Jackson Pollock can still be a slap in the face for some art elitists, and that’s just as it should be. In a lively new art series by Laurence King Publishing, we get a clear picture on one of most significant artists among the Abstract Expressionism movement.
I was at a party, only a few years ago, when a discussion on art began to take shape. Our host, I recall, had a problem with any art outside his traditional taste and this guy, although young, was already quite a conservative old fogey. He lambasted Pollock. I, in turn, explained to him that Pollock’s drip paintings were, in part, a complex dance with paint. Many have attempted to emulate a Pollock drip painting and have failed. The best I could get out of my friend was a nod and wink and his suggestion that I had a perfect conversation chestnut to use at parties. Of course, he was dead wrong. Pollock is no party favor.
I wish I had this book to hand out to everyone at that party. Maybe it would have changed minds. Maybe it would have provided information that was new and compelling. As in her book on Warhol for this series, Catherine Ingram tells it like it is. She gives us an intimate picture of Pollock growing up, albeit a rather bumpy ride. And she fills in the gaps on how Pollock grew as an artist and how he came to lead the charge in contemporary painting. His drip paintings would prove to not only take the art world by storm but the general public as well. Peter Arkle provides poignant as well as whimsical depictions of Pollock’s life in the graphic novel-style presentation.
For an artist with a reputation for being a “bad boy,” Pollock actually desired solitude. He found that in the woods of Long Island, along with his wife, the artist Lee Krasner.
Pollock remains a powerful force even today. All it takes is the latest “rediscovery” of his paintings. You can read about one of Pollock’s earliest drip paintings returning to the Peggy Guggenheim Collection in Venice right here.
Learn more about this fun and informative new artist series by visiting our friends at Laurence King Publishing right here.
Book Review: ‘To Marry Medusa’ by Theodore Sturgeon
“To Marry Medusa” takes us further into the ideas explored in Theodore Sturgeon’s landmark novel from 1953, “More Than Human.” I reviewed that recently and you can read that here. Five years later, in 1958, “To Marry Medusa” finds us with one unconventional character, Dan Gurlick, instead of an ensemble of damaged misfits. The main idea is that we all have worth. Even Gurlick who, as his very name suggests, is quite an unsavory figure. This is a completely different and separate story from “More Than Human” but carries on that same humanist spirit.
Gurlick is as far down the heap as you can go: a illiterate homeless alcoholic with the thinnest grasp on reality. But, as Sturgeon would be happy to point out, he is still a member of the human race. Yes, …but. He’s human but he behaves more like an animal and pushes to the limits anyone’s tolerance for him.
And when an extraterrestrial being emerges, in pursuit of a human host, it is Gurlick who it stumbles upon and places the fate of humanity in his hands. As far as this entity, “the Medusa,” is concerned, Gurlick is as good as any other human to achieve its goals. Without a second thought, Medusa simply needs to plug into Gurlick and use him to plug into the rest of the humans and take over Earth. It really should be as simple as that, once a few details are carried out.
Medusa is a hive mind and has always been able to conquer other beings, once converted into hive minds. Why would humans be any different? The first mistake Medusa makes is attaching itself to Gurlick. In turn, Medusa finds humans to be a most unpredictable species. They are smarter than given credit for. They are more resilient than first believed to be. And they are more capable of fighting back than ever expected.
In a beautiful fable-like story, Sturgeon evokes human activity across the globe with vignettes of various characters. We see them at a bit of distance, never get too close to them other than to get a sense of their dreams and struggles. For a good part of the novel, we alternate between a profile from somewhere on Earth, whether it’s within an African tribe, or an Italian village, to the latest phase in the odd pairing between Medusa and Gurlick.
Sturgeon has such a seemingly effortless style. Every description and dialogue follows what appears a seamless path. Highly readable, Sturgeon’s work grapples with incredibly complex notions. He clearly loves his characters and it’s Gurlick who he loves the most. The guy can barely form a thought. He’s so limited and primitive as to be more suitable to another place and time other than a contemporary American city. When he’s out attempting to do Medusa’s bidding, he sounds insane, more so than usual. Medusa and Gurlick, no doubt, make for a delicious coupling of high an low.
We are given every indication that humanity will survive. However, it may not be as planned. For one thing, the hive mind perspective proves to be enlightening beyond measure. In fact, humans find that they can accomplish far more as a group than they ever could as individuals. Does that sound familiar? Well, sure, it’s us today on the Web, isn’t it? As Gurlick demonstrates, maybe we’ll always only be as strong as our weakest link. And Sturgeon never even once mentions a computer.
You can find “To Marry Medusa” over at Amazon right here.
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Filed under Book Reviews, Books, Hive Mind, Sci-Fi, science fiction, Theodore Sturgeon
Tagged as Book Reviews, Books, Entertainment, Hive Mind, Internet, Media, Pop Culture, Sci-Fi, Science Fiction, Social Commentary, society, Theodore Sturgeon