Tag Archives: Mini-comics

SPX 2014 Interview: Farel Dalrymple and THE WRENCHIES

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Here is a quick conversation with Farel Dalrymple just as he was setting up to fly out to Bethesda, Maryland for the annual Small Press Expo.

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He will be there in support of his new graphic novel, “The Wrenchies.” We talk a bit about the dream logic and overall feeling of spontaneity and exuberance found throughout the pages of this most remarkable book.

I have followed many an artist’s career and this is clearly Farel Dalrymple’s time. With The Wrenchies, he has brought together elements he’s been working with over years into a masterful panorama.

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If you’re in or near Bethesda this weekend, you will definitely want to visit SPX. And, if you’re in the DC area, visit Politics and Prose Bookstore and Coffeehouse that Sunday, at 5 p.m., for a panel discussion discussing graphic novels with a crossover appeal between young adults and adults moderated by Heidi MacDonald. The featured cartoonists are Farel Dalrymple; Gareth Hinds (Romeo & Juliet); and Jim Rugg (Street Angel).

Click the link below to listen to the podcast interview:

You can find Farel Dalrymple right here.

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Filed under Alternative Comics, Comics, Farel Dalrymple, First Second, Heidi MacDonald, Small Press Expo, SPX, SPX 2014

Minicomic Feature: SMITH TOWER by Henry Chamberlain

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Here is a minicomic I recently completed that features Smith Tower, a Seattle landmark celebrating its 100th anniversary this year. In this comic, Smith Tower is a character in its own right. We follow a number of characters who are searching for answers. Among the searchers, two main characters emerge. We can’t be sure how these two are connected but, as fate would have it, their paths become inextricably linked. Whether that is cause for celebration or concern, remains a mystery. For fun, let me wax on for a bit on this new work, minicomics, and the art process.

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Filed under Comics, Crowdfunding, GoFundMe, Henry Chamberlain, Minicomics, Seattle, Smith Tower

Review: DAYS by Simon Moreton

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Simon Moreton, works in the tradition of John Porcellino, who originated the intimate, spare, and direct style of memoir comics. It is John P. who continues to fascinate and inspire readers with his ongoing “King-Cat Comics and Stories” mini-comics. It is undeniable that he founded these deceptively simple auto-bio comics, that be began self-publishing in 1989. Where does this place relative newcomer Moreton, working in such close proximity to Porcellino? Sincerity counts for a lot and Moreton comes across as quite sincere. Moreton is a Research Fellow at the University of the West of England (UWE), working on the REACT Hub. As he states, he is “interested in the everyday politics of creative practice, activism and representations of mental illness in sequential art.”

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Filed under Comics, John Porecellino, mini-comics, Simon Moreton

HOW WE CONNECT: A Review of ‘Welcome To Nursing HELLo’ by Joel Craig

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How do we connect? We do it, or try to do it, in a variety a ways. It’s not always easy but it’s far better than its opposite, to disconnect. I aspire to connect with you. I make this preface because I am genuinely inspired by my latest subject for review, Joel Craig’s graphic memoir, WELCOME TO NURSING HELLo.

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Filed under Autobio Comics, Autobiography, Comics, Comics Reviews, Gay, Graphic Novel Reviews, graphic novels, LGBT, mini-comics, Zines

Review: BOOBAGE by Monica Gallagher

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“Boobage,” is a mini-comic by Monica Gallager that covers, or unveils, a very personal preoccupation with a lot of wit and humor. So, what do you instantly think of when you put such greats together as Kate Hudson, Clare Danes, Gwen Stefani, and Bridget Fonda? The one thing that Gallager used to have trouble with was their (and her own) relatively small breasts, or “tits.” It’s okay, she says “tits” a lot. Gallagher isn’t afraid to tackle the tit issue, large or small. This won’t really be of interest to those who objectify and sexualize but it may give them some pause. Hey Jimmy, or whoever, those hooters you salivate over belong to a real human being.

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Filed under Alternative Comics, Comics, Comics Reviews, Comix, Comixology, Comixology Submit, Independent Comics, Indie, mini-comics, Monica Gallagher, Self-Esteem, Sex, Sexuality, Women

SHORT RUN SMALL PRESS FEST IN SEATTLE: EVENTS SCHEDULE FOR NOVEMBER 1-30, 2013

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“Short Run” is a gathering of small press in Seattle with some added attractions this year. There’s the main event, the Short Run Small Press Festival at Washington Hall on Saturday, November 30, 2013. But, for those who want more, there’s plenty more starting with an event on November 1. Check out the Short Run website for details here.

Press release follows:

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Filed under Alternative Comics, Comics, Comics News, David Lasky, Eroyn Franklin, Independent Comics, Indie, Jim Woodring, Kelly Froh, Micropublishing, mini-comics, Minicomics, Seattle, Self-Published, Short Run Small Press Fest, Small Press, Underground Comics, Zines

BALLARD COMICS: Drawing Ballard in 24 Hours, #5

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October 15, 2013 · 6:24 pm

24-Hour Comics Day 2013: Edith Macefield

Macefield tattoo by Curtis James

Macefield tattoo by Curtis James

I embark upon my 24-hour comics odyssey with thoughts of Edith Macefield. She sounds like a wonderful person. Depending upon when you might have encountered her, she most likely came across as just someone who wanted to be left alone. And isn’t that what we all want more of? Just time to do what we want! And then the famous incident, the ultimate encounter with the ever-encroaching outside world. And what did Edith Macefield do when developers descended upon her and hoped to buy her off, and out of the way? She told them where they could go. No, not even for a millions dollars, would she sell her little home.

Yes, tell the money people they can take it somewhere else. That’s the spirit. It’s an appealing credo to live by, isn’t it? You too can have your little credo stamped onto a tile at the forthcoming Credo Square, a public space that will be created at the foot of Edith’s old house. It’s now owned by a developer, sad to say. He will conduct real estate training in that house. But, as a gesture of goodwill, there will be some sort of public space. And at this public space, you’ll be able to be purchase your credo tile for just $250! That is outrageous and hilarious. Maybe Edith would have found the dark humor in that.

What sounds like a truly good thing is the Macefield Music Festival. Learn more about it here.

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Filed under 24 Hour Comics, Comics, Edith Macefield, Henry Chamberlain, Macefield Music Festival, Seattle, WA

Review: SECOND BANANA by Tessa Brunton

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One of the great things that comics can do is to take you out of the obvious and transport you somewhere fresh and new. The mini-comic, “Second Banana,” by Tessa Brunton, is an excellent example of the true power of comics to uplift and be awesome. This is a look at what it feels like to be a “second banana,” and a whole bunch of other neat stuff. You see, Tessa’s older brother is something of a genius. At least, I’m assuming this is an auto-bio comic. Whatever case, here is a girl named Tessa and she is doing her best to find her way in life. She is the baby sibling. Rich, the eldest, has left the nest. This leaves Tessa and her older bro, Finn, who dazzles Tessa with his general knowledge, including bogus info about light bulbs and fabulous info about ghosts, monsters, and various other related strangeness. Yes, this is what comics does best. It lets you dream. Brunton has got the knack for tapping into that wonderworld.

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Let me tell you, I’m not twiddling my thumbs over here either. If you want to know what I’m all about, I champion work just like this. I believe you can find this sort of spirit in a variety of comics, whether alternative or mainstream. The bottom line is you really need to want it, the sort of comics that move the medium forward, not backward. For some creators, it may come more naturally to them but it’s still a process: rough drafts, laying out, editing. For readers, well, you know quality work when you see it. Now, when you see work that makes you nauseous, you know it too and you should protest whenever possible. No more nauseous comics!

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But getting back to what Tessa Brunton has accomplished thus far, I think you’ll find that this mini-comic is very promising. We begin the story with an off-kilter reference to “Little House on the Prairie” which sets the tone. Moving right along, we continue with creative use of panels that establish the pecking order of the characters. With a restrained and crisp line, Brunton goes about expressing the ups and downs of having a bright but domineering older brother. I especially like her panel/word balloon combinations!

The narrative is so heart-felt in this immersive comic. You too will feel the same great disappointment as Tessa did when Finn does a complete 180 on his love and support of monsters and ghosts and dismisses them all as a bunch of folklore. As Tessa puts it, “The world seemed so much smaller without the supernatural.” In the end, this story is bigger than Finn. This is a story about the end of childhood.

You’ll definitely want to get your hands on this exceptionally good mini-comic. It is a 16-pager and only $3. Visit Tessa Brunton here. And visit her store here.

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Filed under Comics, Comics Reviews, Humor, mini-comics, Tessa Brunton