Winsor McCay with Gertie the Dinosaur
What will today look like one hundred years from now? In the world of comics, we have no choice but to include DC Comics’ upcoming “Teen Titans #1” in a time capsule, filed under “sexism.” Many of us today see through a glass darkly. But not all of us. One hundred years ago, Windsor McCay was at the top of his game as America’s preeminent cartoonist. Attempting to see what McCay’s world was like one hundred years ago could provide some interesting perspective.
There were certainly other big name cartoonists and plenty of newspapers but there was only one Winsor McCay. He could dazzle his audience. He was part of the zeitgeist. Much like Chaplin, he did what he did with far more distinction than his competitors. In a new book that attempts to place McCay in context, we get some insights about Little Nemo, Gertie the Dinosaur, and Dream of the Rarebit Fiend, and how they reflected the American dream. And, among the findings, we confront a problematic character named, Impie.
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Filed under animation, Comic Strips, Comics, Winsor McCay
Tagged as Animation, Books, Comic Strips, comics, Consumer Culture, Consumers, Education, Entertainment, History, Media, New York City, Newspapers, Pop Culture, Publishing, Race, Racism, Satire, Social Commentary, social satire, Winsor McCay
Review: ‘Wide Awake in Slumberland’ by Katherine Roeder
Winsor McCay with Gertie the Dinosaur
What will today look like one hundred years from now? In the world of comics, we have no choice but to include DC Comics’ upcoming “Teen Titans #1” in a time capsule, filed under “sexism.” Many of us today see through a glass darkly. But not all of us. One hundred years ago, Windsor McCay was at the top of his game as America’s preeminent cartoonist. Attempting to see what McCay’s world was like one hundred years ago could provide some interesting perspective.
There were certainly other big name cartoonists and plenty of newspapers but there was only one Winsor McCay. He could dazzle his audience. He was part of the zeitgeist. Much like Chaplin, he did what he did with far more distinction than his competitors. In a new book that attempts to place McCay in context, we get some insights about Little Nemo, Gertie the Dinosaur, and Dream of the Rarebit Fiend, and how they reflected the American dream. And, among the findings, we confront a problematic character named, Impie.
Continue reading →
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Filed under animation, Comic Strips, Comics, Winsor McCay
Tagged as Animation, Books, Comic Strips, comics, Consumer Culture, Consumers, Education, Entertainment, History, Media, New York City, Newspapers, Pop Culture, Publishing, Race, Racism, Satire, Social Commentary, social satire, Winsor McCay