Tag Archives: Seattle

Review: Girl Over Paris #1 (of 4) (The Cirque American Series)

Jules Maroni out to prove them wrong.

Jules Maroni out to prove them wrong.

Jules Maroni is a celebrity tightrope walker connected to the supernatural in the latest comic from Amazon’s Jet City Comics. I love a good story with complications. Part of the fun of reading a comic that is hinting at something spooky around the corner is how it creates its trail of breadcrumbs. “Girl Over Paris” sets the tone for a spooky adventure with style and joie de vivre.

Part of Gwenda Bond’s CIRQUE AMERICAN universe, this story, written by Kate Leth (Patsy Walker, A.K.A. Hellcat!, Adventure Time: Seeing Red), follows Jules and the gang as they fly from the U.S. to France in order to perform at a big event and allow Jules to regain her stature after a long hiatus. Artwork by Ming Doyle (The Kitchen, Constantine: The Hellblazer) and colors by Andrew Dalhouse enhance the pixie-romantic quality to this tale.

Reading "Girl Over Paris #1"

Reading “Girl Over Paris #1”

There’s a lot of luscious detail to this comic that sets it apart. I like the gentle pace too. Ms. Leth does a wonderful job of allowing us into the innermost thoughts of Jules: she is making a comeback, opening up to her new boyfriend, and confronting a supernatural entity. That’s quite a lot for a first issue.

Girl Over Paris #1 (The Cirque American Series) is available as of July 6, 2016. You can find it at Amazon right here.

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Filed under Amazon, Amazon Publishing, Comics, Comics Reviews, France, Gwenda Bond, Jet City Comics, Paris, Young Adult

Movie Review: DE PALMA by Noah Baumbach and Jake Paltrow

Jake Paltrow, Brian De Palma and Noah Baumbach

Jake Paltrow, Brian De Palma and Noah Baumbach

Brian De Palma is a wonderful conversationalist. In this new documentary, “De Palma,” which appears to have taken place in one sit-down interview, De Palma shares with you everything about his career and, by extension, his life. You feel a great director is passing his hand over it all, setting the record straight. This is Brian De Palma, after all, and he has had to endure a formidable amount of attack on his work. Either he was ridiculed for daring to reference Alfred Hitchcock, or his films were deemed to have too much sex, too much violence, and too much blood. The key to what makes this documentary truly worthwhile is that De Palma is a great storyteller and he sure wasn’t going to hold back on his own life’s story. He doesn’t control as much as he reveals.

What you learn about Brian De Palma in this documentary will undoubtedly enrich your viewing of his work. Let the master confess to you. As it turns out, the much discussed voyeurism in De Palma’s films is quite personal. There is certainly the Hitchcock influence, which De Palma addresses early on. How often does “Vertigo” alone get referenced in his work? Well, a lot. That is involved with a fascination in what the viewer gets to see. Later, we find out a deeper motivation. De Palma, as a young boy, was outraged to discover his father’s infidelity. He took it upon himself to follow his father and document on film his activities. De Palma, detective, gathering evidence. Finally, he confronts his father and flushes out his mistress who was attempting to hide in a closet. De Palma furiously chastises his father. De Palma, avenger, administering punishment.

At age 75, Brian De Palma has earned many times over a re-evaluation. This is a guy who definitely knows how to push buttons. Arguably, he has painted himself into something of a corner smeared in blood, mostly women’s blood. His level of suspense can be said to be over the top. However, it is something else when you have him there on the screen thoughtfully articulating his work alternating with various compelling clips and footage from a lifetime in cinema. He’s not there to persuade you. He’s there to let you in on things. You end up feeling that, yes, it is really in your best interest to put away any past preconceived ideas and listen. As for the relaxed candor running throughout, we can also give a lot of credit to the film’s directors, Noah Baumbach and Jake Paltrow.

SIFF Cinema Uptown in Seattle showing "De Palma"

SIFF Cinema Uptown in Seattle showing “De Palma”

Ultimately, this is a master class in filmmaking. De Palma does not say anything without it having a reason, followed by other reasons. At one point, he claims to not care for car chases. He says that “The French Connection” put that to rest with the greatest car chase ever. Besides, he’s not a car guy. Later, he admits he really prefers walking scenes as they lend themselves to great nuance and mystery. He loves the way a woman moves. And, more to the point, constructing a walking scene plays into his need for pictorial structure. And don’t get him started on his split-screen technique. Well, actually, do and you get some fascinating observations. For one thing, yes, it can be overdone and it won’t work for an action sequence. But allow someone with vision to modulate it, and it works. Brian De Palma was part of a golden age and contributed too much to ever be dismissed. This documentary proves to be a great companion to his work.

“De Palma” is currently enjoying a limited run. Catch it in theaters while you can. I had the pleasure of viewing it at one of our Seattle International Film Festival theaters that provide SIFF members and the general public with quality content year-round. “De Palma” is showing at SIFF Cinema Uptown along with a selection of De Palma films. Find out more about SIFF right here.

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Filed under Brian De Palma, Documentaries, Movie Reviews, movies, Seattle, Seattle International Film Festival, SIFF

Preview: MACK STUCKEY’S GUIDE TO THE CENTER OF THE UNIVERSE

MACK STUCKEY’S GUIDE TO THE CENTER OF THE UNIVERSE

MACK STUCKEY’S GUIDE TO THE CENTER OF THE UNIVERSE

MACK STUCKEY’S GUIDE TO THE CENTER OF THE UNIVERSE is a new project that I want to share with you. It is an illustrated novel by Jennifer Daydreamer and Henry Chamberlain. This is a dark comedy about Seattle that will be coming out later this year. More details to follow. Here is a synopsis along with an excerpt.

What It’s About:

Seattle, 2014. Mack Stuckey is stuck in a rut. He’s twenty-three-years-old, still lives at home, hates his job and has no girlfriend.

Mack is a blue collar type with a penchant for books. He’s from a family of fishermen and lives in a neighborhood called Ballard. He has to work in Fremont, a tech hub, where he’s a lowly security guard at the giant game conglomerate, Game Needle.

Mack stumbles into a friendship with the suave Devon Rush, one of the high-powered suits at Game Needle. Things are looking up in his life until he realizes Devon’s new romantic conquest is the girl he’s falling for, none other than the beautiful Jupiter Fellows.

Jupiter is one of Fremont’s most alluring hippies. As the two guys compete for her, Mack’s life becomes a roller coaster. Before they know it, Jupiter cajoles Mack and Devon to partake in a threesome.

Mack Stuckey’s Guide to the Center of the Universe is a dark comedy exploring the new realities in our economic times. There’s plenty of sex and foul language, therefore, FOR MATURE READERS ONLY.

Mack Stuckey stuck in a rut.

Mack Stuckey stuck in a rut.

Excerpt:

The siren sounds. I stare at the bridge. The skies, the mountains, the waters, are all a thick painted grey. I run, head down, as if the clouds are pressing against me. Shadows descend. My vision darkens. I know a storm will hit.

Washington State is a tease. The truth is it does not rain much here; we are just taunted with pregnant skies for months on end. And, yes, you will hear this fact about the weather in every Tom and Dick book out there about Seattle. But most of you don’t read, so I’m filling you in.

It’s grey most of the year and when the rain decides to happen it happens in annoying spurts as its usually polite fucking rain. Like it will start to rain in the evening when most people are lucky enough to be home from work. Or it will rain like hell in the middle of the night, where you are warm and dry and can hear the motherfucker lighting and all, from the safety of your home.

If you’re lucky and your roof doesn’t leak, you can enjoy thinking of all the greenery and how the rain is, you know, a supernatural phenomenon, because the pounding on your rooftop and on the ground, is FUCK YEAH UNBELIVABLE.

It gets your mind spinning at night, a rain to meet head on with in a forest, like you’re Indiana Jones. But you’re not Indiana Jones. You’re a fat lazy twenty-three-year-old fuck, a bear, lying in bed, in your mom’s old faded blue home, fantasizing about Indiana fucking Jones, running and slipping and jumping in the jungle and the rain and all. You’re wide awake from drinking too much coffee that day and therefore you’re an irresponsible lazy ass northern bear not getting enough sleep for the job you gotta go to tomorrow.

But, right here, right now, on top of the Aurora Bridge while I frantically blow my whistle as uncaring cars drive by puffing exhaust into my face, the rain turns the oil on the road into nasty slick circles which makes me slip.

I go down.

The cops descend on me, lift me up off the ground, chide me that I’m not one of them and then nudge me along back to my job. I’m not one of them alright.

I’m a lousy security guard. Deflated, I walk back to work in a downpour.

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Filed under Books, Henry Chamberlain, Humor, Jennifer Daydreamer, Satire, Seattle

Seattle Focus: The Crocodile’s 25th Year

What we can always use is more love. Here is something special put together by cartoonist Noel Franklin that touches the heart of all us Seattle locals. This is Noel’s tribute to one of our great landmarks, one of the best music venues in town, The Crocodile nightclub. Here is a link back to where it appears at Seattle Weekly.

Noel Franklin's tribute to The Crocodile in Seattle Weekly

Noel Franklin’s tribute to The Crocodile in Seattle Weekly

And be sure to keep up with Noel Franklin right here.

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Filed under Comics, Music, Noel Franklin, Seattle, The Crocodile

Book Review: WEED: THE USER’S GUIDE by David Schmader

"Weed: The User's Guide: A 21st Century Handbook for Enjoying Marijuana" by David Schmader

“Weed: The User’s Guide: A 21st Century Handbook for Enjoying Marijuana” by David Schmader

With cannabis, you have a loaded subject, so to speak. Bringing up marijuana can often elicit nervous giggles. And people usually don’t know what they are giggling about. It’s time for all of us, especially government, to grow up. As cannabis continues to go mainstream, all of us, users and nonusers, need to get better educated on a very misunderstood plant. Over time, the general public will come to accept the many medical benefits derived from cannabis. What is more challenging is for everyone to enter a parallel universe where cannabis is accepted, integrated into our lives, and its use is common knowledge. To that end, one of the very best cannabis books as of late is “Weed: The User’s Guide: A 21st Century Handbook for Enjoying Marijuana” by David Schmader, published by Sasquatch Books.

The good news is that, for responsible folks, easy accessibility to weed should be a relatively easy transition. Retail sales of cannabis in Washington state, for example, are already geared to an older, and supposedly wiser, demographic. These are going to be, by and large, people who have a stake in the community and are basically going to do the right thing, so to speak. They will buy some weed and treat it in the way they would having a glass of wine on the weekend. Well, that is one ideal scenario. Schmader’s book covers not only this neat and tidy group but all of us. People can overdo it. People can go blindly into something. You know, all of us.

What I really love about this book is that, along with being entertaining, it is so honest in its approach. Hey, if weed it not for you, well then, that’s totally valid. Here is a great example of Mr. Schmader’s accessible and natural tone running throughout this essential book:

“Weed’s pleasurable effects are brought on by cannabinoids’s disruption of the brain’s neural messaging–but “disrupting neural messaging” is an imprecise art, and different strains in different brains can create effects that cross the line from pleasant and fascinating to itchy and weird. For example, the neuron-disruption that some users experience as expanded consciousness can trap others in a cul-de-sac of hypercritical introspection, and one person’s THC-driven explosion of creative ideas can be another person’s panic attack. The truth is that a good number of people who try weed experience predominately unpleasant effects, from intense anxiety to racing heart rates to crippling self-consciousness, and if you are one of these people, it is your right to never try weed again, no matter how persuasively it’s pitched to you. Think of it like coffee: Some love it and can’t imagine life without it, while others drink it and become insomniacs with diarrhea.”

The above quote is part of the sensible approach that is much needed as the discussion on cannabis moves forward. It is insightful to use the coffee analogy. If a person picks that apart, it might prove to be a useful reference point. The consumption of cannabis can be a challenge to compare to something else or describe in an objective way. Supporters will cite that no one has died from overusing it. However, misuse of it will mess you up just like beer, wine, or even coffee, can trash you in their own unique ways.

As a connoisseur, Schmader is good at not mincing words and getting to the point. Among numerous insightful factoids, you’ll learn one of the best weed hacks is to eat a mango before getting high. Both cannabis and mangoes have the chemical compound, myrcene, which speeds the delivery of THC to the brain. Schmader provides straightforward instruction on everything from how to use a bong to how to turn an apple into a pipe. You’ll get acquainted with a “green hit,” the first draw from a freshly packed bowl. You’ll get helpful suggestions on dose levels. And you’ll get cut-above recipes like his instructions on how to make your own tinctures.

Given the chance, some people would eat a whole chocolate cake. Thanks to David Schmader’s book, you can see how you can avoid eating the whole cake and still have a fun party.

“Weed: The User’s Guide: A 21st Century Handbook for Enjoying Marijuana” is a 208-page paperback. For more details, visit Sasquatch Books right here.

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Filed under Book Reviews, Books, Cannabis, David Schmader, Marijuana, Sasquatch Books

Seattle Focus: David Bienenstock and HOW TO SMOKE POT (PROPERLY) on May 18th at Third Place Books in Lake Forest Park

HOW TO SMOKE POT (PROPERLY) Book Tour

HOW TO SMOKE POT (PROPERLY) Book Tour

For those of my readers in Seattle, be sure to visit Third Place Books and meet David Bienenstock, VICE weed columnist and author of “How To Smoke Pot (Properly).” This is part of David’s book tour in support of his exciting new book. On May 18th, David is at Third Place Books in Lake Forest Park. On May 20th, his final stop will be Oakland Museum of California for “Altered State: Marijuana in California,” the first-ever museum exhibition to focus on marijuana in California today.

Oakland Museum of California: "Altered State"

Oakland Museum of California: “Altered State”

Once linked to all manner of deviant behavior and literally demonized as the “Devil’s Lettuce,” cannabis sativa has recently enjoyed a long-overdue renaissance. David Bienenstock charts the course for this bold new post-prohibition world, with suggestions on how to best utilize and appreciate a plant that’s at once a lifesaving medicine, an incredibly nutritious food, an amazingly useful industrial crop, and a truly renewable energy source.

"How to Smoke Pot (Properly): A Highbrow Guide to Getting High" by David Bienenstock

“How to Smoke Pot (Properly): A Highbrow Guide to Getting High” by David Bienenstock

Press raves so far include Vanity Fair, Rolling Stone, Food & Wine, Slate.com, Mashable, Comics Grinder, and elsewhere. See you at Third Place Books.

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Filed under Cannabis, David Bienenstock, Marijuana, Third Place Books

Review: WHY WOULD YOU DO THAT? by Andrea Tsurumi

WHY WOULD YOU DO THAT? by Andrea Tsurumi

WHY WOULD YOU DO THAT? by Andrea Tsurumi

Andrea Tsurumi is a cartoonist with an unusual preoccupation with poodles, bras, swimming pools, and various comfort foods like cake, pie, ice cream, and Ramen noodles. This all adds up to a lot of fun for readers. You can enjoy her highly inventive work in her new book, a collection of comics, “Why Would You Do That?” published by Hic & Hoc Publications.

Reading WHY WOULD YOU DO THAT?

Reading WHY WOULD YOU DO THAT?

A good rule of thumb for life in general is to go with your first thought. Sure, that could get you into trouble but still. Let’s focus in terms of creativity, okay? You can think of what Tsurumi does as akin to improvisational jazz or comedy improv. Consider a page entitled, “Ghost Bra,” about a bra that, when you least expect it, creeps up on you and provides…support. Not the sort of thing you overthink from the get-go. No, you let that impulse about a haunting bra fly.

An usual obsession with poodles

An usual obsession with poodles

Other segments take an initial thought and refine it, mine it for all its worth, such as Tsurumi’s examination of poodles. We discover that poodles are far more than man’s best friend. That would hardly cover their accomplishments over the ages. However, there is only so far such a brilliant creature can go with such a bizarre haircut that leaves it wide open to ridicule! As Tsurumi does throughout, the artwork here has an elegant light touch. It is not too light either. There is an organic quality to it. Tsurumi is happy to add as much detail as needed. But, even with her crosshatching, in the end, she maintains a crisp line and a pleasing clarity.

Reading WHY WOULD YOU DO THAT? with Gelato

Reading WHY WOULD YOU DO THAT? with Gelato

Andrea Tsurumi has honed a great dexterity with words and pictures. No doubt, fortified with an essential confidence and drive, Tsurumi has reached an undeniable level of mastery. Her comics appear to breathe naturally as if entities onto themselves. Her work is immersive in the best sense of the word as you get lost in it as you would a compelling piece of performance art. That’s how I felt reading her piece, “Do You Know How to Eat Ramen?” Sounds like something you might catch at an experimental theater doesn’t it? Well, it would definitely make for quite a show. We begin with a lively recitation of ingredients which includes “the part that lives inside you that has gotten small and scared.”

Ice Cream and WHY WOULD YOU DO THAT?

Gelato and WHY WOULD YOU DO THAT?

I also love Tsurumi’s observations on swimming pools. I can well imagine her wading in with a bunch of strangers and immediately aghast and bewildered. Swimming pools, in Tsurumi’s world are a lot of things, the least of which is a place for swimming. They are an odd place of ritual such as parents teaching their children, and anyone else caught in their crosshairs, about mortality. For someone fascinated by odd shapes, sounds, and the overall human condition, Tsurumi knows how to make the most of wherever she happens to find herself. This collection proves to be an excellent guidebook into her adventures.

Lastly, I would like to add that I recommend a nice slice of pie or perhaps some ice cream, or gelato, while you read this book. I enjoyed reading and reviewing it while visiting Fainting Goat Gelato in the Fremont neighborhood of Seattle. I was quite taken with the stracciatella.

“Why Would You Do That?” is a 60-page black & white trade paperback available now though Hic & Hoc Publications.

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Filed under Andrea Tsurumi, Comics, Food, Gelato, Hic & Hoc Publications, Humor, Seattle

Review: RIKKI by Norm Harper and Matthew Foltz-Gray

RIKKI by Norm Harper and Matthew Foltz-Gray

RIKKI by Norm Harper and Matthew Foltz-Gray

“Rikki-Tikki-Tavi,” I sighed, caught in a thoughtful moment. I’d been reading “Rikki,” a delightful new graphic novel about a certain famous mongoose published by Karate Petshop.

“Rikki Who?” asked my friend, Roy, who had joined me for lunch at Steelhead Diner in Seattle’s Pike Place Market.

“Oh, you know, the whole Rudyard Kipling thing! Hoo-ha, out in the jungle!”

“Hoo-ha, you say?”

I wanted to give Roy the benefit of the doubt. The surroundings were so nice. We were both famished. Roy, I knew to be a literary sort. He was pulling my leg or he just wasn’t paying attention.

Fishing lures on display at Steelhead Diner

Fishing lures on display at Steelhead Diner

“Okay, so there’s a reboot to ‘The Jungle Book’ that just came out starring Bill Murray. That’s by Rudyard Kipling.”

“The reboot?”

“You’re joking, right?”

“Yes, I know who Rudyard Kipling is! He wrote ‘The Jungle Book’ and he also happened to write that Rikki book. I loved his novel, ‘The Man Who Would Be King.'”

Roy had little patience just before lunch. But he was perking up. He couldn’t help noticing I had been reading a book just before he showed up. I was still holding on to it.

“That Rikki book, is that what you were reading?”

Cover art for RIKKI #1 by Christine Knopp

Cover art for RIKKI #1 by Christine Knopp

“Indeed. Oddly enough, that’s the title, simply, “Rikki.” It’s a graphic novel adaptation of the original story by you-know-who.”

“Kipling!”

“Yes, this book is a delightful comics version, as I was saying, written by Norm Harper and illustrated by Matthew Foltz-Gray.”

I proceeded to let him leaf through the book.

Reading RIKKI

Reading RIKKI

“Quite good! It has a very whimsical quality. Very animated.”

“My thoughts exactly! I think it would be fun for any age.”

“Well, sure. I know my little nephew would love it.”

Flash Fried Alaskan Rockfish Tacos

Flash Fried Alaskan Rockfish Tacos

And with that we commenced to unwind. I find that, when in doubt, a Mimosa will help smooth things out. And then the Flash Fried Alaskan Rockfish Tacos were just what I was looking for.

“Rikki” is an engaging retelling of one of Kipling’s tales from “The Jungle Book.” Given the beloved adaptation by Chuck Jones, both Harper and Foltz-Gray find interesting ways to make the story their own. You’ll find additional characters and plot that add a contemporary dynamic to this otherwise faithful rendition. You’ll also find a distinctive and playful style to the artwork. Bonus features include supplemental artwork and the original Kipling short story.

“Rikki” is a 172-page full-color trade paperback published by Karate Petshop.

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Filed under Comics, Food, Graphic Novel Reviews, graphic novels, Pike Place Market, Seattle

Review: ‘Bat-Man Is Lost In A Woods’ by David Enos, published by California Clap

"Bat-Man Is Lost In A Woods" by David Enos

“Bat-Man Is Lost In A Woods” by David Enos

This is a review of the comic, “Bat-Man Is Lost In A Woods,” by David Enos, published by California Clap. That is mostly what we will be discussing here. However, I will bring up a few other related things. First off, I set out to write this review while I waited to see an old friend who had just gotten his nipples pierced. He’s a fairly average guy, maybe not the type to do this. But, hey, to each his own. That brings me to a theme I was working with for this review: seeing the familiar within the unfamiliar. So, here I was waiting. I began to imagine getting my own nipples pierced–or at least just one. But I keep thinking there will be issues with airport security. I know for a fact that the SEATAC TSA is prone to fumbling about. So, imagine me sporting nipple jewelry for TSA to have to process. These folks don’t process very well.

Batman and Amity

Batman and Amity

Anyway, let us proceed. Batman. Now, there’s a subject for you. Most of us out there can easily hook into Batman. What David Enos has done is play with that familiarity. His Batman taps into arguably the most accessible version, the Adam West model. The Enos Batman is a no-nonsense guy with little room for drama. The big case he’s on in this story is familiar enough too: a search for a long lost love. It’s the sort of plot that can easily be deadened by a too obvious treatment. Enos is having fun with these tropes by taking everything right up to the edge of the banal. He throws in some light humor and sets this whimsical Batman off on a surreal landscape, a mashup of grim, dark, and camp.

Reading BAT-MAN IS LOST IN A WOODS

Reading BAT-MAN IS LOST IN A WOODS

It is a rite of passage for any cartoonist to create their take on superheroes. There is a divide that will always exist between independent cartoonists and the world of mainstream genre. There is little crossover but, when it happens, it is something to study on a case by case basis. When it does happen, the big two comics publishers have found interesting ways to work with relatively indie creators. It’s pretty simple, the most popular superheroes are mega-franchises. Not just anyone is going to be handed the keys to the Batmobile. The mistake is when an indie cartoonist dismisses genre comics out of hand. As David Enos demonstrates here, there are endless possibilities to work with genre, subversive or otherwise. DC Comics and Marvel can always learn something new from alternative cartoonists.

Writing About BAT-MAN IS LOST IN A WOODS

Writing About BAT-MAN IS LOST IN A WOODS

It is a lot of fun to watch this banal Batman recalling the bittersweet days of his marriage to a pretty young woman named, Amity. Understandably, this is not a character from Batman canon. But she does make for a suitable match in the spirit of Silver St. Cloud. Amity is younger and more prone to pouting than anything else. She just wishes that Batman made more time for her and that they had more of a normal life together. Ah, isn’t that always the way with these sort of relationships? Enos deftly pulls the strings on what seems like a merely juvenile plot that unfolds into a dreamy and disturbing narrative, more like HBO’s “True Detective” but also hinting at the sinister origins of Batman going back to his debut in “Detective Comics” in 1939. There was always something weird about Batman. That’s what makes him interesting. David Enos celebrates that weirdness in this comic.

Pork Chops & Eggs at Coastal Kitchen

Pork Chops & Eggs at Coastal Kitchen

I also have to say here that I had a wonderful meal at my venue for writing this review. If you’re in Seattle, you definitely want to visit Coastal Kitchen in the Capitol Hill neighborhood. I had a delectable dish, Pork Chops and Eggs topped with an out of this world house Romesco sauce made with roasted red peppers and almonds. And, in a funny way, that sort of ties in with my theme: take a familiar meat and potatoes subject and give it a spicy twist!

“Bat-Man Is Lost In A Woods,” by David Enos, is a 32-page full-color comic. You can find it at California Clap right here.

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Filed under Alternative Comics, Batman, Comics, Food, Humor, mini-comics, Minicomics, Nipples, Piercings, Satire, Seattle, Superheroes

ECCC 2016: The Business of Comics

Alex de Campi, author of Smoke/Ashes, Grindhouse: Doors Open at Midnight, Lady Zorro, Valentine, and more.

Alex de Campi, author of Smoke/Ashes, Grindhouse: Doors Open at Midnight, Lady Zorro, Valentine, and more.

“Living is hard. Creating is harder. I am here for you on the weeks you write zero words and the weeks you only write 500 and the weeks it all flows out of you like salt water and you’ve written 10,000. I see you when you look back over it and wonder if any of it is any damn good at all. Keep it. It’s good. Keep going. You can edit when you are done.”

Alex de Campi

You are so right, Alex! The above words are from a writer who knows the struggle front and back. I am with you, Alex. As a writer and artist, I get kicked twice. Do I have good work out there for people to see? Of course! Look here! Do I stop and ponder what happens next? Sure. But I’ve been at this long enough where I am not seeking approval. I am not asking permission to create. And, best of all, I am never stopping. Criticism, I have come to see time and time again, is all too often faulty. You take what you need from reviews. You take what you need from rejections. And you take what you need when you do get that beloved approval. Alright, with all that said, I share with you one of the most insightful panels on the whole business of comics. It came on the last day, on the last hour, of Emerald City Comicon: Running Your Career Like a Business, moderated by Marissa Louise.

The Business of Comics. Yes, it’s not all fun and games, as the actual creators of pop culture content can tell you. Consider this: legendary artists on iconic characters like Batman and Superman can be found at conventions doing sketches for forty dollars just so they can keep up with their medical bills. It’s not a pretty picture but that is what can happen to some in the comics industry. Rest assured, comics is an industry even at the indie level. It’s just a matter of how savvy you strive to be.

The general rule of thumb is that you want to mix and match what you do. Sure, everyone wants to be part of one of the superhero properties they grew up with as a kid. Who doesn’t want to work on a Spider-Man book? Just keep in mind that it will be more of an honor than a financial boon. However, the name recognition helps to bring readers over to your own original project. A cycle begins. Your creator-owned work will catch the eyes of the big publishers leading to another big title project. Rinse and repeat.

C. Spike Trotman and David  Walker

C. Spike Trotman and David Walker

Down the road, you gain in stature, your work is in demand, and you get paid what you deserve. As the panelists were quick to point out, there will be many bumps in the road. Even when you make it, you will still fall, and you need to prepare to make it again. David Walker shared his story about writing for the popular Marvel Comics revival of “Power Man and Iron Fist.” “It’s like the monkey’s paw. Be careful what you wish for. I signed over a thousand books for fans this weekend. But I did not actually sell any books.”

One of the biggest questions posed by aspiring creatives is, “How does it all start?” Alex de Campi offered up the quote by Peter Schjeldahl: “You move to a city. You hang out in bars. You form a gang, turn it into a scene, and turn that into a movement.” But, just as essential, de Campi was quick to emphasize: “You need to be careful about contracts. Get a good attorney!”

C. Spike Trotman of Iron Circus Comics, the most successful cartoonist on Kickstarter with a number of quality projects funded, is the first to say that the indie route is great but it will be a slow process. Leila del Duca, a member of the creative collective, Helioscope, would recommend working as a group if possible but she seemed just as open to working alone. In many ways, there is no one road map to success. And, as artist Alison Sampson will tell you, at some point, you need to do what your heart tells you to do. At age 46, Sampson returned to her love of comics and she has no regrets.

Ultimately, remain fierce. Things will fall into place in due time.

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Filed under C. Spike Trotman, Comics, David Walker, ECCC, Emerald City Comicon