Category Archives: Humor

Seattle Focus: Kickstarter campaign for satire, ‘Mack Stuckey’s Guide to the Center of the Universe’

This is NOT "Sleepless in Seattle"

This is NOT “Sleepless in Seattle”

Mack Stuckey’s Guide to the Center of the Universe

A Kickstarter campaign has been launched (ends 8/28) for the illustrated novel, “Mack Stuckey’s Guide to the Center of the Universe,” a dark satire set in Seattle. This isn’t your “Sleepless in Seattle” or “Singles.” Join the campaign right here.

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Filed under Crowdfunding, Games, Geek Culture, Henry Chamberlain, Humor, Jennifer Daydreamer, Kickstarter, Microsoft, pop culture, Satire, Seattle, Sex, Social Commentary

Review: THE FUN FAMILY by Benjamin Frisch

Fun Family

“The Fun Family” is the debut graphic novel by Benjamin Frisch. It is a satire of wholesome family comic strips with a decided focus on Bil Keane’s “Family Circus.” I think Frisch is a decent cartoonist but this work does not make me want to poke fun at family-oriented comic strips that are supposedly shallow and trite. No, instead, it makes me want to defend all comic strips, especially the masterful work of Bil Keane! That said, I do appreciate what Frisch is after here. He has set up an ongoing gag where he has the anti-Family Circus family crumble before our eyes. Meet the Fun family, they are not what they seem.

Frisch goes about his task with a good deal of precision. We are swept right into the family dynamics as each member recites what they are thankful for before dinner. We observe a hearty and classic nuclear family, all Ozzie and Harriet pleasantries intact. And then little junior picks up the phone and is given the news, via an automated message from the hospital, that grandma has passed away. This event triggers a downward spiral that just keeps going downward. This hits Robert Fun, the patriarch, especially hard. How can he continue to draw his world-famous circle-shaped newspaper comic strip celebrating the wholesome American family?

Perfectionist Robert Fun reveals his secret porcelain doll family to his son.

Perfectionist Robert Fun reveals his secret porcelain doll family to his son.

Everyone in this comic within a comic is drawn in the old-fashioned spit polish style of a family comic strip except all vibrancy has been replaced with a certain strangeness. The artwork is keyed down, all the characters either look lifeless or ugly compared to the original Family Circus characters. You think that family fun is the norm? Frisch tells you to think again. It’s an undeniably intriguing concept for a graphic novel. The narrative weaves its way through showing up how families are not perfect and how quack counseling can make matters worse. We also have an interesting mirroring of events going on as little Robby follows in his dad’s footsteps and creates his own successful family comic strip.

This is a well-constructed graphic novel. No real argument there. And the humor may hold up for some folks. As for me, if feels like Frisch is hammering away at something that is not exactly all that subversive as that is clearly his goal. The Simpsons series, reveling in family dysfunction, has been on TV for nearly 30 years. It is common to ridicule a tepid and disingenuous slogan like, “family values.” So, I can’t back down on feeling compelled to support Bil Keane’s life work, now continued by his son, Jeff Keane. What’s next? Are we going to bash Hank Ketcham and Charles M. Schulz? Surely, I ask this with tongue in cheek. It’s not that I can’t take a joke and I do believe that Frisch is capable of telling a joke.

Great satire is great satire. You just know when it comes together. All you need to do is read Mad magazine and read how it has cleverly satirized family comic strips over the years. In the case of “The Fun Family,” the point is made about family dysfunction in a didactic fashion that may prove to be too much of a good thing. That said, you may be alright with the tone to this book. I definitely look forward to more of Frisch’s work. How about a satire on this satire? Now, that could prove to be very interesting and Frisch could prove to be just the right cartoonist to take that on.

“The Fun Family” is a 240-page full-color softcover graphic novel. For more details, visit Top Shelf Productions right here.

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Filed under Bil Keane, Comic Strips, Comics, Humor, Satire, Top Shelf Productions

Kickstarter: ‘The Nowhere Man Book 1: Nothing, Never, Nowhere’ by Jonny Bloozit

Nowhere Man 02

Nowhere Man 01

Jonny Bloozit is a Boston area creator with a cool new project that’s running on Kickstarter this month. It’s called “The Nowhere Man,” and it’s the story of a man trapped in the spirit world. You can read the beginning online here.

“The Nowhere Man Book 1: Nothing, Never, Nowhere,” seeks your support. The Kickstarter campaign runs to July 29, 2016. Support the campaign right here.

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Filed under Comics, Humor, Kickstarter

Preview: MACK STUCKEY’S GUIDE TO THE CENTER OF THE UNIVERSE

MACK STUCKEY’S GUIDE TO THE CENTER OF THE UNIVERSE

MACK STUCKEY’S GUIDE TO THE CENTER OF THE UNIVERSE

MACK STUCKEY’S GUIDE TO THE CENTER OF THE UNIVERSE is a new project that I want to share with you. It is an illustrated novel by Jennifer Daydreamer and Henry Chamberlain. This is a dark comedy about Seattle that will be coming out later this year. More details to follow. Here is a synopsis along with an excerpt.

What It’s About:

Seattle, 2014. Mack Stuckey is stuck in a rut. He’s twenty-three-years-old, still lives at home, hates his job and has no girlfriend.

Mack is a blue collar type with a penchant for books. He’s from a family of fishermen and lives in a neighborhood called Ballard. He has to work in Fremont, a tech hub, where he’s a lowly security guard at the giant game conglomerate, Game Needle.

Mack stumbles into a friendship with the suave Devon Rush, one of the high-powered suits at Game Needle. Things are looking up in his life until he realizes Devon’s new romantic conquest is the girl he’s falling for, none other than the beautiful Jupiter Fellows.

Jupiter is one of Fremont’s most alluring hippies. As the two guys compete for her, Mack’s life becomes a roller coaster. Before they know it, Jupiter cajoles Mack and Devon to partake in a threesome.

Mack Stuckey’s Guide to the Center of the Universe is a dark comedy exploring the new realities in our economic times. There’s plenty of sex and foul language, therefore, FOR MATURE READERS ONLY.

Mack Stuckey stuck in a rut.

Mack Stuckey stuck in a rut.

Excerpt:

The siren sounds. I stare at the bridge. The skies, the mountains, the waters, are all a thick painted grey. I run, head down, as if the clouds are pressing against me. Shadows descend. My vision darkens. I know a storm will hit.

Washington State is a tease. The truth is it does not rain much here; we are just taunted with pregnant skies for months on end. And, yes, you will hear this fact about the weather in every Tom and Dick book out there about Seattle. But most of you don’t read, so I’m filling you in.

It’s grey most of the year and when the rain decides to happen it happens in annoying spurts as its usually polite fucking rain. Like it will start to rain in the evening when most people are lucky enough to be home from work. Or it will rain like hell in the middle of the night, where you are warm and dry and can hear the motherfucker lighting and all, from the safety of your home.

If you’re lucky and your roof doesn’t leak, you can enjoy thinking of all the greenery and how the rain is, you know, a supernatural phenomenon, because the pounding on your rooftop and on the ground, is FUCK YEAH UNBELIVABLE.

It gets your mind spinning at night, a rain to meet head on with in a forest, like you’re Indiana Jones. But you’re not Indiana Jones. You’re a fat lazy twenty-three-year-old fuck, a bear, lying in bed, in your mom’s old faded blue home, fantasizing about Indiana fucking Jones, running and slipping and jumping in the jungle and the rain and all. You’re wide awake from drinking too much coffee that day and therefore you’re an irresponsible lazy ass northern bear not getting enough sleep for the job you gotta go to tomorrow.

But, right here, right now, on top of the Aurora Bridge while I frantically blow my whistle as uncaring cars drive by puffing exhaust into my face, the rain turns the oil on the road into nasty slick circles which makes me slip.

I go down.

The cops descend on me, lift me up off the ground, chide me that I’m not one of them and then nudge me along back to my job. I’m not one of them alright.

I’m a lousy security guard. Deflated, I walk back to work in a downpour.

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Filed under Books, Henry Chamberlain, Humor, Jennifer Daydreamer, Satire, Seattle

Review: WHY WOULD YOU DO THAT? by Andrea Tsurumi

WHY WOULD YOU DO THAT? by Andrea Tsurumi

WHY WOULD YOU DO THAT? by Andrea Tsurumi

Andrea Tsurumi is a cartoonist with an unusual preoccupation with poodles, bras, swimming pools, and various comfort foods like cake, pie, ice cream, and Ramen noodles. This all adds up to a lot of fun for readers. You can enjoy her highly inventive work in her new book, a collection of comics, “Why Would You Do That?” published by Hic & Hoc Publications.

Reading WHY WOULD YOU DO THAT?

Reading WHY WOULD YOU DO THAT?

A good rule of thumb for life in general is to go with your first thought. Sure, that could get you into trouble but still. Let’s focus in terms of creativity, okay? You can think of what Tsurumi does as akin to improvisational jazz or comedy improv. Consider a page entitled, “Ghost Bra,” about a bra that, when you least expect it, creeps up on you and provides…support. Not the sort of thing you overthink from the get-go. No, you let that impulse about a haunting bra fly.

An usual obsession with poodles

An usual obsession with poodles

Other segments take an initial thought and refine it, mine it for all its worth, such as Tsurumi’s examination of poodles. We discover that poodles are far more than man’s best friend. That would hardly cover their accomplishments over the ages. However, there is only so far such a brilliant creature can go with such a bizarre haircut that leaves it wide open to ridicule! As Tsurumi does throughout, the artwork here has an elegant light touch. It is not too light either. There is an organic quality to it. Tsurumi is happy to add as much detail as needed. But, even with her crosshatching, in the end, she maintains a crisp line and a pleasing clarity.

Reading WHY WOULD YOU DO THAT? with Gelato

Reading WHY WOULD YOU DO THAT? with Gelato

Andrea Tsurumi has honed a great dexterity with words and pictures. No doubt, fortified with an essential confidence and drive, Tsurumi has reached an undeniable level of mastery. Her comics appear to breathe naturally as if entities onto themselves. Her work is immersive in the best sense of the word as you get lost in it as you would a compelling piece of performance art. That’s how I felt reading her piece, “Do You Know How to Eat Ramen?” Sounds like something you might catch at an experimental theater doesn’t it? Well, it would definitely make for quite a show. We begin with a lively recitation of ingredients which includes “the part that lives inside you that has gotten small and scared.”

Ice Cream and WHY WOULD YOU DO THAT?

Gelato and WHY WOULD YOU DO THAT?

I also love Tsurumi’s observations on swimming pools. I can well imagine her wading in with a bunch of strangers and immediately aghast and bewildered. Swimming pools, in Tsurumi’s world are a lot of things, the least of which is a place for swimming. They are an odd place of ritual such as parents teaching their children, and anyone else caught in their crosshairs, about mortality. For someone fascinated by odd shapes, sounds, and the overall human condition, Tsurumi knows how to make the most of wherever she happens to find herself. This collection proves to be an excellent guidebook into her adventures.

Lastly, I would like to add that I recommend a nice slice of pie or perhaps some ice cream, or gelato, while you read this book. I enjoyed reading and reviewing it while visiting Fainting Goat Gelato in the Fremont neighborhood of Seattle. I was quite taken with the stracciatella.

“Why Would You Do That?” is a 60-page black & white trade paperback available now though Hic & Hoc Publications.

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Filed under Andrea Tsurumi, Comics, Food, Gelato, Hic & Hoc Publications, Humor, Seattle

Open Letter to George Stephanopoulos: Time to Push Harder on Donald Trump, Don’t You Think?

(Why did the above train wreck of an answer from Donald Trump not derail the Trump campaign? The nuclear triad is basic knowledge but Trump had no clue.)

Dear George,

I write to you because you are in a unique position as someone a whole lot of people admire and trust. You’re a smart and capable person. Otherwise, why should I even bother? Alright, that said, I would like you to seriously consider pushing harder on Donald Trump as he edges closer and closer to a viable occupant of the White House. What do you think?

You played a hard-hitting journalist on “House of Cards.” Let’s do this in real life, “for reals,” as the kids say. You were interviewed on your own show, “Good Morning America,” about what was real on “House of Cards” and you responded that nothing on that show is real. Nothing? Not even being a hard-hitting journalist? Oh, the irony! Say it ain’t so, George!

Do you want to be like most of the American media and keep throwing softballs to Donald Trump? Why, George, why? Would you like to say that I am being naïve about this? Don’t worry, George, I know about your very special connection to the Clintons. That is hardly a secret, am I right? Nudge, nudge, your secret is good with me. Actually, just go for it, no need to be loyal to anyone. Be hard-hitting with your questions to Hillary too.

Here are some great examples to consider:

4 November 1979: Roger Mudd, CBS News, presses Edward Kennedy on why he is running for president and Kennedy, while eloquent, does not seem to warm up to his answer:

11 September 2008: Charles Gibson, ABC News, asks Sarah Palin about the Bush Doctrine, keeps his focus, and it quickly becomes apparent she does not know what the Bush Doctrine is:

30 March 2016: Chris Matthews, MSNBC, engages Donald Trump in conversation to reveal that Trump believes women should be punished for having an abortion:

Each of these interviews became a news story in its own right.

Focus every ounce of journalistic integrity you may have and help to steadily bring down Trump. He is such an easy target. Why not do this, show Trump for what he is, an ignorant irresponsible demagogue. Worth a try, don’t you think?

If you are scratching your head and wondering how to do this, which is highly doubtful, just press him the next time he gives a messy, uneven, and thoroughly unacceptable answer to a question. Yes, Trump has given some really odd responses comparable to Sarah Palin at her worst. (See the above video displaying Trump’s utter ignorance of the U.S. nuclear triad and his attempt to cover himself.) So, just keep that in mind. Trump can easily be toppled. Are you game? Surely, you have nothing to lose except perhaps some rating points but that is really Trump’s biggest bluff of all. It worked out alright for NBC when it fired him.

Here is what you do when you start to lose your nerve, just repeat to yourself this refrain, “Trump is not the boss of me! Trump is not the boss of me!” That may seem silly but I think it could work and you will help save our country from a Trump administration. Look, Katie Couric decided she just wasn’t going to go all warm and fuzzy on Sarah Palin and, well, you know, the rest is history. Check out the video below: here is a typical interview between you and Trump. You’ll note that when Trump feels the heat, he’ll deflect with a vague, “We’ll see what happens.” Or if called out on a fact, he’ll double down on his answer and just move on. Next time, don’t let him just move on. Act like you did when you played a hard-hitting journalist on “House of Cards.” And, by the way, Trump should never have been allowed to phone in his interviews.

Lastly, put out of your mind any blowback from Trump. Oh sure, it will sting, whatever he does, whether in person or later on Twitter. But it is only a brief and temporary sting. Stay focused. Be friendly and respectful going into an interview. But at some point, George, pivot to the tough questions. Once you’ve caught him, don’t let him off the hook. Go to it, George!

Your friend,
Henry

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Filed under Donald Trump, George Stephanopoulos, Hillary Clinton, Humor, Journalism, news, pop culture

Review: ‘Bat-Man Is Lost In A Woods’ by David Enos, published by California Clap

"Bat-Man Is Lost In A Woods" by David Enos

“Bat-Man Is Lost In A Woods” by David Enos

This is a review of the comic, “Bat-Man Is Lost In A Woods,” by David Enos, published by California Clap. That is mostly what we will be discussing here. However, I will bring up a few other related things. First off, I set out to write this review while I waited to see an old friend who had just gotten his nipples pierced. He’s a fairly average guy, maybe not the type to do this. But, hey, to each his own. That brings me to a theme I was working with for this review: seeing the familiar within the unfamiliar. So, here I was waiting. I began to imagine getting my own nipples pierced–or at least just one. But I keep thinking there will be issues with airport security. I know for a fact that the SEATAC TSA is prone to fumbling about. So, imagine me sporting nipple jewelry for TSA to have to process. These folks don’t process very well.

Batman and Amity

Batman and Amity

Anyway, let us proceed. Batman. Now, there’s a subject for you. Most of us out there can easily hook into Batman. What David Enos has done is play with that familiarity. His Batman taps into arguably the most accessible version, the Adam West model. The Enos Batman is a no-nonsense guy with little room for drama. The big case he’s on in this story is familiar enough too: a search for a long lost love. It’s the sort of plot that can easily be deadened by a too obvious treatment. Enos is having fun with these tropes by taking everything right up to the edge of the banal. He throws in some light humor and sets this whimsical Batman off on a surreal landscape, a mashup of grim, dark, and camp.

Reading BAT-MAN IS LOST IN A WOODS

Reading BAT-MAN IS LOST IN A WOODS

It is a rite of passage for any cartoonist to create their take on superheroes. There is a divide that will always exist between independent cartoonists and the world of mainstream genre. There is little crossover but, when it happens, it is something to study on a case by case basis. When it does happen, the big two comics publishers have found interesting ways to work with relatively indie creators. It’s pretty simple, the most popular superheroes are mega-franchises. Not just anyone is going to be handed the keys to the Batmobile. The mistake is when an indie cartoonist dismisses genre comics out of hand. As David Enos demonstrates here, there are endless possibilities to work with genre, subversive or otherwise. DC Comics and Marvel can always learn something new from alternative cartoonists.

Writing About BAT-MAN IS LOST IN A WOODS

Writing About BAT-MAN IS LOST IN A WOODS

It is a lot of fun to watch this banal Batman recalling the bittersweet days of his marriage to a pretty young woman named, Amity. Understandably, this is not a character from Batman canon. But she does make for a suitable match in the spirit of Silver St. Cloud. Amity is younger and more prone to pouting than anything else. She just wishes that Batman made more time for her and that they had more of a normal life together. Ah, isn’t that always the way with these sort of relationships? Enos deftly pulls the strings on what seems like a merely juvenile plot that unfolds into a dreamy and disturbing narrative, more like HBO’s “True Detective” but also hinting at the sinister origins of Batman going back to his debut in “Detective Comics” in 1939. There was always something weird about Batman. That’s what makes him interesting. David Enos celebrates that weirdness in this comic.

Pork Chops & Eggs at Coastal Kitchen

Pork Chops & Eggs at Coastal Kitchen

I also have to say here that I had a wonderful meal at my venue for writing this review. If you’re in Seattle, you definitely want to visit Coastal Kitchen in the Capitol Hill neighborhood. I had a delectable dish, Pork Chops and Eggs topped with an out of this world house Romesco sauce made with roasted red peppers and almonds. And, in a funny way, that sort of ties in with my theme: take a familiar meat and potatoes subject and give it a spicy twist!

“Bat-Man Is Lost In A Woods,” by David Enos, is a 32-page full-color comic. You can find it at California Clap right here.

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Filed under Alternative Comics, Batman, Comics, Food, Humor, mini-comics, Minicomics, Nipples, Piercings, Satire, Seattle, Superheroes

DVD review: CANDY

Ewa Aulin and Marlon Brando in 1968's "Candy"

Ewa Aulin and Marlon Brando in 1968’s “Candy”

“Candy” was a notorious novel from 1958 by Terry Southern and Mason Hoffenberg. It had sex, satire, and more sex. By 1968, director Christian Marquand brought to the screen something which was equally notorious and it had sex, satire, and more sex. There’s a story that Buck Henry, the screenwriter, tells in a bonus feature on the DVD. Marquand, Henry, and a producer, Peter Zoref, would routinely go to lunch during the filming. Zoref was regularly verbally abused by Marquand but, on that day, Marquand took to slapping Zoref. Henry admonished Marquand to stop. When Marquand ignored Henry and resumed his abuse, Henry threatened to use his knife on Marquand–which he ultimately did! With a knife impaled into his hand, Marquand began to maniacally laugh. He just kept on laughing and laughing. To this, Buck Henry conceded some form of greatness on the part of Marquand! And, with that said, it gives you a taste of “Candy.”

1968 was a long time ago, no two ways about it. So, we take that into consideration when viewing such a work as this. It is not an unequivocally classic piece like, say, Stanley Kubrick’s “Dr. Strangelove.” No, no, no. It is not that. However, a case can be made for it being a misunderstood gem. There are some interesting things going on that raise it above a typical Sixties exploitation movie. In fact, there are plenty of entertaining scenes to make this worthwhile and a lot of that rests on the stellar cast of actors. Everyone on board seems okay with the premise and play it to the hilt: a young woman, a veritable ingenue/sex object wanders about as various middle-aged men ogle her and dare to fondle her. Candy, on the other hand, does not find the potential suitors to be repulsive. She is mostly concerned with being given a decent reason to take her clothes off. Silly. Surreal. Disturbing. Check all of the above.

We begin with Richard Burton as Candy’s first suitor. That turns out to be quite impressive. And the list of suitors goes on from there: Ringo Starr, Walter Matthau, James Coburn, and Marlon Brando. At one point, I sort of started to think that director Marquand had set up a cynical trap for all these A-listers putting them in a situation that would leave them looking ludicrous. But, no, that does not really happen. Everyone survives, if not excels. Burton is brilliant as MacPhisto, a latter-day Lord Byron with a throng of young women in a frenzy over him. With any woman at his disposal, MacPhisto becomes transfixed by Candy, played to spaced-out perfection by Ewa Aulin. The only problem is that MacPhisto is all thumbs, like most of the men depicted in this movie, when it comes to actually having sex. Candy is all for it but MacPhisto proves to be trapped within a bubble of his own self-delusion. Fast forward to Marlon Brandon, as Grindl, the charismatic guru, who proves to be a capable seducer. While all the rest of the men marvel over Candy the sex object, Grindl has no problem firmly placing hand over mons and proceeding. Whether true zeitgeist or more kitsch, “Candy” has a certain colorful quality to it that makes it hard to resist. It is a masterpiece train wreck.

“Candy” has been released on DVD from Kino Lorber. You can find “Candy” at various outlets including Amazon right here.

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Filed under DVD Blu-ray Reviews, Humor, movies, Satire, Sex

Netflix Review: UNBREAKABLE KIMMY SCHMIDT Season Two

Unbreakable Kimmy Schmidt

I’d been reading one of my favorite dark fantasy/horror writers, Dennis Etchison, when I took to watching the new season of “Unbreakable Kimmy Schmidt.” Now, this show may appear to simply involve wacky hijinks but the connection to the likes of Etchison is significant. Kimmy Schmidt, created by Tina Fey and Robert Carlock, is a show of high quality in more ways than one may expect. Etchison’s short story, “Inside the Cackle Factory” is quite fitting. Ostensibly, it is about how TV sitcoms get approved. However, the veil of secrecy keeps slipping to reveal sinister underpinnings. And so it is with Kimmy Schmidt: the veil keeps falling.

Ellie Kemper and Amy Sedaris

Ellie Kemper and Amy Sedaris

Now, I’m only suggesting a touch of horror. We know it can be a short distance between comedy and tragedy and that horror need not require a drop of blood. Another dark comedy on the same track is the now classic, “Strangers with Candy” (1999-2000) starring Amy Sedaris. This is the show about a 46-year-old former drug addict and prostitute trying to get her life together by literally going back to high school. This is so key to what I’m saying that I’m doing cartwheels right now. “Strangers with Candy” proves that dark comedy is often the best comedy. It had Stephen Colbert and David Letterman involved. And, the cherry on the top is that Amy Sedaris plays an ongoing character on Kimmy Schmidt!

Ellie Kemper getting her Kimmy Schmidt on!

Ellie Kemper getting her Kimmy Schmidt on!

Amy Sedaris plays the role of Mimi Kanasis, best pal to Jacqueline Voorhees (now Jacqueline White as she is newly divorced from her cheating billionaire husband). If this sounds like a lot of plot development going on with this show, you’d be correct. But it all makes sense. In one respect, the show is sort of spoiler-proof as it is broad comedy on one level, just fun satire like you got from “Seinfeld.” However, it does want to have it both ways with investing in character development. This, odd combination of edgy whimsy and heart-felt exploration of character tends to work out pretty well in this case.

Without giving anything away, consider a scene that can be read as a faux pivotal moment. It seems that a certain train departure is significant and may very well interrupt a “boy-meets-girl” connection. But, hey, no worries, the train is running two hours late! “Wow, what a break for that couple meeting up! You guys are running two hours late!” yells Kimmy to an Amtrak train conductor. He smiles and says, “And you thought we were just a train company. Far from it! We make love connections happen!” It is a funny and silly scene but it also does involve an authentic connection, sans irony, between characters. You can say that is a Kimmy Schmidt trademark. As Jerry Seinfeld has famously said of his show, it is devoid of any “very special moments.”

Tituss Burgess as Titus Andronicus, no...Titus Andromedon!

Tituss Burgess as Titus Andronicus, no…Titus Andromedon!

The reason for the tension between broad comedy and authentic connection on Kimmy Schmidt is that this show, as opposed to Seinfeld, is about something instead of nothing. It has a pretty heavy premise and the showrunners carry that as a badge of honor: young woman survives fifteen years hidden away in a bunker and now tries to rebuild a life in New York City. It is a premise very much in the spirit of Strangers with Candy. It’s not pure comedy but it provides some of the biggest laughs you’ll find. And it’s definitely NOT a typical comedy-drama, infamously known as a “dramedy.” It is coming from another place. That is why I think the touch of horror is so important: this is a show that is meant to make you laugh as well as unsettle you, take you out of your comfort zone. And, in that regard, it is doing a bang-up job.

Carol Kane (Lillian Kaushtupper) and Jane Krakowski (Jacqueline White)

Carol Kane (Lillian Kaushtupper) and Jane Krakowski (Jacqueline White)

It is because Kimmy Schmidt resides some place other than a typical sitcom that the show becomes this broad venue upon which masterful writing can discuss various themes. With the character of Lillian Kaushtupper (played by Carol Kane) we explore the conflict between old urban neighborhoods giving way to gentrification. Lillian doesn’t always have the best responses but she offers a compelling portrait of someone who finds herself being pushed out in the name of progress. With the character of Jacqueline White, we have a latter-day “The Awakening” story by Kate Chopin. Jacqueline comes to realize in middle-age that her whole life has been a sham of social climbing in Manhattan. She makes various awkward attempts to be true to her Native American heritage. Then we have the character of Titus Andromedon (played by Tituss Burgess) who is forced to do more and live more after having come out gay. Originally born Ronald Ephen Wilkerson in Chickasaw County, Mississippi, Titus Andromedon experienced his own awakening that led him to live in New York City. However, in the intervening years, he has frittered away much of his promise as an aspiring actor/singer.

Tina Fey as Andrea Bayden on "Unbreakable Kimmy Schmidt"

Tina Fey as Andrea Bayden on “Unbreakable Kimmy Schmidt”

Finally, we come back to Kimmy Schmidt. Who is she and what does she want? Well, as she learns from stumbling into a friendship with a psychiatrist, Andrea Bayden (played by Tina Fey), she has a lot of work to do on her own personal baggage. For starters, she is too helpful. Again, without any irony, Andrea suggests that Kimmy is an “enabler.” Kimmy, the good doctor points out, is too busy trying to help others, perhaps more than for their own good. And, on top of it, Kimmy is avoiding helping herself. She, after all, was kidnapped and lost fifteen years of her life huddled in a bunker with three other women. The cult leader abused the women. Pretty dark stuff in the background that keeps coming up to the surface like PTSD. Ah, but if only the good doctor could take her own advice. It’s not like Andrea is in the driver’s seat, especially with her having Kimmy as her own personal Uber driver. Very funny, and very touching, stuff. It takes formidable comedic, and general writing, chops to pull of a show that has bite as well as provides a hug. See for yourself. If you have not already, go on your merry way to Netflix and get all caught up on Season Two of “Unbreakable Kimmy Schmidt.”

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Filed under Amy Sedaris, Comedy, Dennis Etchison, Entertainment, Horror, Humor, Netflix, Television, Tina Fey

Review: DARK PANTS #1 and #2

I find artist Matt MacFarland quite the kindred spirit as he makes comics coming from a fine arts background. Think of it this way, most of us out there love a David Lynch movie because it has all those extra layers of ambiguity. Well, that’s Lynch’s fine arts background at play. Some of us cartoonists began as painters and/or hybrid artists working in various forms of expression: writing, drawing, film, acting, photography, and so on. When you take all that activity and bring it into comics, it can result in some mind-blowing art like MacFarland’s ongoing comics series, “Dark Pants.”

Reading DARK PANTS at Canter's Deli

Reading DARK PANTS at Canter’s Deli

What sets apart one alternative comic from another is this fine art sensibility. You don’t necessarily have to go to art school for it–but it helps. Imagine that, art school actually does have value! I kid you not. It is what you make of it. Here’s another comparison. Try to achieve the comedic chops of Tina Fey without ever joining an improv comedy troupe. It ain’t gonna happen. You need to flex comedic muscles you don’t even know you have–and you need to be around like-minded people in order to really stretch yourself. In time, with the help of others, you’ll realize how much you suck and what you need to do to improve. And so we find ourselves with this comic which unabashedly displays its motif, those dark pants.

Issues 1 and 2 of DARK PANTS

Issues 1 and 2 of DARK PANTS

Like Cinderella slipping her bare feet into glass slippers and transmogrifying into a regal beauty, there is something enthralling about a story of transformation. This is certainly not lost on MacFarland as he has one hard luck character after another in his series find a break from their routine when they happen upon a mysterious pair of tight black jeans. In the first issue of this comic, Diego, a drab little guy, becomes a hot lover when he buys these jeans at a thrift store and puts them on. But he soon finds that his newfound sex appeal is far more than he bargained for. By our second issue, the jeans have found their way into the hands of Milena, a lonely virgin who writes a sex column for her college paper. Once those jeans are on, she too is over her head.

Diego's story set on Miracle Mile, 1992

Diego’s story set on Miracle Mile, 1992

It’s interesting that both Diego and Milena were already struggling with their lives before they crossed paths with the sexy jeans. It just stands to reason that these jeans were just as likely to wreck, instead of enhance, their existence. But, who knows, maybe the right sort of loser, like the sort portrayed by Don Knotts or Jerry Lewis, would make the most of a cosmic makeover. So far, MacFarland’s characters are doomed, with or without sex, and that’s just as well for this humorous noir. This is a rare treat. I love MacFarland’s wit and vision.

Milena's story set in Glendale, 2002

Milena’s story set in Glendale, 2002

MacFarland has a very accessible style which goes well with his less commercial, and darker, vision. That said, the darker stuff is not always the less marketable. Overall, I see MacFarland’s work as assured with a refreshing approach and zest. It is a cartoony style that makes me think of ironic cartoonists from the ’90s like Ward Sutton and Michael Dugan. It is a sturdy yet elastic style that makes you think you could poke at the characters and reshape them a bit. With that in mind, it is a style that lends itself well to laughs and/or drifting in and out of reality. Our next victim of the traveling tight dark pants will be a kid named Philip in the upcoming third issue. I look forward to how things develop there.

To learn more, and to purchase comics, visit Matt MacFarlnd right here.

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Filed under Alternative Comics, Comics, Humor, Independent Comics, Indie, Matt MacFarland, Minicomics, Noir