INTERVIEW: GEORGE CLAYTON JOHNSON and the REMAKE of LOGAN’S RUN

George Clayton Johnson makes his living by daydreaming, as he has put it. And those dreams have led him to some amazing places. You may know about him already or, perhaps, you’ve heard of his work. The story that he co-wrote with Jack Golden Russell was the basis for the 1960 and 2001 films, “Oceans Eleven.” He wrote the first aired episode of “Star Trek.” With William F. Nolan, he co-wrote the novel that was the basis for the cult classic film, “Logan’s Run.” Along with other remarkable television writing and countless science fiction stories, Mr. Johnson wrote some of the most poignant and beloved episodes of “The Twilight Zone,” including “Kick The Can,” which was remade in the movie version.

Mr. Johnson’s life is the stuff of legend. He was born in a barn, in 1929, Cheyenne, Wyoming, and not exactly set on a path for the success he has achieved. But with a strong force of will, George Clayton Johnson gave his life shape and purpose. Leaving behind a troubled upbringing, he set out at the age of fifteen to make his living as best he could. He started out as a shoeshine boy. Later, in the army, he mastered the job of draftsman and was involved with charting the intricate underground wiring systems related to the Panama Canal. By the late ’50s, he had set his mind on being a writer and this led to his story about an outrageous Las Vegas casino bank heist. This became his calling card and led to his joining a group of elite science fiction writers in Southern California. From there, he met Rod Serling who just happened to be preparing for a new show that would chart a new course for television, “The Twilight Zone.”

Where to begin with such a talent? One big point of interest: the remake of “Logan’s Run.”

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ART: KAWS: Some Edge at Macy’s Thanksgiving Day Parade

The Macy’s Thanksgiving Day Parade included a balloon even more ironic than SpongeBob SquarePants. This little gray guy, by the artist, KAWS, gives the holiday season some edge whether it needs it or not. Do we really need a smirk with our good cheer? No, but what the hell, we don’t need a lot of things. If you take a closer look at the KAWS character, his eyes are X’d out. We’ve come a long way since Snoopy. For those keeping score at home, perhaps the nontraditional KAWS balloon is one of the most honest items in the parade. Enjoy.  Here is the blurb all about it at our friends at Gothamist:

Graffiti artist KAWS has a balloon—Companion—as part of Macy’s Blue Sky Gallery that features balloons by famous artists (last year, Tim Burton had a ballon; the year before that, Takashi Murakami had balloons; previous years also include Keith Haring and Jeff Koons).

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ART: The Twilight Zone: A Penny For Your Thoughts

Here is my tribute to one of the great episodes from the landmark television series, “The Twilight Zone,” (first episode, October 2, 1959; final episode June 19, 1964). There is so much that can be said about this show. It was definitely a part of the zeitgeist and helped to set the tone of the counterculture movement as it made its way into the mainstream. “A Penny For Your Thoughts” is a classic TZ test of character as the walls come down covering up everyday civility for one man. Suddenly, Hector Poole can hear everyone’s thoughts and they’re often hostile and conniving.

One moment, he’s just a man buying a newspaper. But the quarter that Hector drops in the vendor’s box lands on its edge and triggers something supernatural. Hector has telepathic powers. Is this a curse or a gift?

This was George Clayton Johnson‘s first teleplay for the show. Before that, he had contributed two stories to TZ. Mr. Johnson was already flying on a rising star since his work on the story that was the basis for the Rat Pack classic, “Ocean’s Eleven,” (1960).

“A Penny For Your Thoughts” is from Season 2, Episode 52, originally airing on February 3, 1961.

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BUILDING STORIES Review

For those unfamiliar with the literary magazine “McSweeney’s” and its elaborate packaging of its issues into boxes containing various precocious printed items, “Building Stories,” the new collected work of cartoonist, Chris Ware, will really bowl you over. But the audience for this is precisely those readers who are already intimately familiar with Dave Eggers, Ira Glass, Chuck Klosterman and so on. How do you relate with an audience as jaded and self-aware as you are? You keep calm, and know you will dazzle them. Ware delivers solid stories here for the most discriminating connoisseur. “Building Stories,” after all, is a celebration of Chris Ware, of work that has, indeed, appeared in such elite and wonderful publications as “McSweeney’s.” You can consider this collection of the best of a decade’s worth of work as a “McSweeney’s” on steroids.

A lion roars. A dog barks. A bear growls. But a human, all too often…whines. At least that’s what we get in the world of Chris Ware. There are no obvious acts of heroism, nor flights of fancy, nor moments of sheer unqualified joy to be found among his characters. Perhaps such scenes exist but restrained and subtle. And that is part of the point of why Chris Ware does what he does. The world is not a “happy” place and he will show you why. He does not go for the acknowledged hero but focuses on all those lives lived in quiet desperation. He doesn’t want to go with quantity over quality either. No, he favors a select group of well-read and upwardly mobile lives that are lived quietly in desperation and desperately quiet. If Chris Ware has any heroes, they are the likes of Dorothy Parker, Edward Hopper and, of course, Dylan Thomas.

We get such a delicious selection of despondent characters that, whenever there is a glimmer of hope, it seems rather jarring, too out of place. There’s the youngish couple slipping into middle-age who resent each other. There’s the woman who must come to grips with a life wasted in the care of an indifferent mother. There’s that same mother who has spent her whole life in the care of a boarding house. There’s the actual boarding house that is as neurotic as any Ware creation! And then there is the woman with an amputated leg who perseveres through this melancholic landscape and even finds a fairly good soul mate. No one in this world is giddy with silly happiness, not even a simple little bumblebee. For him, Ware has saddled him with a monumental existential crisis!

The packaging of pamphlets, books and magazines is quite beautiful and, dare I say, a joy to read. The only quibble, and this won’t be new for regular Ware readers, is that the type, at times, is so darn small. It feels downright antisocial to do that! Even with the best of eyes, there are some segments that require a magnifying glass! It is what it is. But, ultimately, it’s a good enough trade off for some spectacular artwork, as in his architectural renderings. Built upon one intricate brushstroke after another, the houses, their interiors and exteriors, are built, like Chris Ware’s characters and stories, with great care, with empathy, and with compassion.

“Building Stories” is, just as the box describes, “14 distinctively discrete books, booklets, magazines, newspapers and pamphlets.” It is a decade’s worth of work as seen in the pages of “The New Yorker,” “The New York Times,” and “McSweeney’s Quarterly Concern,” as they call themselves in the most elevated of company. This amazing collection is listed at $50 US. Visit the Random House Pantheon site for more details here.

If you happen to be in Toronto tonight, do stop by and see Chris Ware, Charles Burns and Adrian Tomine, all together to support their recent publications and to support the printed word! Details follow:

TONIGHT!

CHARLES BURNS – ADRIAN TOMINE – CHRIS WARE
Debut their new graphic novels in Toronto
“THE HIVE” – “NEW YORK DRAWINGS” – “BUILDING STORIES”
at a special event in honour of The Beguiling’s 25th anniversaryFeaturing iconic Canadian graphic novelist Seth as guest moderator.
Monday, November 12th, 2012, @ 8:30pm
The Bloor Hot Docs Cinema, 506 Bloor Street West
Admission $10 or free with advance purchase of debuting book at The Beguiling
A BEGUILING 25TH ANNIVERSARY EVENT

 

TORONTOPrepare to welcome three of the most respected graphic novel creators in the world, as Charles Burns (Black Hole), Adrian Tomine (Optic Nerve), and Chris Ware (Acme Novelty Library) visit Toronto TONIGHT to debut their new books. These three contemporaries and friends will each show an all-new audio/visual presentation based on their new works. Then, iconic Canadian graphic novelist Seth will lead all three creators in a rousing discussion of their work and history, including audience participation. This is the centerpiece autumn event to celebrate the 25th Anniversary of venerable Toronto comics and alternative culture shop The Beguiling, at the nearby newly renovated Bloor Hot Docs Cinema (506 Bloor St. W.) in the heart of the Annex neighborhood.

Sure to be the talk of the literary world this fall and winter, these three new releases blur the lines between ‘traditional’ graphic novels, illustration, and the publishing avant-garde!

  • Charles Burns’ stunning follow-up to 2010’s bestselling X’ed Out is The Hive. It takes readers further into the recesses of the diseased world of X’ed Out, shattering the boundaries between comics and the people who read them.
  • Adrian Tomine’s New York Drawings collects over a decade of the comics, illustrations, and covers produced by the artist for publishing institution The New Yorker, alongside a number of other rare and uncollected pieces in a lavish oversized hard cover.
  • Chris Ware’s Jimmy Corrigan: The Smartest Kid on Earth has been hailed as a modern literary masterpiece, and Building Stories is Ware’s first and much-anticipated graphic novel length follow-up. Ware experiments further with form and medium: the story is a literal box. Beautifully presented as variously formatted and sized comics, graphic novels, newspapers and pamphlets, the ensemble creates a fascinating and compelling portrait of a seemingly ordinary young woman, and the building where she lives.

All three of these compelling arguments for the necessary survival of the printed word will be on sale at The Beguiling and at the event.

Admission to the 25th anniversary event is $10, but admissions tickets are free (while supplies last) with every advance purchase of any of the above new books at The Beguiling. Tickets MAY still be available at The Beguiling!

Chris Ware, Adrian Tomine, and Charles Burns’ Toronto book event is the centerpiece of a half-dozen events occurring this fall, celebrating the 25th Anniversary of venerable comic book and alternative culture store The Beguiling. Events with local, Canadian, and international graphic novelists will continue throughout the fall, adding vibrancy and texture to the city’s literary events calendar. Visit www.beguiling.com for more information on upcoming events.

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ART: CHOICE WORDS

Comics Grinder has an Etsy shop, just in time for the holidays. Check us out and feel free to make suggestions. Currently on display is “Choice Words,” a whimsical commentary on the human condition. Visit us at the Comics Grinder Etsy shop to see the whole picture.

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Review: TO HELL YOU RIDE #1

“To Hell You Ride,” will grab you with Tom Mandrake’s art and a story by two master storytellers, Lance Henriksen (Aliens) and Joseph Maddrey (Nightmares in Red). Judging by this opener mixing Native American myth with horror, this comic could be on par with the classic Vertigo title, “Scalped.” We observe Two Dogs evolving from a troubled young Native American who dismisses his hometown of Telluride as a bunch of mindless reincarnations of gold miners and whores to someone who must grapple with a cosmic connection he had not bargained for although to which he had invested countless hours searching for.

This is what happens when the enigmatic Two Dogs must emerge from his shell. For years, he had been coasting along as the stud without a purpose, even lowering himself to join the ranks of the miners he so despises. But he always knew there was more to his story, that it was likely connected to a multi-generational curse created by his ancestors and placed upon the white gold miners and their descendants. Had the gold miners, back in the 1880s been respectful, and not desecrated ancient burial grounds, this whole story may have gone down quite differently. But, no, the whites had shown nothing but contempt and so a curse that will see flesh melt away from bone has been in place up to the present day.

Had the whites only been hateful in the days of the gold rush, perhaps the curse would have lost some of its potency. But Two Dogs knows better. Also known as “Seven George,” Two Dogs can retell of how his own grandfather, “Five George,” was betrayed. And, even in the present, Two Dogs can still see and feel the animosity the locals have for him. Is it any wonder that, when suddenly the tide turns, something very unexpected, perhaps pre-destined, occurs, that Two Dogs must act? This is not your typical revenge plot but something grounded in a solid character and an intriguing backdrop. It looks very promising and something well worth keeping up with.

“To Hell You Ride” is out December 12. Learn more about it at Dark Horse Comics.

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SPIKE #4 Review

Part 4 (of 5) to “A Dark Place” cinches it for readers: this is, no doubt, a very well-constructed story. It inspired a bit of fan art on my part above. And what you see above is the heart of the matter: Morgan is determined to charm Spike and looks like she’s succeeding while Sebastian and Frisky scramble to do something about it! For all Buffy loyalists who wondered if Victor Gischler’s script made any sense, well, this script knows where it’s headed and makes a lot of sense. Whatever happens next, Morgan has earned her place as a Buffy character.

And Frisky and Sebastian have definitely earned their keep as they battle amongst themselves on the best way to protect their master. I will never tire of these giant insects! A sampling of a priceless exchange between the two of them: Sebastian is getting anxious and says, “Spike has become fond of the demon woman. If he discovers we plot against her, he will surely see it as mutiny.” Frisky tries to reason, “We do not plot. But we do prepare.” Call it what you will, but Frisky has been hard at work on a contingency plan and is ready to spring it into action sooner than later.

And so the story develops in this way: We have Sebastian and Frisky, one couple at each other throats; and we have Spike and Morgan, also at quite close proximity. Thanks to the art team of Paul Lee (pencils) and Andy Owens (inks) both couples get the special attention that they require as we go back and forth. And, speaking of back and forth, this issue gives us an even deeper conversation between Spike and Morgan. They are heading down a path and they’re reaching a fork in the road. We know what Morgan would like to see happen. She is virtually drawing Spike a map.

It’s getting dangerously close to putting two and two together. Frisky seems to be on the right track but Sebastian simply won’t listen, won’t go beyond having a contingency plan in place. Frisky tries again: “And we are simply to aid this woman in gaining access to a hellmouth? Can that be good?” Just as Sebastian rebukes that statement, in a flash, we see Spike and Morgan appear from a hatch door and interrupt them. Spike wants to know what all the commotion is about. Oh, nothing, just us insects.

Moment by moment, the plot thickens as Frisky becomes more and more convinced to take action while feelings get hotter and hotter between Spike and Morgan. Well, something must come to a head! And, when it does, everyone needs to take action, some kind of action, leading us to quite a conclusion in our next issue.

“Spike #4” is on sale November 21. Visit our friends at Dark Horse Comics.

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BUFFY THE VAMPIRE SLAYER SEASON 9 #15 Review

The second and final chapter to “Billy The Vampire Slayer” rounds out for us a portrait of a new slayer. Drew Z. Greenberg’s script picks up where Jane Espenson left off last month. Both are seasoned Buffy television writers so they can be counted upon to know when a character is ready to cry, or laugh, or go into mortal combat. These are all things our hero, Billy, is called upon to do in this issue so he’s in good hands.

With great experience also comes greater ease in storytelling. Greenberg gives herself the time to allow Billy to express his doubts, his impatience and his euphoria when the time comes. One thing readers are always looking for are the quiet moments that tell us about the characters and their motivations. In the case of Billy, he seeks justice and he seeks intimacy. What if he could have both?

Well, it’s no secret that this intro to Billy is as much a love story as a coming-of-age story. That said, it’s hard not to have a coming-of-age story also be a love story. Billy’s love is Devon, a fellow classmate who is the coolest kid in high school. He’s also Billy’s watcher in charge of training him. That leads to a question. If Billy is the first male slayer, then what does that make Devon? I guess it’s a matter of protocol, right? Billy is the first to fall within the ranks of actual slayers, who are traditionally female, I guess. Anyhow, Devon and Billy get to spend a lot of time together and they like each other but Billy doesn’t know if it’s just “like” or if it’s “like like,” that sort of thing. It doesn’t matter that Devon, at every turn, helps him out and is loyal to him. Billy just doesn’t quite get it.

And then the zompires come through and, if they get anything right, it will be to finally get Billy and Devon together! Sometimes you need a zompie apocalypse meltdown to stoke the fires of love. And then, and this should not be spolier, amid the mayhem and destruction, Devon and Billy kiss. They are together and they can get their zompire fight on!

How compelling Billy will be as an ongoing character is still unclear but this was a good story and a good start. I sense we’d need some conflict to give Billy a bigger role to play. For now, welcome Billy, we’re happy to have you around.

“Buffy The Vampire Slayer Season 9 #15” is out November 14. Be sure to visit our friends at Dark Horse Comics.

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ANGEL AND FAITH #15 Review

Looking back on this last stand-alone issue, it gets even better with more readings. While we’ve read quite a lot about “a world without magic,” number 15 of “Angel and Faith” does a great job of elaborating on the subject without being redundant. In fact, I have to say, this issue goes to show how Dark Horse goes that extra mile. I got to thinking about all the people I see in a day, walking down the sidewalk, on the bus, in elevators and in escalators, up and down, and all the ones out there who read comics and particularly Dark Horse comics. That’s a special group of people and they expect something special from Dark Horse. Now, let’s go over what’s working so well in this two-parter, all-in-one issue, “A Hero of His Own Story.”

The first part is dedicated to Angel’s old mentor, Whistler. I love the retro/urban feel going on in this story set in a London diner: a fedora, a checkered floor and a pizza and pint of beer anchor the compositions. It is all nicely delineated right down to when Whistler, in a fit of rage, karate chops his dining table in half. “My bad,” he tells the owners, “I got carried away.” The art honors go to Lee Garbett on pencils and Derek Fridolfs on inks. The script for both of these stories is by Christos Gage. What we have here is a significant conversation between Angel and Whistler, not only a mentor to Angel but an entity powerful enough to hold the key to Earth’s future. Whistler doesn’t like how he’s been unappreciated by Angel. Of course, Angel points out, that’s complicated. This interlude provides a fascinating backstory on Whistler, who is literally half good and half evil. He’d just like to bestow his charms on Earth, give it a real kick in the pants and exact a true balance.

And consider how readable this comic is, a true Dark Horse hallmark. The art is crisp and makes sense. The writing is well-paced and rings true. The whole back and forth between Whistler and Angel is like a fine one-act play. Seriously, I think too many comics, high and low tier, think they can phone it in because readers can be taken for granted on some level. What remains remarkable about Dark Horse is their attention to quality. Christos Gage is one hell of a writer too. I mean, I just know I want to read more about Whistler, especially after he warned Angel to never see him again!

The second part is dedicated to Pearl and Nash and this one is a keeper too. We begin with an appropriately disturbing image: it’s the worst day of the Dust Bowl, 1935, and in an old shack, the walls smeared with demonic rants, a naked emaciated young woman, covered in demonic tattoos, has summoned a demon. It doesn’t get much more spooky than this. The demon is pretty horrific, his saving grace is that he’s really open to helping out this misbegotten soul. Gold, might that do the trick? How about a cure for cancer? No, this creepy little woman wants to mate with the demon. Well, then, hold all calls. This, brace yourselves, is how Pearl and Nash were conceived. All this time, and I didn’t take them for coming from such dire straits. This little ditty is drawn by none other than David Lapham, who knows a thing or two about dire straits. Suffice it to say, you’ve got yourself a diabolically good story. Both parts are excellent and will fit beautifully into a collection or as a single. Issue 15 is currently out and a must-read, especially to get some thoughtful insights on what has come before and what lays ahead.

And talking about must-reads, we jump right back into the fray with “Angel and Faith #16” as Angel is ever closer to bringing Giles back to life in the new arc, “Death and Consequences.”

“Angel and Faith #16” will be out on November 28 and we’ll have a review for you before that date. For now, here is cover art by Steve Morris. Visit our friends at Dark Horse Comics.

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WILLOW #1 Review

The much anticipated debut of “Willow” gives us an aggressive and dynamic Willow. At her core, she is supposed to be an ethereal, and vulnerable, character. Just consider the cover art above. This is not someone cut out to be an action hero. That wasn’t what Willow was about on the Buffy TV show. However, dire times can bring out people’s inner strength, right? In her recent team-up with Angel and Faith, we did see a feisty Willow. And, in the first issue of this new arc, “Wonderland,” there is no hint left of the soft and sweet Willow we’ve relied upon in the past. Is this deliberate or have we lost something?

I come back to that cover art of a spooky and gentle Willow! Well, I have to strike that up to the classic disconnect that can be found between the cover of a comic and the content within. So, how does Jeff Parker begin his script? He keeps to a standard set-up: recaps what has come before, allows the main character to stretch her limbs a bit, has her meet an unlikely, yet valuable, ally, and sets up a conflict at the end to deal with next time. All in all, it’s not a bad way to go when considering new readers. And you won’t be disappointed. There are a number of entertaining moments and colorful scenes. Willow is, after all, traveling through a new dimension full of strange and dangerous creatures. As the story’s title implies, there is a feeling of Lewis Carroll, albeit from hell.

The urgency biting at Willow’s heels, as we’ve heard over and over again at Dark Horse, is “a world without magic.” Willow is determined to change that and that’s why any trace of irony on her face has been wiped away. My point is that you can take that too far. Brian Ching’s art is stunning but, as any Willow fan will quickly call out, Willow does not look like Willow. She looks here too much like a Laura Croft action hero with generic features, a figure cut out for action and not contemplation. Willow looks here the way she might in an intermission issue, not a full story arc, especially a title opener. That could be a problem but we’ll have to wait and see how this plays out. If you read ahead to the synopsis for each of the forthcoming “Willow” issues on the Dark Horse site, there appear to be things tugging at our girl’s heart and soul.

“Willow” is out today for all of you to review. Visit our friends at Dark Horse Comics.

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