Tag Archives: Horror

Movie Review: MAC & CHEESE

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“Mac & Cheese” is grab-you-by-the-throat intense but it’s not without its sense of style. This horror short is teeming with style from its rather peculiar food motif to its tweaking of horror movie tropes. The roles of sadist and victim fall to mother and daughter and roll right through at a fever pitch to the very end in this little gem, all of fifteen minutes long.

The mom, played to the hilt by Amanda Brooke Lerner, is a classsic monster. The daughter, played by Julia Garner, doesn’t get much of a chance to speak but conveys emotion hauntingly. And Stacey, the potential source of help from the outside world, has a lively presence. She gives us a female version of that nuanced performance by Martin Balsam in “Psycho.”

Written and directed by Lutfu Emre Cicek, this short shows us a new talent willing to take risks. Cicek turns macaroni and cheese into a very compelling visual. He finds a number of ways of turning one of the most innocuous things into anything but innocuous. And he has a healthy taste for blood.

“Mac & Cheese” will be showing as part of the NewFilmmakers NY Series on March 6 at Anthology Film Archives on the Lower East Side at 32 Second Avenue & 2nd Street. Tickets for Winter Screening Series 2013 are only $6 and are good for the whole night’s screenings and receptions. They are available at the Anthology Box Office the night of screening. For more information go to the NewFilmmakers NY website here.

A full schedule for the March 6 program follows:

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Interview: Steve Kriozere and FEMME FATALES

Femme-Fatales-2013

"Bad Medicine" episode: Director Darin Scott, Actress Christine Donlon, Writer Steve Kriozere

“Bad Medicine” episode: Director Darin Scott, Actress Christine Donlon, Writer Steve Kriozere

Steve Kriozere is a writer/producer with an impressive resume that includes work on “NCIS,” “Castle,” and “Femme Fatales.” If you have not gotten a chance to try out “Femme Fatales,” it is a show worthy of your consideration. You can leave any preconceived notions at the door, and start out with “Femme Fatales: The Complete First Season,” which is now available and you can purchase here. You can read a recent review of the show here.

The following is an interview with Steve Kriozere where we discuss what “Femme Fatales” is all about from various points of view. We also talk about “Elvis Van Helsing,” (review here) an offbeat horror graphic novel that Steve co-wrote with Mark A. Altman, who is also a writer/producer involved with, among other projects, “Castle” and the co-creator, with Steve, on “Femme Fatales.” We wrap up with a discussion on the writing process and what lies ahead for “Femme Fatales.”

We begin by discussing the tricky position that this show finds itself in. It’s a show on Cinemax. That carries a unique set of issues. For instance, the concept of “less is more” can be a hard one for the network to grasp. The creators and writers on the show must find ways to deliver the goods, the sexual content, in new and creative ways while also building up a show. Here’s the thing, this is, at its heart, a clever show. There are so many things going right with this show, from its charismatic host, Tanit Phoenix, to its exploration of genres and, well, embrace of geekdom. The show, at the end of the day, retains its potential which, by all rights, should remain forever elusive.

The full interview with Steve Kriozere follows and includes the podcast at the end.

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Review: ELVIS VAN HELSING

Elvis Van Helsing Kriozere Altman

With distinctive wit, writer/producers Steve Kriozere (“NCIS”) and Mark A. Altman (“Castle”) present “Elvis Van Helsing.” This was intended to be a TV show so that provides added interest to the graphic novel that resulted in 2010. In this case, the graphic novel stands alone very nicely as offbeat horror.

Elvis Yang is a 20-something who would be quite content to have no goals for the rest of his life, just be a whirling dervish. However, during his six years (and counting) as an undergrad, he has demonstrated flashes of sheer brilliance. It has attracted the likes of Bob Woodward and Stephen King. If Elvis needs something, these guys have his back.

Elvis Van Helsing Stephen King 2010

Kriozere and Altman have faithfully captured that wating, that unfocused yearning, for greatness experienced by an endless array of “losers” quietly aging on a multitude of campuses. But Elvis is supposed to be different, right? He’s the slacker that makes it, right? Kriozere and Altman leave you guessing.

Elvis Van Helsing Steve Kriozere Mark A Altman 2010

The artwork by Jason Baroody and the production by Zach Matheny are sympathetic to this kind of deadpan goofy humor. Even after Elvis discovers his true calling as Elvis Van Helsing, heir to a distinguished traditon of killing off vampires, demons, and various ghoulies, the action remains disconnected and low-key. Kinda cool, huh? That said, the art is not dull. It’s dynamic in its own way, in an ironic cool way. I’d call it a “sarcastic flatness.” Or maybe it’s an endearing flatness. Either way, it works.

Why do I like “Elvis Van Helsing”? Well, because it’s the sort of thing I would be proud to say I had written. It runs the risk of being misunderstood but it is a risk worth taking. If you’re going to take an offbeat path, then embrace it, baby. And that’s what this creative team does with this graphic novel.

Elvis Van Helsing graphic novel 2010

It’s also important to point out that this story, while unconventional, it not just random. You’ve got a well crafted plot with characters that have key roles to play. The whole dynamic between Elvis and the couple who adopted him is intriguing. He’s an Anglo surfer dude and his parents are a traditional Korean couple. Their idea of letting loose is singing karaoke after dinner, especially Elvis songs. Evis’s best friend, Randy, is a perfect foil as an even less focused version of Elvis, if that’s even possible. And then you’ve got two beauties competing for the mind and soul, if not heart, of Elvis: Vanessa, a Vamparella type; and Ariel a seductive and mysterious blonde who will only meet after midnight.

Elvis Van Helsing Ait Planet Lar 2010

The payoff to this graphic novel is that you have a journey worth taking. Ultimately, you get a story about a dude way over his head, on some excellent adventures that leave you wanting more. Along the way, Elvis Yang becomes Elvis Van Helsing, the heir to the greatness he’d been searching for but was clueless about. Has he grown wiser? Was he wise all along? That is the enigma worth exploring.

“Elvis Van Helsing” is an offbeat horror graphic novel that provides twists and turns to an overall engaging story.

“Elvis Van Helsing” is published by AIT Planet Lar. You can purchase a copy here. Check out the video trailer here.

EDITOR’S NOTE: Comics Grinder will publish an exclusive interview this Wednesday with Steve Kriozere, the co-creator with Mark A. Altman, of the hit show, “Femme Fatales.”

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ANGEL AND FAITH #18 Review

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“Angel and Faith #18” brings us back to the massive attack of zombies from the last issue. The fighting is stranger than usual. Just a bonk on the head and, anyone who gets knocked out, is in danger of being possessed by the arch-demon, Eyghon. Nadira and her slayer posse have really walked into this one. As Nadira puts it, “This has all gone pear shaped!” But, before all hope is lost, Angel and Faith burst onto the scene. Faith provides the obligatory quip, “Hardcore fans don’t like zombies who run!” And things look good until Faith gets bonked on the head! Here is where Nadira provides a good turn by slicing into Faith’s belly but not to kill her. The flesh wound keeps Faith awake and alert.

Part 3 (of 4) to “Death and Consequences” packs a lot of zombie fighting action as well as explanation of events. You learn that Eyghon almost bit the dust during the Twilight crisis but he was quick enough to possess a dead rat which led to possessing an exhausted homeless man until, a few more possessions later, the demon came back into his own. Possession, we come to see, is not an easy thing. Your average body is going to wear out fairly soon under the demonic pressure. This leads to finding someone more sturdy enfused with magic: Rupert Giles.

At the end of this issue, Nadira, along with her slayers, and Faith have buried the hatchet, quite literally into a number of zombies, and have decided it’s time to work as a team of rivals and make for a fast retreat. Now, unless you find common knowledge to be a spoiler, don’t read the next few words..as we often have a cliffhanger guest appearance, who do you think appears to the rescue? It’s none other than…yes, Spike! We have to be grown-ups and just admit it. We’ll be on our way to the final arc by Issue 20 which makes clear what lies ahead: Angel and Faith and Spike.

Angel and Faith 20

“Angel and Faith 18” is available as of January 30. Then we tie up loose ends in #19, due out February 27. And on to the final arc starting with #20, due out March 27. Visit our friends at Dark Horse Comics.

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Kickstarter: A Night At The Sorrento

A night at Sorrento Hotel Henry Chamberlain 2013
Comics Grinder and Henry Chamberlain just want to provide a heads up about an upcoming Kickstarter campaign. The project is a book entitled, “A Night At The Sorrento and Other Stories.” It’s comics and illustrations and the above art is part of that project.

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Review: X’ED OUT by Charles Burns

Charles Burns XED OUT

If you have not yet read what Charles Burns has been up to lately, don’t panic. You have options. There are two installments of his current wild ride, “X’ed Out” and “The Hive.” Both graphic novels can work as stand alones and you will do fine whether you read one first or the other. Essentially, this is a story that follows the main character mostly through flashbacks and alternates with his doppelganger in a parallel story set in a more cartoony and sinister world. Enjoy it as a multi-layered horror story. We’ll focus here on “X’ed Out,” the first graphic novel in the series which came out in 2010. And you can then proceed to a review of “The Hive” in the next post.

XED OUT Charles Burns

“X’ed Out” is as much about the angst of Generation X as it is a horror story. The two themes actually compliment each other rather nicely here. You will find equal amounts of supernatural horror and the self-inflicted horror of disaffected youth. Consider any art school crowd of a generation ago (or any generation, really) and you will find an inner core of self-loathing malcontented rebels ready to set the world on fire. What will it take? Start up a band? How about a magazine? But what will it ultimately take to make the pain go away? What happens when raw idealism and Prozac aren’t enough?

Charles Burns XED OUT Pantheon

We begin with the cartoony doppelganger. He is sitting up after a restless sleep in an old fold out bed. He has a bandage across the side of his head which can’t be a good sign. He has no idea of where he is. And, once he makes his way out into the outside, we see that this is a very strange place he has found himself in. As we progress through the story, we see that this world is more real in some ways than the hipster world that Doug and his girlfriend, Sarah, are so enthralled by. It’s as if the chickens have come home to roost, as if all those extreme misfits staying up late at night have finally summoned up the Devil. There’s a hint that Sarah may have actually done something like that. And then there’s that strange bandage across the side of Doug’s head.

It really is easy to enjoy both of these installments in either order. Although you can sense the force of the narrative progressing from the first book to the second, the numerous transitions in both books can act as so many elements building up, providing clues. Who is the old man in the creepy cartoon world that Doug’s doppelganger is spying on? Wait, now we have a scene with the old man followed by a scene with Doug and they’re all wearing the same purple bathrobe . Is it a much older Doug in one scene? Maybe. But, in another scene, we know the old man is Doug’s father. “X’ed” will definitely leave you wondering about what will happen next, who is who, and what is what. It’s when the last book in the trilogy, “Sugar Skull,” arrives in 2014 that the sequence will be clear and the resolution unmistakable.

“X’ed Out” and “The Hive” are available in bookstores, comics shops and online. You will find in many shops that both books are neatly displayed side by side. Visit Pantheon Books.

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Filed under Charles Burns, Comics, Generation X, Graphic Novel Reviews, graphic novels, Hipsters, Horror, Pantheon

Review: THE HIVE by Charles Burns

1 Charles Burns The Hive 2012

If you are interested in seeing comics taken to their outer limits, the world of Charles Burns is the place for you. “The Hive” is the current installment in Mr. Burn’s work. He’s an artist, at the top of his game, not to be taken for granted. If there was a Mount Rushmore dedicated to comics, there he’d be, alongside Chris Ware, Daniel Clowes and Art Spiegelman, who all happen to be published by Pantheon. Once you put the awe aside, the story and art of “The Hive” sweep you away. This is a story within a story, life imitating art and vice versa, the innocuous mixed in with the surreal. In some respects, it is an even more enigmatic work than the previous, “X’ed Out.”

2 The Hive Charles Burns 2012

There is one key additional layer added since “X’ed Out.” We now see that Doug is looking back at his youth. So, we have yet another version of Doug, this time, in early middle-age. He hasn’t taken care of himself and looks tired and pudgy. He treats the woman he’s now involved with to endless analysis of what went wrong with Sarah, the love of his life. Those days of youthful angst are over and have been replaced with a deeper anxiety only possible once you’ve lived long enough to have your dreams crushed. There’s no more Sarah. She’s not coming back. Try to deal with that, Doug.

3 The Hive Burns Pantheon 2012

As in “X’ed Out,” we have Doug, the cocky provocateur performance artist compared to his doppelganger in a world stranger and more surreal than anything his art could imply. In “The Hive,” we add to that same young Doug, his older despondent self full of regret, full of his own well-earned horrific nightmares. Doug, you once surly youth, searching for pain, you have arrived.

Meanwhile, we follow Doug’s cartoon version as he toils away at a menial job in The Hive, a place run by lizards that appears to be breeding humans. Ultimately, Doug’s own personal misery pales in comparison to whatever is going on in that evil alternate world. The conclusion to this trilogy is entitled, “Sugar Skull,” and will surely be something to look forward to. Given that “X’ed Out” was published in 2010 and “The Hive” was published in 2012, we can expect “Sugar Skull” to come out in 2014.

“The Hive” is published by Pantheon. Visit them to find where to get your copy and learn more about this leading publisher of graphic novels.

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Filed under Charles Burns, Comics, Comics Reviews, Graphic Novel Reviews, graphic novels, Horror, Pantheon

Review: CHINATOWN by the Sun Bros

Chinatown Sun Bros 001

“Chinatown” is a unique ghost story with a lot of heart and character. It’s an enchanting look at old and new. It mixes the every day with the supernatural. And it has a distinctive vision. The thing to keep in mind about this 126-page graphic novel is that you’ve been invited to explore a subculture and the creators are not holding back. You’ve been invited into someone’s home and you’re having dinner and staying for a nightcap and chatting throughout the night. That’s what this work feels like.

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The Sun brothers have found a sweet spot or two in how to run a successful Kickstarter campaign. Yes, this is one of those Kickstarter success stories. It’s really cool how Kickstarter has made such a positive impact for so many talented people, and just the comics community alone has been reshaped by the support. Would “Chinatown” have gotten published the way the creators of this book had intended without that help? Yes. It would have inevitably have happened but, given all the factors involved, who can say when that would have happened. Maybe it would have been years down the road. Thankfully, the Sun Bros, writer Wesley Sun and artist Brad Sun, don’t have to wait a lifetime to get their shot at moving forward with their creative pursuits.

Chinatown Sun Bros 003

The ghost story is a very ambiguous one here. It’s better that way as it really manages to haunt you after reading it. You feel the despair and struggle these characters have with their own issues. It’s when a neighborhood girl goes missing that it seems everyone has reached their breaking point. The local Chinese community comes together without any hope of solving a crime but, at least, they can try to console themselves and still, despite it all, hope. Their is a mixture of bitter pessimism and reliance on supernatural forces at work here that is truly fascinating. This is a brilliant story and beautifully rendered.

Visit Sun Bros Studios to learn about where you can get your own copy of “Chinatown” as well as all their other exciting projects. You can also find them on Facebook.

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Movie Review: JOHN DIES AT THE END

John Dies At The End 2013

“John Dies At The End” is a pretty weird and fun novel, by David Wong, and now it’s a pretty weird and fun movie, written and directed by Don Coscarelli (“Bubba Ho-Tep”). It’s all about the soy sauce. And a dog that can read your mind. And a monster made out  of all your favorite meat products. While this may sound all non sequitur to you, oh, there is quite a logic behind this very strange horror movie. And Paul Giamatti! You need to know this. Paul Giamatti is in this movie! This is true. And he has a vital role. He sort of provides the glue, or meat glue, that binds everything together.

What this movie is and what this movie isn’t are two important distinctions. Let’s consider what this movie is, first. It is a gory joy ride. It is character driven, like, the two college dropouts John and David, played by Rob Mayes and Chase Williamson, that keep things moving as they discover the end of the world is nigh. And it won’t put you to sleep. That’s a guarantee. What it’s not. It’s not an Academy Award winner, not even a nominee. But we don’t need no stinking awards. Although it may win a ton of horror movie awards, if they count. In the end, it could end up considered to be an offbeat cult favorite, sort of like “The Adventures of Buckaroo Banzai Across the 8th Dimension,” if that was a horror movie.

It’s not easy to mix comedy with horror, and maintain that knowing smirk as blood is splattered all over the place. Some purists might even say, when horror and comedy mix, it’s no longer horror. Few movie nerds have yet to get over the John Landis horror comedy, “An American Werewolf in London.” But, what can one say, that movie is a classic and it gets a very high Rotten Tomato Reader rating. It too features two young puds way above their heads. Yikes, it even won an Oscar. For special effects, that is, which were, and still are, amazing and became the gold standard for how to depict a pud turning into a werewolf. In the case of “John Dies,” the humor is so low key and cool that is seeps right into the goop of the horror. There’s one scene with a detective turned vigilante that comes to mind. He has gone from sensible to demented and it fits right in with the tone of this movie. You know what, we could even say that the tone is similar to something like the Coen Brother’s “Blood Simple,” where the humor is dialed back. That may be too much high praise for this movie but it’s in the ball park.

“John Dies At The End” is available now on VOD and opens in theaters on January 25, 2013. You can see it now on iTunes and at Amazon. Visit Magnolia Pictures for a listing of theater play dates here. And you can see a trailer here.

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WILLOW #3 Review

Willow Dark Horse 003

“Willow” glides deeper into her wants and needs in Part Three of “Wonderland.” The Jeff Parker and Christos Gage script gives it up for Willow. Brian Ching’s art gives it up for Willow. This issue is an enchanting walk through the mystical realm that doesn’t seem to offer any options besides hedonistic pleasure. That’s not exactly such a bad idea for Willow. She has a new girlfriend, the reptile witch, Aluwyn, and an intoxicating playground to enjoy.

It is Willow’s sidekick demon, Marrak, who needs to take on the role of nag. He is confident that he’s found some ancient relics that may very well solve Willow’s problem. But what problem is that? Oh, yeah, the whole reason she’s there, to return magic to Earth. It seems no use getting through to this girl. Marrak can’t do it alone. If there was ever any doubt, Willow needs Marrak.

This issue has some really beautiful scenes in it. You have the ocean, and cute and cuddly little octopi, just before a huge Cthulhu like monster spoils the mood. But, the prevailing theme in this issue is that Willow is really at odds with remaining the persistent do-gooder and just giving in to her new bond with Aluwyn. So, a good issue and a chance for us readers to bond more with the characters.

“Willow #3” comes out January 2, 2013. Visit our friends at Dark Horse Comics.

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Filed under Buffy The Vampire Slayer, comic books, Comics Reviews, Dark Horse Comics, Horror, Willow