puts it, “This has all gone pear shaped!” But, before all hope is lost, Angel and Faith burst onto the scene. Faith provides the obligatory quip, “Hardcore fans don’t like zombies who run!” And things look good until Faith gets bonked on the head! Here is where Nadira provides a good turn by slicing into Faith’s belly but not to kill her. The flesh wound keeps Faith awake and alert.

Part 3 (of 4) to “Death and Consequences” packs a lot of zombie fighting action as well as explanation of events. You learn that Eyghon almost bit the dust during the Twilight crisis but he was quick enough to possess a dead rat which led to possessing an exhausted homeless man until, a few more possessions later, the demon came back into his own. Possession, we come to see, is not an easy thing. Your average body is going to wear out fairly soon under the demonic pressure. This leads to finding someone more sturdy enfused with magic: Rupert Giles.

At the end of this issue, Nadira, along with her slayers, and Faith have buried the hatchet, quite literally into a number of zombies, and have decided it’s time to work as a team of rivals and make for a fast retreat. Now, unless you find common knowledge to be a spoiler, don’t read the next few words..as we often have a cliffhanger guest appearance, who do you think appears to the rescue? It’s none other than…yes, Spike! We have to be grown-ups and just admit it. We’ll be on our way to the final arc by Issue 20 which makes clear what lies ahead: Angel and Faith and Spike.

Angel and Faith 20

“Angel and Faith 18” is available as of January 30. Then we tie up loose ends in #19, due out February 27. And on to the final arc starting with #20, due out March 27. Visit our friends at Dark Horse Comics.

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Filed under Angel & Faith, Buffy The Vampire Slayer, Comics, Comics Reviews, Dark Horse Comics, Horror

DISNEY’S “1952” RENAMED “TOMORROWLAND”

1952 Secret Stash

1952 Secret Stash


The mysterious “1952” movie project that fed rampant speculation and had many guessing it was the next Star Wars installment, is officially known today and henceforth as “Tomorrowland.”

The above photo was a Twitter tease from Disney. The film is promised to be the next project with a wow factor related to Disney theme parks. It is being developed by director Brad Bird (“The Incredibles”) and writers Damon Lindelof (“Lost”) and Jeff Jensen, a writer for Entertainment Weekly and the author of the graphic novel, “The Green River Killer,” published by Dark Horse Comics.

“Tomorrowland” will star Geroge Clooney and is due in theaters on December 19, 2014.

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Filed under Disney, movies, science fiction

Review: ZERO DARK THIRTY

zero-dark-dirty-cinema-2013
Hollywood welcomes sending a message to the world. That is why “Zero Dark Thirty” is a formidable contender for Best Picture. But, the night I went to see it, I had a man next to me perpetually munching on popcorn, even during the waterboarding scene. How do you munch your way through popcorn during something like that? You have to wonder if that may say something about our collective confusion over 9/11 and its aftermath. Anything can be turned into entertainment. “Zero Dark Thirty,” despite boorish popcorn munchers, is a different kind of entertainment. It is the kind of activist entertainment intended to spur action and thought, in the same spirit as “All The President’s Men.”

Director Kathryn Bigelow and writer Mark Boal are up to the task of presenting to the world the hunt for al-Qaeda terrorist leader Osama bin Laden and what happened along the way to finding and killing him. Just as they captured the sense of what was going on in the U.S. invasion of Iraq with “The Hurt Locker,” Bigelow and Boal again give shape to recent history with the powerful medium of cinema.

Zero Dark Thirty 2013 Best Picture

In order to make better sense of a complex issue, the film focuses on two CIA officers that represent the Central Intelligence Agency through this process. There is Dan, played by Jason Clarke, who vigorously pursues “enhanced interrogation techniques,” in other words, torture, to gain information. And then there is Maya, played by Jessica Chastain, who transitions from torture to a better way, in other words, persistent detective work. The film has its share of controversy. Complaints have come from U.S. senators and the CIA, that the film inaccurately shows torture as resulting in useful information towards finding Osama bin Laden. Perhaps the CIA felt that torture had its place.

The fact is that this film objectively shows Dan and Maya essentially failing with the torture route. If it coughed up any information, it was insignificant. It’s enough to make a red meat true believer like Dan decide it’s time to quit. “You don’t want to be the last one holding the dog collar when the oversight committee comes,” he advises Maya. Maybe to hedge its bet, the film implies that any specs of info that Maya gleaned off the backs of detainees may have helped to narrow down her search for the legendary mystery man, the infamous “Abu Ahmed,” the trusted courier of Osama bin Laden. But, more to the point, the film gives human error its own title card for playing the role of inadvertently suppressing vital information, information that could have been found without any torture in the first place.

If there is too much of an air of ambiguity for the first part of this film, you could hear a pin drop and not one munch of popcorn when we get down to crunch time. We reach zero hour about two thirds in once bin Laden’s compound in Abbotabad is confirmed: the skeptics at the White House are satisfied, special super secret choppers are untethered at Area 51, and SEAL Team 6 is assembled, locked, and loaded. The definition of “zero dark thirty” is a military term describing a time between midnight and dawn. While it is a unspecified time, it inspires certainty and resolve. The good guys are moving at a sure pace under the cover of dark. The chopper will, at first, fail, as we all know. There will be casualties. But, on that fateful night in Pakistan, despite the Pakistani air force ready to fire in retaliation, the United States regained much lost ground and turned a page of history. It’s enough, for that moment, to keep the popcorn untouched.

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Interview: J.T. YOST

Comics by J.T. Yost

Comics by J.T. Yost

J.T. Yost is a very talented cartoonist who recently put together a unique comics anthology about food and eating, “Digestate.” He is a down-to-earth guy concerned with just making good work. Yost is a fine example of the patient artist exploring the process of making art. In his series, “Losers Weepers,” he takes found bits of notes and letters and combines them into a comics narrative. In our interview, J.T. confides that it’s just not as easy now to find written bits of things. However, his series continues at least for one more chapter. You can read a review here. “Digestate” grew out of a similar natural process. J.T. says that the idea for the anthology began with the fact that he’s vegan and he began to realize there are a lot of other vegan cartoonists, “a subculture within a subculture.”

Something Big by Victor Kerlow

Something Big by Victor Kerlow

Blammo #7 by Noah Van Sciver

Blammo #7 by Noah Van Sciver

J.T. runs his own micro-publishing house and distributor, Birdcage Bottom Books, which you can visit here. You can find, “Digestate,” other works by J.T. Yost, as well as other exciting comics talent like Victor Kerlow, a regular contributor to “The New Yorker,” and Noah Van Sciver, the author of the highly acclaimed debut graphic novel, “The Hypo.” And you can check out J.T. Yost’s professional site here.

In this interview, we talk about the comics anthology, “Digestate,” which you can read a review of here. And we talk a bit about Alex Robinson’s contribution dealing with his eating disorder. You can read the recent Comics Grinder interview with Alex here. J.T. talks about the Kickstarter campaign for “Digestate,” his feelings about living in NYC, and comics in general.

CI VEDIAMO by Hazel Newlevant

CI VEDIAMO by Hazel Newlevant

Towards the end of our interview, we talked about the future of comics which inevitably led to the great print verus digital debate. J.T. spoke to his love of hand-made mini-comics that make their unique case for print. He then mentioned a favorite cartoonist, Hazel Newlevant, who can be found at Birdcage Bottom Books. Her work incorporates overlays and die cuts which can only be achieved through print. Her mini-comic, "Ci Vediamo," is printed on vellum which allows for images to be created when one page is layed over another. Viva print!

You can listen to the Comics Grinder podcast interview with J.T. Yost here:

Comics Grinder JT Yost Interview 3

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Filed under Anthologies, Comics, DIY, graphic novels, Interviews, J.T. Yost, Micropublishing, Minicomics

Review: LOSERS WEEPERS #3

Losers Weepers 3 JT Yost Birdcage Bottom Books

“Losers Weepers #3” is a continuation of a ongoing narrative that is fueled by the detritus that floats in and out of our lives. Even with social media dominating communication and life in general, people still make notes, print flyers, and even write letters. J.T. Yost is there to snag them from a quick death and immortalize their contents in his comics.

“Learn Spanish! It’s to easy and funy.” The flyer’s announcement is followed by a name and phone number. Apparently, someone hopes to get paid for teaching Spanish but is off the mark. From an artist’s viewpoint, the message is tragic, hilarious, and fascinating. “It’s to easy and funy.” How did so much get lost in translation? Yost found that notice posted on the communal bulletin board at Utrecht Art Supply in the East Village, NYC. He conjured up art from it: a tongue-in-cheek, yet sympathetic, work of fiction. Our story begins with Álvaro, who after being harassed at the print shop, goes about posting his flyers.

Álvaro learns from the local grocer that his mother needs to be bailed out of jail. When he gets home, he receives a letter, the next found art in this story, that alerts him to his wife’s old flame in prison. It’s all downhill from there. Yost is in tune with his characters. He has a way of depicting the chilling mix of fright and despair from down-and-out city dwellers.

JT Yost losers Weepers 003

The comic ends with one last beauty of found art that neatly shoves the knife deeper into the wound. It would be interesting to add even more found items and have them interact even deeper with his comics narrative. That said, Yost has brought to life a very authentic world that he can keep building upon.

“Loser Weepers #3″ is a 36-page 7″ x 7.25” mini-comic, priced at $5, and available at Birdcage Bottom Books.

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Filed under Alternative Comics, Birdcage Bottom Books, Comics, Comics Reviews, DIY, Humor, J.T. Yost, mini-comics, New York City, Self-Published

GAMES: THE JACE HALL SHOW: ATARI vs. INTELLIVISION; ELIZA DUSHKU

eliza-duschku-jace-hall-2012
For gamers, everyone knows about “The Jace Hall Show.” But, if you happen to be new to it, you’ll want to see Jace take on the great debate over which is the ultimate game company of all time, ATARI (joystick) or INTELLIVISION (no joystick), in a very funny episode from last year that you can view here. Jace definitely has a knack for getting the most out of his guests. You wouldn’t expect the founder of ATARI, Nolan Bushnell, to be so funny. Or INTELLIVISION’s Keith Robinson. If you haven’t seen it yet, you’re also in for a very special treat as Eliza Dushku raps about her game cred. You can go straight to Eliza’s music video, “My Console,” here. And you can check in on INTELLIVISION here. And visit ATARI here. Plus, you can see what Nolan Bushnell has been up to since “Pong,” a whole new way of looking at education, “BRAINRUSH,” over here.

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Filed under Buffy The Vampire Slayer, Eliza Dushku, Games, Jace Hall, pop culture

To Catfish Or Not To Catfish: Manti Te’o and CATFISH, The Movie and TV Show

Catfish Movie 2010

There used to be two “Catfish” groups: those who had never heard of the 2010 movie, or the MTV show it inspired; and those hip to the whole thing. And now, there’s people getting up to speed since the Manti Te’o catfish caper. This review will assume little to no prior knowledge of the movie or even the term, “catfish,” although we’ve already reached the tipping point on this one. All you need to know is that a “catfish” is someone trolling the net pretending to be someone else and that this movie has the distinction of coining the term. With the success of the MTV show, more has been added to the core definition that sort of confuses the issue. Such is the life of a word.

The movie, and it’s TV version, seem to offer a new vantage point on the ills of virtual reality and, who knows, may spark some soul-searching. To catfish or not to catfish? That is the question many people have dealt with and some have chosen to partake in the twisted game of deception and self-delusion. That’s the serious theme to consider and not lose sight of in comparison to the controversy over whether “Catfish” is a documentary or a hoax itself. Nev Schulman is the star of this movie and plays the role of a naive guy (or plays himself) and gets caught up in an online romance until we get to the big twist. Just like our celebrated sports hero, Notre Dame’s star linebacker, Manti Te’o, this is supposed to be the story of a young man falling prey to an elaborate hoax. It’s interesting how Notre Dame’s athletic director, Jack Swarbrick, referenced this movie in trying to explain the current Manti Te’o story. Is Swarbrick some sort of mumblecore film buff? Not so much.

The movie, for what it is, is well done. It now feels like something that couldn’t possibly happen today. However, the MTV show would beg to differ. Here is where we start to enter spoiler territory so beware. The pitch during the original run of “Catfish” was that you were better off knowing as little as possible about it before viewing. At this point, the opposite may hold true. Should you bother to see it after the premise has now become common knowledge and we’ve moved on to a TV show? Yes, it is worth the ride. After viewing it, you may likely come away wondering if this was all set up. The good thing about that, is that it adds something if you go on to watch the MTV show, also featuring Nev Schulman, because on that show, it really does feel like we’re nabbing internet trolls.

Nev Schulman goes from catfish victim to host of his own show helping potential catfish victims. Same idea as the movie, we go on a journey to confront the alleged online lover. It does feel authentic even if it could just as easily be a new and improved version of “The Jerry Springer Show,” which dosen’t even try to hide being staged. In the case of MTV’s offering, Nev really appears to be into getting to the truth. And the victims appear to lack enough common sense to be the real deal. In one case, the red flag is that the girl in question does not own a cell phone. “How is that even possible?” asks Nev, “That’s like saying you don’t own a pair of pants!” When the troll is revealed, it is a nervous young man who looks so ashamed as to be cringeworthy. He admits to pretending to be as many as a hundred other persons. And he admits that he feels better hiding behind his sexy avatar. It rings true and it seems to elevate the show to serving a public service. Maybe it is.

In 2008, when the movie was made, Nev, his brother Rel, and a friend, Henry Joost, decided to document a year in the life of Nev Schulman. (Both Rel and Henry have directed for the “Paranormal Activity” franchise.) That is what we keep hearing, at first, that this is a movie about Nev, which already seems a little suspicious. Unless this is a dramatization, which it does not claim to be, the three of them were all at the right place at the right time when a very strange thing started to happen to Nev. It is stated in the film that Nev was getting his photographs published in “The New York Sun” and that it caught the eye of a little girl prodigy, in Michigan, who started mailing him paintings inspired by his work. Look here and you’ll get a sense that “The New York Sun” was a rather obscure newspaper. So, how does it come to the attention of an 8-year-old in Michigan let alone much of anyone else outside of a select New York demographic? This is something that Nev does not question. In fact, when interviewed recently by New York Magazine, Nev reveals that, at that time in his life, he had dropped out of Sarah Lawrence and was shooting videos of bar mitzvahs to make a living. This is a pretty important aspect of his life not even mentioned in what is supposed to be a detailed account of Nev’s activities.

Nev’s friendship with the little girl, Abby, leads him to talk to her mom, Angela, on the phone. And that ultimately leads to his getting to know Abby’s older, and sexy, half-sister, Megan. Finally, one fateful night, Nev gets to talk to Megan on the phone, all neatly documented for our viewing pleasure, and he finds himself smitten. An online romance, and cautionary tale, has begun, complete with endless texting. Nev, to his credit, is a very likable sort but his range of emotional expression leaves much to be desired. There is little variance between love-struck Nev, stressed-out Nev, angry Nev, or concerned Nev. It all seems to settle down to one prevailing version: stressed-out Nev. Either the guy prefers to be left alone or he’s not a very compelling actor. That aside, and that’s a lot to set aside, if you let yourself, this movie can hook you in. There is absolutely no level of suspense to match, or even compare, to Hitchcock but you still want to know what the devil is going on.

You get to the point that you know that it is very unlikely that Nev is speaking with the woman he thinks he’s speaking with. It’s not as scary a moment as it should be and where you will want to shift gears to speculation over whether the documentary is real or not. That’s what will make this more entertaining, especially when you reach the part where Nev confronts the person who is supposed to be Megan. Again, this is the ulimtate spoiler alert if you’re totally new. We discover, to no one’s surprise, that sexy Megan has actually been Angela, Abby’s mom, all along. And the real life Angela is not the exotic creature Nev was led to believe. The real Angela is not glamorous. And to make matters more complicated, she appears stuck in a loveless marriage caretaking two developmentally disabled stepsons. This is the trickiest part of all. You feel you must conclude that this documentary is legit or how could Nev stoop so low as to exploit two developmentally disabled men? Perhaps, Nev and Angela are legitimate up to a point. They found a way to make art out of their respective lives and don’t see it as having crossed a line.

Finally, here is the take away. Where the heck did the term “catfish” come from anyway? This is the grace note that also appears to tip the hand of the filmmakers. In one of the final scenes, Vince, Angela’s unsavory husband, demonstrates some near poetic eloquence. As if lost in lofty thought, Vince offers up to Nev a brief history of the fishing industry in order to put Angela’s actions into perspective. He describes how carp were a potentially profitable import to China except for the damage they suffered on the long trip. The solution was to pack a few catfish with the carp and this kept the carp moving, agile and fresh. “Sometimes,” Vince concluded, “that is what society needs, a catfish to keep it guessing.” Was this something that Nev and his crew just happend upon or was it staged? Perhaps the filmmakers were attempting to have Vince explain how the film’s means justified its end.

Visit the official CATFISH website.
Watch MTV’s CATFISH: THE TV SHOW.

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Filed under Documentaries, Movie Reviews, movies, MTV, mumblecore

Paul Pope’s ONE TRICK RIP-OFF/DEEP CUTS

One Trick Rip Off Paul Pope 2013

Paul Pope. Can’t get enough of his super quirky comics. And this one will have you compelled to raise the roof, scream naked down the streets, or whatever your pleasure. “The One Trick Rip-Off/Deep Cuts” collects much of the master’s crazy magic from the ’90s. The main plot here is about a couple of crazy lovers who have hatched the ultimate bank heist sort of thing. Will it work? Who cares?! It’s all about the journey. This one rolls out January 29, 2013. You can get yours here.

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Filed under Art, Art books, Comics, graphic novels, Paul Pope

Jay Kinney on ANARCHY COMICS: THE COMPLETE COLLECTION

AnarchyTests

Mike Dooley of Print Magazine’s Imprint blog has posted an overview of a recent collection of Anarchy Comics, a legendary underground battle cry in comix. We have had (still have?) the Occupy Movement. The call to rebellion has been fueled in various ways over the years. For a punk look at the world, you can turn to Anarchy Comics. Here is Mr. Dooley’s post for your consideration.

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Filed under Art, Art books, Comics, Comix, Design, Michael Dooley, Print Magazine