Graphic novels that explore a particular passion can prove to be the most relatable for a wide audience. Consider the new graphic memoir by cartoonist Carol Tyler (Soldier’s Heart). Her new book is entitled, Fab4 Mania, published by Fantagrahics Books. Who doesn’t love the Beatles? Tyler’s book looks back at the Fab Four from her own point of view. The full title of this work is Fab4 Mania: A Beatles Obsession and the Concert of a Lifetime and therein lies our premise and plot.
Tyler’s experience is essentially the same thing that happened to countless young people, circa 1965, up to a point. Where it diverges is exceptional. One big distinction is that this kid got to go to a famous ’65 Beatles concert in Chicago. The greater distinction is that the reader is following Tyler’s journey full of personal recollections and idiosyncratic appeal. This is an 8th grade girl revealing her innermost thoughts. It all adds up to a wonderful coming-of-age read.
If you enjoy young adult themes, this book is definitely for you. Filled with over a hundred warm and inviting drawings in full color, this is a true tale that will sweep the reader away with its authentic flavor. Tyler has meticulously recreated the diary that she kept throughout that pivotal Beatles year of 1965 to create a treasure trove of insights and humor.
Ostertag’s passion shines through each page. In this tale of the supernatural, there is a strict divide between genders: only women are witches; only men are shapeshifters. But Aster won’t abide by the rules. You too will root for Aster, the boy who dreams of being a witch.
THE WITCH BOY by Molly Ostertag
Aster is naturally drawn to what has been deemed the feminine domain. It is only a matter of time before this conflict erupts and forces his community to respond. That becomes inevitable once a dragon monster threatens everyone.
THE WITCH BOY by Molly Ostertag
A golden rule that does make sense to follow is that an artist will do well to pursue what is compelling. I don’t find a false note anywhere in this book and that all has to do with Ostertag’s authenticity. I look forward to seeing Molly Ostertag proceed upon her merry way and continue to delight her readers.
Molly Ostertag will have a table at Small Press Expo in Bethesda Maryland this upcoming weekend, September 15-16. You can see her at two panels: “Comics with Molly Ostertag,” on Saturday, from 4:15 pm – 5:15 pm, at the Glen Echo Room; and “Building The Jungle Gym,” on Sunday, from 2:30 pm – 3:30 pm, at the White Oak Room.
The comics I’m enjoying the most lately are coming from Insight Comics. Scoop, Vol. 1: Breaking News is a perfect example of their fresh and engaging content. This is an action adventure featuring 14-year-old Sophie Cooper, a red-headed Cuban-American, high school freshman.
There are quite a lot of specifics here which add up to a story with unique depth and dimension. Sophie’s dad, the kind and responsible type, has been framed and placed under house arrest for embezzlement and money laundering. It is up to Sophie to prove her father’s innocence which leads her to become an intern at a local news station. One thing leads to another, and Sophie is piecing together Cuban history that is somehow connected to some pretty crazy secret lab experiments. I can see why this is just the first volume!
Scoop, Vol. 1: Breaking News
A growing trend for comics publishers is to feature more diverse main characters. Within the last few years, leading the way has been the character of teenage Kamala Khan, Marvel Comics’ first Muslim character to headline her own comic book, Ms. Marvel, which debuted in February 2014. Another compelling title, in the same spirit, is the soon to be released limited series, She Could Fly, featuring Luna, a 15-year-old hispanic high school sophomore, from the Dark Horse Comics imprint, Berger Books. This brings us to Sophie Cooper.
With Sophie Cooper, writer Richard Hamilton (Dragons: Race to the Edge) gives the reader yet another authentic voice. And artist Joseph Cooper (Marvel, DC, Valiant, Dynamite, and Image) proves to be an excellent collaborator. Rounding out the creative team are colorists Peter Pantazis and Alba Cardona. Some of the best comics are the result of a finely-structured collaborative process. That is certainly the case here right down to the details in production. This is a book that is a pleasure to read and behold.
Scoop, Vol. 1: Breaking News
Getting back to specifics, this comic will keep the reader engaged with various added touches. As explained in the afterword, nothing was left to chance. Pantazis and Cardona were careful to find just the right skin tones and just the right shade of firebrand red for Sophie’s hair. When it comes to evoking a sense of urgency and distress, Joe Cooper was sure to depict Sophie’s cracked cell phone and chewed fingernails. And, in story that includes UFOs and alligator-men, Richard Hamilton deftly adds various historical references including the 1953 attack of the Moncada Barracks that ignited the Cuban Revolution.
The unlikely team of Hal Ritz and Sophie Cooper.
In the course of this first volume, we follow Sophie as she navigates her way as an intern for a news station that is not exactly ready for prime time. Sophie discovers she has a nose for news and ends up helping the station’s veteran reporter, Hal Ritz, who shamelessly takes credit for an implausible lineup of journalistic achievements. But Hal is no fool either and readily spots Sophie as a rising talent and someone to keep an eye on. This unlikely team will need all the help they can get as they quickly find themselves well over their heads.
The Devil is in the Details.
Paranormal mystery meets conspiracy thriller in this action-packed comic for young adults. This has a fresh and original kick to it.
Scoop, Vol. 1: Breaking News is a 96-page full color trade paperback available as of June 19, 2018. For more details, visit Insight Comics.
Jamey Bradbury’s “The Wild Inside” is a ferocious debut novel! It’s about the mysteries of young womanhood, Mother Nature, and just how far apart we humans are from animals. Our main character, Tracey Petrikoff, is sure she is not quite human and far more animal. Ms. Bradbury has had the great John Irving as a mentor and it shows. This is a novel by a hungry and driven writer.
Tracey Petrikoff is a monster of sorts–but not in any obvious way. Trace is the ultimate misfit teenager in this most unusual work. Bradbury has crafted a slow-burn thriller that invites the reader to join a family of dog breeders and racers in the backwoods of Alaska and, bit by bit, reveals touch after touch of strange. There is no doubt that Trace is strange. Bradbury does a masterful job of normalizing it. In a first-person narrative, the reader is charmed by, and at the mercy of, Trace’s version of events. In a matter-of-fact manner, Trace repeatedly shares with the reader her drinking the blood of animals. What could be more natural, right?
Blood is all too natural for Trace. She can’t be far from a “drink” for too long. Some things seem utterly unknowable by outsiders: like the heart of a young woman, and Mother Nature. Bradbury plays with how these two powerful forces are inextricably linked. Trace’s bond with nature, with the animal world, is total and complete. She must nurse from the blood of animals not only to feel alive but to remain alive. In one key scene, her need for blood is so great that, when she struggles to find some, she resorts to drinking her own menstrual blood. This cross between Judy Blume and Stephen King totally works within context.
Illustration by Henry Chamberlain
Bradbury provides a mesmerizing first-person narrative: very direct and urgent while completely down to earth. Bradbury keeps it all deceiving effortless and casual, doing away with any and all quotation marks. This has a funny way of further immersing the reader who follows along, for example, an observation by Trace that seamlessly dovetails to something her father is saying. A series of small moments steadily add up in this wonderfully structured novel. All the time, the reader is anticipating a big race–and the Iditarod is certainly no small event–but there are plenty of twists and turns, including a creepy and potentially dangerous stalker and an unlikely lover. What cannot help but keep the reader engaged is following the mind of Tracey Petrikoff, half-woman and half-animal, trapped for a time and waiting to be set free.
Bradbury mines the coming-of-age tropes with great success. In that special time of transition from childhood to adulthood, there is a lot of soul-searching and negotiating over what stays and what goes. What matters most in your life? And, by the way, did you realize it is your own life–and no one else’s but yours? Sometimes freedom is more important than anything else in the world–including the life you have always known just before everything changes.
“The Wild Inside,” by Jamey Bradbury is a 304-page hardcover, published by William Morrow, now available. For more details, visit William Morrow right here. You can order this book from Amazon by clicking the image below:
“THERE ARE STORIES ABOUT KIDS AND GROWING UP, AND THERE ARE STORIES ABOUT THE LGBT EXPERIENCE; BUT THE TWO DON’T OFTEN INTERSECT IN A POSITIVE WAY. LGBT ISSUES AREN’T JUST ADULT ISSUES! MY STORIES ARE FOR ALL AGES: POSITIVE STORIES OF KIDS AND YOUNG ADULTS NAVIGATING LIFE AND HELPING EACH OTHER WHILE NOT IGNORING THEIR IDENTITIES AS TRANSGENDER, BISEXUAL, NON-BINARY, LESBIAN, AND MORE.” – GABI MENDEZ, AUTHOR
A Kickstarter campaign is running now and ending on April 7th in support of Lemonade Summer by Gabi Mendez. This is an all-ages graphic novel about queer children, adolescents, teens and young adults coming of age in positive environments and finding supportive communities. The book is 136 pages with full color covers and chapter covers. Each story is a monochromatic color scheme mirroring the sun from noon to dusk, reflecting the characters’ growth in the book. The stories feature young, queer characters who grapple with the conflicts of their own worlds.
Page From “Strays”
“In the summer of our dreams, young pirate runaways learn to accept each other regardless of gender presentation. The new girl in town finds solidarity in female friendship. A roller derby unexpectedly lights the spark of a first-time crush. Friends find confidence in their own voice, and teens face the uncertainty of growing up.”
— Gabi Mendez
Kickstarter Goal: $15,000 currently funded at 40%
Kickstarter Ends: April 7
Support this Kickstarter campaign right HERE.
“We chose to crowd-fund this project to allow us to donate copies to schools, libraries, youth centers and other organizations that would not normally be able to access this book. Currently, our backers will allow us to donate 65 copies.”
— Gabi Mendez
This book is part of Cow House Press. Visit them right here.
“American Born Chinese” is my favorite non-superhero graphic novel. I’m genuinely surprised that it hasn’t received a movie or TV adaptation yet. I first read it as part of a school assignment in my Freshman Reading class. After reading, we were supposed to make a cereal box based on the book. American Born Chinese is a 2006 graphic novel created by cartoonist Gene Luen Yang. Yang drew from his own past experiences as a Chinese boy living in America as well as Chinese fables he grew up with. In 2007, it won the Michael L. Printz Award. The book is separated into three seemingly unconnected tales.
The first story is about the fabled Monkey King. A character I would later find out is part of a well-known Chinese folklore tale called, “Journey to the West.” This story takes place in Heaven, where Gods, Goddesses, Demons, and Spirits reign supreme. The Monkey King is a powerful, if not stubborn ruler of the Flower Mountain who nobody in Heaven takes seriously, because of his lack of shoes. Despite his mastery of four major heavenly disciplines. In order to prove himself, he orders all his monkey subjects to wear shoes and he meditates. He also learns four major disciplines of invulnerability and bodily form. Of course all this power goes to his head and the creator of the universe has to teach him a valuable lesson. What I like most about this story is how cool it is. Chinese folklore is actually very fascinating. Seeing a monkey flying on a cloud is just as funny as it is awesome.
The second story is about the titular “American Born Chinese” boy, Jin Wang. A Chinese kid who loves Transformers. His experiences include moving to America with his family, trying to fit in, and befriending the only Asian kids in class. This story starts when Jin Wang is a child and ends when he’s a teenager. As any other teenager would, Jin falls for one of the girls in his class. An American girl that Jin becomes desperate to talk to. He even goes so far as to perm his hair to look more American. Eventually his friend convinces him to ask her out and he goes on a date with her. Even when everything seems to be going well, it doesn’t end up lasting very long. Unfortunately, underlying racism keeps Jin from continuing the relationship. What I like most about this story is how relatable it is for anybody who’s ever been a new kid or the only minority in your class. I’m also a big fan of teen drama, so I found Jin’s high school experience to be very interesting.
The third story is about average all American teenager Danny. He’s embarrassed because his Chinese cousin Chin-Kee is coming over for one of his annual visits. Chin-Kee is the ultimate negative Chinese stereotypes. Literally every stereotype is represented here. He has a round face, a queue hairstyle, a servant outfit, literal yellow skin, buck teeth, squinty line eyes, he speaks in thick broken English, he’s academic, he makes funny’s, he eats cats, his travel bags are Chinese take-out boxes, he sings karaoke, he knows Kung Fu, the list goes on. His behavior is so embarrassing that Danny has to change schools every time he visits. What I like most about this story is how absurd it is. It’s done in a sitcom style with a laugh track and everything. The title of this story is actually “Everybody Ruvs Chin-Kee.” This is also the story where everything is revealed and the whole graphic novel is tied together.
Overall, “American Born Chinese” is a cool, relatable, and hilarious graphic novel. The art style is clean and simple in a Chinese art sort of way, with rounded curves and edges. Each story feels like a love letter to Chinese culture. A culture that I’ve come to love ever since I’ve read this story. If nobody adapts “American Born Chinese,” I would be shocked. I’m not Chinese, but I might even try to adapt it myself. The only question is, is whether it more suited for a movie or a TV show. Either way, “American Born Chinese” is a clever graphic novel that anyone will enjoy.
“Lion” is quite a heartwarming film. It involves the myriad of humanity in conflict with the individual. It is about what happens when one individual becomes untethered from his unique place in the world. Lost from home, one little boy will lose his past only to seek it out again once he’s a man. It’a an amazing story. And based upon a true story. Up for multiple Academy Award nominations, this is a movie that is every bit colorful and compelling. And it comes out on DVD/Blu-ray on April 11th.
Five-year-old Saroo, having fallen asleep on a train during a scavenging spree, has managed to displace himself about a thousand miles from his village. The scenes of little Saroo (Sunny Pawar) and his brother, Guddu (Abhishek Bharate), stealing bits of coal off of trains is like out of a gritty fairy tale. When Saroo steals some moments of solitude, he can be found basking in lush scenery interspersed with butterflies. But reality strikes when Saroo and Guddu press their luck on the ill-fated night that they are forever separated.
Sunny Pawar as the young Saroo
While Saroo had reveled in the splendor of his home, he suddenly becomes a little boy lost in Calcutta, one of the most populous places in the world. Ultimately, Saroo will be taken to an orphanage where he will be placed with his new family, in Australia, played by Nicole Kidman and David Wenham.
Twenty years on, the all-grown-up Saroo Brierley (Dev Patel) remains haunted by his displacement and sets out, with the help of Google Earth, to track down his original family and home. Given that half the movie centers on Saroo’s search, Patel provides a fine performance as the determined and vulnerable Saroo. His girlfriend, Lucy (Rooney Mara), adds just the right amount grounded counterbalance.
Directed by Garth Davis, screenplay by Luke Davies adapted from Saroo Brierley’s book, this is a great family movie. Director Davis is working here more with an emotional, rather than intellectual, tale that he gently reveals. That said, there is also plenty of food for thought. I was especially moved by a scene with Nicole Kidman where she speaks about her choice to be a parent.
In a time when understanding among cultures is all the more urgent, this is certainly a relevant film with an uplifting and positive story to tell.
At the end of the film, just as the credits are about to roll, a staggering statistic is announced: Over 80,000 children go missing in India each year. In response, the makers of this film have collaborated with various organizations to create the #LionHeart campaign. For more details, visit the official film website right here.
The fate of the world rests on the shoulders of Alden Baylor.
The ideal graphic novel expresses one elegant theme over the span of about 100 pages and leaves the reader invigorated. METEOR MEN is such an example. Boy meets space alien. This is a story that turns that trope on its head over the course of a mix of realism and the supernatural. Jeff Parker (Batman ’66, Future Quest) writes a script with his distinctive quirky worldview. Sandy Jarrell (Batman ’66, Unfair) provides artwork that responds right back to Parker’s offbeat style. And Kevin Volo (Rex Zombie Killer, Max & Thorne) provides colors in step with this moody, enigmatic, and totally riveting tale.
Panel excerpt from METEOR MEN
If and when the aliens do descend from the skies, they won’t be anything like in the movies. They will be something totally out of the realm of our experience. That is a key point in any number of sci-fi tales. And that doesn’t stop Parker, like the seasoned pro that he is, from going in there and telling us his version. So, we begin with Alden Baylor, a teenager who already has much on his mind prior to any alien invasion. The kid is sitting pretty on an estate he’s inherited. Alden’s parents died in a car crash and his uncle is his guardian. So, Alden makes for an ideal young princely sort, complete with a common touch, not fully aware of his high station in life. He’s sensitive and gentle and will prove to make a great representative for us humans.
Page excerpt from METEOR MEN
We come to see that an alien race has descended all over Earth via a meteor shower. Among all the potential human connections that could have been made everywhere from Moscow to Timbuktu, the only one that takes hold is the one between Alden and the space creature that crash landed on his property. Alden’s alien friend is melancholy and mysterious. But, push comes to shove, and this guy is potentially dangerous–all for the sake of protecting Alden. Deeper into our tale, Alden learns far more than he ever imagined he would ever know not only about extraterrestrial life but about the very essence of existence.
Among alt-comics, there are basically two fronts: the more low-key comics that rely upon a niche audience; and the more vibrant comics that reach out to a wider readership. METEOR MAN is a vibrant comic. Of course, the hope is that any truly worthwhile comic finds readers even if it is essentially a labor of love. I see METEOR MAN as one of those “labor of love” projects that catches on with casual as well as seasoned readers of comics. Word of mouth has boosted its visibility and it has received good press, including a glowing review from WIRED MAGAZINE. I’m happy to add my praise.
METEOR MEN by Jeff Parker, Sandy Jarrell, & Kevin Volo
METEOR MAN is a 128-page full cover trade paperback. For more details, visit Oni Press right here. Order it through Amazon right here.
Jennifer Daydreamer has been published by Top Shelf Productions and regularly contributed illustrations to the Seattle alt-weekly, The Stranger, in the late ’90s. In the course of a creative life, Daydreamer has seen her path take an interesting trajectory. I share with you now a conversation with artist and writer Jennifer Daydreamer on her new project, “Mack Stuckey’s Guide to the Center of the Universe.” A Kickstarter campaign in support of a print run to the book is going on now thru August 28th. You can find it right here. She is the author. Full disclosure, I’m the illustrator for the book, and I contributed to the story. And she’s my partner.
HENRY CHAMBERLAIN: Let’s begin, Jen. We can jump in to the very beginning of the Mack Stuckey project.
JENNIFER DAYDREAMER: You certainly did contribute to the prose. There are details in Mack, plot points, character names and so forth, that you came up with. We are both illustrators but you were the instant choice of illustrator. Although I can draw fast, I don’t normally paint in quick thick brush strokes, the kind you do, and so I was excited about a real artistic collaboration with you. Probably our first. I think after you’ve been blogging for ten years, this has been the first time you have interviewed me. So, thanks!
What was the impetus to writing Mack Stuckey?
Well, before 2008, I could score a job pretty easily. I’m a creative type but I have a detailed part of my brain that does well with accounting. I actually enjoy accounting because I find it meditative and so for most of my career I have been able to do accounting work for my jobs. I was in a series of job layoffs. One, the company went out of business, the next, the company transferred my position out of state, another one I was a new hire and when they do layoffs, the new hires usually get cut first. In a nutshell, the book is about the economy and expressing my frustration about it, in a creative way. I just don’t want to spend my time venting at this point. I have expressed my employment dilemmas to my friends over the years. At this point, I’d rather be joking.
Illustration for “Mack Stuckey” by Henry Chamberlain
Where does it take place?
It takes place in Seattle. Poor Seattle. The inspiration to write the book is my need to express myself in regards to the economy and state of housing and living in our city with a disappearing middle class. The story takes place in 2014, by the way, and so, any uptick of the economy happening today, I hope is really happening. I digress. Seattle happens to be the fall guy, the theatrical back drop of the story and so, we make fun of Seattle. Specifically, Fremont. We venture into Ballard, Downtown, and the U District.
For one thing, I create a feud between Ballard and Fremont, either real or imagined. I examine the tension that I think exists between the two locales because when you want to buy something practical in Fremont, like pens and a pad of paper there is only one or two small places to go. There are no standard drug stores allowed in Fremont (I think from building codes) so you have to take your car or the bus or your bike and dip into Ballard for practical needs.
What else is the book about?
Well, we describe the book succinctly on our Kickstarter page! Basically, I created a love triangle between a woman and two men, representing the upper, middle, and lower classes. I don’t come right out and say that in the book, because that would be too explicit, but that is one of the themes. I think there is something for everyone in the book, if you like humor, a sexy romance, or interest in the local icons. I try my hand at what I call comedic erotica.
Tell us about what you’ve been up to in the last few years.
After drawing comics, I was inspired to write a screenplay because that imprint, what was it called?
Yes, Minx, from DC Comics, asked me for some ideas. They cancelled the imprint. One of my ideas was for a dystopian novel about the separation between a guy and a girl and killing in the army, that someday I should write. They really did not like it, too macabre, and then Hunger Games comes out later. I remember believing them at the time that the story pitch is not good, so its a reminder to believe in myself. I wrote the screenplay for the humor submission that they did like. Then Minx was cancelled. I never had a contract, just a “that’s funny, I like that one.” So, I spent about a year studying how to write a screenplay and it took me about 1.8 to finish it, because it was my first screenplay.
Where did that leave you?
With one foot halfway in the door! It left me with one manager who switched companies and his job position and so he could not represent it. Then I found an agent who read it, she is known in the industry and so I felt lucky. She was encouraging. She said I needed edits and she gave me her manager contact and said to try and do edits with him and then resubmit it to her. But her manager nixed it. By the way, I respected how he communicated with me, as he got to it, read the script promptly and let me know his opinion. Everyone I submitted it to over a year’s time or so, was very nice, frankly. I know there is crap that happens in Hollywood, but, somehow, I felt encouraged by people in the business I was in contact with. Most did not have room or time to read it and some commented that my pitch was great and so to keep at it. So, I got my foot in the Hollywood door about an eigth of the way. A toe.
Interesting visual, one toe clinging to a door. But, seriously, it put you in an interesting situation. You were in the thick of transitioning from comics, moving beyond comics.
It was fun to try. I felt a cartoonist could get a foot in the door because comic book movies were taking off. I had an agent/lawyer to make some pathway, also, when I submitted, so I was not completely unprofessional and just cold called everyone. I think the writing contributed to writing Mack – the more you create the better you get. Mack has taken 2.5 years to write and I still have some details I want to round it out with. Its basically done. Besides those projects, I have spent a lot of time writing and sketching out a four book Young Adult Fantasy Series which I am eager to launch on social media. For this YA series, I really think a book agent, editor or editors and publishing company is necessary. You need help to keep detail accurate when you are world building.
After Mack, I have one very odd book, I have to get off my chest, then I will launch my YA series. I have spent a year on it. Its not complicated like writing a story but I am scared of publishing it, and so, I have to publish it. I’m scared as I have to dip into some religious and societal explanations. I had an out of body experience or an altered state from drawing my mini comics long ago and it was not until recently when I studied Jung in detail and some Jungian psychologists that I realized there is a biological explanation or a science explanation for it.
Lots of room to dig deeper.
Usually the explanation in our society, is something spiritual or “occult” and so I am eager to lay out my idea to disprove the occult notions, that there may be a more reasonable or logic based explanation. I have not completely ruled out a spiritual component. I think there is a spiritual component, I understand the shamanic explanation for something like that, but I think there is a middle ground, because the explanations from psychologists are so clear and sound. There’s compelling commentary by Oliver Sacks on YouTube (13.45). Maybe you can link the video for our cartoonist friends because it’s interesting if you draw comics.
Yes, consider it done. It will run right below these comments.
What Oliver Sacks has to say I am relating to my experience in the book. I think the brain is activated because of the archetypal nature of comics. What archetypal nature is, should be explained more but there is not room in this intervew to go into that kind of detail.
“There is another part of the brain which is especially activated when one sees cartoons. It’s activated when one recognizes cartoons when one draws cartoons and when one hallucinates them. It’s very interesting that that should be (so) specific.”
Are you still drawing comics? Where would you say you are today in relation to comics?
I love comics. I am following my heart and my heart wants my YA series to be prose – just words – and my illustrations. And so, no, its not comics. I would like to draw comics and be in anthologies, but there is no time at the moment. I am really focused on the projects listed above. I have the door open on comics, the door is not closed. Same with, you know, doing another humor book like Mack. When I was in high school I was the kid that made fun of all the teachers and drew riffs on them and passed them to my friends in class. I have a humor side and I have the side that loves to create long fantasy.
Anything else you’d like to add?
One last word. We make fun of some drug usage in Mack but I don’t do drugs. I am a very very square cat when it comes to things like that. It’s important for me to be clear on this because I don’t like my out of body experiences nor my illustrations to be accused of being “drug influenced.” Because I think fantasy story and art is related to healing and I want to contribute to that. I want to explore more in the future on the connection to drawing comics and naturally based hallucinations.
Thank you, Henry!
Be sure to visit Mack Stuckey right here. To go directly to the Kickstarter campaign on thru 8/28, go right here.
Jules Maroni is a celebrity tightrope walker connected to the supernatural in the latest comic from Amazon’s Jet City Comics. I love a good story with complications. Part of the fun of reading a comic that is hinting at something spooky around the corner is how it creates its trail of breadcrumbs. “Girl Over Paris” sets the tone for a spooky adventure with style and joie de vivre.
Part of Gwenda Bond’s CIRQUE AMERICAN universe, this story, written by Kate Leth (Patsy Walker, A.K.A. Hellcat!, Adventure Time: Seeing Red), follows Jules and the gang as they fly from the U.S. to France in order to perform at a big event and allow Jules to regain her stature after a long hiatus. Artwork by Ming Doyle (The Kitchen, Constantine: The Hellblazer) and colors by Andrew Dalhouse enhance the pixie-romantic quality to this tale.
Reading “Girl Over Paris #1”
There’s a lot of luscious detail to this comic that sets it apart. I like the gentle pace too. Ms. Leth does a wonderful job of allowing us into the innermost thoughts of Jules: she is making a comeback, opening up to her new boyfriend, and confronting a supernatural entity. That’s quite a lot for a first issue.
Girl Over Paris #1 (The Cirque American Series) is available as of July 6, 2016. You can find it at Amazon right here.