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Image Comics at Emerald City Comicon, March 27-29

DESCENDER #1 by Jeff Lemire and Dustin Nguyen

DESCENDER #1 by Jeff Lemire and Dustin Nguyen

Image Comics returns to Seattle for this year’s Emerald City Comicon on Friday, March 27 through Sunday, March 29. You can expect an impressive assortment of creator-owned panels, signings, and con exclusive variant covers like the one above for DESCENDER #1 by Jeff Lemire and Dustin Nguyen, priced at $5 (#Y-05, also available at Image booth #312). DESCENDER is about a young robot’s struggle to stay alive in a universe where all androids have been outlawed and bounty hunters lurk on every planet. Read my review here.

Here’s a rundown on Image Comics variant covers at ECCC:

VARIANTS SOLD AT THE IMAGE BOOTH (#312):

LOW, VOL. 1 hardcover by Rick Remender and Greg Tocchini, $35

THE WICKED + THE DIVINE #9 by Kieron Gillen and Jamie McKelvie, $5 (also available at creator table #II-06)

DESCENDER #1 by Jeff Lemire and Dustin Nguyen, $5 (also available at creator table #Y-05)

VARIANTS SOLD AT CREATORS’ TABLES:

SEX CRIMINALS, VOL. 2 hardcover by Matt Fraction and Chip Zdarsky, $40 (Table #II-04)

WAYWARD, VOL. 1 hardcover by Jim Zub and Steven Cummings, $30 (Table #HH-11)

DESCENDER #1 by Jeff Lemire and Dustin Nguyen, $5 (#Y-05, also available at Image booth #312)

INVISIBLE REPUBLIC #1 by Gabriel Hardman and Corinna Bechko, $10 (#HH-05)

WAYWARD #6 variants by Jim Zub and Steven Cummings, starting at $5, blank sketch covers for $10 or $25 with sketch (Table #HH-11)

THE WICKED + THE DIVINE #9 by Kieron Gillen and Jamie McKelvie, $5 (also available at Image booth #312)

For a full schedule of Image Comics events at Emerald City Comicon, visit our friends at Image Comics right here.

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Filed under Comics, Dustin Nguyen, Emerald City Comicon, Image Comics, Jeff Lemire, Seattle

Review: PAST AWAYS #1

Past Aways #1 Emerald City Comicon exclusive cover in Seattle, March 27-29, 2015

Past Aways #1 Emerald City Comicon exclusive cover in Seattle, March 27-29, 2015

Do you ever look at a smart phone and think of it as merely a primitive cellular device that does little more than distract you? Well, if you do, you’re ahead of the curve. But you’d definitely think that if you came from the future and found yourself in the distant and scary past of 2015. That’s what happens to a crew of deep-time explorers from 1.2 million years in the future. That’s quite a lot of generations of iPads. Welcome to the first issue of “Past Aways!”

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Our explorers crash landed, with no way to get back for sure, plus the future is encroaching upon the past in a huge way. So, the crew is basically dealing with enough to make their heads explode. Matt Kindt’s script is relentlessly good as he introduces characters and juggles all sorts of sticky time travel issues. Scott Kolins provides us with pitch perfect art with a light and vibrant touch. Based on this first issue, it’s safe to say that we truly have here something special. The layers of complexity that are being meted out are flowing nicely. And never underestimate the value of a wicked sense of humor since that seems to be a good part of the glue that keeps this all together.

With more than a million years of evolution separating our main characters from, well, us, you might expect them to be more…evolved. That is hardly the case. They do have an assortment of very cool gadgets though. And they feel sorry for those struggling in 2015 amid never-ending conflicts and basic lack of progress. And yet, they don’t seem all that different from us. They can be just as petty, impatient, and even snarky. Oh, but there are differences. And those differences could lead to mass destruction. Wow. This is one of the most thought-provoking and just plain fun comics you’re likely to find now.

PAST AWAYS #1 is available as of March 25. For more details, visit our friends at Dark Horse Comics right here.

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Filed under Comics, Comics Reviews, Dark Horse Comics, Matt Kindt

Review: HIT: 1957 #1 (of 4)

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Las Vegas. It’s a dead end for some and paradise for others. Maybe it’s a little of both for Bonnie Brae. It’s 1957. A lot of water under the bridge since things heated up a couple of years ago. The plan had been to go incognito, start a new life in San Clemente as Marie. But, no, Marie was not going to be left alone so easy. If you were a fan of Hit: 1955, or if you’re new to the party and looking for some good noir comics, this new Hit series is for you.

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You’ve got the team of writer Bryce Carlson and artist Vanesa R. Del Rey back to deliver more. Each page is teaming with intrigue graced by Del Rey’s fluid line and Carlson’s gritty narrative. Los Angeles is one big corrupt mess. We find our anti-hero Detective Harvey Slater pushing back on Domino and his Syndicate. He can’t catch a break from the boys in Internal Affairs. And Bonnie Brae is missing. But that is only the beginning. We have ourselves here a deep and dark tale unfolding. Much transpires. A new killer on the loose. And, of course, you didn’t expect Bonnie to just sit still all this time, did you?

Good crime fiction needs to establish a rhythm quickly and then maintain it. Set up your hooks and beats. Cue the atmosphere. Lower the shades. Carlson loses no time creating a pattern and evoking a certain kind of melancholy. You need doomed characters who don’t know they’re doomed. Carlson rolls out our ongoing theme: “Things change. But people don’t.” Del Rey works wonders with her brush: scribbles here form a shadow, overlapping lines there build up to loose crosshatching signifying lust, despair, and a cavalier stare back at death.

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“HIT: 1957 #1” is available as of March 25. For more details, visit our friends at Boom! Studios right here.

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Filed under Boom! Studios, Comics, Comics Reviews, Crime Fiction, Los Angeles, Noir, Vanesa R. Del Rey

Review: JEM & THE HOLOGRAMS #1

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Okay, let’s get this figured out: “Jem and the Holograms” was an animated show that ran from 1985-1988. Now, was it a show and then it became a line of dolls? No, it was a line of dolls and then it became a show. You know, Hasbro. Same deal like Transformers. The Jem dolls were similar to Barbies (looks like the same mold was used) but with a glam rock vibe.

Yeah, talkin’ about Transformers, Jem is set to be very much a similar deal. The major motion picture comes out October 23, 2015. And, leading up to that, is this six-issue comic book published by IDW Publishing. Let’s take a closer look.

In the front seat writing the limited series is Kelly Thompson. I’ve read her pieces in Comic Book Resources over the years and I appreciate what she does. She sees herself as a voice for women. She does a good job although she has a weakness to overstate herself. She does this, I think, deliberately. You can see this as something of a style choice. Women in comics is her beat. She is certainly an unbashedly enthusiastic fan, the type that speaks of characters as if they were real people and the most awesome ever.

That type of enthusiasm has its place. Even in the relatively limited depths of this project, that enthusiasm can be misplaced. Getting too wrapped up in your characters being these living and breathing entities and, on top of that, being awestruck by them, leads to tepid writing. Your characters never ever do much of anything so as not to risk making them look bad. This is the wrong kind of character-driven storytelling. It takes away from a more challenging story. It does a disservice to young women readers who get a story with everything floating along the same mellow register.

You know that feeling of satisfaction you get when you go see a movie you weren’t expecting much from and then leave the theater impressed? That’s because compelling things were going on. It was good solid writing. What I’m getting so far from this first issue is very soft conflict and very soft focus. Was that part of the charm of the original Jem posse? I don’t think so. Exactly like the Transformers, Jem was and is an empty vessel. It’s not these totally amazing women, as Kelly Thompson endlessly refers to them in her afterword, a masterpiece of hyperbole. But, like I say, that’s how she rolls.

So, what exactly transpires within the pages of this first issue? Our lead singer Jerrica has got the worst case of stage fright in history. She’s a portrait of shivering inaction. Kimber tries to coax her back into the studio while Shana and Aja helplessly look on. There’s some bickering. Later on, we find the solution and it will not involve Jerrica taking responsibility for her actions. Will that change over the course of the story? Maybe so. In all fairness, maybe so. Overall, this issue just plodded along too much. There was room to bring in more elements.

But I don’t want to dismiss this comic. No, because I can understand that the original animated show did leave some comforting mark on a lot of childhoods. It stirs emotions. And, it is what it is. Who knows, maybe the major motion picture of Jem will be one of those movies that leaves me oddly impressed. I’m just thinking about how it can all be better. That said, one thing we cannot overlook is the other major force of creativity on this book, artist Sophie Campbell. Simply for having the sensitivity to have different body types for these characters deserves recognition. These are all distinct characters.

You know, I wish Kelly Thompson, and the whole creative team on this book, the best. And, if we should meet at some convention, I’m sure we’ll have a good conversation. I’m serious when I bring up these writing issues. The mellow pace to the story and then the gushing over the characters in the afterword just left me concerned. The best piece of advice I can offer, not that anyone is asking, is to know that characters like these have got a lot of potential to go far. Forget how awesome they may seem. Just let them go and then don’t be afraid to push them, have them fall, and then push them again. They won’t break. Maybe then you, as the writer, will have the characters, and the story, do something truly amazing.

JEM & THE HOLOGRAMS #1 is available as of March 25. For more details, visit our friends at IDW Publishing right here.

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Filed under animation, Comic Book Resources, Comics, Hasbro, Jem and the Holograms, Kelly Thompson, Sophie Campbell, Television

Kickstarter: Janelle Asselin Fires Back With FRESH ROMANCE

Fresh Romance Issue 1 Cover by Kevin Wada

Fresh Romance Issue 1 Cover by Kevin Wada

It was one year ago that comics professional Janelle Asselin was in the middle of a raging storm regarding the comics industry’s ongoing problem with the distortion of women. Catch up and/or refresh your memory on that right here. So, to find Ms. Asselin undertaking a whole new way of addressing this issue is quite inspiring. Sometimes, you just gotta go out and show them all how it’s done, right? Enter FRESH ROMANCE.

FRESH ROMANCE is a new generation’s answer to romance comics. This is part of a new imprint, Rosy Press, brought to you by Janelle Asselin, Senior Editor of ComicsAlliance.com and former DC Comics editor. If funded through the now-live Kickstarter campaign, Asselin’s new imprint Rosy Press will debut FRESH ROMANCE in May 2015. This Kickstarter campaign ends April 22. Visit it right here.

The first issue of this monthly digital comic magazine features sundry stories ranging from a clandestine, queer high school love affair to an impeccably researched and illustrated Regency-era romance. In addition to three forward-looking romances, each issue of FRESH ROMANCE delivers a relationship advice column by a quartet of divorced writers, behind-the-scenes art coverage, and a fashion report.

Full press release follows:

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Filed under Comics, ComicsAlliance, DC Comics, Feminism, Fresh Romance, Janelle Asselin, Kickstarter, Romance, Romance Comics, Rosy Press, Women

Review: NINJAK #1

Cover art by Lewis Larosa

Cover art by Lewis Larosa

It is a pleasure to see Matt Kindt’s mind at work. He’s always had a thing for intrigue and circuitous plots. His latest work on Ninjak is right in step with that. I love how this comic opens up with a dramatic fighting scene that turns out to be something from a movie that our main character was viewing when he was a kid. It’s one of those added touches you can expect from Matt Kindt (RAI, Mind MGMT). And you’ve got great follow through from artist Clay Mann (X-Men: Legacy, Gambit) in the first of two parallel stories running in our first issue.

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The idea is to show you Colin King from two perspectives: as a raw recruit; and, some years later, as a seasoned MI-6 master assassin. Kindt has a way with getting you deep into the story in unexpected ways. We next see Colin fight the sexy and deadly Roku. She’s been genetically enhanced. Her hair alone is a lethal weapon. It just takes three braided strands and her hair can “garrote or behead a man. It can cut through metal and it has incendiary capabilities.” Whoa, hang on there, how do you “garrote” a man? Yikes, that’s smarts. Quite quirky and memorable line. Kindt is definitely the guy to take Valiant’s Ninjak to new places.

Let’s linger just a bit more. Here’s the thing with a Kindt adventure, it just keeps building, twisting, and turning. That opening scene with the kid repeats itself in different ways to reveal a tumultuous and abused young life. But the kid keeps fighting.

We ultimately find Colin infiltrating the notorious Shadow Seven and then we make the jump to Colin as a raw recruit in North Korea, this time teaming up Kindt with artist Butch Guice (Captain America, Action Comics). The style is rougher and fits in well with that more gritty time in Colin’s life. This second ongoing story lacks some of the potency of the first but perhaps that balances things out. The thing I like most, so far, in this whole comic is the flipping back and forth between the 10 year-od Colin and the 30 year-old Colin in our first story. Overall, this is a well-executed first issue.

NINJAK #1 is available now. For more details, visit our friends at Valiant Entertainment right here.

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Filed under Comics, Comics Reviews, Matt Kindt, Valiant Entertainment

Review: WE CAN NEVER GO HOME #1

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There’s the often quoted title to the Thomas Wolfe novel, “You Can’t Go Home Again.” Without ever reading any further, you can come up with your own ideas on not being able to go home again. For Wolfe, that meant that home would never be the same. In the new comic, “We Can Never Go Home,” published by Black Mask Studios, there’s that extra tinge in the title that elicits images of bridges that have been burned to a crisp. Well, thank God for evocative titles. And this comic lives up to it. With plenty of blood and fireworks, we follow Madison and Duncan on the first leg of their road to self-discovery in this first issue.

The toughest nut to crack with an unknown comics title is, well, the fact it is an unknown. That brings to mind Donald Rumsfeld. He said something about there being known unknowns and unknown knowns. If the man read comics, instead of waging war, just imagine what a better place this would be. Anyway, my point is that a totally unknown comics title is the last one asked to the prom. It’s tough. You don’t want to hype the hell out of it either as that can backfire. Nothing can be left to chance. So, that title alone, “We Can Never Go Home,” steps up to the plate.

Why is going home not an option? What could have happened that’s so terrible that going home would be the last thing you’d do?

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These two teens have a whole lot of trouble to deal with. You can tell, right away, in their sad and confused eyes. It would have been a struggle but Madison might have managed to get by. But not Duncan. Both have what you’d call super abilities (think X-Men) that they have yet to master. And both were never meant to socialize with each other except for a chain of events that locked their destiny. Duncan, a so-called nerd, happened to spy on Madison and her brute of a boyfriend, Ben. Since that frantic meeting between the three of them, Madison split up with Ben. And Ben split Duncan’s nose. Ah, teen romance.

Writers Matthew Rosenberg and Patrick Kindlon provide a credible mashup of teenage romance and superhero adventure plus a good mix of crime fiction. The artwork by Josh Hood provides a nice clean and precise line. He does a great job playing off static poses evoking teen angst and cool.

Both Madison and Duncan are deeply hurt and so wrong for each other. But fate keeps pushing them closer together. Madison can call Duncan an idiot all she wants but, when it comes down to it, she needs him. Duncan is such a mess that he seems beyond redemption and yet he keeps fighting. You’ve got a whole new Bonnie and Clyde thing going on here and it’s got my attention. Not bad for such an unknown title.

But, really, this is not an altogether unknown unknowable unknown. Go visit Trip City and you’ll find Matthew Rosenberg and Patrick Kindlon’s webcomic, MENU, the story of a boy and a dog wandering the wastelands of a future America as they try to keep each other alive in a world running out of food. And check out Josh Hood and his artwork including JLA: Scary Monsters and Venom.

YOU CAN’T GO HOME #1 is published by Black Mask and available as of March 25. For more details, visit our friends at Black Mask Studios right here.

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Filed under Black Mask Studios, Comics, Comics Reviews

Review: INVISIBLE REPUBLIC #1

Invisible-Republic-Image-Comics

It is 2843, in Avalon in the Gliese System. The Malory regime has come to an end and nobody cares to celebrate. There are always journalists who wish to report on the scene and they’re not welcome here. So begins an intriguing new comic, “Invisible Republic,” published by Image Comics.

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Like the fall of Saigon, it’s a mad scramble for those who want to, and can, get off the remote moon of Avalon. For those less unfortunate, a life full of more struggle prevails. Enter Croger Babb, a literary journalist among the press. He’s the novelist that the other newsies look up to. They’ve given up on pursuing this story while Croger is only getting started. He just picked up an abandoned manuscript off the street by one Maia Reveron that is a gold mine for the right reader.

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The story and art to this comic is something to behold. Great creative team: written by Gabriel Hardman and Corinna Bechko; art by Hardman; colors by Jordan Boyd; design by Dylan Todd. If you’re seeking out something refreshingly quirky, this is it. A world comes together quite efficiently here. In the span of just a few panels, you’re off and running.

And it’s when Croger finally gets to sit down with his new tome that the story really takes off as we follow Maia, and her cousin, Arthur, on their journey on Avalon some forty years prior. It’s a remarkably well-paced story and lets you take in details as it builds up to crackling action. The artwork certainly drives the narrative as much as the text with vigor. It feels like each facial expression and each backdrop pulls you in. And then our story takes another turn as the character of Arthur comes into sharp focus.

The creative team of Bechko and Hardman have also created “Heathentown,” a horror story set in the Florida Everglades. And you’ll want to look up Gabriel Hardman’s “Kinksi,” a wild romp of a dognapping tale.

“Invisible Republic #1” is available as of March 18. For more details, visit our friends at Image Comics right here.

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Filed under Comics, Comics Reviews, Image Comics

Review: IVAR, TIMEWALKER #3

Variant cover art by Brian Level

Variant cover art by Brian Level

Fred Van Lente (Spider-Man, Fantastic Four) knows how to spin a yarn. In “Ivar, Timewalker,” he takes us on a time-traveling adventure full of heart. With one of these stories, you’ve got to have a device or portal or some kind of method. Here, we’ve got the Tachyon Compass. And you’d better have compelling characters too and we do with Neela and Ivar. You see, Ivar seems to have gone rogue. And, Neela, who has been pursuing him, has also fallen in love with him. Go figure. These things happen. If it’s not attempting to kill Hitler, then love is in the air.

Back with his partner, artist Clayton Henry (Archer & Armstrong), Van Lente rolls out a daringly gritty and funny tale. It’s a balancing act, for sure. Neela is quite the spitfire and takes her fire spitting seriously. And you need a sense of humor when you delve into some Nazi torture. It gets a bit bloody but it’s all one of a piece and makes sense within context.

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So, while in hot pursuit of Ivar, Neela loses him and gains a stalker, The Lurker. With Issue 3, we find Neela desperately trying to get back on track. She stumbles upon Gilad, Ivar’s brother from another life, and nearly sideswipes Hitler! And then there are these creatures from the fourth dimension who would like to have a word with Neela if only she’d hold still long enough. Pretty good stuff.

IVAR, TIMEWALKER #3 is available as of March 18. For more details, visit our friends at Valiant Entertainment right here.

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Filed under Comics, Comics Reviews, Fred Van Lente, Time Travel, Valiant Entertainment

Review: Howard the Duck (2015-) #1

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Some things seem so far ahead of their time that they could never stick. Well, Howard the Duck has stuck. Way back in 1976, when Marvel Comics first unleashed the fluffy curmudgeon, he seemed like he’d come out of nowhere–and he had. That was his thing. He had a crunchy underground vibe to him and yet he got to hobnob with Spider-Man, the most iconic comic book character ever created. That must have been hilarious for Howard’s original creators, Steve Gerber and Val Mayerik.

Back then, in 1976, Howard also got to spend time with Red Sonja, all ready for a good fight in her chainmail bikini. This time around, Howard matches wits with a whipsmart tattoo artist. She would also look fine in a chainmail bikini but it ain’t gonna happen. Tara resoundingly puts him in his place. And all he did was call her, “doll.” Pretty tepid for the Howard of yesteryear. In this new Howard comic, writer Chip Zdarksky and artist Joe Quinones are definitely working off a different vibe than what came before.

While a lascivious Howard preying on half-naked women seemed so subversive in 1976, it’s a risky business in 2015. It would surely require some creative heavy lifting. And, in the cheesecake wars, this appears to be a battle not worth having. Of course, on the flipside, what have you got left once you defang a raunchy out-of-control misanthrope? In the end, the original Howard wasn’t so bad and he was more of a feminist than he got credit for.

Howard the Duck in 1976

Howard the Duck in 1976

Howard was a dirty, unstable, contradictory, and thoroughly messed up duck. So, I ask you, to clean him up too much is to snuff the life out of him, no?

However, if you never cared for the original underground-like Howard, then this Howard could be what you’re looking for. Consider him a second cousin to the wisecracking Rocket Raccoon. That said, this first issue is definitely a fun and worthwhile adventure.

With anything possible these days, it would come as no surprise to find Howard’s activities meeting up with Rocket Raccoon’s somewhere down the line, even on the big screen. Wasn’t an appearance by Howard the Duck the teaser at the end of the credits to “Guardians of the Galaxy”?

Howard the Duck #1 is available as of March 11. For more details, visit our friends at Marvel Comics right here.

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Filed under Comics, Comics Reviews, Marvel Comics