Category Archives: Art

Review: ‘Game Art: Art from 40 Video Games and Interviews with Their Creators’ by Matt Sainsbury

Game-Art-No-Starch-Press

With holiday shopping fast upon us, Comics Grinder is ready to start making some holiday gift suggestions. Let’s start with this beautiful book, “Game Art,” published by No Starch Press, a collection of interviews with 40 top video game designers including page after page of eye-popping video game art. And, yes, this is art. You’ll find a wide variety of gorgeous work that would be suitable for framing. This is easily the perfect gift for virtually anyone. Here are some samples:

From "Fatal Frame 4"

From “Fatal Frame II” (Koei Tecmo Games)

From "Fairy Fencer F"

From “Fairy Fencer F” (Compile Heart)

From "Never Alone"

From “Never Alone” (E-Line Media)

From "Gamebook Adventures"

From “Gamebook Adventures” (Joshua Wright)

“Game Art” presents awesome game art that will inspire gamers and aspiring designers alike. Featuring major studios like Square Enix, Bioware, and Ubisoft as well as independents like Tale of Tales and E-Line Media, “Game Art” explores and celebrates the creative process that turns a video game into art. For more details, visit our friends at No Starch Press. You can also find “Game Art” over at Amazon right here.

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Filed under Art, Art books, Games, Illustration, No Starch Press, Video Game Art, Video Games

Review: ‘The Realism Challenge: Drawing and Painting Secrets from a Modern Master of Hyperrealism’

Mark-Crilley-Realism-2015

You may know Mark Crilley from his manga series, “Miki Falls,” or his series with Dark Horse Comics, “Brody’s Ghost.” Or you may know him as the internet viral sensation. Crilley’s drawing demonstration videos have received well over two hundred million views on YouTube. You’ve probably seen them. The challenge is to create hyperrealistic versions of common objects that look just like the real thing—something humans have been trying to do for thousands of years. The French call it “trompe l’oeil.” And now the secrets behind creating this art have been collected in one book so you can see for yourself what it takes to do your own hyperreal drawings.

The Realism Challenge is easy in a lot of ways. Just follow the step-by-step instruction, and you’ll be amazed at the results you can achieve. Even if you don’t fancy yourself an artist, getting to see the process is fascinating. But chances are that, once you become familiar, you’ll want to try your hand at it too.

Toast--from The Realism Challenge by Mark Crilley--2015

We hear a lot about the hyperreal world we live in. The realistic work of Mark Crilley is perfectly in step with a zeitgeist that revels in intense, vivid, and urgent reality. That said, realistic art is as timeless as the pursuit of realism.

Mark-Crilley-Hyperrealism

“The Realism Challenge: Drawing and Painting Secrets from a Modern Master of Hyperrealism” is published by Watson-Guptill, an imprint of Penguin Random House. It is a 160-page trade paperback, with 200 illustrations, priced at $19.99 (Can $23.99). You can find it at Amazon right here.

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Filed under Amazon, Art, Art books, Comics, Hyperrealism, Illustration, Mark Crilley, Penguin Random House

Review: ‘Freehand Figure Drawing For Illustrators: Mastering the Art of Drawing from Memory’

Human-Figure-Drawing-Watson-Guptill

Whether you are an artist, or would like to be, being able to draw without a model, but from memory, can be a challenge. With David H. Ross, you are definitely learning from the best. Mr. Ross has worked with all the major North American comic book publishers including Marvel Comics, DC Comics, and Dark Horse Comics. I can tell you, as an artist myself, that he knows numerous techniques that do indeed make it possible to work from memory. Look no further than his new book, “Freehand Figure Drawing For Illustrators: Mastering the Art of Drawing from Memory,” published by Watson-Guptill Publications, an imprint of Penguin Random House.

Here you will find the time-honored methods and practical guidelines that you need. In a lot of ways, it all seems rather easy and Ross makes that possible with very clear examples, one step at a time. I believe that clearing all the clutter is essential in art instruction. You address one aspect, focus on that, and move on to the next. Ross begins with the first place you need to go and that’s the space that your model inhabits. If you’ve ever felt a need for a refresher on perspective, you’ll find it here.

David-H-Ross-Drawing

The basics and then some, that’s what this book offers. I have fond memories of art school and having my trusty little wooden mannequin as well as a skeleton and skull to keep me company. But, with this book, you find ways to internalize that reference. That’s a key point. So, when you do have your model in the flesh, you can work faster as you go deeper into your interpretation. Anatomy, posture, bone structure, all of this will already be stored away and allow you to concentrate on the unique character of your model. And, of course, with this book’s guidance, you can always work without a model at all.

“Freehand Figure Drawing” is a 208-page trade paperback, published by Watson-Guptill, an imprint of Penguin Random House, and is available as of July 28th. For more details, visit our friends at Penguin Random House right here.

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Filed under animation, Art, Art books, Comics, Education, Illustration, Penguin Random House, Watson-Guptill Publications

The New York Times Declares Graphic Novels to be ‘Summer Reveries.’ Huh?

Panel excerpt from Fatale Deluxe Edition: Volume I, one of the titles on Dana Jennings' summer comics reading list.

Panel excerpt from Fatale Deluxe Edition: Volume I, one of the titles on Dana Jennings’ summer comics reading list in The New York Times.

I love to read The New York Times. I like the idea of The New York Times and I actually enjoy reading it. No problem. It can be quite pretentious but I’ve had delightfully pretentious friends over the years. I may still have a few. So, what’s my problem? Okay, here’s the thing, The New York Times offers up the backpage to its Friday arts section (read it here) to the subject of comics and graphic novels. We are told that there’s nothing quite like a graphic novel on a long summer’s day. And then we get a hodgepodge random list of ten books. They’re all labeled as “graphic novels” while three are actually collections of comic strips. Have at it, folks, enjoy your funny books.

This piece was written by Dana Jennings. He is bravely representing the comics geek at the office (at the dentist’s, wherever, you decide) that we’re not supposed to quite understand. And we’re not supposed to understand him (or possibly her but the stereotype would be “he”) because, as The New York Times implies by this ever so brief offering, graphic novels remain something of a curiosity. Sure, The New York Times includes a category for graphic novel bestsellers but that was inevitable.

So, if The New York Times is really serious about graphic novels, and the comics medium in general, then they need to treat the subject with the respect it deserves.

Again, I love The New York Times. I’m sure they have it in them to provide far more accurate and in depth coverage of the leading art form of the day. Seriously, I’d be happy to work with them in this noble endeavor.

Quite seriously, I believe it’s outdated to need to introduce the world of comics as if it’s an oddball relative. Would you relegate the world of contemporary painting to an arts backpage and then highlight ten works from various times and places and offer it up as a quick look at some “summer reveries”? No, you wouldn’t.

It’s not the comics medium that is this curious little creature. It’s articles like this one that are quite curious indeed.

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Filed under Art, comic books, Comics, graphic novels, The New York Times

It Happened in Seattle

Photo by Julia E. Light

Photo by Julia E. Light

Editor’s Note: Above photo is by Julia E. Light. Find her work here.

I moved to Seattle many years ago and, while I still like to travel, I find it to make a good home base. It used to be thought that Seattle was, despite the media scrutiny, the best kept secret. I moved in 1993. Grunge was in full tilt, Microsoft was on the rise, and Starbucks and Amazon were well on their way. The gray skies were oddly reassuring. The mellow weather was a welcome relief from the humid burden of Houston. And, just like Elvis, I swaggered my way onto the scene. I painted. I drew. I photographed. I wrote. Little by little, it happened in Seattle.

Today, I continue to paint, draw, photograph, and write. And I blog.

Many years ago, I set out to create meaningful work. In the end, I wanted things to add up to something that could be called art. I never stopped believing. And I never will.

Over time, I developed a specific working method. I write in notebooks that eventually make their way onto a laptop and so on. I sketch in a sketchbook. I draw and photograph something every day. Over the years, along with prose and drawings, I have created a number of comics. One of my earliest creations was a full length comic book entitled, MAN (sic). The title alone cracked me up but the content wasn’t particularly humorous. It was a collection of stories, some based on dreams and some just poetic observations. I believe that was around 1996. It was fun and underground. It came and went.

Today, I have much to be grateful for and look forward to. I have created more than enough work in comics to easily fill more than one collection. For now, I have the book of collected work, A Night at the Sorrento and Other Stories. At some point, it’s important to gather up one’s work, organize it, scrutinize it, and get it published one way or another. Only then, can you feel like you can move on to something else. And I am definitely working on that.

In the future, I want to show my art more, get more work published, and keep on writing. I consider posting to this blog a very important part of my writing. Some posts are only meant to be lighthearted and others run deeper. The activity of blogging is useful in so many ways. It’s one of those habits that I’m more than happy to continue to indulge indefinitely in one way or another.

Times will continue to change. Lives will continue to change. You do well to hold on to as much consistency as possible. Whether as a state of mind, or as an everyday ritual, it has happened, continues to happen, for me in Seattle.

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Filed under Art, Comics, Creativity, Essays, Julia E. Light, Photography, Seattle, writers, writing

Review: THIS IS CEZANNE, published by Laurence King Publishing

This-is-Cezanne-Laurence-King

Like Van Gogh, Cezanne (1839–1906) stood out from his contemporaries. He was the original bad boy, or “enfant terrible.” He was brash, experimental, and ahead of his time. Unlike Van Gogh, his life and work is not nearly as familiar to the general public. “This is Cezanne,” part of the This is Art series from Laurence King Publishing, provides an inviting and illuminating look at a most intriguing and influential artist. You will delight in this work, monograph by Jorella Andrews and illustrations by Patrick Vale.

Cezanne

Cezanne first gained notoriety, or infamy, from his paintings that parodied some of the leading figures from the older generation of artists. It shocked. It offended. It was a sensation. And that common thread of sensation ran through his later work concerned with the tactile and immersive. A rebel to the end, Cezanne did enjoy working with conventional compositions (still life, plein air, domestic scene), often with a sardonic twist and, just as often, with a gentle quality.

Patrick-Vale-Cezanne-2015

Bad boy antics aside, Cezanne was deeply interested in art tradition at its roots, going back to basics of line and color. This was also of great interest to a fellow artist provocateur, Edouard Manet. The two of them lampooned mindless art traditionalists. However, they could both be found in the Louvre studying the masters…on their own terms, gleaning what they needed.

This-is-Cezanne-Patrick-Vale-2015

“This is Cezanne” is available now. Visit our friends at Laurence King Publishing right here. You can also find this book at Amazon right here.

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Filed under Art, Art books, Art History, Cezanne, Laurence King Publishing, Modern Art

Review: THIS IS VAN GOGH, published by Laurence King Publishing

This-is-Van-Gogh-Laurence-King

Vincent van Gogh, the quintessential symbol of the artist. But, just like any public figure, the reality of the person is far more complicated. Unlike popular belief, Van Gogh was no caricature of a madman with a paintbrush. You could say there were two Van Goghs: the tortured soul; and the sophisticated artist attuned to trends in contemporary art. Make no mistake, Van Gogh knew his art and directly from some his most celebrated contemporaries. In “This is Van Gogh,” one of the latest in the “This is Art” series, published by Laurence King Publishing, George Roddam provides a concise and substantial monograph accompanied by moving illustrations by Sława Harasymowicz. This graphic novel format proves to be a most compelling look at the artist suitable for any age.

Van Gogh

As much as loneliness and rejection weighed upon Van Gogh, it’s essential to know that he was just as absorbed with art matters: content, composition, and, most importantly, color theory. Red. Green. Opposing colors on the color wheel. Brought together. They evoke tension. They evoke emotional turmoil. A band of colors, just like the ones used by the local weavers. Behold, their close unison creates a vibrant gray throughout. Black. A more complex and dazzling black is made up by blending multiple colors. Color theory. The impressionists, ah, some became mired in it. Color theory. The Post-Impressionsits, ah, some became too technical about it. Color! Use it. Revel in it. The tension between green and red!

Illustration in "This is Van Gogh" by Sława Harasymowicz

Illustration in “This is Van Gogh” by Sława Harasymowicz

The “This is Art” series is, I cannot stress enough, a wonderful treat and useful art tool. Each monograph is expertly written and the illustrations are from some of the best artists around the world. “This is Van Gogh” is available now. Visit our friends at Laurence King Publishing right here. You can also find this book at Amazon right here.

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Filed under Art, Art books, Art History, Laurence King Publishing, Van Gogh

Review: Pablo: Art Masters Series

Pablo-Self-Made-Hero-Birmant

To explore the life of Pablo Picasso (1881–1973) is to explore the life of a man who left a huge mark on art, so huge a mark that to take him out of the picture would be, well, unthinkable. To better understand the man, we have this new graphic novel, published by SelfMadeHero, simply entitled, “Pablo.”

How better to get a grip on the man behind the legend than to explore his early years. And who better to guide us than the woman in his young life, Fernande Olivier. This is no simple story of love, or friendship, or an artist’s development. This is the great Picasso, after all. However, with Fernande’s help, we get a down to earth look at him. The creators of this graphic novel have placed Fernande in the role she had always aspired to, that of storyteller. Through the script by Julie Birmant and the artwork by Clément Oubrerie, we get one of the most lucid depictions of the life of Picasso, one of the most celebrated and enigmatic of public figures.

Pablo-Picasso-Fernande-Oubrerie

Fernande. Who was this person? Fernande Olivier (born Amélie Lang; 1881–1966) would become a well-known artist’s model and, ultimately, a writer. She was involved with Picasso from 1904 to 1911. She was one of the models for Picasso’s landmark work, “Les Demoiselles d’Avignon.” Picasso would paint her over one hundred times. Fernande’s memoir entitled, “Picasso and his Friends,” was published in 1930. It outraged Picasso and led to her agreeing not to publish any more details about their time together until after their deaths. Without a doubt, Picasso would not be pleased with this new graphic novel. Fernande is not a woman easily impressed with Picasso’s antics. As we see here, she is a veteran of Parisian art circles. And she proves quite a match for him.

Pablo-Picasso-SelfMadeHero-2015

Picasso. The world would know his name. But, as for Fernande, there came a point when she no longer had a place in his life. As his star ascended, she only reminded him of the hard times. Julie Birmant and Clément Oubrerie depict a career that began in poverty and reached its climax with the advent of cubism and modern art. We see Picasso’s art develop through friendships with poets Max Jacob and Guillaume Apollinaire, the painter Georges Braque, and his great rival Henri Matisse. And all through, arguably, the most fruitful and significant time in his career, there was Fernande.

This is a book that provides a fresh new look at Paris, the capital of the art world at the turn of the 20th century. Julie Birmant gives a nod to younger readers by including such terms and phrases as “awesome” and “kill me now” in the dialogue. It’s not overdone and adds a contemporary feel to the action. For the most part, the narrative is straightforward and peppered with intriguing bits of insight. Here, for instance, is a description of the first time that Fernande saw Picasso’s studio: “I still remember the smell: a mixture of wet dog, oil, dust and tobacco…the smell of work.”

This is a very honest and beautiful work. It will appeal to all ages from teen on up. It’s a frank look at the artist’s life and just goes to show that even the great Picasso had to start somewhere and he did not do it alone. In many ways, it’s the very same path that any young artist takes today, including the revelations from reading Rimbaud. Picasso lived that life long before Millennials and this book does a wonderful job of bridging that gap. The young Picasso is made quite relatable and would fit right in any coffee shop today.

“Pablo” is a 344-page trade paperback, published by SelfMadeHero. It is available as of May 5, 2015. For more details, visit our friends at SelfMadeHero right here. You can also find it at Amazon right here.

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Filed under Art, Art books, Comics, France, Graphic Novel Reviews, graphic novels, Modern Art, Pablo Picasso, Paris, SelfMadeHero

Art: SPRING LIFT

OLYMPUS DIGITAL CAMERA

Here’s a new painting I did entitled, “Spring Lift.” First day of spring is this Friday, March 20! This painting incorporates thoughts of Seattle in the spring and the Macefield Home, a symbol of resistance.

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Filed under Art, Ballard, Edith Macefield, Henry Chamberlain, Illustration, Painting, Seattle

Review: THIS IS GAUGUIN, published by Laurence King Publishing

This-is-Paul-Gauguin

We think of Paul Gauguin when we think of the stereotype of an artist running away from it all to an island paradise and going native. Well, at least that used to be the dream. Paul Gauguin certainly lived it. He remains the most celebrated example even if the details cast a shadow on his work. His was a most eccentric artistic and personal journey. Written by George Roddam and illustrated by Sława Harasymowicz, this is a complex story told in a clear and concise manner.

This-is-Gauguin-Laurence-King

Born in Paris in 1848, Paul Gauguin came into the world during an uprising that would have made the Occupy movement blush. It led the family to flee to another familial branch in Peru, but not before Gauguin’s father died of a heart attack. In 1855, the family returned to Paris but Gauguin’s love for the tropics ran deep. Fast forward a few more years, Gauguin’s life reached critical mass. He had allowed himself to enter into a career as a stock broker and had married Mette, a young Danish woman from a respectable family. They had children, five in all. However, he was developing into a very capable artist. In time, he would establish himself among the great Impressionists of the day. And an inevitable conflict would arise.

Teha'amana, Paul Gauguin's 13-year-old lover

Teha’amana, Paul Gauguin’s 13-year-old lover

We look at Gauguin’s work and it feels all part of a whole. The depiction of young women from Brittany eventually makes way for the depiction of young women in Tahiti. Gauguin follows his idealistic and romantic notions. In the same way that he mistakens the traditional head-dresses of the Breton women as significant, so he goes on to project wisdom and nobility upon the Tahitian girls he meets. There is one girl in particular, Teha’amana, only 13 years old, who he takes as a lover. She proves to be very silent. Gauguin sees that as a sign of great wisdom. More likely, it was a child’s reaction to becoming sexually involved with a grown man. Gauguin explained the relationship as part of the local custom.

What we remember most of the work of Gauguin is an unapologetic embrace of primitive culture. His work is a unique offshoot of the Impressionists’ aim to depict daily life. This book does a capable job of providing context to the most celebrated case of an artist going native.

Learn more about this new artist series by visiting our friends at Laurence King Publishing right here.

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Filed under Art, Art books, Art History, Impressionism, Laurence King Publishing, Paul Gauguin