Monthly Archives: June 2016

Interview: Bob Proehl and ‘A Hundred Thousand Worlds’

Bob Proehl

Bob Proehl

A HUNDRED THOUSAND WORLDS, the debut novel by Bob Proehl, is a beautiful and quirky book mixing pop culture satire with a compelling family journey. It is published by Viking, an imprint of Penguin Random House. Read my review here.

“For all its acrobatic wit and outsize charm, at its heart this is the love story of two everyday heroes–a mother and son–who, like their author, possess the superpower of storytelling. A ‘Cavalier & Clay’ for the Comic-Con age, ‘A Hundred Thousand Worlds’ is a bighearted, inventive, exuberant debut.”

–Eleanor Henderson, author of “Ten Thousand Saints”

BOB PROEHL grew up in Buffalo, New York, where his local comics shop was Queen City Bookstore. He has worked as a bookseller and programming director for Buffalo Street Books, a DJ, a record store owner, and a bartender. He has written for the 33⅓ book series and worked as a columnist and reviewer for the arts and culture site PopMatters.com. Proehl currently lives in Ithaca, New York with his wife, stepson, and daughter. It is my pleasure to share with you this interview.

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Filed under Bob Proehl, Book Reviews, Books, Comics, Fiction, Penguin Random House, pop culture, writers, writing

Movie Review: DE PALMA by Noah Baumbach and Jake Paltrow

Jake Paltrow, Brian De Palma and Noah Baumbach

Jake Paltrow, Brian De Palma and Noah Baumbach

Brian De Palma is a wonderful conversationalist. In this new documentary, “De Palma,” which appears to have taken place in one sit-down interview, De Palma shares with you everything about his career and, by extension, his life. You feel a great director is passing his hand over it all, setting the record straight. This is Brian De Palma, after all, and he has had to endure a formidable amount of attack on his work. Either he was ridiculed for daring to reference Alfred Hitchcock, or his films were deemed to have too much sex, too much violence, and too much blood. The key to what makes this documentary truly worthwhile is that De Palma is a great storyteller and he sure wasn’t going to hold back on his own life’s story. He doesn’t control as much as he reveals.

What you learn about Brian De Palma in this documentary will undoubtedly enrich your viewing of his work. Let the master confess to you. As it turns out, the much discussed voyeurism in De Palma’s films is quite personal. There is certainly the Hitchcock influence, which De Palma addresses early on. How often does “Vertigo” alone get referenced in his work? Well, a lot. That is involved with a fascination in what the viewer gets to see. Later, we find out a deeper motivation. De Palma, as a young boy, was outraged to discover his father’s infidelity. He took it upon himself to follow his father and document on film his activities. De Palma, detective, gathering evidence. Finally, he confronts his father and flushes out his mistress who was attempting to hide in a closet. De Palma furiously chastises his father. De Palma, avenger, administering punishment.

At age 75, Brian De Palma has earned many times over a re-evaluation. This is a guy who definitely knows how to push buttons. Arguably, he has painted himself into something of a corner smeared in blood, mostly women’s blood. His level of suspense can be said to be over the top. However, it is something else when you have him there on the screen thoughtfully articulating his work alternating with various compelling clips and footage from a lifetime in cinema. He’s not there to persuade you. He’s there to let you in on things. You end up feeling that, yes, it is really in your best interest to put away any past preconceived ideas and listen. As for the relaxed candor running throughout, we can also give a lot of credit to the film’s directors, Noah Baumbach and Jake Paltrow.

SIFF Cinema Uptown in Seattle showing "De Palma"

SIFF Cinema Uptown in Seattle showing “De Palma”

Ultimately, this is a master class in filmmaking. De Palma does not say anything without it having a reason, followed by other reasons. At one point, he claims to not care for car chases. He says that “The French Connection” put that to rest with the greatest car chase ever. Besides, he’s not a car guy. Later, he admits he really prefers walking scenes as they lend themselves to great nuance and mystery. He loves the way a woman moves. And, more to the point, constructing a walking scene plays into his need for pictorial structure. And don’t get him started on his split-screen technique. Well, actually, do and you get some fascinating observations. For one thing, yes, it can be overdone and it won’t work for an action sequence. But allow someone with vision to modulate it, and it works. Brian De Palma was part of a golden age and contributed too much to ever be dismissed. This documentary proves to be a great companion to his work.

“De Palma” is currently enjoying a limited run. Catch it in theaters while you can. I had the pleasure of viewing it at one of our Seattle International Film Festival theaters that provide SIFF members and the general public with quality content year-round. “De Palma” is showing at SIFF Cinema Uptown along with a selection of De Palma films. Find out more about SIFF right here.

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Filed under Brian De Palma, Documentaries, Movie Reviews, movies, Seattle, Seattle International Film Festival, SIFF

DVD Review: HOURS

Paul Walker Hours

“Hours” is a film that has an offbeat dynamic and unusual level of suspense that brings to mind something like Steven Spielberg’s “Duel.” There are elements of horror to this and, much like “Duel,” this is a story about a man, out of his element, forced to keep his wits and survive. One added wrinkle: our hero, Nolan (played by Paul Walker), has just lost his wife, Abigail (played by Genesis Rodriguez) while she was giving birth during Hurricane Katrina. More to the wrinkle: Nolan ends up being left behind while everyone at the hospital evacuates. He must remain with his premature baby who will need a ventilator for the next 48 hours, thus the title, “Hours.” And we’re just getting started.

It was Richard Matheson who perfected a thinking man’s horror with such work as “I Am Legend” and “The Shrinking Man.” These stories pivot upon a lone man in a life or death situation, at war with his environment–whether it’s vampires or giant spiders. The situation begins dire and gets more and more complicated. Does the character even have a decent chance of survival? No, so his life keeps flashing before him, and his senses sharpen, as he contends with one gut-wrenching challenge after another. That’s exactly what is happening in “Hours.” This 2013 film is the directorial debut for Eric Heisserer who is a writer on the rise in Hollywood. This film is his first opportunity to direct one of his scripts and you sense that attention to detail, to composition, and consistency. Nolan is totally trapped in the fight of his life–and his newborn daughter.

There is an undeniable added layer of significance with the acting talents of Paul Walker who sadly passed away in 2013. At the heart of this film is a story about how to respond to a disaster. Paul Walker was part of a relief team responding to the earthquakes in Haiti in 2010. That led him to found Reach Out WorldWide (ROWW), an organization of skilled volunteers responding to post-disaster situations. That energy and commitment is indelibly marked on every frame of this engaging film.

You’ll be seeing a lot more of Eric Heisserer’s work in the coming months. One fine example is “Lights Out,” screenplay by Heisserer, out in theaters 22 July 2016 (USA). And, you better believe it, this looks like a really scary horror movie. Currently, Denis Villeneuve is directing Heisserer’s Black List script “Story of Your Life” for Paramount Pictures, starring Jeremy Renner and Amy Adams. “Story of Your Life,” is a sci-fi thriller based on the short story by acclaimed author Ted Chiang.

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Filed under Disaster, Disaster Movies, Eric Heisserer, Horror, Horror Movies, Movie Reviews, movies, New Orleans, Paul Walker, Richard Matheson, Steven Spielberg

Book Review: ‘A Hundred Thousand Worlds’ by Bob Proehl

"A Hundred Thousand Worlds" by Bob Proehl

“A Hundred Thousand Worlds” by Bob Proehl

Bob Proehl is in touch with the natural, yet complex, details of a mother and son relationship. In Proehl’s debut novel, he has Valerie Torrey face the bittersweet transition of her son, Alex, leaving behind childhood and quite literally having to say goodbye to his mom. It’s complicated but, in this case, inevitable.

Alex Torrey is a nine-year-old boy who hasn’t seen his dad, Andrew, in six years. In Alex’s world, his dad is three things: an actor in Los Angeles; a movie star he can see on TV; and, just for fun, the character he plays, a time traveling secret agent. It was Valerie who made the reckless decision to kidnap her son and raise him in New York. Now, Val seems to want to make things right by reuniting Alex with Andrew. Throw in an assortment of superheroes, monsters, and robots, and you have the engaging debut novel by Bob Proehl, “A Hundred Thousand Worlds,” published by Viking.

This story hangs together very well on the tiny frame of nine-year-old Alex, who is at that magical age of still being very much a child and yet capable of profound observation. He is a character type that has been brilliantly employed in some great fiction from such diverse writers as Günter Grass, John Irving, and Jonathan Safran Foer. So, Proehl has created his very own charming and sad little imp. Alex questions everything. He has certain rituals he follows to help him find answers like reversing the letters to various names hoping to tap into some hidden meaning. It makes no sense to an adult but follows kid logic. From this heartbreaking innocence we can compare our own journey to self-discovery.

Valerie met Andrew while the two were starring in the hit sci-fi series, “Anomaly.” The mystery is what triggered Valerie to run away with Alex to New York. Proehl sets in motion a clever device to get Valerie, Andrew, and Alex reunited. Six years of separation from his father has taken its toll on Alex, a situation crying out for resolution. Valerie leverages her pop culture status and picks up some appearances on the comic book convention circuit, enough to cover her expenses on her odyssey with Alex, from New York back to Los Angeles. Along the way, we get plenty of jokey references to the comic book industry, many which will be appreciated by diehard fans.

Proehl’s work is ambitious as he juggles numerous pop culture references while developing something deeper. He does a wonderful job of straddling the lighthearted accessibility of a young adult novel with the richer field of literary fiction. Valerie, for example, is quite compelling as a flawed character. Andrew has made some obvious bad choices but Valerie has much to work out like her smothering overprotective nature.

Proehl knows how to satirize pop culture quite well. It is remarkable that he also knows how to evoke the qualities that attract us to mass entertainment. Nothing is ever so simple, not a divorce, not a child, not even a comic book.

“A Hundred Thousand Worlds Hardcover” is published by Viking, an imprint of Penguin Random House, available as of June 28, 2016. For more details, visit Penguin Random House right here.

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Filed under Book Reviews, Books, Comic-Con, Comics, pop culture, Superheroes

#NoBillNoBreak and BRAVE NEW FILMS

#NoBillNoBreak

#NoBillNoBreak

Rep. Katherine Clark of Massachusetts was fed up with the ritual in Congress of a moment of silence followed by no further response to the latest mass shooting in America. She approached civil rights icon Rep. John Lewis of Georgia. Lewis responded with organizing a classic sit-in. This time it would be inside the well of the House of Representatives, something never done before. And so history is being made. The Democrats are now galvanized and vow to continue the fight. Moving forward, spreading the word about the issues involved is crucial and Brave New Films is one great resource.

Rep. Katherine Clark teamed up with Rep. John Lewis for the sit-in.	–Katherine Clark / Twitter

Rep. Katherine Clark teamed up with Rep. John Lewis for the sit-in. –Katherine Clark / Twitter

Brave New Films is doing its part to spread awareness with its own Gun Safety campaign running since 2014. You may think you know the story but the facts will speak for themselves:

On January 5, 2016, President Obama announced executive actions aimed at expanding background checks. That same day, Smith & Wesson’s share prices rose to a record high of $25.86* a share.

Eleven days ago, 49 people died and 53 were injured in Orlando Florida, the 133rd mass shooting this year. As of yesterday, Smith & Wesson shares are up 19%** since Orlando.

Smith & Wesson is MAKING A KILLING, and they are not the only ones. The NRA, gun manufacturers and the politicians they pay are all guilty of greed.

Since launching our Gun Safety campaign in 2014, we have reached millions of people with our content. Because of your support and the thousands of supporters like you sharing and contributing, the narrative of our work is developing the connection for the mainstream media to see how greed is making us all less safe.

Will you donate $25 right now so we can continue to create content that activates millions? With every donation, big or small, you make an impact.

Content like this piece released yesterday and already reaching 210,000 people and counting. #NoBillNoBreak

The mainstream coverage of #NoBillNoBreak is promising. Now is the time to keep making the connection between the business of selling guns and the politics that allow an industry that fuels 133 mass shootings in less than half a year to keep making billions in profits. Together, we are reframing the gun debate because the right to safety should always triumph over greed.

Visit Brave New Films and learn more about their Gun Safety campaign and help support their film, THE REAL NRA: MAKING A KILLING.

Support Brave New Films in continuing to provide compelling content to millions of people. You can make a donation right here.

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Filed under Brave New Films, Civil Disobedience, Documentaries, Gun violence, NRA, Protest

Review: A CITY INSIDE by Tillie Walden

"A City Inside" by Tillie Walden

“A City Inside” by Tillie Walden

I was running late and I decided the best thing to do was to run even later. I stopped by to have a gourmet treat, a bison burger at Eve, one of the new trendy eateries in the Fremont neighborhood of Seattle. Eve is not yet a year old but, in human years, I suppose it’s already a teenager. The place is always immaculate and it seems to have settled into a nice groove. I went to my favorite table near the window and the waitress, with a really dazzling arrangement of tattoos, took my order. With a glass of wine, I turned my attention to one of the most pleasing mini-comics I’ve read in quite a while, “A City Inside,” by Tillie Walden, published by Avery Hill Publishing.

By the time I had read Tillie Walden’s mesmerizing book, my bison burger was served. I started munching and thinking over what this book meant to be. I wondered how many people had bison and wine while contemplating a mini-comic by Tillie Walden. That would be a rare subset of a subset of a select group. Everything about this comic adds up to a beautiful rare bird. Think of it as going to a really good art gallery show. Sometimes you’ll get a pang of regret wishing more people were there with you to share the experience.

Up, up, in the air with Tillie Walden

Up, up, in the air with Tillie Walden

Or, instead of art galleries, just think of comic strips. Walden’s work is as accessible, and full of possibility, as some of the best comic strips. Take Little Nemo in Slumberland, for example. Now, there’s some truly fanciful stuff going on. Consider Krazy Cat and Ignatz, early Popeye, even Peanuts. Comics strips, by their very nature, are ethereal and odd. Speaking of Little Nemo, Walden’s alter-ego, just like Nemo, enjoys taking her bed out for a spin like a magic carpet ride. Much of what we see in “A City Inside” is a wonderful ode to a daydream nation and to overcoming the trepidations of a young person. Walden celebrates all the great eccentricity to be found in comics.

The city beckons.

The city beckons.

What Walden does in “A City Inside” is invite you inside her head–or appear to do so. The main character, her alter-ego and/or a universal character, shares her concerns with the reader. The narrative appears to occur during a therapy session. The young woman is contemplating her future. It is one she knows will require overcoming fears and, ultimately, it may require leaving behind her lover. But the important thing is that the future is hopeful. She will find her way. She will gain admission into the wondrous city. Walden does a great job with a light drawing style to go along with her light lyrical prose. Some of the narrative is enigmatic, elusive, ethereal. But, in the end, it all makes sense.

“A City Inside” is a 56-page trade paperback, published by Avery Hill Publishing. Visit Avery Hill right here. And find more Tillie Walden comics at Retrofit Comics right here.

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Filed under Alternative Comics, Avery Hill Publishing, Comics, Independent Comics, Retrofit Comics, Tillie Walden

Book Review: ‘Disappearance at Devil’s Rock: A Novel’ by Paul Tremblay

"Disappearance at Devil's Rock" by Paul Tremblay

“Disappearance at Devil’s Rock” by Paul Tremblay

Paul Tremblay’s latest novel, “Disappearance at Devil’s Rock,” rings true with elements of a boy’s adventure tale mixed with a crime mystery that takes one devilish turn after another. Gradually, the heat is turned up and, like any good work of horror, you get hooked. Taking a different approach from Tremblay’s 2015 novel, “A Head Full of Ghosts,” this new novel does not go in spooky right away.

This is a tale of a boy gone missing. Tommy is a well-liked teenager, with swagger and good looks, but he normally keeps a low profile. He has two best friends in all the world, Josh and Luis, and he treats them rather shabbily. Boys will be boys. What becomes apparent is that Tommy is a complicated kid. There is something strange and sad about him.

The dynamic between the three boys shifts when Arnold, a young man of indeterminate age, ingratiates himself into the trio. Arnold reveals he has psychic powers. This leads Tommy to open up about his struggle with dealing with his father’s death. Luis senses something not quite right about Arnold. Our story begins with the disappearance of Tommy at Split Rock, known to the locals as “Devil’s Rock.” From there, the narrative alternates between the search for Tommy and moments in the past that indicate Tommy was not as strong as he thought and quite vulnerable to the Devil’s charms.

Favoring an enigmatic route, Tremblay invests a good amount of time in developing the characters closest to Tommy like his mother and sister. Some of the strongest scenes involve them trying to make sense of what’s happened. It’s like the foreboding flashbacks belong to the males and the present problem-solving belongs to the females. In both cases, the Devil is not far behind. As is made clear in a folktale that Arnold recites, the Devil has a funny way of making his presence known. You will sense him but not exactly see him, only for a glimmer in the corner of your eye.

“Disappearance at Devil’s Rock,” is a 336-page hardcover published by William Morrow, an imprint of Harper Collins and available as of June 21st. For more details, visit Harper Collins right here.

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Filed under Book Reviews, Books, Harper Collins, Horror, Paul Tremblay, Satan

Preview: MACK STUCKEY’S GUIDE TO THE CENTER OF THE UNIVERSE

MACK STUCKEY’S GUIDE TO THE CENTER OF THE UNIVERSE

MACK STUCKEY’S GUIDE TO THE CENTER OF THE UNIVERSE

MACK STUCKEY’S GUIDE TO THE CENTER OF THE UNIVERSE is a new project that I want to share with you. It is an illustrated novel by Jennifer Daydreamer and Henry Chamberlain. This is a dark comedy about Seattle that will be coming out later this year. More details to follow. Here is a synopsis along with an excerpt.

What It’s About:

Seattle, 2014. Mack Stuckey is stuck in a rut. He’s twenty-three-years-old, still lives at home, hates his job and has no girlfriend.

Mack is a blue collar type with a penchant for books. He’s from a family of fishermen and lives in a neighborhood called Ballard. He has to work in Fremont, a tech hub, where he’s a lowly security guard at the giant game conglomerate, Game Needle.

Mack stumbles into a friendship with the suave Devon Rush, one of the high-powered suits at Game Needle. Things are looking up in his life until he realizes Devon’s new romantic conquest is the girl he’s falling for, none other than the beautiful Jupiter Fellows.

Jupiter is one of Fremont’s most alluring hippies. As the two guys compete for her, Mack’s life becomes a roller coaster. Before they know it, Jupiter cajoles Mack and Devon to partake in a threesome.

Mack Stuckey’s Guide to the Center of the Universe is a dark comedy exploring the new realities in our economic times. There’s plenty of sex and foul language, therefore, FOR MATURE READERS ONLY.

Mack Stuckey stuck in a rut.

Mack Stuckey stuck in a rut.

Excerpt:

The siren sounds. I stare at the bridge. The skies, the mountains, the waters, are all a thick painted grey. I run, head down, as if the clouds are pressing against me. Shadows descend. My vision darkens. I know a storm will hit.

Washington State is a tease. The truth is it does not rain much here; we are just taunted with pregnant skies for months on end. And, yes, you will hear this fact about the weather in every Tom and Dick book out there about Seattle. But most of you don’t read, so I’m filling you in.

It’s grey most of the year and when the rain decides to happen it happens in annoying spurts as its usually polite fucking rain. Like it will start to rain in the evening when most people are lucky enough to be home from work. Or it will rain like hell in the middle of the night, where you are warm and dry and can hear the motherfucker lighting and all, from the safety of your home.

If you’re lucky and your roof doesn’t leak, you can enjoy thinking of all the greenery and how the rain is, you know, a supernatural phenomenon, because the pounding on your rooftop and on the ground, is FUCK YEAH UNBELIVABLE.

It gets your mind spinning at night, a rain to meet head on with in a forest, like you’re Indiana Jones. But you’re not Indiana Jones. You’re a fat lazy twenty-three-year-old fuck, a bear, lying in bed, in your mom’s old faded blue home, fantasizing about Indiana fucking Jones, running and slipping and jumping in the jungle and the rain and all. You’re wide awake from drinking too much coffee that day and therefore you’re an irresponsible lazy ass northern bear not getting enough sleep for the job you gotta go to tomorrow.

But, right here, right now, on top of the Aurora Bridge while I frantically blow my whistle as uncaring cars drive by puffing exhaust into my face, the rain turns the oil on the road into nasty slick circles which makes me slip.

I go down.

The cops descend on me, lift me up off the ground, chide me that I’m not one of them and then nudge me along back to my job. I’m not one of them alright.

I’m a lousy security guard. Deflated, I walk back to work in a downpour.

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Filed under Books, Henry Chamberlain, Humor, Jennifer Daydreamer, Satire, Seattle

Review: DIVINITY II #3 (of 4)

Divinity II #3 variant cover by Carmen Carnero

Divinity II #3 variant cover by Carmen Carnero

DIVINITY II is a satisfying time travel thriller. I love a good time travel tale and this series from Valiant takes us to some very interesting places. You can well imagine that if Vladimir Putin was ruling over the only superpower on the planet that he’d be quite alright with that. A chilling thought but just the right frame of mind to enjoy this comic. Great script by Matt Kindt and a very kinetic style to the artwork by Trevor Hairsine.

A whisper in Gorby's ear.

A whisper in Gorby’s ear.

We have one rogue character, cosmonaut Myshka, with the potential to shift the balance of power in favor of the Soviet Union that she so dearly misses. Hey, you learn quick that changing history is not exactly a piece of cake. You can’t just whisper into a world leader’s ear, suggest a change of course, and then expect to de-wrinkle a moment in time. Just not gonna happen. Of course, you need a very persistent sort to keep trying and that’s our Myshka. She’s set to give pep talks to everyone from Stalin to Gorbachev. Stay resolute, dudes, Communism is here to stay!

Fun stuff! We’ve seen way too many time travel tales about killing Hitler and saving JFK. That said, I wouldn’t mind a whole series, at least a one-shot issue, dedicated to Jeb Bush going back in time to kill baby Hitler. You remember Jeb Bush, right? Oh, how time flies!

Awesome variant cover by Carmen Carnero.

DIVINITY II #3 is available as of June 22nd. For more details, visit Valiant Entertainment right here.

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Filed under Comics, Comics Reviews, Communism, History, Matt Kindt, Russia, Time Travel, Valiant Entertainment

Seattle Focus: The Crocodile’s 25th Year

What we can always use is more love. Here is something special put together by cartoonist Noel Franklin that touches the heart of all us Seattle locals. This is Noel’s tribute to one of our great landmarks, one of the best music venues in town, The Crocodile nightclub. Here is a link back to where it appears at Seattle Weekly.

Noel Franklin's tribute to The Crocodile in Seattle Weekly

Noel Franklin’s tribute to The Crocodile in Seattle Weekly

And be sure to keep up with Noel Franklin right here.

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Filed under Comics, Music, Noel Franklin, Seattle, The Crocodile