Tag Archives: Protest

Joshua Boulet at Exterminator City, Push/Pull Gallery, Seattle

As any card-carrying local artist and cartoonist should do, I went down to check out the indie comic show Exterminator City, part of Push/Pull Studio & Gallery here in the Phinney-Greenwood neighborhood of Seattle. Exterminator City is put together by Push/Pull member, Seth Goodkind, who is a local cartoonist and published illustrator.

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Plenty of stellar talent including Allen Gladfelter, Adam Lynn, Megan Noel, Noel Franklin, Scott Faulkner, and Eli Tripoli, to name a few. Coming off the heels of my awesome time at Hempfest last weekend, it was perfect timing to meet up with Joshua Boulet. He’s a fine example of how cannabis and comics mix quite well. In this video interview, Joshua is kind enough to share his sketchbook. BTW, I picked up his “Draw Occupy Wall Street” which I will review in a future post!

"I MET TOMMY CHONG!" by Joshua Boulet

“I MET TOMMY CHONG!” by Joshua Boulet

Here at Comics Grinder, we’ll keep exploring the interconnections between comics and cannabis as well as cannabis in general from time to time. You could say that both comics and cannabis remain somewhat misunderstood by the general public while also receiving a general thumbs up. That said, we can tackle both subjects thoughtfully and respectfully one post at a time.

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Now, let’s focus on the venue for this comics event. Exterminator City was made possible by the Push/Pull Gallery. My heart goes out to them as both an artist and a curator. For many years, I curated art shows at Glo’s Diner with an emphasis on fringe art, specifically alternative comics. Well, Pull/Pull is ready to take things to a new level as they move toward a permanent home. With your help, Push/Pull will achieve its goal through its Kickstarter campaign, which closes on September 4, 2015, that you can visit right here.

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Filed under Alternative Comics, Comic Arts Festivals, Comics, Comix, Exterminator City, Independent Comics, Indie, Joshua Boulet, mini-comics, Minicomics, Push/Pull Studio & Gallery, Seattle, Underground Comics

Occupy Google and Saving The Internet

Occupy-Google-Net-Nuetrality-2014

If you don’t take a stand for net neutrality, corporations, like cable companies, are more than happy to sound off against it by creating fake people’s campaigns. Corporations are people too, right? Time is running out to make YOUR VOICE heard in the latest test to a free Internet.

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Filed under Internet, Net Neutrality

Interview: Paul Buhle and ‘Bohemians: A Graphic History’

Drawing of Paul Buhle by Steve Chappell

Drawing of Paul Buhle by Steve Chappell

Paul Buhle is busy these days with various comics projects. He is truly a friend to cartoonists. And, as we find out in this interview, there’s a good story behind that. In fact, there’s plenty to talk about when you engage in a conversation with Paul Buhle. Today, his latest book, co-edited with David Berger, is out and avaiable, “Bohemians: A Graphic History,” a 304-page comics anthology that explores the world of bohemians in America from about 1850 to 1950 (my review here). It is published by Verso Books and you can find it here.

Paul Buhle retired a few years ago from Brown University where he lectured on History and American Civilization. He has written and edited numerous books on labor, culture, and radicalism. Now, Mr. Buhle finds a good portion of his time devoted to editing books that tell their stories through comics.

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Filed under Bohemians, Comics, Comics Anthologies, Comics Reviews, Culture, History, Interviews, Verso Books

Interview: Keith Knight Talks About ‘The K Chronicles’ and the Cartoonist’s Life

Keith_Knight_Cartoonist

Keith Knight is one very funny, and profound, cartoonist. What is the secret to his success? Consider this life lesson: It is all in the doing. It applies in art school, law school, med school, any kind of school. “I’ve been doing this for years,” said Keith to a question I put to him about his success. That comment says it all. It is a part of this interview that stays with me. Knight has created a wonderful life for himself that includes making a living as a cartoonist. He has done it with style and become a significant voice. And he is easy to find and to keep up with, especially with his special subscription service you can check out here.

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In this interview, we talk about activism in comics as well as the nature of humor. We go over a long and rewarding career. And we look at some exciting things that lie ahead, like Keith’s first full-length graphic novel, “I Was A Teenage Michael Jackson Impersonator.” Keith has also branched out into live action videos which bring his comics to life. And there is a comedy show, based on Keith’s life as a struggling cartoonist, that is being pitched so we’ll see how things go.

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Keith Knight has three comic strips he regularly creates, there are two weekly strips, “The K Chronicles” and “(Th)ink.” And there’s the daily, “The Knight Life.” He also has strips in Mad Magazine: “Father O’Flannity’s Hot Tub Confessions” and “Bully Baby.”

The-Knight-Life-Keith-Knight

Also in this interview, Keith jokes about his focus being, “the fight for a more decent cartoonist’s wage.” Certainly, his concern is over the same stuff most folks worry about: healthcare, education, and “not being condemned if you’re poor or low-income.” When asked about his thoughts over his legacy, Keith’s mind turns to the 500-page collection of “The K Chronicles,” published by Dark Horse Comics and that you can take a look at here.

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Just click below to listen to the interview:

If you’re in the San Francisco area, you can stop by and visit with Keith at the Alternative Press Expo on October 12 and 13.

And you can also listen to Keith on Totally Biased with W. Kamu Bell on FXX, broadcast live on Tuesday, October 22.

Keep up with Keith Knight at The K Chronicles site here and The Knight Life site here.

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Filed under Comedy, Comic Strips, Comics, Keith Knight, Political Cartoons, politics, Protest, Race, Race Relations, Social Commentary, Social Justice

Keef Knight’s First Live-Action Comedy Video: UNIQUE ANTIQUE

KEEF KNIGHT‘s hilarious and insightful comic strip, “The K Chronicles,” is a prime example of how to speak truth to power and get people thinking and taking action. Now, Keef has a hilarious video for your consideration, with more to come, no doubt. But, first, this one is definitely going to make you think…and laugh.

More essential info directly from Keef Knight:

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Filed under Comics, Humor, Keef Knight, Protest, Satire, Social Commentary, The K Chronicles

Interview: STEPHANIE McMILLAN and Activism in Comics

Stephanie-McMillan-comics

Stephanie McMillan is an important voice. She is doing her part to make this a better world through her activism and her comics. And, fortunately for us, those two passions turn into some very compelling work. Her latest collection of comics, “The Minimum Security Chronicles: Resistance to Ecocide,” is published by Seven Stories Press. This book is a 160-page trade paperback priced at $12.71 and is set for release on October 8, 2013. Be sure to visit our friends at Seven Stories Press here and visit Stephanie McMillan here.

The following is an extensive email interview that I hope you’ll enjoy and be inspired by. What really motivates our actions? What sort of world do we accept and what sort of world could we aspire to? These are some of the ideas up for discussion in this interview.

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Filed under Comics, Occupy movement, One Struggle, Political Cartoons, politics, Protest, Seven Stories Press, Stephanie McMillan

Review: ‘The Beginning of the American Fall: A Comics Journalist Inside the Occupy Wall Street Movement’

The-Beginning-of-the-American-Fall-Stephanie-McMillan

“The Beginning of the American Fall: A Comics Journalist Inside the Occupy Wall Street Movement” does a remarkable job of giving you a sense of the Occupy movement by placing it into proper context. Yes, there is a healthy and vigorous unrest across the globe but what to do about it? At some point, the spirit of protest from the 1960s began to seem like a relic. There was the yuppie backlash of the 1980s. And there was a strident cynicism from Generation X that found Baby Boomers, on the whole, to be self-indulgent navel gazers of the highest order, especially when it came to their politics and activism. They are a tough crowd, those Gen Xers but that harsh critical outlook led to a whole new Do-It-Yourself movement. And from that, arose another generation with strong opinions, Generation Y, or the the Millennials. With social media and gadgetry at their command, this new generation finds itself all the more connected while also all the more self-absorbed.

This bring us back to the recent past and the present. Are people most likely to steer their own lives within relative safety and comfort or do they take notice of the social unrest they see on the news from time to time? That is the question that the author of this book had to pose to herself while still in high school in the early 1980s. Stephanie McMillan picked up a book that would change her life. It was “Fate of the Earth,” by Jonathan Schell which lays out the prospect of nuclear war and how nations are willing to put the planet at risk for the sake of warmongering. This galvanized McMillan into a life of activism. Shortly after that book, she read the newspaper, the Revolutionary Worker. This planted the seed in her mind that the solution to social ills would ultimately come through revolution. Thirty years later, and with plenty of experience in what is possible through protest, McMillan was to finally see in her lifetime a people’s movement on a grand scale.

McMillan sets the stage for us by highlighting some of the key characteristics of 2011, the year that the Occupy movement took hold:

Occupy-Wall-Street-Year-2011

Occupy-movement-2011

2011 is so recent that it may as well be today and at least the next few years ahead. It’s not a pretty picture, is it? Corporate greed goes unchecked, will continue to go unchecked, and people and the planet suffer for it. When McMillan goes into details about the rise of the Occupy movement, there is a palpable sense of urgency. We are drawn into her concern that the movement she had favored, “Stop the Machine,” was soon to be overshadowed by the rowdy new kid on the block, Occupy. It’s clear these are two very different approaches. Stop is highly organized and has a leadership structure. Occupy is founded on anarchism and relies upon collective decision-making. Will they be able to work together? Or will they work against each other? In a wonderful series of exchanges, McMillan draws for us how a people’s movement finds its way. Her illustrations are funny, irreverent, and quite honest. While she’s a participant in this story, she doesn’t shy away from depicting the inconsistencies, bickering, and mistakes that occur along the way.

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Occupy-Wall-Street-movement

Beginning-American-Fall-McMillan

McMillan’s main concern is on the eventual work ahead. Throughout this book, we are treated to a treasure trove of insights, facts, and ideas on some of the best options when attempting to do the most good with the energy of mounting social unrest. McMillan boils it down to an unquestionable need to rid ourselves of global capitalism. It is capitalism that is the problem. But just how do you rid yourself of capitalism? Aren’t we all, at heart, hapless consumers? As Pogo, the celebrated comic strip character once said, “We have seen the enemy and the enemy is us.”

It is as if a goal is being proposed that is unattainable. Are we seeking to change the world or just a part of it? The answers are not all there but at least we’re asking questions. The very act of questioning is part of the answer! We are not mindless drones. It’s a fundamental impulse to resist oppression. This book proves to be an essential guide in this great new age of change.

“The Beginning of the American Fall” is published by Seven Stories Press. It is a 141-page trade, priced at $12.71 US. Visit our friends at Seven Stories Press here.

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Filed under Comics, Graphic Novel Reviews, graphic novels, Occupy movement, Protest, Seven Stories Press, Stephanie McMillan

Interview: FAR OUT ISN’T FAR ENOUGH: THE TOMI UNGERER STORY: Brad Bernstein, director and writer; Rick Cikowski, lead editor and lead animator

"Doctor Strangelove"  Movie Poster. Artwork by Tomi Ungerer.

“Doctor Strangelove” Movie Poster. Artwork by Tomi Ungerer.

FAR OUT ISN’T FAR ENOUGH: THE TOMI UNGERER STORY is a masterfully created documentary that will hit you on many levels. It is eligible for an Academy Award nomination for Best Documentary and deserves that level of recognition for being so careful to detail with its subject, artist Tomi Ungerer.

I had the honor of speaking with both Brad Bernstein, the film’s director and writer, and Rick Cikowski, the film’s lead editor and lead animator. Both men expressed their love for Tomi Ungerer and provide insight into the making of this impressive documentary, distributed by First Run Features.

For me, I can appreciate what happened to Tomi Ungerer when I look at the iconic poster he created for “Doctor Strangelove.” That poster, much like his “Black Power, White Power” poster are forever part of one’s psyche. And yet, in America, Ungerer’s work in children’s books is not widely known today. That work is just as powerful and was just as well known in its day, as anything else he has created. Thanks to Phaidon, we have many of his great works being reprinted in the United States. But, for decades, it was as if he’d been wiped out of memory in America. How could that be? That is a big part of the fascinating story that unfolds in this documentary.

Tomi Ungerer is a great talent and, for a man who has had a lifelong battle with fear, he is a most courageous man. For someone who grew up under the horror of the Nazis, and went on to conquer the world of illustration in its heydey in New York City, that alone is remarkable. But going that far out, wasn’t far enough for Ungerer.

“Far Out Isn’t Far Enough” brings together a seamless narrative boiling down numerous hours of interviews with Tomi Ungerer, Jules Feiffer, the late great Maurice Sendak, as well as other notable figures like art director and critic Steven Heller. Throughout the film you are treated to very deftly purposed animation that strikes the right cord, whether humorous or somber.

As Brad Bernstein explains, the initial attraction to Tomi Ungerer was his spirited expressions like, “Far Out Isn’t Far Enough.” That really says it all. Ungerer is a man who speaks his mind and does it quite well. His life and work are a testament to a strong will and this documentary honors that spirit very well.

You can listen to the interview with Brad Bernstein and Rick Cikowski by clicking the link below:

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And, as the say, tell your friends and spread the word about this documentary. You can visit the official site here and also follow on Facebook and Twitter.

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Filed under Art, Art books, Children's Books, Design, Documentaries, Erotica, Illustration, movies, pop culture, Protest, Social Commentary, Tomi Ungerer

FREE COOPER UNION: STUDENTS TAKE OVER PRESIDENT’S OFFICE

Free Cooper Union Black Banners

Free Cooper Union Black Banners

The fight is on to keep Cooper Union tuition free as was the explicit understanding of its founder, Peter Cooper. Following in the time honored tradition of a student “take-over,” students at Cooper Union are fighting to maintain a historically tuition-free education at one of the leading institutions of higher learning in the country.

Student Take Over of Office of President of Cooper Union, May 8, 2013

Student Take Over of Office of President of Cooper Union, May 8, 2013

Founded in 1859, Cooper Union has three schools, Art, Architecture, and Engineering. Notable alumni of the Cooper Union School of Art incude Seymour Chwast, Milton Glaser, Eva Hesse, Alex Katz, and Hans Haacke.

Follow developments on the move to Free Cooper Union at Twitter and at the Village Voice.

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Filed under Art, Capitalism, Cooper Union, Education, New York City, news, Occupy movement, Protest

Book Review: DISCORDIA By Laurie Penny and Molly Crabapple

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“Discordia: Six Nights in Crisis Athens,” written by Laurie Penny and illustrated by Molly Crabapple, are recent notes from the underground, published in October of 2012, that remain quite relevant to this unfolding story. As much as things seem to move at a breakneck pace, and trends seem to abruptly shift, some truths are here to stay. It was on September 17, 2011, not very long ago at all, that Occupy Wall Street galvanized a new generation of protesters seeking a better world. That spirit of change rippled across an unstable world. In the summer of 2012, the focus fell on Athens, the hotspot of the global financial meltdown. The highly corrupt Greek government was especially hit hard when its debt-addled financial chickens came home to roost. The Greek government’s response to the crisis was a series of severe austerity measures. Riots and chaos followed.

Journalist Laurie Penny saw an opportunity to document firshand a significant hisotrical event and invited illustrator, Molly Crabapple, to join her. Much like a teaming up of Hunter S. Thompson and Ralph Steadman, Penny and Crabapple immersed themselves in the subject at hand prepared to report back on what they found: the violence, the drugs, the sex, and the intimate thoughts of a lost generation. It is a remarkable undertaking with impressive results. And you need to read this 140-page ebook. You can find it here and you can also seek out more information on the publisher, Random House Vintage Digital, over here.

Molly Crabapple and Laurie Penny find themselves in Greece right after the elections and the narrow defeat of the leftist coalition, SYRIZA. That coalition was seen as the best hope for dealing with the crisis. Instead, an ineffectual government makes matters worse. The rise of a facist party, Golden Dawn, having gained seven percent of the seats in parliament, signals even more dire times ahead. There is no doubt that Golden Dawn is neo-Nazi. Reporting from the bloody streets of Nikaia, Penny finds numerous murders of immigrants directly linked to Golen Dawn. After she uploads some video footage of the violence, she gets a chilling response back in Greek: “Don’t cry. Soon the time for hunting Pakistanis will begin in earnest.”

Penny does a great job of sharing her personal observations. Make no mistake, this has gotten personal for both Penny and Crabapple. This is subjective reporting getting to the heart of the action in the spirit of gonzo journalism. We are brought intimately close to Greek citizens of various walks of life. The prevailing fear is that Golden Dawn is, as the saying goes, “winning the hearts and minds of its countrymen.” Despair hangs heavy over those who would resist. We sympathize as we take in conversations and take in a view of Athens amid dark highrises, due to an ordered cutback on electricity. The haze from the shallow bowl of pollution is only releived by the Aegean Sea twinkling in the distance.

What lies ahead is a desire to fight on. If the left is not getting through to the masses, then the left must learn to more actively engage. If the general public has concluded that the Occupy movement was a flash in the pan, Penny is hear to tell you that this is not true. In the last year, Penny reports, there’s been a systematic global police crackdown. In North America alone, there have been 7,500 protesters arrested. But the protesters are not done yet. Penny sums it up with a line from the Bible, from Jeremiah: “The harvest is past. The summer is ended, and we are not saved.” It is not meant to be read as defeat but as a fact that the struggle continues.

And if you should think that all of this is not your problem, the coda to this book is very apt. Penny describes what happened once she and Crabapple had returned to New York City. It was on September 17, 2012, the first year anniversay of the Occupy Wall Street demonstrations. This is what happened, the text read round the world: There is Molly Crabapple, neo-Victorian cartoonist simply standing on a street corner when she decides to take a snapshot of the NYPD’s tidy work at pushing back protesters. For this, Crabapple is plasticuffed and sent to jail. She manages to Tweet: “Arrested.” Housed in a cell with other women who had been picked off the street for doing the same thing, Molly Crabapple is jailed for twelve hours. When simply taking a photo lands you in jail, you really have to wonder where we’re headed.

Be sure to pick up your digital copy of “Discordia” and, if you happen to be in New York, you’ll want to view a special art show of Molly Crabapple’s work related to Occupy and beyond entitled, “Shell Game” at Smart Clothes Gallery. You can read more about it here.

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Filed under Gonzo Journalism, Hunter S. Thompson, Journalism, Laurie Penny, Molly Crabapple, news, Occupy movement, Ralph Steadman