Category Archives: Books

Preview: MACK STUCKEY’S GUIDE TO THE CENTER OF THE UNIVERSE

MACK STUCKEY’S GUIDE TO THE CENTER OF THE UNIVERSE

MACK STUCKEY’S GUIDE TO THE CENTER OF THE UNIVERSE

MACK STUCKEY’S GUIDE TO THE CENTER OF THE UNIVERSE is a new project that I want to share with you. It is an illustrated novel by Jennifer Daydreamer and Henry Chamberlain. This is a dark comedy about Seattle that will be coming out later this year. More details to follow. Here is a synopsis along with an excerpt.

What It’s About:

Seattle, 2014. Mack Stuckey is stuck in a rut. He’s twenty-three-years-old, still lives at home, hates his job and has no girlfriend.

Mack is a blue collar type with a penchant for books. He’s from a family of fishermen and lives in a neighborhood called Ballard. He has to work in Fremont, a tech hub, where he’s a lowly security guard at the giant game conglomerate, Game Needle.

Mack stumbles into a friendship with the suave Devon Rush, one of the high-powered suits at Game Needle. Things are looking up in his life until he realizes Devon’s new romantic conquest is the girl he’s falling for, none other than the beautiful Jupiter Fellows.

Jupiter is one of Fremont’s most alluring hippies. As the two guys compete for her, Mack’s life becomes a roller coaster. Before they know it, Jupiter cajoles Mack and Devon to partake in a threesome.

Mack Stuckey’s Guide to the Center of the Universe is a dark comedy exploring the new realities in our economic times. There’s plenty of sex and foul language, therefore, FOR MATURE READERS ONLY.

Mack Stuckey stuck in a rut.

Mack Stuckey stuck in a rut.

Excerpt:

The siren sounds. I stare at the bridge. The skies, the mountains, the waters, are all a thick painted grey. I run, head down, as if the clouds are pressing against me. Shadows descend. My vision darkens. I know a storm will hit.

Washington State is a tease. The truth is it does not rain much here; we are just taunted with pregnant skies for months on end. And, yes, you will hear this fact about the weather in every Tom and Dick book out there about Seattle. But most of you don’t read, so I’m filling you in.

It’s grey most of the year and when the rain decides to happen it happens in annoying spurts as its usually polite fucking rain. Like it will start to rain in the evening when most people are lucky enough to be home from work. Or it will rain like hell in the middle of the night, where you are warm and dry and can hear the motherfucker lighting and all, from the safety of your home.

If you’re lucky and your roof doesn’t leak, you can enjoy thinking of all the greenery and how the rain is, you know, a supernatural phenomenon, because the pounding on your rooftop and on the ground, is FUCK YEAH UNBELIVABLE.

It gets your mind spinning at night, a rain to meet head on with in a forest, like you’re Indiana Jones. But you’re not Indiana Jones. You’re a fat lazy twenty-three-year-old fuck, a bear, lying in bed, in your mom’s old faded blue home, fantasizing about Indiana fucking Jones, running and slipping and jumping in the jungle and the rain and all. You’re wide awake from drinking too much coffee that day and therefore you’re an irresponsible lazy ass northern bear not getting enough sleep for the job you gotta go to tomorrow.

But, right here, right now, on top of the Aurora Bridge while I frantically blow my whistle as uncaring cars drive by puffing exhaust into my face, the rain turns the oil on the road into nasty slick circles which makes me slip.

I go down.

The cops descend on me, lift me up off the ground, chide me that I’m not one of them and then nudge me along back to my job. I’m not one of them alright.

I’m a lousy security guard. Deflated, I walk back to work in a downpour.

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Filed under Books, Henry Chamberlain, Humor, Jennifer Daydreamer, Satire, Seattle

Book Review: WEED: THE USER’S GUIDE by David Schmader

"Weed: The User's Guide: A 21st Century Handbook for Enjoying Marijuana" by David Schmader

“Weed: The User’s Guide: A 21st Century Handbook for Enjoying Marijuana” by David Schmader

With cannabis, you have a loaded subject, so to speak. Bringing up marijuana can often elicit nervous giggles. And people usually don’t know what they are giggling about. It’s time for all of us, especially government, to grow up. As cannabis continues to go mainstream, all of us, users and nonusers, need to get better educated on a very misunderstood plant. Over time, the general public will come to accept the many medical benefits derived from cannabis. What is more challenging is for everyone to enter a parallel universe where cannabis is accepted, integrated into our lives, and its use is common knowledge. To that end, one of the very best cannabis books as of late is “Weed: The User’s Guide: A 21st Century Handbook for Enjoying Marijuana” by David Schmader, published by Sasquatch Books.

The good news is that, for responsible folks, easy accessibility to weed should be a relatively easy transition. Retail sales of cannabis in Washington state, for example, are already geared to an older, and supposedly wiser, demographic. These are going to be, by and large, people who have a stake in the community and are basically going to do the right thing, so to speak. They will buy some weed and treat it in the way they would having a glass of wine on the weekend. Well, that is one ideal scenario. Schmader’s book covers not only this neat and tidy group but all of us. People can overdo it. People can go blindly into something. You know, all of us.

What I really love about this book is that, along with being entertaining, it is so honest in its approach. Hey, if weed it not for you, well then, that’s totally valid. Here is a great example of Mr. Schmader’s accessible and natural tone running throughout this essential book:

“Weed’s pleasurable effects are brought on by cannabinoids’s disruption of the brain’s neural messaging–but “disrupting neural messaging” is an imprecise art, and different strains in different brains can create effects that cross the line from pleasant and fascinating to itchy and weird. For example, the neuron-disruption that some users experience as expanded consciousness can trap others in a cul-de-sac of hypercritical introspection, and one person’s THC-driven explosion of creative ideas can be another person’s panic attack. The truth is that a good number of people who try weed experience predominately unpleasant effects, from intense anxiety to racing heart rates to crippling self-consciousness, and if you are one of these people, it is your right to never try weed again, no matter how persuasively it’s pitched to you. Think of it like coffee: Some love it and can’t imagine life without it, while others drink it and become insomniacs with diarrhea.”

The above quote is part of the sensible approach that is much needed as the discussion on cannabis moves forward. It is insightful to use the coffee analogy. If a person picks that apart, it might prove to be a useful reference point. The consumption of cannabis can be a challenge to compare to something else or describe in an objective way. Supporters will cite that no one has died from overusing it. However, misuse of it will mess you up just like beer, wine, or even coffee, can trash you in their own unique ways.

As a connoisseur, Schmader is good at not mincing words and getting to the point. Among numerous insightful factoids, you’ll learn one of the best weed hacks is to eat a mango before getting high. Both cannabis and mangoes have the chemical compound, myrcene, which speeds the delivery of THC to the brain. Schmader provides straightforward instruction on everything from how to use a bong to how to turn an apple into a pipe. You’ll get acquainted with a “green hit,” the first draw from a freshly packed bowl. You’ll get helpful suggestions on dose levels. And you’ll get cut-above recipes like his instructions on how to make your own tinctures.

Given the chance, some people would eat a whole chocolate cake. Thanks to David Schmader’s book, you can see how you can avoid eating the whole cake and still have a fun party.

“Weed: The User’s Guide: A 21st Century Handbook for Enjoying Marijuana” is a 208-page paperback. For more details, visit Sasquatch Books right here.

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Filed under Book Reviews, Books, Cannabis, David Schmader, Marijuana, Sasquatch Books

Review: ‘Songs of a Dead Dreamer and Grimscribe’ by Thomas Ligotti

Illustration by Henry Chamberlain

Illustration by Henry Chamberlain

The manipulating of elements in a story is always crucial, especially in a work invested in raising a level of suspense. Thomas Ligotti knows this like the back of his hand. Ligotti, as horror stylist of the first rank, knows what to deliver to a contemporary audience. We think, at times, that we can easily step in and write horror stories ourselves. Ligotti invites you to try. Like Lovecraft, and others, he provides notes on the art of horror. In the end, you settle in and read a Ligotti story, then another, and you come to realize that the man is devilishly good at what might, at first, seem like such familiar ground.

Take, for instance, “The Frolic,” the first story in this Ligotti collection by Penguin Random House. “Songs of a Dead Dreamer and Grimscribe” came out last year and brings together some of Ligotti’s best work. The publication coincided nicely with HBO’s Ligotti-tinged first season of “True Detective.” Now, in “The Frolic,” we have a neatly-pressed family who have just moved into the neighborhood. The father is a well-regarded psychologist who has taken a position at the nearby prison. He is married to a charming woman and they have an equally charming young daughter. The only problem seems to be that one of the convicts that our main character treats is highly psychotic and is fixated on him. There is every reason to believe that this fiend is safely locked away but there is also reason to believe he is capable of anything. Everything pivots upon the introduction into the family’s home of an intricately sculpted bust of a boy’s head.

Thomas Ligotti Penguin Random House

Time and again, Ligotti lures us in. Consider “Dr. Locrian’s Asylum.” In this story, we deal with the penultimate horror trope: the haunted house on the hill. But the devil is in the details. These are not mere ghosts, if that is what they are, and these entities aren’t satisfied with just a perch from where to sit and observe. Ligotti keeps the reader off balance by supplying bread crumbs of information until we’re so deep in we cannot turn away. Consider “The Last Feast of Harlequin” about Mirocaw, a little town meant to go unnoticed. However, its winter festival is so unusual that it catches the attention of a persistent academic. Mirocaw has no choice but to gradually reveal itself.

Ligotti’s distinctive use of language is a mixture of ornate/contemporary. This highly theatrical style would fall apart with a lesser talent. But just the right curious turn of phrase and enigmatic description can engage the reader. You can pause, at random, and find a compelling passage spiked with the Ligotti sytle:

“The tone of voice in which he posed this question was both sardonic and morose, carrying undesirable connotations that echoed in all the remote places where truth had been shut up and abandoned like a howling imbecile. Nonetheless, I held to the lie.”

There’s been a march away from the sort of traditional gothic horror of H.P. Lovecraft for many decades now. But, in the right hands, the sinister and the macabre can indeed thrive amid the foggy moors in the spirit of Poe. Dark fantasy is at the mercy of Ligotti as he can satirize it and embrace it at will.

“Songs of a Dead Dreamer and Grimscribe” is a 464-page paperback published by Penguin Random House. Find more details right here.

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Filed under Book Reviews, Books, Dark Fantasy, H.P. Lovecraft, Horror, Penguin Random House, Thomas Ligotti, Weird Fiction

Review: CAPTAIN AMERICA vs. IRON MAN: Freedom, Security, Psychology

Superheroes at Odds

Superheroes at Odds. Illustration by Henry Chamberlain

What is most important to us? Freedom or security? Can both coexist? What if national security is involved? We have been grappling with this dilemma anew since 9/11. The current hit movie, “Captain America: Civil War,” pits superheroes in a bloody battle: Iron Man defending national security; Captain America defending individual freedom. “Captain America vs. Iron Man: Freedom, Security, Psychology,” published by Sterling, is a thought-provoking collection of ten essays exploring these very issues. One easy-going Sunday, Jen and I made our way to Miir, a favorite local coffee shop and store. We relaxed, chatted, and I put this review together.

Reading "Captain America vs. Iron Man: Freedom, Security, Psychology"

Reading “Captain America vs. Iron Man: Freedom, Security, Psychology”

Such basic issues as security and freedom naturally make their way into the often engaging world of superhero comics. Some readers dismiss superhero comics as just a genre full of capes and tights. But, as I always feel compelled to point out: Follow the story, not just the superhero! Always take note of who is writing the script! Because, without a doubt, compelling stories are there to be told. Mark Millar’s original comic book script for Marvel Comics is an exploration of this conflict between freedom and security. Congress passes a law requiring all superheroes to register just like any other law enforcement officer. Captain America is against such limits to his actions. Iron Man supports the new law, even if it leaves him at odds with Cap. And so you end up with a classic in the superhero genre.

Now, let’s place these two battling warriors on the psychiatrist’s coach. What are the root causes behind Iron Man battling Captain America? A Freudian could see this dispute as symbolizing the battle waged by the superego and the id to control the mind’s ego. And, since this is Freud, this would also be about masculine sexual competition. This is how we begin one of the essays to be found here, “Punching Hitler: Symbols in Red, White, Blue, and Gold.” It is written by the book’s editor, Dr. Travis Langley, and Tommy Cash. This essay represents the concise insight to be found in the rest of the book, steadily building from one idea to the next.

So, what further motivates this conflict? This strikes at the core beliefs of each character. Captain America originated during World War II and embraces America’s hopes and ideals of that era. Iron Man originated during the Vietnam War and cynically embraces the military industrial complex, “all the things the hippies hated,” for the sake of a greater good. You take those two symbols of heroism, Langley and Cash argue in their essay, and see how they clash with the contemporary framework of the War on Terror. You have the stage set for conservative fans on the side of Iron Man; and liberal fans on the side of Captain America. Each character represents a charged symbol, a distinctive way of seeing America and the world, one an ideal, one a reality.

The MiiR Flagship store in Seattle

The MiiR Flagship store in Seattle

Well, I hope this provides you with an intriguing taste of what to expect from this unique book. I was so happy to take the time out for this review and the setting I chose for my reading could not have been better. You see, MiiR is part of something really special. You could say they take individual freedom, and responsibility, very seriously. It all began with the goal of creating the perfect bottle and Miir did just that plus so much more. MiiR keeps giving back every step of the way. Each MiiR item you purchase directly supports a project helping those in need around the world. Hmm, talk about super powers! Check them out right here.

“Captain America vs. Iron Man: Freedom, Security, Psychology” is a 192-page paperback. For more details, visit Sterling Publishing right here.

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Filed under Book Reviews, Books, Captain America, Comics, Iron Man, Mark Millar, Marvel Comics

Book Review: ALGORITHMS TO LIVE BY: The Computer Science of Human Decisions

Pondering the Explore/Exploit Algorithm. Illustration by Henry Chamberlain

Pondering the Explore/Exploit Algorithm.
Illustration by Henry Chamberlain

If you can think it, there’s most likely an algorithm for it. With a wry humor running throughout, Brian Christian and Tom Griffiths navigate the interconnections between computer science and human activity in the newly released, “ALGORITHMS TO LIVE BY: The Computer Science of Human Decisions,” published by Henry Holt and Company. You come to find that many of life’s golden rules actually have proven methodology. So, in a sense, this book is a self-help book, just a particularly resourceful one using algorithms.

Algorithms. The steps involved in solving a problem. We remember them from high school algebra. We accept them as part of our reality with computers. And, as Brian Christian and Tom Griffiths explain, they relate to everyday life in more ways than you may have expected. In fact, many of life’s decisions could benefit from considering an applicable algorithm. Perhaps the most compelling is the question of finding a life’s partner. While computer scientists may not be specifically finding better ways to manage your love life, you’d be surprised at how math can play a role as matchmaker.

Optimal Stopping: Knowing When to Stop Looking and Start Choosing

Optimal Stopping: Knowing When to Stop Looking and Start Choosing

It’s called the 37 Percent Rule. And, while only correct 37 percent of the time, this algorithm can prove helpful when making a variety of significant decisions. This is also known as, “optimal stopping,” or knowing when to stop looking and start choosing. Computer scientists offered a quaint scenario, “The Secretary Problem.” Christian and Griffiths explain, if you are interviewing a bunch of applicants for a job as a secretary, proceed about a third of the way through; afterwards, be ready to decide moving forward based on what you know. You can see how that would apply to looking for a new apartment and even looking for a new mate!

Christian and Griffiths offer you 11 of these algorithms applicable to real life. Okay, let’s consider another example. Let’s keep in mind that, during a search, you reach a point when you’ve gathered enough data and a continued search can be seen as both redundant as well as confirming what you know. Computer science offered another quaint scenario, “The Multi-armed Bandit Problem.” The idea here is also something of a wait and see game. You can also call it “explore/exploit.” For example, in youth, you explore what life has to offer; in your mature years, you exploit what you have learned. Take that advice to your local casino and, who knows, you might win a payout: try a bunch of slot machines for a while; later, focus on the ones that seem to suggest to you, based upon your exploration, that they’re worth further gambling.

"ALGORITHMS TO LIVE BY: The Computer Science of Human Decisions"

“ALGORITHMS TO LIVE BY: The Computer Science of Human Decisions”

Sure, some of the correlations can seem rather tongue-in-cheek. Should you depend upon an algorithm to help you find a mate? Well, how about when finding a parking space? Keep looking, perhaps you need help with sorting, scheduling, or breaking a bad habit. We seek order out of chaos and this unique book offers some refreshing ways to create some order.

“ALGORITHMS TO LIVE BY: The Computer Science of Human Decisions” is a 368-page book available in hardcover, paperback, and as an e-book. For more details, visit Henry Holt and Company.

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Filed under Algorithms, Book Reviews, Books, Brian Christian, Computer Science, Computers, Henry Holt and Company, Psychology, Self-Help, Tom Griffiths

Book Review: REFOCUSING CHAPLIN

The Little Tramp off into the sunset. Illustration by Henry Chamberlain

The Little Tramp off into the sunset. Illustration by Henry Chamberlain

Aristotle speaks of the mimesis of the first order and the mimesis of the second order. When creating art, the goal is to distance oneself from the source. Mimesis of the first order is simply art imitating nature. Mimesis of the second order is art perfecting nature and turning it into something transcendent. That rule is certainly at play in the work of Charlie Chaplin. As Marco Grosoli points out in his essay on Chaplin, this was an artist keenly aware of his myth and in a unique position to go on to make great art from that myth. Marco Grosoli’s fascinating essay is part of a collection of essays from various writers on one of the masters of cinema, “Refocusing Chaplin,” published by Rowman & Littlefield.

There may never be another artist quite like Charlie Chaplin. However, his influence and relevance continues to evolve. And so that gives this collection of essays a great sense of urgency. In the same way that an artist of the first rank like Ray Bradbury could have anticipated social media some fifty years ago, so too did Charlie Chaplin foresee the power of a meme in a career that began over one hundred years ago. To say that Charlie Chaplin was beyond famous is an understatement. He reached the level of myth. It is not short of phenomenal that he continued to grow as an artist through a career that spanned the evolution of cinema.

Chaplin in 1941's "The Great Dictator"

Chaplin in 1940’s “The Great Dictator”

In Marco Grosoli’s essay, he examines the friction between two formidable myths in Chaplin’s “The Great Dictator,” from 1940. By then, Chaplin was more than ready to leverage some of his celebrity for the sake of his art. The timing could not have been more perfect. The difference between the myth of Hitler and Chaplin could not have been more extreme. As Grosoli indicates, Chaplin was not merely imitating Hitler. Chaplin was channeling the myth of Hitler. In that respect, Chaplin was getting at a greater truth. In a work that deeply explores the power of meme, Chaplin plays both the role of Dictator Adenoid Hynkel and a Jewish barber who looks identical to Hynkel. Dictator and barber are, in a sense, interchangeable. In the proper costume and context, everyone accepts whatever the Jewish barber has to say, dressed as Hynkel, even if it is the total opposite of what Hynkel would say. Push two extremes together, Grosoli suggests, and they strangely equate each other, form a perfect nothingness.

"Refocusing Chaplin: A Screen Icon Through Critical Lenses"

“Refocusing Chaplin: A Screen Icon Through Critical Lenses”

Essays in this collection feature a wide spectrum of themes including Marxism, feminism, gender studies, deconstruction, psychoanalytic criticism, new historicism, performance studies, and cultural criticism. This critical study covers a wide reach of films including The Circus (1928), The Gold Rush (1925), City Lights (1931) Modern Times (1936), The Great Dictator (1940), Monsieur Verdoux (1947), and Limelight (1952). This collection proves to be a valuable resource on one of the leading masters of cinema.

“Refocusing Chaplin: A Screen Icon through Critical Lenses” is a 250-page hardcover, published by Rowman & Littlefield. Visit them right here.

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Filed under Art, Book Reviews, Books, Charlie Chaplin, Critical Studies, film, Hollywood, movies, pop culture, Rowman & Littlefield

Book Review: JANE TWO by Sean Patrick Flanery

JANE-TWO-SeanPatrickFlaneryjpg

“Jane Two,” a novel by Sean Patrick Flanery, is a quirky coming-of-age story with a zest for life that you’ll find contagious. Our main character, Mickey, never got over his first true love back in childhood. But, as he sees it, that is not tragic at all. His childhood experience has made him the man he was destined to be. With that in mind, Flanery makes the most of giving Mickey plenty of life lessons, some pretty outlandish but all quite entertaining.

Sean Patrick Flanery (photo credit John Schell)

Sean Patrick Flanery (photo credit John Schell)

There are numerous examples of excellent coming-of-age stories. I love all types, everything from Philip Roth’s novel, “Goodbye, Columbus,” to the classic TV series, “The Wonder Years.” I think Flanery’s work falls somewhere in the middle: fun and highly entertaining but also reaching to literary heights. Flanery is so insistent upon turning the young Jane, the object of Mickey’s infatuation, into a large-than-life force of nature that, at times, he elevates his writing to magic realism. It is a natural inclination. I have felt it in my own writing. But then you need to deliver and Flanery does.

There isn’t a familiar trope that Flanery is not ready to make his own. For instance, Mickey writes numerous love letters to Jane but he mails them to a pretend address. In his youthful logic, he believes that, if his notes were meant to reach his love, the postman will have figured out where to deliver them. It is a small Texas town, after all, maybe the postman could be bothered to be part-time matchmaker between the football player and the hippie painter with flowers in her hair.

Flanery’s most endearing contribution to the genre is Mickey’s grandfather who proves to be an endless source of wisdom. But, more than that, given his special stature in the community, this is a hero, role model, and mystic all rolled into one. A beloved retired deputy sheriff from Lake Charles, Louisiana could be nothing less than that. So, Mickey is definitely in good hands with his grandpa. There’s also grandma, and both parents, to count on. The only drawback is Mickey’s sister who harbors a serious dark side.

An important thing growing up in a small Texas town, some might say the only thing that matters, is football. Lucky for Mickey, he takes to it exceptionally well. It is there for him to help prove his manhood and sees him into adulthood. A child, boy or girl, is constantly searching and testing. For Mickey, the arena is a neighbor’s lawn and then a high school stadium. Grandpa is there to keep Mickey focused. He does this along with some other colorful characters who bring to mind the tough but sometimes shortsighted guys in Mike Judge’s animated series, “King of the Hill.” Ultimately, it is Grandpa who comes back to talk some sense and remind everyone that life is short and one best get on with it.

Like I say, Flanery is mindful of coming up with some doozies of his own for the young love genre. As the cover suggests, there is something unusual going on that might turn out to be pretty symbolic. And, sure enough, Flanery creates quite a memorable set of scenes involving a pair of sneakers strung up a flag pole. For one thing, it is not nearly as simple as it may look. By the time we are deep into what is going on, we know we’re reading something that is going to stick with us and we will return to. Just the right frame of mind to be in for such a story of everlasting love.

“Jane Two” is a 304-page hardcover, audio book, and e-book, published by Center Street, written by accomplished actor, director, and writer Sean Patrick Flanery, available as of April 5, 2016. For more details, visit Center Street right here.

And be sure to check out the official JANE TWO website right here.

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Filed under Book Reviews, Books, Fiction, Sean Patrick Flanery, writers, writing, Young Adult, Youth

Review: ‘The Case Against Satan’ by Ray Russell

Ray Russell illustration by Henry Chamberlain

Ray Russell illustration by Henry Chamberlain

When you write a story about the Devil, you are in some sense, summoning him. You cannot take that lightly for one very good reason: if you don’t take it seriously, you will amount with less than a gripping story. Ray Russell knew not to disturb Satan for no good reason. Russell was, by extension, part of the original Southern California Writers Group of the Sixties. This was “The Group,” the guys who went on to do such amazing things as write for the original Twilight Zone. Ray was not so much a regular at gatherings but he knew the art of writing as well as the best of them. He published the best of them as the fiction editor at Playboy, no less. And his own writing rose to the occasion too. One shining example of this is his 1962 novel, “The Case Against Satan.”

The early Sixties were dripping with modern cool with trailblazers bursting upon all the arts. In writing, one fertile ground was pushing the limits of gothic and dark fantasy. It is in “The Case Against Satan” that Russell broke new ground and created the contemporary demon possession story. It is more than fair to say that it was the precursor to William Peter Blatty’s 1971 novel, “The Exorcist.” And, most assuredly, it is a novel still every bit as chilling today, oddly enhanced by its vintage. Certain modes of communication, like social media, just weren’t available to our characters in 1962 while others were more commonly relied upon, like a simple pamphlet, printed by the local zealot, and circulated amongst the neighborhood.

Ray Russell Case Against Satan

This is a story that depends a lot upon communication. Susan, a pretty sixteen-year-old, will prove a most enigmatic figure who may, or may not, be possessed by Lucifer himself. Her every word seems to harbor a double meaning. And, as we progress, all depends upon what is true and what is false. This is also a philosophical story as Susan will bring two men with very differing views together to help save her soul. The argument between them is one of faith. Can you only believe what you choose to believe or, when push comes to shove, must you give yourself completely over? The question is whether Satan actually exists. Sure, God is relatively easy to believe in. But, if there is a God, is there not a Satan?

Russell is more than just a master of the horror genre. You could say that simply writing horror is only the first step. In order for it to matter, the writer has to take on his own leap of faith. The writer has to have skin in the game, so to speak. Well, Russell is, without a doubt, a writer willing to give his skin, and heart, over to what he did. He has a way of drawing you in completely too. You arrive closer and closer to the bogeyman to find yourself butting right up against him and then you may gasp, or you may be in awe, as to how you got there. Russell does not hammer away. He may mention something only once but that one time will suffice. You cannot help but bookmark it and eagerly anticipate a return.

Much in line with the trim and fast-paced novels of the era, like Robert Bloch’s 1959 novel, “Psycho,” this is story that is very focused, very much a page-turner, with an eerie elegance running throughout. It breaks my heart to think that this was never turned into a major motion picture. With some adjustments, it could still be made as an updated version. Or, better yet, you could remain close to the spooky cool of the original.

Perhaps it might do well to adapt this story into a play. “Doubt” comes to mind. For this is very much a story about overcoming one’s doubt. It is, in large part, a story about Gregory, a priest in crisis, at a crossroads in early middle age. And his counterpart, mentor, and friend, is a visiting bishop. In fact, the meeting between them was to be fleeting at best. However, circumstances would dictate otherwise. Above all else, Russell masterfully balances the inner and outer turmoil of these two, among a cast of other characters emerging from varied backgrounds, all brought together by a demon possession, that may or may not be true.

“The Case Against Satan” is a 160-page paperback published by Penguin Random House. For more information, and to purchase, visit our friends at Penguin Random House right here.

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Filed under Book Reviews, Books, Penguin Random House, Playboy, Ray Russell, Satan, Southern California Writers Group, The Twilight Zone

Review: ‘Simulacrum and Other Possible Realities’ by Jason V Brock

"Schrödinger's Cat" illustration by Henry Chamberlain

“Schrödinger’s Cat” illustration by Henry Chamberlain

Schrödinger’s Cat makes some notable appearances in Jason V Brock‘s collection of short stories and poems entitled, “Simulacrum and Other Possible Realities,” published by Hippocampus Press. Whether dead or alive, or somewhere in between (a zombie cat?) the famous cat from the 1935 thought experiment has its place among a number of thought-provoking items to be found here. Now, the idea behind Schrödinger’s Cat is that a reality is not pinned down until the very act of it being observed. So, before it is observed, the famous cat in the box could be existing in more than one reality. It is the Observer Effect, once the box is opened, that locks in a reality. Or so it would seem.

Jason V Brock is a lover and writer of strange tales that incorporate Gothic lit, sci-fi, and horror. There are a number of very useful labels, including weird fiction and dark fantasy. Or as a dear mutual friend, writer George Clayton Johnson, simply called it, this is work with “a touch of strange.” What you will find in this collection is an ambitious vision that harks back to any number of writers: Charles Beaumont, Richard Matheson, Rod Serling, Ray Bradbury, George Clayton Johnson, William F. Nolan, and John Collier, to name a few.

Consider the title story, “Simulacrum.” What I find appealing about this story is how well it fits in with work from the writers I’ve just mentioned and carries its own distinctive voice. Brock has a sensual vibe to his style that makes his characters all the more palpable. He takes the time to linger on key details to create a credible interior life. For a story so invested in matters of identity and questions on reality, Brock lays the essential groundwork to make us believe in our main character, Misty. We have gotten inside her head during an opening scene and we discover that we have only begun to delve into layers of mental terrain both real and imagined. Expect a visit by Schrödinger’s Cat. It is quite a story. In fact, I would not be surprised to see Brock develop it into a full length novel at some point.

"Simulacrum and Other Possible Realities" by Jason V Brock

“Simulacrum and Other Possible Realities” by Jason V Brock

Another story that greatly appeals to me is “Where Everything That Is Lost Goes.” Here too, Schrödinger’s Cat has a role to play. Again, we are confronted with matters of who we are and what our true purpose is. This story I could see remaining a short work in the spirit of the classic short stories by John Collier. If you’re not familiar with Collier, he is one of the masters of the fanciful story with a perfect twist at the end. What happens in Brock’s tale is a matter of a man confronting his past, present, and future, as embodied in a chance meeting with a friend he had lost touch with some forty years ago. The meeting takes place in an old restaurant. The main character looks across the room and sees his old friend, except his old friend has not aged a day since they last met, forty years ago. If that sounds like a story out of The Twilight Zone, rest assured that is not lost on Brock. The main character, after all, is named Rod, no doubt a nod to The Twilight Zone’s creator, Rod Serling. Yes, indeed, if there should be another revival of the classic television show, this story would fit right in.

“Simulacrum and Other Possible Realities” is a 248-page trade paperback published by Hippocampus Press. For more information, and to purchase, visit our friends at Hippocampus Press right here.

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Filed under Book Reviews, Books, Charles Beaumont, George Clayton Johnson, Hippocampus Press, Jason V. Brock, Reviews, Richard Matheson, Rod Serling, The Twilight Zone

Book Review: DISPLACEMENT by Anne Stormont

Anne Stormont Displacement

“Displacement,” the recent novel by Anne Stormont, brings us close to a woman in crisis. Rachel’s son has died in combat in Afghanistan. That tragedy has spun her life out of control. She is recently divorced. Her daughter, Sophie, is estranged from her. And, now, with her own mother’s death, Rachel feels cast adrift with a loss of self and purpose. She feels utterly displaced. Perhaps one negative form of displacement can be countered with a positive form of displacement. And so Rachel decides to awaken her Jewish roots and make a pilgrimage to Israel. But not before she’s put her affairs in order at the small family sheep farm in rural Scotland. And not before her she meets an intriguing new man, Jack. So much going on in the life of someone who felt at the end of her rope!

I love fiction that brings me into the lives of vivid characters, especially from different backgrounds and cultures. That is what drew me into Stormont’s novel. It is on that first night back on the family farm that Rachel nearly drowns during a torrential storm and flood. And it is Jack who saves her. If Rachel’s life had been more in balance, this could have been the start of a new relationship for her. However, Rachel is in dire need of meaning in her life. And so off she goes to Israel. It wasn’t as if Jack was exactly available either but, whatever the case, Rachel is following an internal flood of turmoil that won’t release her anytime soon. And, in Israel, Rachel will find many opportunities to be out of her element and test herself.

Stormont has an assured way of rendering scenes and creating engaging exchanges between characters. It is easy to get swept up in Rachel’s journey. I share here with you a scene midway deep into the novel as Rachel navigates Israel and a potential new beau:

“Now, come and see the view.” Eitan, grabbed me by the hand. He led me first to the western edge of the crag’s flat summit. There below was the Judean Desert with its terraced golden hills. Then we looked east out to the Dead Sea and I was surprised at the water’s colourful beauty. To the south, Eitan pointed out how the crag’s tail led eventually to the Syrian edge of the African rift valley.

“Enough!” I said, laughing. “I can’t take in any more. This place is amazing!”

“Better than home?”

“Hmm, I don’t know about that. We have some ancient and very bloody sites too, even just in my tiny patch.”

“Ah, yes, your island–Skye?”

“Yes, Skye.” I was caught by a sudden twinge of emotion. Was it homesickness? But homesickness for what exactly? I wasn’t sure. I pushed it away.

Stormont favors a straightforward naturalism to her narrative that she handles quite well. One layer builds upon another. We get to see our protagonist Rachel Campbell at her worst, at her best, and everything in between. It is a pleasure to see where she goes and what she makes of it. All things considered, I would welcome another book on the next journey that Rachel takes.

“Displacement” is a 352-page novel available in print or on Kindle at Amazon right here.

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