This week we will consider Laurence King Publishing’s exciting new artist series in a graphic novel format. We begin with “This is Warhol.” We will continue with Jackson Pollock, Francis Bacon, Salvador Dali, and end the week with Paul Gauguin. How often have you started the week with Andy Warhol and ended the week with Paul Gauguin? Well, you lucky duck, this is your week. These are all iconoclasts and each of their work continues to reverberate. Among this group, we feel closest to Warhol, despite the fact he was personally quite distant. We think we know him. But, as this book clearly demonstrates, there is much more than meets the casual observer.
Catherine Ingram writes with great enthusiasm and confidence in her subject. She weaves a compelling narrative in such a concise manner, never wasting a word. As she’s describing Warhol’s childhood, she is deftly planting seeds that link us to the vision of the leading figure of Pop Art. Andy, the child, is gazing upon his neighborhood church’s icons. As a Catholic, the icons are powerful figures for Warhol. As an adult, he will take that same level of emotional attachment to his depictions of Campbell’s soup cans and Hollywood stars. But weren’t these repeated images from pop culture simply statements about an empty and shallow society? No, Ingram makes a case for much more being said.