Tag Archives: Horror

Movie Review: ‘Yoga Hosers’

"Yoga Hosers" by Kevin Smith

“Yoga Hosers” by Kevin Smith

On his deathbed, Kevin Smith will say, “Clerks,” and die with a smile on his face. For now, he is content with giving us his latest movie treat, “Yoga Hosers,” both written and directed by him. This will please any diehard Kevin Smith fan and may puzzle quite a few critics pondering the director’s vision and legacy. Quite the prankster, I am quite happy to chalk this up as Mr. Smith just having some fun. If I try to read into it, perhaps I can see him saying something about the state of Hollywood. There’s a scene where the villain (hilarious performance by Ralph Garman) asks if he might be taken more seriously if he were to speak in the melodious tones of Al Pacino. He then goes on to do a spot on impersonation as he describes his diabolical plans to kill off all the critics who have savaged his art. This could be interpreted as Smith saying that if only he were to play the game, then he would be taken more seriously.

I got to thinking that maybe Kevin Smith is right about how he’s been unfairly treated by critics. I’m just thinking here but consider the fact that Kevin Smith’s breakout hit, “Clerks” and Quentin Tarantino’s breakout hit, “Pulp Fiction,” both came out in 1994. This is nothing against Mr. Tarantino but I would argue that he and Mr. Smith are more alike than not. One director got the adulation of critics as his career progressed; while the other got a very hard time by the critics as his career progressed. The end result is that Tarantino finds himself in a very good place. And Smith finds himself the underdog. It’s worth considering this and might add to the enjoyment of this rather bizarre yet compelling film. It’s that special blend of Kevin Smith weird. And maybe he needs to keep doing what he’s doing.

Harley Quinn Smith and Lily-Rose Depp

Harley Quinn Smith and Lily-Rose Depp

“Yoga Hosers” is connected to Smith’s previous film, “Tusk” so he’s on a roll with his experiments in comedy/horror mashup. And there will be at least one more, “Moose Jaws,” rounding out Smith’s True North trilogy. For those of you who missed 2014’s “Tusk,” that proved to be quite unusual and not without some fairly gruesome moments in the spirit of Tarantino. That film had quite an edge to it. This time around, the gore has been rolled back but there’s an interesting sense of tension that Smith plays with especially early in this story that centers on two teenage friends, both with the first name of Colleen, thus they are known as The Two Colleens. The two work at the Eh-2-Zed, a convenience store owned by the father of Colleen Collette (played by Lily-Rose Depp). The other Colleen is Colleen McKenzie (played by Harley Quinn Smith). It’s pretty miserable for them being clerks. And the fact that the dad who owns the Eh-2-Zed is dating the store’s manager does not sit well at all with his daughter. Lots of domestic despair depicted with good comedic timing. It’s as if Smith knew he could have continued along that route but then decided to give his critics the finger and unleash his theater of the absurd.

You can give Smith credit for his abrupt shifts in tone. I fondly remember that moment in “Tusk” when Justin Long pleads not to die a horrible death. And then there’s a pause. And he ends his sentence with “…in Canada.” That was a genuinely masterful example of the comedy/horror mashup that Smith was going for. In “Yoga Hosers,” he not only doubles down but ratchets up the silliness with a bunch of menacing little sausage Nazis. The plot involves the untold story of Canada’s Nazi past–and this involves sausages. If critics want to give Smith a hard time, then he’s going to make them sit through a free screening involving little sausage Nazis. The fans will love it. The trilogy will one day be complete. The rarefied pompous hypocritical critics get the finger. Everyone wins.

That said, if you view the trailer, you’ll get a sense of how this film is actually more substantial than it may seem at first. Again, I go back to the idea of shifting tones, or shifting viewpoints. Part of the film is simply a heartfelt satire of high school life. The Two Colleens are sweet absent-minded girls who happen to love yoga. Thus the title to this film.

If you enjoyed “Tusk” or were curious about it but want to avoid some disturbing content, then go see “Yoga Hosers.” Justin Long is in it and he provides some impressive extended comedic bits as a yoga guru. Johnny Depp reprises his role as inspector Guy Lapointe to great effect. Both Lily-Rose Depp and Harley Quinn Smith are quite charming and show promise. Both have the sensibility and grace to pursue acting careers. And then you have Kevin Smith who portrays all the itty bitty Bratzis. Oh, and a cameo by Stan Lee as a police dispatcher! Overall, Smith turns the teenage horror flick up on its head and provides some good laughs. Amid so many Hollywood, and indie, cookie-cutter films, I want to see Mr. Smith continue making movies. He’s going out on a limb with his wacky Canadian horror/comedy trilogy but that’s fine by me.

Find out more and where to see the film by going to Kevin Smith’s Smodcast right here.

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Filed under Comedy, Hollywood, Horror, Horror Movies, Kevin Smith, Movie Reviews, movies, Satire

Book Review: ‘Got to Kill Them All & Other Stories’ by Dennis Etchison

A Dennis Etchison femme fatale. Illustration by Henry Chamberlain.

A Dennis Etchison femme fatale. Illustration by Henry Chamberlain.

A femme fatale in a Dennis Etchison story is “twenty-nine going on forty, and pretty, too, but not really very.” She is the sort who would visit a Beverly Hills beauty salon. She is the sort who would have a C-note handy in her pocketbook.

“Got to Kill Them All & Other Stories,” an e-book collection you can find through Bowery Books, is a great mix of classic short stories. The first two stories alone are priceless as you have the earliest published Etchison short story, 1966’s “Sitting in the Corner, Whimpering Quietly,” followed by 1976’s “The Walking Man.” From these, I make my assertion on Etchison femme fatales.

Etchison deliberately takes the same description for his 1966 female character (twenty-nine going on forty with a C-note in her purse) and attaches it to his 1976 female character. It’s a grand little inside joke since he is certainly not at a loss for words. Doing that adds another eerie layer of alienation. It’s a brilliant move, especially for a writer who enjoys playing with disconnection.

Having recently posted a review of a collection of work by George Clayton Johnson, it is fitting to follow up with a review of one of the great Johnson protégés, a masterful writer in his own right, Dennis Etchison. We can even begin with a comparison of work between Johnson and Etchison. Both wrote stories with the freeway as a looming background character. In Johnson’s short story, the freeway is much like one big car bowling alley. You simply let the cars be towed along by the grid. If you happen to lose your way and pull over, you are lost.

In Etchison’s story, also set in the future, the freeway is also a vast wasteland but one that results in carnage at a much higher rate. In fact, the system in place demands it. Welcome to the world of Dennis Etchison where the edges can be sharp but that does not take away from the storytelling craft at play. I became aware of Dennis Etchison through my friendship with writer George Clayton Johnson. It was in 2014, during our last conversation in person, that George went over some writers I needed to visit or revisit if I hadn’t. Robert Sheckley for my sense of humor. Theodore Sturgeon for my soul-searching questions. And Dennis Etchison for my dark side. I did just that. In fact, I’ve posted about Sheckley here and Sturgeon here. And, now, Mr. Etchison.

“Got to Kill Them All and Other Stories” by Dennis Etchison

“Got to Kill Them All and Other Stories” by Dennis Etchison

Nightmare logic is at play here in a big way. Do you remember any of your best nightmares? Wasn’t there some lyrical quality about them that got under your skin? Think of the placement of seemingly random things that you know, down in your bones, actually belong together. Here it is, special delivery just for you: a transmission from the deepest recesses of your subconscious. It’s as if someone, or something, is trying to pass on an urgent message that never gets through during the daylight hours. The pounding at the door. There’s a reason for it. Well, I’m getting a bit carried away here. Chalk that up to my writer sense becoming all tingly just now. The point is that here we have this writer, Dennis Etchison, who masterfully crafts stories with the special edge of a nightmare. Consider, “The Scar.” I swear, that is one long nightmare narrative. That’s it! I really think I struck on something. We follow these characters in mid-flight. They are literally fleeing and it looks like they do a lot of that. The background, the landscape, it’s all a blur. For all we know, it’s an post-apocalyptic setting–or it just feels like that for this man and woman on the run with a child. The man and woman are unfit for normal society, total nihilist trash. Then things get really violent. Everyone falls down. Our characters get up and start running again. Truly a nightmare masterpiece!

“Got to Kill Them All & Other Stories” is certainly a title that will get your attention. It’s a delicate balancing act going on here between the brash and the subtle. There’s a lot of groundwork involved. Consider the title story, we begin with a classic Etchison main character, a hardened Los Angeles native: jaded, wired, and angry. I’ve been devouring Etchison short stories to the point where I feel I have a good handle on his dark vision. His characters are usually doomed and susceptible to entering into delusions and false hope. This is noir, extra-dark. With a writer of the caliber of Etchison, this can be quite a ride. So, regarding the title story, you have one very angry dude making all the wrong choices. The last thing he needs is a partner in crime. Ultimately, this leads to deadly disaster–with a grace note of macabre humor.

"Got to Kill Them All and Other Stories" by Dennis Etchison

“Got to Kill Them All and Other Stories” by Dennis Etchison

I’ll leave you with one more. This one involves another sad sack Everyman. Our poor anti-hero is literally just padding about his apartment when he gets a call that will seal his doom. Poor soul, he even lets his message machine pick up so he can monitor the call. But, it’s no use, the pull of fate is too great. The call is so compelling. It’s the voice of a little girl in panic. She is pleading for help. She mentions some landmarks before the line cuts out. The man has no choice, really, but to rescue the little girl. Which is actually the last thing he should be doing.

“Got to Kill Them All & Other Stories” is an excellent introduction to Dennis Etchison. There are numerous titles to choose from. I would definitely seek out more like “The Dark Country” and “Red Dreams.” You can find both of these titles at Crossroads Press. You really can’t go wrong with any Dennis Etchison title.

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Filed under Book Reviews, Dennis Etchison, George Clayton Johnson, Horror, Nightmares, writers, writing

Cannabis and Comics: ‘The Circus of Reefer Madness’ Creator Interview; Kickstarter on thru 8/31

Circus of Reefer Madness

I bring to your attention a funny and thoughtful comic with a cannabis theme that I’m excited about. You can support the Kickstarter campaign running thru August 31st right here. The project’s creator, Jeremy Myers, has found a sweet spot for comics and cannabis fans alike with this mashup of humor, horror, and political commentary. Cannabis and comics do indeed mix, going at least as far back as the Sixties underground. Here is a new generation’s turn.

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Filed under Cannabis, Comics, Horror, Kickstarter, Marijuana, Satire

Advance Review: GLITTERBOMB #1

Glitterbomb Image Comics

Let’s say that you do go out to L.A. to chase that dream of fame and fortune. Alright, you’re walking down Hollywood Boulevard. You get a text. But it’s not your agent. You don’t even really have an agent but you know someone who does. Or you thought you knew this person. Where did the time go? At this rate, you only have enough money to last you through…the week? Ah, it can happen. Variations of this happen every day. Meet Farrah Durante. She’s struggling at cattle calls for whatever part she can get. And she actually used to be somebody. Yeah, she was Cee-Lin on that really popular sci-fi show, “Space Farers,” or it used to be popular. That was so many years ago. Close in on Farrah. She’s attractive and seems pretty agile but she’s at the mercy of youth-obsessed Hollywood. However, Farrah has stumbled upon some sort of secret weapon in “Glitterbomb,” the new comic book series from Image Comics with a Hollywood horror tale to tell.

Image Comics Jim Zub

You see, Farrah has a way to exact revenge. She is not looking to make trouble. But something has tapped her to be a vessel that can unleash horrific fury. You wouldn’t think it remotely possible to look at Farrah. And, Jesus, what exactly would horrific fury entail? Look, it’s been brewing for a very long time. Hollywood’s fame culture has already unleashed its own horrific fury, so to speak. We question our looks, our own worthiness, compared to the latest celebrity darlings. We all do it in our own way. And, if you don’t, there are others who will do it for us and unfairly judge us. Poor Farrah finds herself caught in the middle of some cosmic reordering of balance. That much I can tell you. That’s fair enough. I’m not here to spoil anything. What I am here to say is that Farrah Durante is a great character and exemplifies the tragic state of our culture when a talented woman reaches a certain age and becomes something less than worthy: unemployable, unmarketable, unwanted.

Jim Zub Glitterbomb

There are a couple of classic films that readily come to mind now: “Sunset Boulevard” and “All About Eve.” Both films came out in 1950 and each stars a woman who has committed the worst act in Hollywood: she has gotten older! Gloria Swanson was 51. Bette Davis was 42. Each character was at a dangerous point in their lives with threats coming at them from all sides. Who would love them? Who would hire them? Both films are dark with Billy Wilder’s “Sunset” decidedly noir. Neither is horror, per se, but we come close as, in both cases, these two older women are so up against it. “Eve” is far more restrained although the threat from the young Eve Harrington on the older Margo Channing reaches the level of a blood sport. For horror movie theatrics, you can’t find much better than Gloria Swanson as the aging and desperate Norma Desmond. This is all to say that both of these movies were playing with a common theme, one of the oldest in the book: the young will devour the old…and women are placed at greater disadvantage.

Glitterbomb Image Comics 2016

Clearly, “Glitterbomb” is playing for keeps! This is an ambitious work. It’s also a scary one! Jim Zub (WAYWARD, Thunderbotls) has created a script that realistically brings us into the hard luck world of Farrah Durante endlessly scrambling for an acting gig. And he melds that with some of the most inventive supernatural content that I’ve seen in a long while. Add to that the very nimble artwork by Djibril Morissette-Phan that captures the pathos and rage of Farrah quite convincingly. We see her as someone potentially so full of life but who must continue to sidestep all sorts of life’s sucker punches along with whatever that is that spawned from hell–or is it just Hollywood?!

K. Michael Russell provides some great atmospheric colors. And Marshall Dillon rounds out the creative team with well balanced, well-placed, lettering. I especially appreciate his creative flourishes in evoking the urgency of text messages.

At the end of this comic, there’s an eye-opening essay on the abusive culture of Hollywood by Holly Raychelle Hughes. As she experienced it, Hollywood made her feel less than human, more like something expendable. It is a perfect companion piece to this remarkable work.

GLITTERBOMB provides a clever horror vibe as well as great biting social commentary. The first issue is available as of September 7th. For more details, visit Image Comics right here.

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Filed under Ageism, Comics, Hollywood, Horror, Image Comics, Sexism

Interview: Eric Heisserer, LIGHTS OUT, ARRIVAL, and the Art of Storytelling

Eric Heisserer

Eric Heisserer

"Lights Out"

“Lights Out”

Eric Heisserer is a screenwriter you want to follow. He is known for “The Thing” (2011), “Final Destination 5” (2011), “A Nightmare on Elm Street” (2010), and “Hours,” (2013) his directorial debut, starring Paul Walker.

You will see his work this year in “Lights Out,” a supernatural horror film directed by David F. Sandberg; and “Arrival,” a sci-fi thriller directed by Denis Villeneuve. “Lights Out” is in theaters starting July 22, 2016 (USA). “Arrival” will open wide on November 11, 2016.

In this interview, we chat about storytelling and we begin with “The Dionaea House,” an online project that launched Eric’s professional screenwriting career with its sale to Warner Bros. in 2005.

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Filed under Comics, Dark Horse Comics, Eric Heisserer, Horror, Interviews, movies, Ray Bradbury, Sci-Fi, science fiction, Screenwriting, Valiant Entertainment, writers, writing

Review: LADY KILLER 2 #1 by Joëlle Jones

Joëlle Jones Lady Killer

LADY KILLER, written and drawn by Joëlle Jones, is a landmark in comics. To have a second season kick off is pretty awesome indeed. This is as tightly written as it is exquisitely drawn. And, hell yeah, you get quite a freaky entertaining story to enjoy. This is why people get hooked on comics and great storytelling. Here’s the deal, it does get bloody but it’s never creepy. Well, creepy can work really well sometimes. But, you know, then there’s super-creepy torture porn stuff and this is not that at all. Think more in terms of Alfred Hitchcock just to give you a solid point of reference.

Our story finds Josie picking up where she left off. The horrible things that happened in Seattle are now in the past. The Schuller family has moved to Cocoa Beach, Florida–where a whole new set of horrible things can happen! It is circa 1962, with the American dream flying high with a house full of kids and Tupperware parties. Josie, if she towed the line as a typical housewife, would take orders from her husband and simply recede into the background. But Josie is different. For one thing, she’s a serial killer.

Lady Killer Joëlle Jones

Jones deftly plays with the housewife/serial killer dynamic as stylishly as if it were coming from Hitchcock. It is a sheer delight to see her balance the gore with understatement and just the right touch of humor. She does a great thing by replacing all the blood with ink. Well, the blood is the color of black ink. Black has a way of delightfully messing with your mind in ways that red would not. It adds a different kind of impact: the abrupt and stark black commands your attention. It’s negative space, negating life, summoning sharp thoughts of death, finality, the great void.

For a comic so invested in death, it is definitely one of the most alive and vital comics you can pick up.

LADY KILLER 2 #1 is available as of August 3, 2016. For more details, visit Dark Horse Comics right here.

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Filed under Alfred Hitchcock, Comics, Comics Reviews, Dark Horse Comics, Horror, Joëlle Jones

DVD Review: HOURS

Paul Walker Hours

“Hours” is a film that has an offbeat dynamic and unusual level of suspense that brings to mind something like Steven Spielberg’s “Duel.” There are elements of horror to this and, much like “Duel,” this is a story about a man, out of his element, forced to keep his wits and survive. One added wrinkle: our hero, Nolan (played by Paul Walker), has just lost his wife, Abigail (played by Genesis Rodriguez) while she was giving birth during Hurricane Katrina. More to the wrinkle: Nolan ends up being left behind while everyone at the hospital evacuates. He must remain with his premature baby who will need a ventilator for the next 48 hours, thus the title, “Hours.” And we’re just getting started.

It was Richard Matheson who perfected a thinking man’s horror with such work as “I Am Legend” and “The Shrinking Man.” These stories pivot upon a lone man in a life or death situation, at war with his environment–whether it’s vampires or giant spiders. The situation begins dire and gets more and more complicated. Does the character even have a decent chance of survival? No, so his life keeps flashing before him, and his senses sharpen, as he contends with one gut-wrenching challenge after another. That’s exactly what is happening in “Hours.” This 2013 film is the directorial debut for Eric Heisserer who is a writer on the rise in Hollywood. This film is his first opportunity to direct one of his scripts and you sense that attention to detail, to composition, and consistency. Nolan is totally trapped in the fight of his life–and his newborn daughter.

There is an undeniable added layer of significance with the acting talents of Paul Walker who sadly passed away in 2013. At the heart of this film is a story about how to respond to a disaster. Paul Walker was part of a relief team responding to the earthquakes in Haiti in 2010. That led him to found Reach Out WorldWide (ROWW), an organization of skilled volunteers responding to post-disaster situations. That energy and commitment is indelibly marked on every frame of this engaging film.

You’ll be seeing a lot more of Eric Heisserer’s work in the coming months. One fine example is “Lights Out,” screenplay by Heisserer, out in theaters 22 July 2016 (USA). And, you better believe it, this looks like a really scary horror movie. Currently, Denis Villeneuve is directing Heisserer’s Black List script “Story of Your Life” for Paramount Pictures, starring Jeremy Renner and Amy Adams. “Story of Your Life,” is a sci-fi thriller based on the short story by acclaimed author Ted Chiang.

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Filed under Disaster, Disaster Movies, Eric Heisserer, Horror, Horror Movies, Movie Reviews, movies, New Orleans, Paul Walker, Richard Matheson, Steven Spielberg

Book Review: ‘Disappearance at Devil’s Rock: A Novel’ by Paul Tremblay

"Disappearance at Devil's Rock" by Paul Tremblay

“Disappearance at Devil’s Rock” by Paul Tremblay

Paul Tremblay’s latest novel, “Disappearance at Devil’s Rock,” rings true with elements of a boy’s adventure tale mixed with a crime mystery that takes one devilish turn after another. Gradually, the heat is turned up and, like any good work of horror, you get hooked. Taking a different approach from Tremblay’s 2015 novel, “A Head Full of Ghosts,” this new novel does not go in spooky right away.

This is a tale of a boy gone missing. Tommy is a well-liked teenager, with swagger and good looks, but he normally keeps a low profile. He has two best friends in all the world, Josh and Luis, and he treats them rather shabbily. Boys will be boys. What becomes apparent is that Tommy is a complicated kid. There is something strange and sad about him.

The dynamic between the three boys shifts when Arnold, a young man of indeterminate age, ingratiates himself into the trio. Arnold reveals he has psychic powers. This leads Tommy to open up about his struggle with dealing with his father’s death. Luis senses something not quite right about Arnold. Our story begins with the disappearance of Tommy at Split Rock, known to the locals as “Devil’s Rock.” From there, the narrative alternates between the search for Tommy and moments in the past that indicate Tommy was not as strong as he thought and quite vulnerable to the Devil’s charms.

Favoring an enigmatic route, Tremblay invests a good amount of time in developing the characters closest to Tommy like his mother and sister. Some of the strongest scenes involve them trying to make sense of what’s happened. It’s like the foreboding flashbacks belong to the males and the present problem-solving belongs to the females. In both cases, the Devil is not far behind. As is made clear in a folktale that Arnold recites, the Devil has a funny way of making his presence known. You will sense him but not exactly see him, only for a glimmer in the corner of your eye.

“Disappearance at Devil’s Rock,” is a 336-page hardcover published by William Morrow, an imprint of Harper Collins and available as of June 21st. For more details, visit Harper Collins right here.

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Filed under Book Reviews, Books, Harper Collins, Horror, Paul Tremblay, Satan

Review: ‘Songs of a Dead Dreamer and Grimscribe’ by Thomas Ligotti

Illustration by Henry Chamberlain

Illustration by Henry Chamberlain

The manipulating of elements in a story is always crucial, especially in a work invested in raising a level of suspense. Thomas Ligotti knows this like the back of his hand. Ligotti, as horror stylist of the first rank, knows what to deliver to a contemporary audience. We think, at times, that we can easily step in and write horror stories ourselves. Ligotti invites you to try. Like Lovecraft, and others, he provides notes on the art of horror. In the end, you settle in and read a Ligotti story, then another, and you come to realize that the man is devilishly good at what might, at first, seem like such familiar ground.

Take, for instance, “The Frolic,” the first story in this Ligotti collection by Penguin Random House. “Songs of a Dead Dreamer and Grimscribe” came out last year and brings together some of Ligotti’s best work. The publication coincided nicely with HBO’s Ligotti-tinged first season of “True Detective.” Now, in “The Frolic,” we have a neatly-pressed family who have just moved into the neighborhood. The father is a well-regarded psychologist who has taken a position at the nearby prison. He is married to a charming woman and they have an equally charming young daughter. The only problem seems to be that one of the convicts that our main character treats is highly psychotic and is fixated on him. There is every reason to believe that this fiend is safely locked away but there is also reason to believe he is capable of anything. Everything pivots upon the introduction into the family’s home of an intricately sculpted bust of a boy’s head.

Thomas Ligotti Penguin Random House

Time and again, Ligotti lures us in. Consider “Dr. Locrian’s Asylum.” In this story, we deal with the penultimate horror trope: the haunted house on the hill. But the devil is in the details. These are not mere ghosts, if that is what they are, and these entities aren’t satisfied with just a perch from where to sit and observe. Ligotti keeps the reader off balance by supplying bread crumbs of information until we’re so deep in we cannot turn away. Consider “The Last Feast of Harlequin” about Mirocaw, a little town meant to go unnoticed. However, its winter festival is so unusual that it catches the attention of a persistent academic. Mirocaw has no choice but to gradually reveal itself.

Ligotti’s distinctive use of language is a mixture of ornate/contemporary. This highly theatrical style would fall apart with a lesser talent. But just the right curious turn of phrase and enigmatic description can engage the reader. You can pause, at random, and find a compelling passage spiked with the Ligotti sytle:

“The tone of voice in which he posed this question was both sardonic and morose, carrying undesirable connotations that echoed in all the remote places where truth had been shut up and abandoned like a howling imbecile. Nonetheless, I held to the lie.”

There’s been a march away from the sort of traditional gothic horror of H.P. Lovecraft for many decades now. But, in the right hands, the sinister and the macabre can indeed thrive amid the foggy moors in the spirit of Poe. Dark fantasy is at the mercy of Ligotti as he can satirize it and embrace it at will.

“Songs of a Dead Dreamer and Grimscribe” is a 464-page paperback published by Penguin Random House. Find more details right here.

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Filed under Book Reviews, Books, Dark Fantasy, H.P. Lovecraft, Horror, Penguin Random House, Thomas Ligotti, Weird Fiction

Netflix Review: UNBREAKABLE KIMMY SCHMIDT Season Two

Unbreakable Kimmy Schmidt

I’d been reading one of my favorite dark fantasy/horror writers, Dennis Etchison, when I took to watching the new season of “Unbreakable Kimmy Schmidt.” Now, this show may appear to simply involve wacky hijinks but the connection to the likes of Etchison is significant. Kimmy Schmidt, created by Tina Fey and Robert Carlock, is a show of high quality in more ways than one may expect. Etchison’s short story, “Inside the Cackle Factory” is quite fitting. Ostensibly, it is about how TV sitcoms get approved. However, the veil of secrecy keeps slipping to reveal sinister underpinnings. And so it is with Kimmy Schmidt: the veil keeps falling.

Ellie Kemper and Amy Sedaris

Ellie Kemper and Amy Sedaris

Now, I’m only suggesting a touch of horror. We know it can be a short distance between comedy and tragedy and that horror need not require a drop of blood. Another dark comedy on the same track is the now classic, “Strangers with Candy” (1999-2000) starring Amy Sedaris. This is the show about a 46-year-old former drug addict and prostitute trying to get her life together by literally going back to high school. This is so key to what I’m saying that I’m doing cartwheels right now. “Strangers with Candy” proves that dark comedy is often the best comedy. It had Stephen Colbert and David Letterman involved. And, the cherry on the top is that Amy Sedaris plays an ongoing character on Kimmy Schmidt!

Ellie Kemper getting her Kimmy Schmidt on!

Ellie Kemper getting her Kimmy Schmidt on!

Amy Sedaris plays the role of Mimi Kanasis, best pal to Jacqueline Voorhees (now Jacqueline White as she is newly divorced from her cheating billionaire husband). If this sounds like a lot of plot development going on with this show, you’d be correct. But it all makes sense. In one respect, the show is sort of spoiler-proof as it is broad comedy on one level, just fun satire like you got from “Seinfeld.” However, it does want to have it both ways with investing in character development. This, odd combination of edgy whimsy and heart-felt exploration of character tends to work out pretty well in this case.

Without giving anything away, consider a scene that can be read as a faux pivotal moment. It seems that a certain train departure is significant and may very well interrupt a “boy-meets-girl” connection. But, hey, no worries, the train is running two hours late! “Wow, what a break for that couple meeting up! You guys are running two hours late!” yells Kimmy to an Amtrak train conductor. He smiles and says, “And you thought we were just a train company. Far from it! We make love connections happen!” It is a funny and silly scene but it also does involve an authentic connection, sans irony, between characters. You can say that is a Kimmy Schmidt trademark. As Jerry Seinfeld has famously said of his show, it is devoid of any “very special moments.”

Tituss Burgess as Titus Andronicus, no...Titus Andromedon!

Tituss Burgess as Titus Andronicus, no…Titus Andromedon!

The reason for the tension between broad comedy and authentic connection on Kimmy Schmidt is that this show, as opposed to Seinfeld, is about something instead of nothing. It has a pretty heavy premise and the showrunners carry that as a badge of honor: young woman survives fifteen years hidden away in a bunker and now tries to rebuild a life in New York City. It is a premise very much in the spirit of Strangers with Candy. It’s not pure comedy but it provides some of the biggest laughs you’ll find. And it’s definitely NOT a typical comedy-drama, infamously known as a “dramedy.” It is coming from another place. That is why I think the touch of horror is so important: this is a show that is meant to make you laugh as well as unsettle you, take you out of your comfort zone. And, in that regard, it is doing a bang-up job.

Carol Kane (Lillian Kaushtupper) and Jane Krakowski (Jacqueline White)

Carol Kane (Lillian Kaushtupper) and Jane Krakowski (Jacqueline White)

It is because Kimmy Schmidt resides some place other than a typical sitcom that the show becomes this broad venue upon which masterful writing can discuss various themes. With the character of Lillian Kaushtupper (played by Carol Kane) we explore the conflict between old urban neighborhoods giving way to gentrification. Lillian doesn’t always have the best responses but she offers a compelling portrait of someone who finds herself being pushed out in the name of progress. With the character of Jacqueline White, we have a latter-day “The Awakening” story by Kate Chopin. Jacqueline comes to realize in middle-age that her whole life has been a sham of social climbing in Manhattan. She makes various awkward attempts to be true to her Native American heritage. Then we have the character of Titus Andromedon (played by Tituss Burgess) who is forced to do more and live more after having come out gay. Originally born Ronald Ephen Wilkerson in Chickasaw County, Mississippi, Titus Andromedon experienced his own awakening that led him to live in New York City. However, in the intervening years, he has frittered away much of his promise as an aspiring actor/singer.

Tina Fey as Andrea Bayden on "Unbreakable Kimmy Schmidt"

Tina Fey as Andrea Bayden on “Unbreakable Kimmy Schmidt”

Finally, we come back to Kimmy Schmidt. Who is she and what does she want? Well, as she learns from stumbling into a friendship with a psychiatrist, Andrea Bayden (played by Tina Fey), she has a lot of work to do on her own personal baggage. For starters, she is too helpful. Again, without any irony, Andrea suggests that Kimmy is an “enabler.” Kimmy, the good doctor points out, is too busy trying to help others, perhaps more than for their own good. And, on top of it, Kimmy is avoiding helping herself. She, after all, was kidnapped and lost fifteen years of her life huddled in a bunker with three other women. The cult leader abused the women. Pretty dark stuff in the background that keeps coming up to the surface like PTSD. Ah, but if only the good doctor could take her own advice. It’s not like Andrea is in the driver’s seat, especially with her having Kimmy as her own personal Uber driver. Very funny, and very touching, stuff. It takes formidable comedic, and general writing, chops to pull of a show that has bite as well as provides a hug. See for yourself. If you have not already, go on your merry way to Netflix and get all caught up on Season Two of “Unbreakable Kimmy Schmidt.”

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Filed under Amy Sedaris, Comedy, Dennis Etchison, Entertainment, Horror, Humor, Netflix, Television, Tina Fey